The Appleton North NOCTILUCA Appleton, Wisconsin October 2012 Vol
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AGENDA December 10, 2015
Mayor: Dennis Norton Vice Mayor: Ed Bottorff Council Members: Jacques Bertrand Stephanie Harlan Michael Termini Treasurer: Christine McBroom CAPITOLA CITY COUNCIL REGULAR MEETING THURSDAY, DECEMBER 10, 2015 7:00 PM CITY HALL COUNCIL CHAMBERS 420 CAPITOLA AVENUE, CAPITOLA, CA 95010 CLOSED SESSION - 6:15 PM CITY MANAGER’S OFFICE An announcement regarding the items to be discussed in Closed Session will be made in the City Hall Council Chambers prior to the Closed Session. Members of the public may, at this time, address the City Council on closed session items only. There will be a report of any final decisions in City Council Chambers during the City Council's Open Session Meeting. CONFERENCE WITH LEGAL COUNSEL - EXISTING LITIGATION (Govt. Code §54956.9) (One case) Water Rock Construction, Inc. v. City of Capitola [Arbitration Claim] CONFERENCE WITH REAL PROPERTY NEGOTIATOR (Govt. Code §54956.8) Property: 2091 Wharf Road, APN 034-241-05, Capitola, CA City Negotiator: Jamie Goldstein, City Manager Negotiating Parties: Joseph K. and Debbie A. Genge Under Negotiation: Terms for potential purchase of property by City CONFERENCE WITH LABOR NEGOTIATOR (Govt. Code §54957.6) Negotiator: Jamie Goldstein, City Manager Employee Organizations: (1) Association of Capitola Employees; (2) Capitola Police Captains, (3) Capitola Police Officers Association, (4) Confidential Employees; (5) Mid- Management Group; and (6) Department Heads City of Capitola Page 1 Updated 12/4/2015 3:16 PM CAPITOLA CITY COUNCIL REGULAR MEETING AGENDA December 10, 2015 REGULAR MEETING OF THE CAPITOLA CITY COUNCIL – 7:00 PM All correspondences received prior to 5:00 p.m. on the Wednesday preceding a Council Meeting will be distributed to Councilmembers to review prior to the meeting. -
Together We Prepare Oregon
This booklet will guide you through the steps you and your family need to take to be self-sufficient for the first three days after a major disaster. By taking these steps, you’ll be able to respond safely and with confidence in a variety of emergency situations. SIMPLE STEPS THAT CAN SAVE LIVES Make a plan This guide talks extensively about different disasters that could affect the Pacific Northwest. Having a plan in place will make it easier to locate or communicate with your loved ones. The more you have planned ahead of time, the calmer and safer your family will feel in an emergency or disaster (page 3). Build a kit Building a three-day emergency supplies kit is an important first step in preparing. This booklet explains what to put in your kit; how to store it; and why it is vital that each family has at least one kit for home, work and car. You can build a kit or buy one from your local Red Cross (page 5). Get trained In the event of a disaster, emergency medical response may be delayed for numerous reasons. While precious minutes slip by, your emergency training could mean the difference between life and death. For class descriptions, times and costs, contact your local Red Cross chapter (page 8). Volunteer Every day, Red Cross volunteers make a difference in our community. They help provide disaster relief, collect lifesaving blood and assist people in preventing, preparing for and responding to emergencies. Consider giving your time and talent to people in need (page 9). -
“Fuck with Kayla and You Die” by Louise Erdrich
“Fuck With Kayla and You Die” by Louise Erdrich Louise Erdrich; (born Karen Louise Erdrich, June 7, 1954) is an American author, writer of novels, poetry, and children's books featuring Native American characters and settings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians, a federally recognized tribe of the Anishinaabe (also known as Ojibwe and Chippewa). Erdrich is widely acclaimed as one of the most significant writers of the second wave of the Native American Renaissance. She is also the owner of Birchbark Books, a small independent bookstore in Minneapolis that focuses on Native American literature and the Native community in the Twin Cities.