The Beth Israel Centerite Spring 2017
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Imes I Wonder What "Wrang with Me. I Keep Hearing People Soy That They Have Changed Jobs Because Five Or Ten Years in a Job Is Enough
BROOKLYN ACADEMY OF MUSIC Letter from the President ~imes I wonder what "wrang with me. I keep hearing people soy that they have changed jobs because five or ten years in a job is enough. And here I am after 25 years, still at it, and still, for the most part, enjoying the ride. BAM has changed over the years and yet remains steadily on course. The outpouring of new work by some of our "old-timers" and by young, developing artists trying their wings, and the pursuit of several new initiatives, plus the stimulation of my BAM colleagues, have managed to keep me (or part of me) virgin, available and interested. The first major attraction of my initial season at BAM was Sarah Caldwell's newly formed American National Opera Company, which featured the first staged production in New York of Alban Berg's LULU. The next season, in 1968, had the return of The living Theater in four productions new to New York. In 1969, we introduced Jerzy Grotowski's Polish laboratory Theatre in three productions, and also Twyla Tharp's company on the Opera House stage, with the audience also onstage, seated on three sides. Robert Wilson's LIFE AND TIMES OF SIGMUND FREUD also appeared at BAM in 1969. What is the point of view that informed those early years and that is still operative today? It may seem to be contemporary work by artists outside the mainstream. I think it is deeper and more inclusive than that. For me, it is the application of a critical approach informed by a contemporary sensibility, to what is being produced for the stage today. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Bob Fosse and Gwen Verdon Collection [Finding Aid]
Guides to Special Collections in the Music Division of the Library of Congress BOB FOSSE and GWEN VERDON COLLECTION Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu2005.wp.0051 LIBRARY OF CONGRESS WASHINGTON 1996 Table of Contents Introduction ........................................................................iii Biographical Sketch ..................................................................iv Scope and Content Note ..............................................................vi Container List ...................................................................... 1 INDIVIDUAL PRODUCTION, PROJECT, and PERFORMANCE FILES ................ 1 BOB FOSSE PERSONAL PAPERS and CAREER MISCELLANY .................... 59 GWEN VERDON CAREER MISCELLANY ...................................... 65 SCRAPBOOKS (BOB FOSSE and GWEN VERDON) .............................. 68 PHOTOGRAPHS ............................................................ 69 AUDIOVISUAL MATERIALS ................................................. 93 MISCELLANEOUS ......................................................... 110 OVERSIZED MATERIALS ................................................... 111 SCRIPTS .................................................................. 119 PLAYBILLS and PROGRAMS ................................................ 122 MAGAZINES .............................................................. 123 ii Introduction The Bob Fosse and Gwen Verdon Collection was acquired by the Library of Congress in 1992 through a gift made by Gwen Verdon. The -
THE WARRIOR ANT ,BROOKLYN ACADEMY of MUSIC· Harvey Lichtenstein, President and Executive Producer YALE REPERTORY THEATRE 'COWNUS, INC
BROOKLYN ACADEMY OF MUSIC THE WARRIOR ANT ,BROOKLYN ACADEMY OF MUSIC· Harvey Lichtenstein, President and Executive Producer YALE REPERTORY THEATRE 'COWNUS, INC. present BAM Majestic Theater October 20-30,. 1988 THE WARRIOR ANT Book I and the conclusion of Book m Poem and 4'rics by Music~ Scenery and· Paintings .by UeBreuer Bob Thlson Alison Yena Lighting by Costumes by Sound by. JuDe Archer Ghretta Hynd RonLDrman Choreography by Pat· HaU~mith with Estelle Eichen~rger C9nceived and directed by UeBreuer General Manager Company Manager Production Technical Manager Laurel Ann Wilson Frier McColQster Rhys Williams . Presented in· association with AmeriCan Music Theatre Festival, Spoleto Festi".l1, U.S.A., ati~ Mabou Mines. Liza LDrwin,Producing Director, Colonus, Inc. 1bis production was made Possible through the generous support ofThe Asian Cultural Council, The AT&f Foundation, TheCoca Cola Company, ~ Henson Foundation, The Japan-Unitec;lStates Friendship Commission, Meet the Composer, The National Endowment for the Arts (Opera-Musical Theater Program), The New York Foundation for the Arts, The Rockefeller .Foundation. J~ph V. Melillo, Director,· NEXT·WAVE Festival THE CAST Master Bunraku Puppeteers Yoshida -18mamatsu Kanju Kiritake Lead Vocals Sam Butler, Jr. Denise Delapenha Jevetta Steele Narrators Frederick Neumann* IsabeD Monk* Les6eMohn Ruth Maleczech* Puppeteers Randy Carfagno Patrick Kerr John IAJdwig Eren Ozker Barbara;Pollitt Middle-Eastern Dancer FJen8 Santir/Moroccan Dancer Hassan Hakmoun Aerialist Christian WInl Pelt Hall-Smith Dancers Bryan Brooks BevBrown Ronald Burton M. Alida Derby Asma Feyijinmi Errol Grimes AmyPivar Sam Yipp The B~ Team Transformers Mark Stephen Pickett Duran Gordon JaSon Bailey- 1bby White James Geddie *members of Mabou -Mines Musical Groups: Empire Loisaida &cola da Samba,-from Brazil via New York: Antonio Augusto, Cyro Baptista, ' Jotge DaSilva, Reinaldo Fernandez,Elson Nascimento, Itabora Serreira. -
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE of CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
La Belle Et La Bete I
1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ LA BELLE ET LA BETE I BAM! for a good cause. WN A PAIR OF SPECTACULAR prints or and 40's. In addition, artists Kiki Smith and photographs, created as limited edi Donald Baechler have generously created a pair O tions specifically for the BAM print of original editions of signed and numbered sale, and help BAM to continue presenting prints to help support the Brooklyn Academy opera, dance, music, and theater with a con of Music. temporary pOint of view. Each of these prints is available individually This season's BAM Artists Print Portfolios or at the exceptional price of $750 per pair. feature numbered limited editions of two pho For more information about the BAM print tographs by Weegee, the famous press photog editions, please call BAM 's Special Events rapher who roamed Manhattan during the 30's Office at (718) 636-4182. CLOC KW ISE, IN THE PADDY WAGON' FLOWERS, 1993 MY SECRET BUSINESS, 1992 AT SAMMY'S IN Arthur Fellig (a.k.a. Weegee) Dona ld Baechler Kiki Smith ($500 ind,vidually) 36" X 28" 22 1/2" X 30 1/4" THE BOWERY' BAM print will be a silkscreen. BAM print will be a duo lOne c.a. 1944 Arthur Fellrg *Estate· aUlhorized limited editions Signed edition of 250. lithograph Signed ed itiOn of (a.k... Weegee) of 100 numbered prints. 11 "x14" Printed by Studio Heinrici Ltd. 225. Printed by U.L.A .E. 1 $400 ind,vidually) gelatin silver prints developed ($400 individually) ($400 individually) from original negatives. -
Council of Economic Advisers Oral History Interview –JFK#1, 08/1/1964 Administrative Information
Council of Economic Advisers Oral History Interview –JFK#1, 08/1/1964 Administrative Information Creator: Walter Heller, Kermit Gordon, James Tobin, Gardner Ackley, Paul Samuelson Interviewer: Joseph Pechman Date of Interview: August 1, 1964 Place of Interview: Fort Ritchie, Maryland Length: 452 pages, one addendum* *Please note: There is no page 83, 84, or 210. Mr. Tobin revised the original transcript before it was proofread by the Kennedy Library staff. He elaborated on specific entries in the transcript. His additions have been included in the transcript where appropriate; his other notes appear in Appendix A and are footnoted in the text. Biographical Note Heller, Economist, Chairman, Council of Economic Advisers (1961 - 1964); Gordon, Economist, Member, Council of Economic Advisers (1961-1962); Tobin, Economist, Adviser, Presidential campaign of John F. Kennedy (1960), Member, Council of Economic Advisers (1961-1962), Adviser, Presidential campaign of Robert F. Kennedy (1967); Ackley, Economist, President's Council of Economic Advisers, member, 1962- 68, chair, 1964-68, U.S. Ambassador to Italy, 1968-69; Samuelson, Nobel Prize–winning economist, Newsweek columnist, author, economics professor, and adviser to presidents John F. Kennedy and Lyndon B. Johnson, discuss the Council of Economic Advisers under Kennedy, the recession issue, the budget, and the relationship between the Treasury and Federal Reserve, among other issues. Access Open. Usage Restrictions Copyright of these materials have passed to United States Government upon the death of the interviewee. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. -
Arthur Miller
Arthur Miller: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Miller, Arthur, 1915-2005 Title: Arthur Miller Papers Dates: circa 1910s-2013 [bulk 1943-2005] Extent: 313 boxes (131.46 linear feet), 53 oversize boxes (osb), 34 oversize folders, 4 galley files (gf), 18 restricted boxes, 1 restricted oversize box Abstract: The papers of American Pulitzer Prize-winning playwright Arthur Miller consist of drafts of published and unpublished plays and other works, personal and professional correspondence, notebooks, photographs, clippings, and family papers which document Miller's writing career—spanning over fifty years—and range of creative output which includes plays, novels, screenplays, short stories, essays, speeches, and poetry. Call Number: Manuscript Collection MS-02831 Language: Predominately English; some printed material, letters, and documents in Chinese, Danish, Dutch, Finish, French, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Japanese, Korean, Norwegian, Polish, Romanian, Russian, Spanish, Swedish, and Yiddish Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. To request access to electronic files, please email Reference. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
1989 NEXT WAVE FESTIVAL GALA BENEFIT CELEBRATING the Loth ANNIVERSARY of NEW MUSIC AMERICA
1q g f( .{. 0 12.T + - ~o-..~-'fCOC:\lT.lM 1989 NEXT WAVE FESTIVAL GALA BENEFIT CELEBRATING THE lOTH ANNIVERSARY OF NEW MUSIC AMERICA BROOKLYN ACADEMY OF MUSIC NOVEMBER 8, 1989 0' New Music America is presented as part of the 1989 NEXT WAVE Festival sponsored by PHILIP MORRIS COMPANIES INC. New Music America is supported by Benson & Hedges Command Performance Series. New Mus1c Amenca IS an annual fcslival wh1ch began in New York a1 The Kuchcn m 1979 and has smcc !raveled 10 a d1ffercn1 cuy across I he Unilcd S1a1es, becoming I he nalion's largcs1 rcsuval or con1cmporary music. DAM is hosung Ihe IOih ann1vcrsary of New Mus1c America as pan of us 1989 NEXT WAVE Fcsuval. New Music Amcnca 1989 feaiUrcs 69 cvenls al 24 venues in 10 days, covering a decade or d1vcrgen1 I rends m new mus1c. NEW MUSIC AMERICA CO-PRESENTERS: DANCE THEATER WORKSHOP EXPERIMENTAL INTERMEDIA THE KITCHEN THE KNITTING FACTORY PROSPECT PARK PI CN IC HOUSE P.S. 122 ROULETTE WNYC The NEXT WAVE Production and Touring Fund and ew Music America are supported by NATIONAL ENDOWMENT FOR THE ARTS THE FORD FOUNDATION THE HENRY LUCE FOUNDATION, INC. THE ROCKEFELLER FOUNDATION THE PEW CHARITABLE TRUSTS LILA WALLACE-READER'S DIGEST FUND THE HARKNESS FOUNDATIONS FOR DANCE THE WILLIAM AND FLORA HEWLETT FOUNDATION AT&T FOUNDATION THE HOWARD G ILMAN FOUNDATION THE MARY FLAGLER CARY CHARITABLE TRUST MEET THE COMPOSER, INC. THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS, IN C. THE CUYAHOGA TRUST MORGAN GUARANTY TRUST COMPANY THE NATURAL HERITAGE TRUST NEW YORK STATE COUNCIL ON THE ARTS GOETHE HOUSE NEW YORK KULTURSTIFTUNG RUHR FRENCH MINISTRY OF FOREIGN AFFAIRS THROUGH AFAA FRENCH MINISTRY OF CULTURE AND COMMUNICATION CULTURAL SERVICES OF THE FRENCH EMBASSY, NEW YORK and the RECORDING INDUSTRY COUNCIL A&M RECORDS, ATI..ANTIC RECORDS, DMG MUSIC, CDS R ECORDS, ELEKTRA ENTERTAINMENT, GRAMAVISION. -
Williams a Tffisups
1993 PRINCETON INVITATIONAL WIlliams A TffiSUPS 1) Fermat came up with his notorious conjecture, which is still not officially a theorem, while reading a mathematical text, and made the comment in the margin that there was a fascinating proof. FTP, name Princeton's own rising star who proved Fermat's Last Theorem this past summer? Ans: Andrew WILES 2) If hens love roosters, and geese love ganders, then, FTP, everyone else must love this next door neighbor of Homer Simpson. Ans: Ned FLANDERS 3) He has hosted such shows as "Majority Rules," "Guess Again," "Who's the Boss? ," "The Big Surprise," and "Who Pays?" His son is a correspondent for rival ABC-TV. For 10 points, name this CBS News correspondent from "60 Minutes." Ans: Mike WALLACE 4) We have all heard of the great earthquake in India which recently killed over twenty thousand people. The prime minister of that country made news worldwide for his calm, effective leadership during the crisis. FTP, name him. Ans: P.V. Narasimha RAO 5) Of all I.B.M. games, perhaps none are loved so much as those in the Wing Commander series. Wing Commander II was called Vengeance of the Kilrathi. What is the recently released Wing Commander III called? Ans: PRIVATEER 6) "A man talking sense to himself is no madder than one talking nonsense not to himself. Or just as mad." For ten points, identify the 20th century play from which these lines are taken, a work based loosely on a venerable work by Shakespeare. Ans: ROSENCRANlZ AND GUILDENSTERN ARE DEAD (By Tom Stoppard) 7) The chemical process which separates substances by exploiting their boiling points is used by oil refineries to produce such items as aviation fuel and tar. -
'Secretive' Mall Talks Miff Some
Hero: Ferraro ^ Exodus: ‘Gold Coast’ costs too much /.page 2 lifts Whalers over .500 level / page 11 Rockettes: Black dancers in question / page 8 iHaurbrslrrManchfister A Cily ol Villa()f! Charm Hrralb Monday, Jan. 25, 1988 30 Cents ‘Secretive’ r *? i t '•if .. % y mall talks ' ■■ miff some By Andrew Yurkovsky O’Brien, who represents the town’s Manchester Herald Economic Development Commission. Several directors say they were Naab said he then discussed the not kept informed of talks between proposal with his fellow Republican other town officials and a developer board members, Osella and Theu- who is seeking a $9.5 miilion tax nis “ Terry” Werkhoven, on Thurs break to build the $70 million Mall day morning. Osella and Werk at Bucklp^ Hills. hoven, the minority leader, Director Ronald Osella said confirmed that the Republicans today that he and the two other discussed the proposal on Republicans on the Board of Thursday. Directors were not toid until last Weiss said that the administra week about the proposalannounced tion was brought in at the "tail end" Friday by the deveioper, the of negotiations with Homart, be Homart Development Co. of tween 10 days and two weeks ago. Chicago. " I believe the mayor has been " I would have preferred to hear involved in general. I think he from someone that, yes, we’re encouraged (Homart) to come up conducting negotiations.” Osella with a proposal that the town would said. consider,” Weiss said.” Meanwhile. Homart officials are Among Democratic directors David Kool/Minchatlar Harald to meet with the directors before reached this morning. -
Leon Levy BAM Digital Archive
' ...,, ...,, :ft: :ft: J - -- For i mmedi a t e release Contact: BAMPublicity (71 8) 636 -4129 Dated: 3/27/91 PRESS UPDATEDPROGRAM INFORMATION DISREGARDPREVIOUS RELEASE DATED 2/28/91 BROOKLYNACADEMY OF MUSIC TO PRESENT "BERGMANON STAGE" THREE CLASSIC DRAMASDIRECTED BY INGMARBERGMAN JUNE 10 - 20, 1991 IN BAMMAJESTIC THEATER BIBI ANDERSSON, ERlAND JOSEPHSON, LENA OLIN AND PETER STORMARELEAD THE ROYALDRAMATIC THEATRE OF SWEDENIN PRODUCTIONSOF IBSEN'S A DOLL'S HOUSE, STRINDBERG'S MISS JULIE, AND O'NEILL'S LONG DAY'S JOURNEYINTO NIGHT BAM ENGAGEMENTPRESENTED AS PART OF THE NEWYORK INTERNATIONALFESTIVAL OF THE ARTS Following their highly acclaimed New York appearance at BAM in June 1988 with Ingmar Bergman's production of Hamlet, The Royal Dramatic Theatre of Sweden (DRAMATEN), artistic director, Lars Lofgran, returns with Bergman On Stage, a series of three dramatic works directed by Ingmar Bergman. DRAMATENwill present the United States premieres of three Ingmar Bergman productions: August Strindberg's Miss Julie (June 10, 11, 12), Eugene O'Neill's A Long Day's Journey Into Night (June 14, 15, 16) and Henrik Ibsen's A Doll's House (June 18, 19, 20). These productions unite two generation s of Bergman actors. Swedish film stars Bibi Andersson and Erland Josephson will join Bergman's new generation of actors represented by Lena Olin, Peter Stormare and Pernilla Ostergren in the most concentrated display of theater work ever presented outside of Sweden by the legendary film director. Bergman on Stage is presented by BAMas part of The New York International Festival of the Arts. All three productions will be performed in Swedish (simultaneous English translation will be available).