DOCSLIB.ORG

Atlanta (Ga.) Punk Rock Collection, Circa 1980-2009

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Atlanta (Ga.) Punk Rock Collection, Circa 1980-2009 Atlanta (Ga.) punk rock collection, circa 1980-2009 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Title: Atlanta (Ga.) punk rock collection, circa 1980-2009 Call Number: Manuscript Collection No. 1340 Extent: 2 linear foot (3 boxes) and 8 oversized papers boxes and 1 oversized papers folder (OP); AV Masters: 2.5 linear feet (5 boxes, CLP4, and CLP5) Abstract: Collection of printed material, correspondence, and photographs documenting the hardcore punk rock and alternative music scene in Atlanta, Georgia from circa 1980-2009. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Gift of Nick Rosendorf, 2015, with subsequent additions from 2016 to 2021. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Atlanta (Ga.) punk rock collection, circa 1980-2009 Manuscript Collection No. 1340 Citation [after identification of item(s)], Atlanta (Ga.) punk rock collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Appraisal Note Acquired by Curator of Political, Cultural, and Social Movements Collections, Randy Gue, as part of the Rose Library's holdings in Atlanta history. Processing Arranged and described at the folder level by Sarah Quigley, September 2015. Additions arranged and described at the folder level by Meaghan Lanier, February 2016. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. If you are concerned about language used in this finding aid, please contact us at [email protected]. Collection Description Scope and Content Note The collection consists of material documenting the hardcore punk rock and alternative music scene in Atlanta, Georgia, from circa 1980-2009. The majority of the collection relates to the bands Neon Christ and Gardens Of.... Neon Christ was founded in 1983 and featured members Randy DuTeau, Jimmy Demer, William "Kip" DuVall, and Danny Lankford. Gardens Of... was a successor to Neon Christ and included DuTeau, Demer, and Lankford. DuVall went on to play in other local Atlanta bands and is currently the lead singer for rock band and grunge pioneers Alice in Chains. The majority of the collection consists of flyers and posters advertising concerts, many of which were held at Atlanta club Metroplex. Some flyers are from concerts in Atlanta featuring bands of national renown such as Black Flag, though most feature local acts. In cases where Neon Christ or Gardens Of... were on the bill, items were arranged with other materials relating to those bands. All other flyers and posters were arranged according to the band with top billing. There are also photographs of concerts and publicity stills for Neon Christ and Gardens Of..., as well as two folders of correspondence from fans requesting copies of Neon Christ records. Much of the material in the collection was donated by former band members and items such as ticket stubs document their interest in and connections to other bands and genres of music. Arrangement Note Arranged in alphabetical order by name. 2 Atlanta (Ga.) punk rock collection, circa 1980-2009 Manuscript Collection No. 1340 Container List Box Folder Content 2 42 105.3 The Buzz, promotional materials, 2006 AV3 - 19:37, You're a Little Bit Lonely/Surfin' Pharisea, Bombay Records, 1982 [original: phonograph, 45rpm] AV2 - The 513 Club, Atlanta's Punk-n-Pie, undated [original: CD] AV1 - Act of Faith, Gain, undated [original: compact disc] AV1 - Act of Faith, Test of Strength, 1994 [original: compact disc] CLP - Act of Faith, 4 track record, 1991 [original: LP record] OP4 - Act of Faith, t-shirt, undated 2 17 Act of Faith, Crisis Under Control, Mission of Murder, Moodswing Records and Standfast Records, stickers and patch, undated 2 16 Act of Faith, Crisis Under Control, Mudfoot!, Quadiliacha, One Way, M.F.R., ex members of..., Driverdome, and The Difference, flyers, undated 2 28 Act of Faith, Downpour, JAWK Smash Zine, Keepsake, Pax 13, Portrait and Standfast Records, patches, undated OP2 5 