[7] Roman Baker stood in the bright and crackling current of light that zipped around in patterned waves underneath the oval canopy entrance to the casino. He wasn't a gambler. The skittering brilliance didn't draw him in and he was already irritated with the piped-out carol music. A twenty, smoothly folded in his pocket, didn't itch him or burn his ass one bit. He had come to the casino because it was just a few days before Christmas and he didn't know how to celebrate. Maybe the electronic bell strum of slot machines would soothe him, or watching the cards spreading from the dealer's hands in arcs and waves. He took a step to the left, toward the cliffs of glass doors. As he opened his hand to push at the door's brass plate and enter, a white man of medium height and wearing a green leather coat pressed his car keys into Roman's palm. -
New Account Application Passbook Savings Account
New Account Application Passbook Savings Account School: ___________________________________________________________________ Child’s Full Name: _________________________________________________________ Teacher Name and Class #: ________________________________________________ Social Security #: ___________ - ________ - ___________ Date of Birth: Month ______________ Day ________ Year ___________ Parent (Custodian) Full Name: _____________________________________________ Parent Social Security #: ___________ - ________ - ___________ Parent Date of Birth: Month ______________ Day ________ Year ___________ Parent Address: ___________________________ City ___________ Zip __________ Parent Home Telephone #: ( ) ________ - ___________ Parent’s Mother’s Maiden Name: ___________________________________________ (Please attach photo copy of Driver’s License) Driver’s license #:________________________ State issued: _____________________ Issue Date: ______ - ______ - ________ Expiration Date: ______ - ______ - ________ Employer:_________________________ Address:_________________________________ Work Telephone #: ( ) ________ - ___________ Please complete and return this form with a copy of the parent’s or custodian’s ID, and cash or check (check payable to your child) as an opening deposit in the envelope provided. Upon receipt and verification, we will return the Passbook with a signature card and enve- lope (for future deposits). We will also include the required disclosures. You may also fill out the paperwork at any of our Milford Offices. Future -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Schedule of Deposit Account Charges and Market Accounts
Up Passbook CD have a $1,000 minimum opening deposit. subject to Bank consent and a substantial penalty. Posted The Interest Rate and Annual Percentage Yield established for earnings may be withdrawn without penalty. Please see the Information: For information on People’s United products, your account will not be changed by the Bank during its term Consumer Deposit Account Agreement for details regarding to change the term of your CD, or for current rates, call us Schedule of Deposit (“guaranteed”). You may change or “bump-up” the interest withdrawal penalties. at 1-800-772-1090. Or speak with a Customer Banking rate once during the original Bump-Up CD term. The new Representative at any office of People’s United Bank. Account Charges bump-up rate will match the interest rate currently in effect at the time the bump-up option is exercised for the comparable non-promotional People’s United Bank CD term, will be in Retirement, Education You can also contact us online at www.peoples.com and effect for the remainder of the original term, and will not be and Health Savings Plans 1 We limit the total Overdraft and Uncollected Fees we charge to Deposit Accounts retroactive. To request this change, you must visit a branch or There is a $50 fee for processing a transfer to another your account (whether paid or returned) to a maximum of 5 per call us at 1-800-772-1090. custodian/trustee from an IRA, SEP/IRA, Roth IRA, Keogh, day. We will not charge you an Overdraft or Uncollected Fee if, after Schedule of Interest Corporate Business Retirement Plan, Coverdell Education all items have been posted at the end of day, your account is Fixed Rate Accounts overdrawn by less than $5. -
