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A Tribute to Marcia Dale Weary and the Central Pennsylvania Youth Ballet
Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College GingrichNOTICE: Library The copyright law of the United States (Title 17, United States Code) governs the making of reproductions of copyrighted material. One specified condition is that the reproduction is not to be than private study, or later uses a reproduction for purposes in excess of Albright College Gingrich Library Albright College Gingrich Library Albrightmay College be liable Gingrich for copyright Library infringement. RESTRICTIONS: This student work may be read, quoted from, cited, and reproduced for purp Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library scholarship, or research. by the author. oses of research. It may not be published in full except by permission Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library “used ” If a user makes a request for, Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library for any purpose other “fair use, Albright College Gingrich Library Albright College Gingrich -
View Printable Playbill
As Time Goes By Fall Ballet George Balanchine Sasha Janes THEATER 16/17 Twyla Tharp One Hundred Thirty-Third Program of the 2016-17 Season _______________________ Indiana University Ballet Theater presents Fall Ballet Divertimento No. 15 Choreography by George Balanchine Staged by Elyse Borne Music by Wolfgang Amadeus Mozart Saudade Choreography by Sasha Janes Music by Arvo Pärt As Time Goes By Choreography by Twyla Tharp Staged by Richard Colton Music by Joseph Haydn Patrick Mero, Lighting Designer _________________ Musical Arts Center Friday Evening, September Thirtieth, Seven Thirty O’Clock Saturday Afternoon, October First, Two O’Clock Saturday Evening, October First, Seven Thirty O’Clock music.indiana.edu Friday | September 30, 2016 | 7:30 p.m. Divertimento No. 15 Choreography by George Balanchine* ©The George Balanchine Trust Music by Wolfgang Amadeus Mozart Original Lighting by Mark Stanley Original Costumes by Barbara Karinska Scenery and costumes courtesy of Ballet West Adam Sklute, Artistic Director Costume Design by David Heuvel Premiere: May 31, 1956 | New York City Ballet Mozart Festival, Stratford, Connecticut Staged by Elyse Borne Tal Samuel, Conductor Shawn Stevens, Ballet Mistress Christian Claessens, Ballet Master Allegro Danielle Cesanek, Georgia Dalton, Anna Grunewald Emily Smith, Raffaella Stroik Andrew Copeland, Tyler Dowdy, Glenn Kelich and Caroline Atwell, Colleen Buckley, Leah Gaston, Natalia Mieczykowski Lily Overmyer, Ginabel Peterson-Padilla, Lauren Smolka, Anna Lisa Wilkins Theme and Variations Theme Tyler -
Beyond the Sports Page: Baseball, the Cuban Revolution, and Rochester, New York Newspapers, 1954-1960
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 12-4-2014 12:00 AM Beyond the Sports Page: Baseball, The Cuban Revolution, and Rochester, New York Newspapers, 1954-1960 Evan K. Nagel The University of Western Ontario Supervisor Robert K. Barney The University of Western Ontario Graduate Program in Kinesiology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Evan K. Nagel 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Sports Studies Commons Recommended Citation Nagel, Evan K., "Beyond the Sports Page: Baseball, The Cuban Revolution, and Rochester, New York Newspapers, 1954-1960" (2014). Electronic Thesis and Dissertation Repository. 2564. https://ir.lib.uwo.ca/etd/2564 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BEYOND THE SPORTS PAGE: BASEBALL, THE CUBAN REVOLUTION, AND ROCHESTER, NEW YORK NEWSPAPERS, 1954- 1960 Monograph by Evan Nagel Graduate Program in Faculty of Health Sciences: School of Kinesology A Thesis Submitted in Fulfillment of the Requirements for the Degree of Masters of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Evan Nagel 2015 i Table of Contents Abstract…………………………………………………………….........ii Glossary -
Win, Lose Or Draw