Andrew Wiggins, Champion ZOZ, Pyramid Club and Rin Larping, undated OP2 5 Androids to Void, Davidians, Helix Sequence, Helta Skelta, Parallel and Wymyns Prysyn, poster, undated AV1 - Another Style, "Take it Off," Styles Records, Inc., 1993 [original: audio cassettes] 2 1 A.O.D., flyer, 1984 AV3 - The Art of Wondering, The Silver Frame/Word, J Gordon Babush, 1985 [original: phonograph, 45rpm] 2 2 ASexuals, flyer, 1985 2 41 Asphalt Blaster's Eletric Pagan Cabaret, promotional materials, undated OP9 9 Asphalt Blaster, calendar, 2003 2 27 Atlanta, Brother Hawk, ex members of..., One Way, Standfast Records and Well Fed, stickers, undated OP5 - Atlanta Lifers: Est. 2009, t-shirt, undated OP2 9 Awkward Sounds, Sorry About the Blood, and Blue Tower, Exiles, split record, test pressing, Southern Soundclash Records, 1 of 10, undated [original: LP record] 1 1 Bad Brains, flyer, undated OP1 1 Bad Brains, poster of H.R., 1984 2 22 Bad People, Black Bodies, Davidians, Genetic Treason, G.G. King, Lifelike, Mutual Jerk, Mystic Inane, Nurse, Olivia Neutron, Pampers, Predator, Pyramid Club, Ritual Knife, Satan's Satyrs, Unconscious Semen, Uniform, Waste Layer and Wymyns Prysyn, flyers, undated 3 Atlanta (Ga.) punk rock collection, circa 1980-2009 Manuscript Collection No. 1340 CLP5 - Bewley, Chris, Waikiki, Entertainment on Disc, 1983[original: phonograph, 12" 33 1/3 rpm] AV3 - Big Fish Ensemble, Stupid Man/Tomorrow Never Knows, Hummingbird Hotel Music, 1993 [original: phonograph, 45rpm] 2 43 Big Hate, promotional materials, 1996 2 3 Black Flag, flyer, undated 1 2 Black Flag, flyers and newsletter, 1984-1985 OP1 2 Black Flag, posters, 1984-1985 AV1 - Blue Tower [original: audio cassette] 2 20 Bodies in Panic!, C Average, Corndogorama, The Descendents, ex slant 6, False Prophets, GSL, The Kossabone Red, Quixotic, Radio Bomb, Reactionary Records and Starlite Desperation, flyers and stickers, ca. 2000 AV1 - Broken, Defy the Season, 1996 [original: compact disc] CLP - Broken and Quadiliacha, 5 track record, 1993 [original: LP record] 3 30 Bucklew, Wenday, flier, undated OP2 5 The Bug, Eyedrum, Nurse and Wymyns Prysyn, poster, undated OP2 6 Capitalist Casualties, Cheap Art, Dead in the Dirt, Paradox and Primate, poster, undated AV1 - Car vs. Driver, 4 track record, 1994 [original: LP record] OP9 1 Car vs. Driver, poster, undated AV4 - Car vs. Driver (at Under the Couch), 1997 October 18 [original: VHS] AV4 - Car vs. Driver, final show (at Somber Reptile), with Braid 1995 July 21; Primadonnas, 1996 August 10 [original: VHS] AV4 - Car vs. Driver, Crown Hate Ruin, Spirit Assembly (Greensboro, North Carolina) 1995 July 8 [original: VHS] AV4 - Car vs. Driver, Winter Tour, tape 1, 1994 December [original: VHS] AV4 - Car vs. Driver, with Assfactor, Daredevil, Crown Hate Ruin (Columbia, South Carolina), 1995 July 7 [original: VHS] AV4 - Car vs. Driver and Crown Hate Ruin (Auburn, Alabama); Frail, Spirit Assembly, and Crown Hate Ruin (at Somber Reptile), 1995 July 9-10 [original: VHS] OP5 - Cartel: "Burn this City", t-shirt, undated AV1 - Cheap Art, Tour Tape, 2014 [original: cassette tape] OP2 6 Cheap Art, Iron Lung, Rapturous Grief and Shaved Christ, poster, undated OP3 - Cheap Art, t-shirt, undated OP3 - Scavenger of Death, t-shirt, undated OP2 10 Chemical People from Los Angeles with Dead Elvis, poster, undated 2 44 Chocolate Kiss, fliers, 1998-2003 OP9 15 Chocolate Kiss, posters, circa 1990s 2 4 Corrosion of Conformity (C.O.C.), set list, Metroplex, circa 1986 OP2 3 Crisis Under Control, Initiation, 1995 [original: LP record] AV1 - Crisis Under Control, self-titled album, undated [original: cassette tape] 4 Atlanta (Ga.) punk rock collection, circa 1980-2009 Manuscript Collection No. 1340 AV1 - Crisis Under Control, View of the Few, 1993 [original: LP record] OP4 - Crisis Under Control, t-shirt, undated OP2 4 Crisis Under Control with The Difference and One Way, Poster Album Cover, 2015 AV3 - The Crossing, This Heart is Waiting/Luck of the Irish, MERJ Records, undated [original: phonograph, 45rpm] 1 5 Crucifix, hand-painted cloth