2017 Burdell's School of Entrepreneurship
2017 BURDELL’S SCHOOL OF ENTREPRENEURSHIP B U S I N E S S WELCOME TO WHAT TO EXPECT? There's no way to condense the magnitude of BSOE, but simply put, you should expect: A whole lot of fun Potential employers, collaborators, mentors, and friends A fast track to developing your business and brand Business and life lessons from peers, not professors Balance your education or employment with entrepreneurship Free business head shots, (always a plus!) Think of it as your favorite business class.... on steroids Maybe, you're an entrepreneur or an aspiring entrepreneur and you need support, guidance, and mentorship in starting your business, non-prot, or initiative. Maybe, you're an established young start-up and are looking for networking opportunities in the Atlanta area, events to attend, and just want to add some tools to your business toolbox. Maybe, you are looking to support black businesses - but you just can't seem to nd them. Maybe, you are a business that recognizes the need to cultivate our next generation of black entrepreneurs. This startup conference is where some of the best and brightest minority entrepreneurs give practical tactics on growing your business, no matter what stage of the process you are in. For high school and college current and aspiring entrepreneurs, as well as young professionals, BSoE is a high-intensity, interactive (and fun) conference to help you change the face of entrepreneurship. BSOE SPONSORS BSOE PARTNERS SPECIAL THANKS Vice President of Operations at Noirbnb, an online home sharing, venue rental, and event networking platform. -
Steal the Show in SXSW Performance
Lifestyle FRIDAY, MARCH 14, 2014 Kanye, Jay Z steal the show in ‘Honky Tonk Women’ SXSW performance amsung got its money’s worth from Jay Z too dirty for and Kanye West. Two of rap’s top stars com- Sbined for a powerful, hit-filled two-hour show Wednesday night and yesterday morning China as song ‘vetoed’ during South By Southwest, allowing Samsung to steal some of iTunes’ luster at the annual music he sexual lyrics of “Honky Tonk Women” the reaction from the Shanghai audience was conference and festival. Samsung announced the were apparently too much for China’s muted. “He didn’t play it for shock,” said Austin Music Hall show early this week and Communist fathers as the Rolling Stones Andrew Chin, a local arts writer who attended. scheduled the pair at the same time as the iTunes T Festival’s hip-hop night that featured Kendrick said the chart-topping song was “vetoed” for “People were just excited to see the Stones.” Lamar and ScHoolboy Q at the very nearby ACL their second ever show in the country on China censors content it deems to be politi- Moody Theater. The performance came a few Wednesday. “About now we’d usually play cally sensitive or obscene. Authorities have weeks after West called out Apple CEO Tim Cook something like ‘Honky Tonk Women’... but it’s been especially sensitive about live concerts been vetoed,” front man Mick Jagger said at since Bjork chanted “Tibet” during her song Wednesday’s show, according to a posting on “Declare Independence” in 2008. -
Keeping Business Moving
Financial Services and SIDM Range KEEPING BUSINESS MOVING FINANCIAL SERVICES PRODUCT RANGE Epson is the world’s largest manufacturer of printers for banks and post offices with a product range that offers the ultimate in high speed, low cost, reliable and durable printing across all stationery types. Ideal for back office, cheque processing, and multi-part stationery, for which there is simply no alternative other than impact printing. EPSON 9-PIN DOT MATRIX PRINTERS Ideal for commercial, industrial and logistic applications, Epson’s 9-pin dot matrix range offers excellent print quality for a competitive price. Combining high precision alignment and sophisticated paper handling, this comprehensive range of narrow and wide carriage 1 printers can tackle even heavy duty print jobs. EPSON 24-PIN DOT MATRIX PRINTERS Offering all the features available across the 9-pin range, but with the advantage of scalable fonts and letter quality printing. Epson 24-pin printers are ideal for front desk applications in the retail and service industries, as well as invoice and order printing. The range also includes flatbed printers for use with a wider (and thicker) range of materials including receipts and labels. 02 Field of application Printer model Printhead/ Duty Point Instore Accounting Listing Pass-book Cheque Brochure Resolution of sale handling page Epson LX-350 9-pin Light 8 Epson LX-1350 Medium 8 Epson FX-890/890A High 9 Epson FX-2190/2190N High 9 Epson DFX-9000/9000N Heavy 10 Epson LQ-50 24-pin Light 10 Epson LQ-350 Light 11 Epson LQ-590 Medium -