Farm and Garden J&undai} Jfclaf ISpaffe Obituaries C ** TWELVE PAGES. WASHINGTON, D. C., APRIL 4, 1954 Senators' Six-Run Splurge in Ninth Downs Cincinnati, 12 to 7 V me Win, Lose or Draw Royal Bay Gem Umphlett Goes By FRANCIS STANN * • ¦ • Star Staff Correspondent Wins at Laurel On Hitting Spree AT LEAST SOME of the baseball writers traveling with the Yankees are wondering anew and aloud if President Dan Topping is planning to unload the club in a manner similar to the way he and Co-Owner Del Webb unloaded the With Late Spurt With Five RBI s big stadium a few months ago. General Manager George Weiss, one scribe suggests, Dinner Winner Runs Tom Clouts Homer is scurrying about as if he is looking for §»pP|||HL f Paradise Along With Schmitz a fresh angel with plenty of moola. I|BP Second, Mr. Miami’s general expansion is impressive but §|| ' Third in Handicap And Roy Sievers it doesn’t extend to golf facilities and SM By Lewis F. Atchison By Burton Hawkins winter visitors are warned that in the near § j»X Star Staff Corratpandant Mp Star Staff Correspondent * future it might be wise not to bring a bag LAUREL, Md., COLUMBIA. S.C., April 3 of clubs unless they have solid connections. April 3.—Royal Senators, specializ- Bay Gem, a The surging whom come-from-behind late-inning Ben Hogan, thousands of hackers horse who hasn’t had much luck ing in rallies these 111 mV Jr days, fought five- will try to “beat” on the third annual JR this season, found a situation jk. -
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work. -
Kleidung / Mode / Couture / Kostümdesign Im Film: Eine Erste Bibliographie 2011
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie 2011 https://doi.org/10.25969/mediarep/12753 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 122). DOI: https://doi.org/10.25969/mediarep/12753. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0122_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 122, 2011: Mode im Film. Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek, Hans J. Wulff. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0122_11.html Letzte Änderung: 20.2.2011. Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Zusammengest. v. Hans J. Wulff u. Ludger Kaczmarek Inhalt: da, wo die Hobos sind, er riecht wie einer: Also ist er Einleitung einer. Warum sollte man jemanden für einen anderen Bibliographien halten als den, der er zu sein scheint? In Nichols’ Direktoria Working Girl (1988) nimmt eine Sekretärin heimlich Texte für eine Zeit die Rolle ihrer Chefin an, und sie be- nutzt auch deren Garderobe und deren Parfüm. -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Jul/Aug 2012
THE WORD ON COLUMBIA ARTS JUL // AUG 2012 VOL. 001 NO. 006 ERGONOMICS, VICTORIAN STYLE. The Art of Seating: 200 Years of American Design presents the history, innovation and construction of American chair design from the 1800s to the present, curated from a private collection. Columbia Museum of Art | columbiamuseum.org | 803.799.2810 1515 Main Street in the heart of downtown Columbia, SC 200 YEARS APRIL 28 - OF AMERICAN DESIGN AUGUST 26 Designed by Thomas E. Warren | Manufactured by the American Chair Company | Centripetal Spring Arm Chair, c. 1850 | Photo credit: Michael Koryta. The Art of Seating is organized by the Museum of Contemporary Art, Jacksonville in collaboration with the Jacobsen Collection of American Art and toured by International Arts & Artists, Washington, D.C. PRESENTED BY: EDUCATION SPONSOR: BMW of Columbia Authorized Center Hannah FORD BOYD INTERIORS The Ultimate Ronald Rogers www.bmwofcolumbia.com Driving Machine® & Photo by Thomas Hammond 005 A MESSAGE FROM JASPER 006 JASPER FANCIES 014 JASPER PREVIEWS Curtain Up! with August Krickel. 014 JASPER TAKES NOTICE CENTERFO Young poet Candace Wiley is a promising wordsmith. 016 JASPER GAZES L Former ballet dancer Alexis Doktor is also an artist of costumes. D // 020 JASPER DANCES Clar . John Whitehead is a much beloved fixture in the Columbia k El dance community – find out why. lefso . Lee Lumpkin and Coralee Harris stay on their toes for their n ballet companies. 026 JASPER WATCHES Filmmaker Wade Sellers still gets his friends together when it’s time to make a film. JASPER IS 030 CENTERFOLD Cynthia Boiter // editor Clark Ellefson works and lives in a world of his own design. -
Dec 11 Cover.Qxd 11/5/2020 2:39 PM Page 1 Allall Starstar Cardscards Volumevolume 2828 Issueissue #5#5
ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 1 AllAll StarStar CardsCards VolumeVolume 2828 IssueIssue #5#5 We are BUYING! See Page 92 for details Don’t Miss “CyberMonday” Nov. 30th!!! It’s Our Biggest Sale of theYear! (See page 7) ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 2 15074 Antioch Road To Order Call (800) 932-3667 Page 2 Overland Park, KS 66221 Mickey Mantle Sandy Koufax Sandy Koufax Willie Mays 1965 Topps “Clutch Home Run” #134 1955 Topps RC #123 Centered! 1955 Topps RC #123 Hot Card! 1960 Topps #200 PSA “Mint 9” $599.95 PSA “NM/MT 8” $14,999.95 PSA “NM 7” $4,999.95 PSA “NM/MT 8” Tough! $1,250.00 Lou Gehrig Mike Trout Mickey Mantle Mickey Mantle Ban Johnson Mickey Mantle 1933 DeLong #7 2009 Bowman Chrome 1952 Bowman #101 1968 Topps #280 1904 Fan Craze 1953 Bowman #59 PSA 1 $2,499.95 Rare! Auto. BGS 9 $12,500.00 PSA “Good 2” $1,999.95 PSA 8 $1,499.95 PSA 8 $899.95 PSA “VG/EX 4” $1,799.95 Johnny Bench Willie Mays Tom Brady Roger Maris Michael Jordan Willie Mays 1978 Topps #700 1962 Topps #300 2000 Skybox Impact RC 1958 Topps RC #47 ‘97-98 Ultra Star Power 1966 Topps #1 PSA 10 Low Pop! $999.95 PSA “NM 7” $999.95 Autographed $1,399.95 SGC “NM 7” $699.95 PSA 10 Tough! $599.95 PSA “NM 7” $850.00 Mike Trout Hank Aaron Hank Aaron DeShaun Watson Willie Mays Gary Carter 2011 Bowman RC #101 1954 Topps RC #128 1964 Topps #300 2017 Panini Prizm RC 1952 Bowman #218 1981 Topps #660 PSA 10 - Call PSA “VG/EX 4” $3,999.95 PSA “NM/MT 8” $875.00 PSA 10 $599.95 PSA 3MK $399.95 PSA 10 $325.00 Tough! ASC080120_001_Dec 11 cover.qxd -
Gp 3.Qxt 7/14/17 12:16 PM Page 1
07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 22 David H. Koch Theater Bolshoi Ballet Ballet Director Makhar Vaziev New York City Ballet Ballet Master in Chief Peter Martins Paris Opera Ballet Director of Dance Aurélie Dupont Jewels Choreography George Balanchine © The George Balanchine Trust Set Design Peter Harvey Lighting Design Mark Stanley New York City Ballet Orchestra Music Director Andrew Litton Approximate running time: 2 hours and 10 minutes, with two intermissions This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Made possible in part by members of the Producers Circle Major support is provided by LuEsther T. Mertz Charitable Trust. Additional support is provided by Jennie L. and Richard K. DeScherer, the Lepercq Charitable Foundation in Memory of Paul Lepercq, The Harkness Foundation for Dance, and The Joelson Foundation. Endowment support for the Lincoln Center Festival 2017 presentation of Jewels is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. The Bolshoi Theatre gratefully acknowledges the support of its General Sponsor, Credit Suisse. Travelers is the Global Sponsor of New York City Ballet. 07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 2 LINCOLN CENTER FESTIVAL 2017 JEWELS July 22, 2017, at 7:30 p.m. -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Forgotten Washington Senators of the 1950S ©Diamondsinthedusk.Com
Forgotten Washington Senators of the 1950s ©DiamondsintheDusk.com “Washington: First in war, first in peace, and still last in the American League.” Baseball Hall of Fame sports writer Charley Dryden (right) coins the above utterance during the 1904 season, when the Washington Senators finished 38-113 and a distant 55 1/2 games behind the American League pennant-winning Boston Americans. For its first 11 years of existence, the luckless franchise in the nation’s capital does its best to live up (or down) to Dryden’s cynicism by finishing last, or second to last, in all but two of those 11 years. Even Washington’s entry into the ill-fated United States Baseball League in 1912, finishes in fifth place with a 6-7 record before the league ceases opera- tion in June. Forty years later, Washington’s “Boys of Summer” once again do themselves proud. From 1950 to 1959, the Senators finish as high as fifth only three times and seventh or eighth (in an eight-team league) six times, while going through three managers. Where in my previous “Forgotten” article, Pittsburgh’s 1960 World Championship team clearly had its genesis from some of the bad Corsair teams of the 1950s, Minnesota’s American League championship team in 1965, does not derive itself from the previous Forgotten Senators of the 1950s decade. Only five players (albeit five good players) - Bob Allison, Jim Kaat, Harmon Killebrew, Camilo Pas- Bob Usher, 1957 cual and Zoilo Versalles - played for the original Senators’ franchise. In regards to the Forgotten Sena- Jesse Levan, 1954-55 Carlos Paula, 1954-56 tors’ first team, I selected one player for each of the eight field positions José Valdivielso, Roy Dietzel, 1954 and a eight-man pitching staff.