Cultural Interpretation of Zhuge Liang and Liu Bei's "Opponent Play" in Romance of the Three Kingdoms
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The Romance of the Three Kingdoms Podcast. This Is Episode 53. Last
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 53. Last time, Sun Quan’s adviser Lu Su had brought Zhuge Liang to the Southlands to meet with his master in hopes of forming an alliance between Liu Bei and the Southlands to resist Cao Cao. But when Lu Su went to see Sun Quan, he found the other advisers all telling Sun Quan that Cao Cao was too strong and that it was in everyone’s best interest to surrender. Sun Quan was nonplussed by this, and while he was taking a bathroom break, Lu Su told him that while everyone else could surrender to Cao Cao, Sun Quan alone could not. “For the likes of me,” Lu Su said, “surrender means being sent back to my hometown. Eventually, I can work my way back into high office. But if you surrender, you would not be able to go home. Your rank would be no more than a marquis. You would have but one carriage, one horse, and a few servants. You would be no one’s lord. Everyone else was just trying to save themselves. You must not listen to them. It’s time to make a master plan for yourself.” Now, Lu Su’s analysis is pretty spot on if you think about it. Look at what happened when Cao Cao took over Jing Province. All the officials and officers who surrendered made out pretty well with nice ranks and titles. But their former lord, Liu Cong (2), met an ignoble end. Sun Quan himself had just been pressed by his own advisers to surrender, and those advisers were no doubt looking out for themselves. -
{PDF EPUB} Five Lost Classics Tao Huang-Lao and Yin-Yang in Han China by Robin D.S
Read Ebook {PDF EPUB} Five Lost Classics Tao Huang-lao and Yin-yang in Han China by Robin D.S. Yates Learn - Explore | Bibliographical notes for the Ma Wang Dui texts. Mawang Dui 馬王堆 - the Horse King Mound - is an archaeological site located in Changsha, China. It is the site of three tombs belonging to the first Marquis of Dai, his wife, and a male who is believed to be their son. The site was excavated from 1972 to 1974. Most of the artifacts from Mawangdui are displayed at the Hunan Provincial Museum. This discovery was monumental, one of the most significant of the 20th century and has changed our view of the history of medicine and Daoism in China. The tomb contained various medical texts, including depictions of qigong (dao yin) exercises. For our purposes we will mainly focus on these philosophical and medical texts, but the tombs contained political and historical texts as well. the texts. These text were “written to advise ruling Han dynasty authorities on how to attune themselves to the cosmos at a time of rapidly changing political and social climate.” From the sleeve of Yates' Five Lost Classics : “In 1973, among the many unique documents discovered in the richly furnished tomb of a Han-dynasty aristocrat, were five books written on silk, primary texts of Huang-lao Daoism and Yin-yang philosophy that had been lost to mankind for more than 2,000 years. A discovery as important in China as the unearthing of the Dead Sea Scrolls was in the West, the Mawangdui texts created a sensation when they were first published, even leading to the foundation of a new religion on Taiwan… The recovery of the five lost classics sheds new light on a critical transitional period of Chinese political and intellectual history. -
Great Food, Great Stories from Korea
GREAT FOOD, GREAT STORIE FOOD, GREAT GREAT A Tableau of a Diamond Wedding Anniversary GOVERNMENT PUBLICATIONS This is a picture of an older couple from the 18th century repeating their wedding ceremony in celebration of their 60th anniversary. REGISTRATION NUMBER This painting vividly depicts a tableau in which their children offer up 11-1541000-001295-01 a cup of drink, wishing them health and longevity. The authorship of the painting is unknown, and the painting is currently housed in the National Museum of Korea. Designed to help foreigners understand Korean cuisine more easily and with greater accuracy, our <Korean Menu Guide> contains information on 154 Korean dishes in 10 languages. S <Korean Restaurant Guide 2011-Tokyo> introduces 34 excellent F Korean restaurants in the Greater Tokyo Area. ROM KOREA GREAT FOOD, GREAT STORIES FROM KOREA