Deposit Account Disclosures for Business Accounts TABLE of CONTENTS DEPOSIT ACCOUNT AGREEMENT
Deposit Account Disclosures For Business Accounts TABLE OF CONTENTS DEPOSIT ACCOUNT AGREEMENT . 4 GENERAL TERMS AND CONDITIONS . .5 Account Opening and Verification . 5 How We Communicate with You . .6 Telephone Recording . 6 Privacy, the USA PATRIOT Act, and Opening an Account . 6 Deposits . 6 Deposit Error Correction . 7 Claims . 7 Checks Made Payable to a Business . 7 Withdrawals . .8 Automated Clearing House (“ACH”) . 8 Interest-Bearing Account Information . 9 Interactive Teller Machine (ITM) . 9 Banking Day Cutoff . 9 Abandoned Accounts . 9 Right to Discontinue Accounts . .9 Right to Refuse Any Deposit, to Close Any Account, or to Terminate Account Services . 9 Account Information Services . 10 Agent . 10 Facsimile Signatures . 10 Right of Setoff . 11 Statement Production Date . 11 Statements of Account and Reasonable Care . 11 Security Procedures . 12 What Happens If You Owe Us Money or Cause Us to Sustain a Loss . .12 Fees and Charges . 12 Limits of Liability . 12 Address for Notices . .13 Not Transferable . 13 Confidentiality . 13 Legal Process . 14 Accounts or Services Governed By Special Rules Not Included in this Agreement . 14 Changes to this Agreement . 15 Waivers . 15 Assignment . 15 CUSTOMER REPRESENTATIONS AND WARRANTIES . 15 Valid Business Entity . 15 For Business Purposes Only . 15 Appropriate Business Resolution . 15 CHECKING ACCOUNTS . 15 FDIC Insurance Assessment Monthly Fee . 15 Earnings Credit . 16 Checks . 16 Order of Posting Transactions . 16 Stale Checks . 17 Postdated Checks . 17 Restrictive Legends . 17 Check Imaging . 18 Overdrafts/Insufficient Available Funds . 18 Stop Payments . 18 Preauthorized Drafts . 19 Checking Account Subaccounts . 19 Relationship Pricing . .19 1 SAVINGS ACCOUNTS AND MONEY MARKET ACCOUNTS . 20 Order of Posting Transactions . -
3.0. Picasso Baby
MASTERARBEIT Titel der Masterarbeit PICASSO BABY Kulturelles Kapital zwischen Assimilation und Angeberei Verfasserin Nina Lucia Groß BA angestrebter akademischer Grad Master of Arts (MA) Wien, September 2015 Studienkennzahl lt. Studienblatt A 066 835 Studienrichtung lt. Studienblatt Kunstgeschichte Betreuer Univ.-Prof. Dr. Uwe Fleckner Ich möchte mich herzlich bei Prof. Dr. Uwe Fleckner für seine Offenheit, sein Interesse und sein Engagement bedanken – sowie dem kunsthistorischen Seminar Hamburg für die einzigartige Gastfreundschaft. Meiner Familie ein großes Dankeschön für ihre Unterstützung, ihr Vertrauen und meinen wahren Heimathafen. Danke, Magda, für den Anfang, das Anstacheln und dein «excitement» - they don`t have no award for that. Tausend Mal Danke, Raphael, für das Zu-Ende-Bringen, den letzten Schliff, deine Geduld und überhaupt: a l l e s. Inhaltsverzeichnis 1. Einleitung 1 1.1. Das multimediale Phänomen Jay Z 3 1.1.1. Rapper und Musiker 3 1.1.2. Produzent und Investor 6 2. Magna Carta Holy Grail 7 3. Picasso Baby 12 3.1. Picasso Baby: Text 12 3.2. Picasso Baby: Performance 22 3.3. Picasso Baby: Video 26 4. PICASSO BABY in der virtuellen Öffentlichkeit 31 4.1. Das Internet als erweiterter Austragungsort 31 4.2. The Day Performance Art Died – ein Vine wird zum Viral 33 4.2.1. Exkurs: Marina Abramović – Grenzen der Glaubwürdigkeit 35 5. Rezeption und Kritik 37 6. Ostentativer Reichtum und das «Bling» 40 6.1. Dead Presidents: Hyperkapitalismus als Subversion 42 7. Kulturelles Kapital und sein Wert 48 7.1. Die Objekte 49 7.2. Die Sammlung 50 7.2.1. Die Kunstsammlung im Bild 51 7.3. -
Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways.