Jonathan Borofsky Mid-America Center Molecule Man
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Final Research Project Presentation By: Surina Dhanota Arth 273 the 1980S and Music
Final Research Project Presentation By: Surina Dhanota Arth 273 The 1980s and Music Music in the 1980s was something that was so iconic and this generation of it will be remembered for decades to come. The music that was created during this time period was so different than other generations and had its own uniqueness to it as well. The most well known musicians during this time produced new sounds and styles that had changed the music industry forever. To this day those famous artists and their songs are played and still loved by so many people. The 1980s time period paved the way for new ideas and challenges that many people took on and become successful at. Research Question For my question I wanted to look at en event that many people remember and see what kind of impact the event had made. For my question I decided to research What historical music event happened that impacted the 1980s? Event The event I chose was the We Are The World which was released on March 7th, 1985 and had involved the most famous musicians of the 1980s at the time. It was also a song for charity. Why was the event created? This purpose of this event and song as well as why it was created to help raise money and relief for Africa. The reason why they wanted to raise money for africa is because of famine relief. Impact it had? The impact of this event was huge. When looking back at the history of the 1980s this is for sure an event that people will remember and look back at for ages. -
Songs of the Outlands; Ballads of the Hoboes and Other Verse
UC-NRLF 4 33? |>. J>. SONGS OF THE OUTLANDS. Talesofthe Hoboes and Other Verse. OVER LAND RED. A Tale of the Moonstone Canon Trail. Illustrated in Color. STEPHEN MARCH S WAY. Illustrated. LOST FARM CAMP. Illustrated. HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK Songs of the Outlands Songs of the Outlands BALLADS OF THE HOBOES AND OTHER VERSE BY Henry Herbert Knibbs BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY uj$ Cambridge 1914 COPYRIGHT, 1914, BY HENRY HERBERT KNIBBS ALL RIGHTS RESERVED Published November II Contents THE WALKING MAN 3 IT WAS OVERLAND THE RED ? THE OUTLAND TRAILS 9 SUNSHINE OVER YUMA 12 THE MULE-SKINNER * 5 OUT THERE SOMEWHERE i8 OLIVER WEST 23 THE HILLS 25 \ 26 OVERLAND S DELIGHT . THE PROSPECTOR 31 LADY-BIRD 34 HASH 36 GENTRYTOWN 39 ALONG THE SHORE 41 THE SHEEP AND THE GOATS 44 BALLADE OF THE BOES 47 THE GRAND OLD PRIVILEGE 49 NOTHING TO DO BUT GO 50 v 34355.1 Contents BREAD 52 ON THE RANGE 53 THE PATRIOT ..." 56 MY HEART S DESIRE 59 WOODLAND BIRD 61 NANNETTE 63 CARCASSONNE (from the French) 65 ROMANY MAID 68 VOYAGEURS 69 FOR THE WIND is NEVER HUSHING 71 WHERE THE PONIES COME TO DRINK . 72 For permission to reprint certain of these poems the author s thanks are due to the American, the Smart Set, and the Los Angeles Graphic. <L Songs of the Outlands j \ THE WALKING MAN SUNNY summer day it was when loping in to Laramie, I overtook the Walking Man, reined up and nodded "How!" He d been a rider once, I knew. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Plenty Tifne, Miles Put on Girps Case Israel Platoons
.. ' Vv ' ^ . - ' 1 ” X ♦ Artnire Daily Net Preai Run 'ThoWoBthor raURSDAY, NOVEMBER 8> . W M k K a M Faraeaat a t D. S. Waotbar l PAGE TWBNTY-rOUl r lEtt^nins Bata eadtog toalgkt, aaMer. U m » . /■ t i m t 8$, except eoolor la rnral 11,916 areas. Partly doady, aoel SataT* 'Hi* Anurican Lcfion Auxiliary Speake on Book* Member'of tlia ADdlS-' jtay.'m gh In mid 40*. will hold itp liualneta maatina Mon- Make VoUra Satarday Burma at <JU«ulaltt)b About To wn day at 8 p.m. in tha L<aglonII Homa.Ho M aneh^tUr^A City of Pkltig* Charm Mambera planning.to attand the. To Hollister P TA tlia eommittaa of Cub Scout A. voter-making aaiMion will ____-----------------------------------------— : - - X ■ card party tbmorrow evening at ba h41d Saturday from 1, p.m. X / '- Pack No. 143 will hold a meatiits the home of Mra. Ferdinand Tica- (CtaaaUtad A dm IW ag aa Paga IS) PRICE nVE CENTS at tha homa of M ra Jiihn X o rin , to 5 p.m. in the offlea- df the VOL. LX X V , NO. 19 (TWENTY PAGES) MANCHESTER; CONNn FRIDAY, NOVEMBER. 1955 Ing in Windaor Loeka and daaira town Clerk a t th *. Municipal Miss Virginia McOauldy of New 74 School S t , tomorrow hifht at tranaportation are aaked to con* Britain Teachers College will talk n 8 o'clock. Building. tact tha preaidant, lira. Ev'arett In order to qualify aa a voter on "Booka for Children’s Reading’ Tha DAV Womea'a Auxiliary Koaely. -
We Are the World Lyrics.Pdf
We Are the World There comes a time when we heed a certain call When the world must come together as one There are people dying And its time to lend a hand to life The greatest gift of all We can't go on pretending day by day That someone, somehow will soon make a change We are all a part of Gods great big family And the truth, you know, Love is all we need We are the world, we are the children We are the ones who make a brighter day So lets start giving There's a choice we're making We're saving our own lives Its true we'll make a better day Just you and me Send them your heart so they'll know that someone cares And their lives will be stronger and free As God has shown us by turning stones to bread So we all must lend a helping hand We are the world, we are the children We are the ones who make a brighter day So lets start giving There's a choice we're making We're saving our own lives Its true we'll make a better day Just you and me When you're down and out, there seems no hope at all But if you just believe there's no way we can fall Let us realize that a change can only come When we stand together as one We are the world, we are the children We are the ones who make a brighter day So lets start giving There's a choice we're making We're saving our own lives Its true we'll make a better day Just you and me We are the world, we are the children We are the ones who make a brighter day So lets start giving There's a choice we're making We're saving our own lives Its true we'll make a better day Just you and me Songwriters RICHIE, LIONEL / JACKSON, MICHAEL Read more: Michael Jackson - We Are The World Lyrics | MetroLyrics . -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies. -
ALDEBARAN KARAOKE Catálogo De Músicas - Por Ordem De INTÉRPRETE
ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE 10 CC I'M NOT IN LOVE 10000 MANIACS MORE THAN THIS 2PAC DEAR MAMA 3 DOORS DOWN HERE WITHOUT YOU 4 NON BLONDES SPACEMAN 4 NON BLONDES WHAT'S UP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER HEARTBREAK GIRL 5 SECONDS OF SUMMER JET BLACK HEART 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 50 CENT IN DA CLUB A TASTE OF HONEY SUKIYAKI A TEENS SUPER TROUPER ABBA CHIQUITITA ABBA DANCING QUEEN ABBA FERNANDO ABBA GIMME GIMME GIMME ABBA HAPPY NEW YEAR ABBA I HAVE A DREAM ABBA KNOWING ME KNOWING YOU ABBA MAMMA MIA ABBA MONEY, MONEY, MONEY ABBA THANK YOU FOR THE MUSIC ABBA THE WINNER TAKES IT ALL AC-DC BACK IN BLACK AC-DC HIGHWAY TO HELL ACE HOW LONG ACE OF BASE ALL THAT SHE WANTS ACE OF BASE HAPPY NATION ADELE ALL I ASK ADELE CHASING PAVEMENTS ADELE DON´T YOU REMEMBER ADELE HELLO ADELE MAKE YOU FEEL MY LOVE ADELE ONE AND ONLY ADELE ROLLING IN THE DEEP ADELE SET FIRE TO THE RAIN ADELE SKYFALL ADELE SOMEONE LIKE YOU ADELE WHEN WE WERE YOUNG ADRIAN GURTVITZ CLASSIC AEROSMITH AMAZING AEROSMITH ANGEL´S EYE AEROSMITH CRAZY AEROSMITH I DON'T WANT TO MISS A THING AEROSMITH SEASONS OF WITHER AFTER THE FIRE DER KOMMISSAR A-HÁ CRYING IN THE RAIN A-HÁ HUNTING HIGH AND LOW A-HÁ TAKE ON ME A-HÁ THE SUN ALWAYS SHINES ON TV AIR SUPPLY ALL OUT OF LOVE AIR SUPPLY EVEN THE NIGHTS ARE BETTER AIR SUPPLY HERE I AM AIR SUPPLY I CAN WAIT FOREVER AIR SUPPLY JUST AS I AM AIR SUPPLY LONELY IS THE NIGHT AIR SUPPLY LOST IN LOVE AIR SUPPLY MAKING LOVE OUT OF NOTHING AT ALL AIR SUPPLY THE ONE THAT YOU LOVE AKON RIGHT -
We Are the World - Was a Global Rallying Call from the Money and Awareness About the Deadly Famine in Africa
COMMUNITY FOR POSITIVE CHANGE By Eden Pearlstein & Rabbi Avi Katz Orlow PSHAT DRASH There comes a time -This song was written in 1985 to raise We Are the World - was a global rallying call from the money and awareness about the deadly famine in Africa. When community of American musicians (United Support of Artists the world must come together as one -The project brought (USA) for Africa) to respond to a specific situation at a specific together a racially and religiously diverse group of stars in the time. However, the power of smaller, focused groups of people music industry to work together and make a powerful coming together to support individuals in need and tackle statement about a pressing humanitarian issue. This resulted in larger issues is a primary message of the song, that holds true the creation of a community of artists unified by a common in general across time. According to cultural anthropologist cause to make positive change. There are people dying - Margaret Mead: "Never doubt that a small group of thoughtful, Following decades of civil war, a severe famine struck Africa committed citizens can change the world; indeed, it's the only in 1983-85, claiming over half thing that ever has." This song is a million lives. And it's time to WE ARE THE WORLD a powerful echo of that sentiment, lend a hand - Quincy Jones By Michael Jackson & Lionel Richie and a testament to the power of sent a personal invitation to There comes a time when we heed a certain call individuals to make meaningful every musician that read: “In When the world must come together as one change when they are united the years to come, when your There are people dying under a common cause. -
Feminism: When the Label 'White' Gets Attached in Pop Music Industry
Feminism: When the Label ‘White’ Gets Attached in Pop Music Industry Audrey Lee and Brian Oh Published 5 Oct 2020 Abstract This paper describes a qualitative study that investigates the pop music genre starting from the 2000s, relating it to feminism. The investigation focuses on understanding when female artists are considered feminist, and when the label ‘white feminist’ is applied to specific female artists. Based on media press and public perspective, the research hopes to find key characteristics that separates the moment when the label feminism and white feminism are applied, especially in relation to other attributes such as gender orientation, sexual orientation, and race. The purpose of the research is to provide more insight into understanding feminism in the context of today, and to how navigate complex spaces such as media image and personal identity, labels that come with the public status of their profession. 1 Introduction MTV, The GRAMMYs, Spotify, Apple Music, YouTube, KIIS FM - Popular music aka ‘Pop Music’ is an industry that is in a constant flurry of activity and publicity, through television, radio, news, and videos. When referencing popular music, the paper is defining Pop Music as any popular music produced after the 2000s. With such a public identity, artists in the pop music industry are expected to navigate the complexities of the business that exist, including image, policies, and activism. In the current generation where technology and communication can occur in an instant, female artists are expected to adjust to a multi-faceted industry that, at many times, can seem paradoxical in nature. Many female artists are forced to find the right balance between outgoing and timid when portraying their public personas. -
FHWA Study Tour for Pedestrian and Bicyclist Safety in England, Germany, and the Netherlands
FHWA Study Tour for Pedestrian and Bicyclist Safety in England, Germany, and The Netherlands October 1994 Notice The contents of this report reflect the views of the authors, who are responsible for the facts and accuracy of the data presented herein. The contents do not necessarily reflect the official policy of the Department of Transportation. The metric units reported are those used in common practice by the persons interviewed. They have not been converted to pure SI units since, in some cases, the level of precision implied would have been changed. The United States equivalents to the foreign currency amounts appearing in this report are based on the rates of exchange in effect during the time of the study tour. The United States Government does not endorse products or manufacturers. Trademarks or manufacturers' names appear herein only because they are considered essential to the objective of this document. This report does not constitute a standard, specification, or regulation. FHWA International Technology Scanning Program Study Tour Summary Report on FHWA Study Tour for Pedestrian and Bicyclist Safety in England, Germany, and The Netherlands Prepared by the study tour team Charles V. Zegeer University of North Carolina and Michael Cynecki, City of Phoenix, Arizona Peter Lagerwey, City of Seattle, Washington John Fegan, Federal Highway Administration Carol Tan, Federal Highway Administration Brian Gilleran, Federal Highway Administration Bob Works, Minnesota Department of Transportation and the Transportation Technology Evaluation Center (TTEC) International Technology Research Institute Loyola College in Maryland Baltimore, MD 21210 Prepared for Federal Highway Administration U.S. Department of Transportation Washington, DC 20590 October 1994 TABLE OF CONTENTS EXECUTIVE SUMMARY . -
PROPOSED BY: Department of Neighborhood Empowerment
FISCAL YEAR 2020-21 PROPOSED BY: Department of Neighborhood Empowerment GENERAL MANAGER: Raquel Beltrán BUDGET BUDGET PROPOSAL PROPOSAL FISCAL YEAR 2020-21 FISCAL YEAR 2020-21 CONTENTS FEDERAL EXECUTIVE Summary 02 ORGANIZATIONAL Chart 06 STATE STRATEGIC Plan 09 BUDGET Request Summary and Ranking 13 SUMMARY by Source of Funds 15 BUDGET Program Request COUNTY BM4701 19 BM4703 27 BM4704 31 BM4705 41 BM4750 49 VPR 69 CITY PERFORMANCE Metrics 75 CONTRACTUAL Services Schedule 77 Detail of Expenditures 79 LEVEL OF LOCAL DEPARTMENTAL RECEIPTS 125 CLOSENESS TO GOVERNMENT YOU SPECIAL Purpose Funds Schedule 127 RECAPITULATION of Position Changes 129 POSITION Descriptions 131 ANTICIPATED Challenges 149 Written by: Raquel Beltrán (General Manager), Armando Ruiz (Director of Administrative Services), Julien Antelin (Director of Innovation), Semee Park (Director of Neighborhood Council Operations), Mike Fong (Director of Policy and Government Relations), Thomas Soong (Director of Outreach and Communications), and the rest of the EmpowerLA team. Designed by: Ann-Marie Holman (Public Information Officer),Grace Kim (Project Assistant) Assisted by: Sevak Paramazian (Systems Manager), Erricka Peden (Executive Administrative Assistant III), Kyle Stone (Project Assistant) EXECUTIVE SUMMARY EXECUTIVE Members of all 99 Los Angeles Neighborhood Councils gathered at City Hall for the 2019 Congress of Neighborhoods. Photo by Scott Bogunia. SUMMARY Dear Honorable Mayor Eric Garcetti, The Department of Neighborhood Empowerment (Department) respectfully presents its Fiscal Year 2020-2021 Proposed Budget for review and deliberation. The Budget includes resources necessary to support the Department's administration of Article IX of the Los Angeles City Charter, which enabled the formation of a self-selected system of Neighborhood Councils (System), with advisory authorities, and the establishment of the policy-setting Board of Neighborhood Commissioners (Commission). -
1974 Timeline
1974 (Excerpted from Solo in the 70s by Robert Rodriguez © 2014) January Topping the US singles chart: “Time In A Bottle” by Jim Croce “The Joker” by Steve Miller “Show and Tell” by Al Wilson “You’re Sixteen” by Ringo Starr On the airwaves: “One Tin Soldier” by Coven “Sister Mary Elephant” by Cheech and Chong “Smokin’ In The Boys Room” by Brownsville Station Topping the US album chart: The Singles: 1969-1973 by The Carpenters Albums released this month include: Court and Spark by Joni Mitchell Sundown by Gordon Lightfoot Hotcakes by Carly Simon The Way We Were by Barbra Streisand January – Beginning this month and running through till February, Paul and Wings work on Mike McGear’s album at 10CC’s Strawberry Studios Tuesday 8 – The Early Beatles, Capitol’s abridgment of Please Please Me, is finally certified gold nearly eleven years after its issue Monday 28 – “Jet”/“Mamunia” (Apple 1871; peaks at #7) Thursday 31 – Paul and Linda appear on the cover of Rolling Stone Thursday 31 – Film producer Samuel Goldwyn dies at 94 February 1974 Topping the US singles chart: “The Way We Were” by Barbra Streisand “Love’s Theme” by Love Unlimited Orchestra On the airwaves: “Doo Doo Doo Doo Doo (Heartbreaker)” by the Rolling Stones “Americans” by Byron MacGregor “Let Me Be There” by Olivia Newton-John Topping the US album chart: You Don’t Mess Around With Jim by Jim Croce Albums released this month include: Radio City by Big Star Can’t Get Enough by Barry White Rock ‘n’ Roll Animal by Lou Reed What Were Once Vices Are Now Habits by the Doobie Brothers