The Korean Food Foundation is a specialized GREAT FOOD, GREAT STORIES private organization that searches for new This book tells the many stories of Korean food, the rich flavors that have evolved generation dishes and conducts research on Korean cuisine after generation, meal after meal, for over several millennia on the Korean peninsula. in order to introduce Korean food and culinary A single dish usually leads to the creation of another through the expansion of time and space, FROM KOREA culture to the world, and support related making it impossible to count the exact number of dishes in the Korean cuisine. So, for this content development and marketing. <Korean Restaurant Guide 2011-Western Europe> (5 volumes in total) book, we have only included a selection of a hundred or so of the most representative. -
Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880S-1940S
Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hashimoto, Satoru. 2014. Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064962 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s A dissertation presented by Satoru Hashimoto to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts August 2014 ! ! © 2014 Satoru Hashimoto All rights reserved. ! ! Dissertation Advisor: Professor David Der-Wei Wang Satoru Hashimoto Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s Abstract This dissertation examines how modern literature in China, Japan, Korea, and Taiwan in the late-nineteenth to the early-twentieth centuries was practiced within contexts of these countries’ deeply interrelated literary traditions. -
The Romance of the Three Kingdoms Podcast. This Is Episode 48. Last
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 48. Last time, Sun Quan and the troops of the Southlands had just defeated and killed Huang (2) Zu (3), a close friend and top commander of Liu Biao, the imperial protector of Jing (1) Province. Sun Quan had also captured the key city of Jiangxia (1,4), which Huang Zu was defending. Upon receiving Huang Zu’s head, Sun Quan ordered that it be placed in a wooden box and taken back to the Southlands to be placed as an offering at the altar of his father, who had been killed in battle against Liu Biao years earlier. He then rewarded his troops handsomely, promoted Gan Ning, the man who defected from Huang Zu and then killed him in battle, to district commander, and began discussion of whether to leave troops to garrison the newly conquered city. His adviser Zhang Zhao (1), however, said, “A lone city so far from our territory is impossible to hold. We should return to the Southlands. When Liu Biao finds out we have killed Huang Zu, he will surely come looking for revenge. We should rest our troops while he overextends his. This will guarantee victory. We can then attack him as he falls back and take Jing Province.” Sun Quan took this advice and abandoned his new conquest and returned home. But there was still the matter of Su (1) Fei (1), the enemy general he had captured. This Su Fei was friends with Gan Ning and was actually the one who helped him defect to Sun Quan. -
The Analects of Confucius
The analecTs of confucius An Online Teaching Translation 2015 (Version 2.21) R. Eno © 2003, 2012, 2015 Robert Eno This online translation is made freely available for use in not for profit educational settings and for personal use. For other purposes, apart from fair use, copyright is not waived. Open access to this translation is provided, without charge, at http://hdl.handle.net/2022/23420 Also available as open access translations of the Four Books Mencius: An Online Teaching Translation http://hdl.handle.net/2022/23421 Mencius: Translation, Notes, and Commentary http://hdl.handle.net/2022/23423 The Great Learning and The Doctrine of the Mean: An Online Teaching Translation http://hdl.handle.net/2022/23422 The Great Learning and The Doctrine of the Mean: Translation, Notes, and Commentary http://hdl.handle.net/2022/23424 CONTENTS INTRODUCTION i MAPS x BOOK I 1 BOOK II 5 BOOK III 9 BOOK IV 14 BOOK V 18 BOOK VI 24 BOOK VII 30 BOOK VIII 36 BOOK IX 40 BOOK X 46 BOOK XI 52 BOOK XII 59 BOOK XIII 66 BOOK XIV 73 BOOK XV 82 BOOK XVI 89 BOOK XVII 94 BOOK XVIII 100 BOOK XIX 104 BOOK XX 109 Appendix 1: Major Disciples 112 Appendix 2: Glossary 116 Appendix 3: Analysis of Book VIII 122 Appendix 4: Manuscript Evidence 131 About the title page The title page illustration reproduces a leaf from a medieval hand copy of the Analects, dated 890 CE, recovered from an archaeological dig at Dunhuang, in the Western desert regions of China. The manuscript has been determined to be a school boy’s hand copy, complete with errors, and it reproduces not only the text (which appears in large characters), but also an early commentary (small, double-column characters). -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
The Romance of the Three Kingdoms Podcast. This Is Episode 52
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 52. Previously, we left off with one of the most memorable sequences in the novel, in which Zhao Yun rescued Liu Bei’s infant son, A Dou (1,3), and fought his way through swarms of Cao Cao’s troops to escape. But no sooner had he left the bulk of Cao Cao’s army behind did he run into two more detachments of enemy soldiers, led by two lieutenants under the command of Cao Cao’s general Xiahou Dun. These two guys were brothers. One wielded a battle axe, while the other used a halberd, and they were shouting for Zhao Yun to surrender. Zhao Yun, of course, paid no heed to their words and greeted them with his spear. Within three bouts, the elder brother, the axe-wielder, was stabbed off his horse. Zhao Yun took the opening and ran. The younger brother, however, gave chase. As he closed in, the tip of his halberd flashed around Zhao Yun’s back. But Zhao Yun suddenly turned around, and the two were face to face right next to each other. Wielding his spear in his left hand, Zhao Yun blocked the halberd. At the same time, his right hand pulled out the prized sword that he had taken from Cao Cao’s sword-bearer earlier in the day. Where the sword landed, half of his opponent’s head and helmet went flying off. Seeing their leaders killed, the enemy soldiers scattered, and Zhao Yun once again fled toward Changban (2,3) Bridge. -
UNIVERSITY of HAWAII LIBRARY. NARRATIVES OF
,UNIVERSITY Of HAWAII LIBRARY. NARRATIVES OF SPACE AND PLACE IN THREE WORKS BY NAKAGAMI KENJI A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN EAST ASIAN LANGUAGES AND LITERATURES (JAPANESE) AUGUST 2005 By Joshua Petitto Thesis Committee: Nobuko Ochner, Chairperson Lucy Lower Arthur Thornhill © Copyright 2005 by Joshua Petitto 111 TABLE OF CONTENTS Chapter 1 - Introduction 1.1 Nakagami's Style , 1 1.2 Literature Review 3 1.3 Summary ofthe Chapters ,. '" 8 1.4 Misaki, "Garyl1san," and "Wara no ie"............................................. 9 Chapter 2 - Down the Ever-Winding Narrative Path 2.1 Introduction........................................................................... 11 2.2 The Problem ofNarrative 11 2.3 Taking on the "Pig ofNarrative". 17 2.5 Conclusion: Monogatari and Genealogy....................................... 20 Chapter 3 - The Ambivalence ofNakagami's Space 3.1 Introduction 3.1.1 Conceptualizing Space 23 3.1.2 The Space ofthe Roji 28 3.2 A History ofKumano 30 3.3 The Ambivalence ofNakagami's Space 3.3.1 Attempted Assertion over Space through Ritual.................. 35 3.3.2 The Dominance ofSpace............................................... 42 3.3.3 Gendered Space and Origin............................................ 44 3.3.4 Reconstructing Space................................................... 47 3.4 Conclusion: The Same Struggle by Another Name............................. 49 Chapter 4 - The Place ofMemory 4.1 Introduction 4.1.1 Space and Place 51 4.1.2 The Recovery ofOrigin..................................... .. 54 4.2 Narratives ofPlace in Misaki, "Garyl1san," and "Wara no ie" 4.2.1 The Brother and Father in Misaki 58 4.2.2 Garyl1 Mountain and Toshihisa 66 4.2.3 The Rediscovery ofDifference in "Wara no ie" 75 4.3 Conclusion: Place, Narrative, and Rememory 80 Chapter 5 - Coming Full Circle: Space, Narrative, and the Next Roji 5.1 Introduction 84 5.2 The Emperor System and Capital................................................ -
三國演義 Court of Liu Bei 劉備法院
JCC: Romance of the Three Kingdoms 三國演義 Court of Liu Bei 劉備法院 Crisis Directors: Matthew Owens, Charles Miller Emails: [email protected], [email protected] Chair: Isis Mosqueda Email: [email protected] Single-Delegate: Maximum 20 Positions Table of Contents: 1. Title Page (Page 1) 2. Table of Contents (Page 2) 3. Chair Introduction Page (Page 3) 4. Crisis Director Introduction Pages (Pages 4-5) 5. Intro to JCC: Romance of the Three Kingdoms (Pages 6-9) 6. Intro to Liu Bei (Pages 10-11) 7. Topic History: Jing Province (Pages 12-14) 8. Perspective (Pages 15-16) 9. Current Situation (Pages 17-19) 10. Maps of the Middle Kingdom / China (Pages 20-21) 11. Liu Bei’s Domain Statistics (Page 22) 12. Guiding Questions (Pages 22-23) 13. Resources for Further Research (Page 23) 14. Works Cited (Pages 24-) Dear delegates, I am honored to welcome you all to the Twenty Ninth Mid-Atlantic Simulation of the United Nations Conference, and I am pleased to welcome you to JCC: Romance of the Three Kingdoms. Everyone at MASUN XXIX have been working hard to ensure that this committee and this conference will be successful for you, and we will continue to do so all weekend. My name is Isis Mosqueda and I am recent George Mason Alumna. I am also a former GMU Model United Nations president, treasurer and member, as well as a former MASUN Director General. I graduated last May with a B.A. in Government and International politics with a minor in Legal Studies. I am currently an academic intern for the Smithsonian Institution, working for the National Air and Space Museum’s Education Department, and a substitute teacher for Loudoun County Public Schools. -
Macbeth's and ZHUGE Liang's Fate Explained Through I Ching
Advances in Social Science, Education and Humanities Research, volume 497 Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020) Macbeth’s and ZHUGE Liang’s Fate Explained Through I Ching Liguo LOU1a 1Department of General Education, Changzhou Institute of Engineering Technology, Changzhou, Jiangsu 213164, China a [email protected] ABSTRACT I Ching, also translated as Yijing or The Changes, is a work on the "law of change" that is universally applicable to the natural world and human society. It originated from China but belongs to all the human kind. It is a treasure to the world civilization and is still valuable to all walks of life. The philosophy of I Ching’s Kun Hexagram is used to analyze the fate of two literary characters: Macbeth and ZHUGE Liang. Macbeth’s collapse of nice fame and good fortune lies in his dashing out of the way of a subordinate in his “top-yin” period; by contrast, ZHUGE Liang’s integrity and prosperity lies in his humility from his “first-yin” period to the “top-yin” period. Keywords: I Ching, Macbeth, ZHUGE Liang, the Kun Hexagram opposite to the Qian Hexagram. Its attribute is “devotion”. 1. INTRODUCTION It signifies receptivity, submission, humility, faithfullness. Contrary to the Qian Hexagram, the Kun Hexagram is Can I Ching (The Law of Chang) be used to predict the fate made up of six yin lines. From the bottom to the top, they and fortune of literary figures? Of course not. Literary are called: the 1st yin (“yin” is also called “six”), the 2nd yin, figures are different from real-life figures in that their fates the 3rd yin, the 4th yin, the 5th yin, and the top yin. -
The Romance of the Three Kingdoms Podcast. This Is Episode 144. Last
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 144. Last time, Jiang Wei had launched yet another Northern campaign, trying to catch his enemies off guard while they were dealing with an internal rebellion by Zhuge Dan. This time, Jiang Wei was focusing his attention on the town of Changcheng (2,2), a key grain store for the Wei forces. He put the town under siege and it looked like the town was about to fall. But just then, a Wei relief force showed up. Sigh, I guess we’ll have to take care of these guys first. So Jiang Wei turned his army around to face the oncoming foe. From the opposing lines, a young general rode out with spear in hand. He looked to be about 20-some years old, with a face so fair that he looked as if he were wearing powder, and his lips were daubs of red. This young man shouted across the field, “Do you recognize General Deng?!” Jiang Wei thought to himself, “That must be Deng Ai.” So he rode forth to meet his foe, and the two traded blows for 40 bouts without either gaining an edge. Seeing that the young warrior showed no signs of faltering, Jiang Wei figured he needed to pull some shenanigans to win this fight. So he turned and fled down a mountain path on the left. The young general gave chase, and as he approached, Jiang Wei pulled out his bow and fired an arrow at the man. But his foe had sharp eyes and quickly dodged the arrow.