patch, circa 1980-1984 AV3 - DaFrico, Ray, Can't Get Through/King of Clowns, Kinetic Records, 1990[original: phonograph, 45rpm] AV3 - The David Aaron Band, Alabama Callin/Is It Today or Tomorrow, Eat and Run Records, undated [original: phonograph, 45rpm] AV1 - Dawn of Orion, On Broken Wings, undated [original: LP record] OP1 5 DDT, poster, 1984 1 6 Dead Kennedys, flyer, undated 2 34 Dead Kennedys (with DDT-The Restraints), ticket, 1983 May 20 1 7 Dirty Rotten Imbeciles, flyers, undated 2 45 Discord Records, Illustrated Catalogue, 1993 OP1 12 D.O.A., poster, 1985 2 5 D.O.A., set list, Metroplex, 1985 AV1 - Downpour, Footsteps Over Our Heads, undated [original: compact disc] AV1 - Downpour, No Lie Can Live Forever, undated [original: compact disc] AV1 - Downpour, 2 track demo, undated [original: compact disc] OP5 - Downpour, t-shirt, undated OP5 - Downpour, t-shirt, undated 2 6 D.S.C.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Rill^ 1980S DC
    rill^ 1980S DC rii£!St MTEVOLUTIO N AND EVKllMSTINO KFFK Ai\ liXTEiniKM^ WITH GUY PICCIOTTO BY KATni: XESMITII, IiV¥y^l\^ IKWKK IXSTRUCTOU: MR. HiUfiHT FmAL DUE DATE: FEBRUilRY 10, SOOO BANNED IN DC PHOTOS m AHEcoorts FROM THE re POHK UMOEAG ROUND pg-ssi OH t^€^.S^ 2006 EPISCOPAL SCHOOL American Century Oral History Project Interviewee Release Form I, ^-/ i^ji^ I O'nc , hereby give and grant to St. Andrew's (interviewee) Episcopal School llie absolute and unqualified right to the use ofmy oral history memoir conducted by KAi'lL I'i- M\-'I I on / // / 'Y- .1 understand that (student interviewer) (date) the purpose of (his project is to collect audio- and video-taped oral histories of first-hand memories ofa particular period or event in history as part of a classroom project (The American Century Project). 1 understand that these interviews (tapes and transcripts) will be deposited in the Saint Andrew's Episcopal School library and archives for the use by ftiture students, educators and researchers. Responsibility for the creation of derivative works will be at the discretion of the librarian, archivist and/or project coordinator. I also understand that the tapes and transcripts may be used in public presentations including, but not limited to, books, audio or video doe\imcntaries, slide-tape presentations, exhibits, articles, public performance, or presentation on the World Wide Web at t!ic project's web site www.americaiicenturyproject.org or successor technologies. In making this contract I understand that I am sharing with St. Andrew's Episcopal School librai-y and archives all legal title and literary property rights which i have or may be deemed to have in my inten'iew as well as my right, title and interest in any copyright related to this oral history interview which may be secured under the laws now or later in force and effect in the United States of America.
    [Show full text]
  • Between Winter/Spring 2018
    BETWEEN WINTER/SPRING 2018 the Lions NEWS and UPDATES for the St. Pius X Catholic High School Community... 60 Years of ST. PIUS X Catholic IDENTITY Pius MISSION Current NEWS This magazine is produced by the St. Pius X Catholic High School Office of Advancement. Chad Barwick President Steve Spellman Principal Jenn Sedlack Director of Advancement Mary Vallés Jones Associate Director of Advancement Records & Events Karoline Rumps Brennan ’82 Director of Alumni Relations Deanna Jones-Puig ’01 Communications Manager Kyle Snipes Communications Coordinator Mary O’Brien Beyer ’82 Advancement Coordinator St. Pius X, an archdiocesan high school, provides a college preparatory education for the formation of the mind, body, and spirit of each student in accordance with the teachings of the Catholic Church. We would like to extend a special thank you to Billy Howard Photography, Cady Studios, Carol Pajer, and the numerous students, parents, faculty, and staff who submitted photos used in this publication. Contents Letter from the President 04 Letter from the Principal 05 A Look Back: 60 Years of St. Pius X 06 Lions and Legacies Gala 08 Faculty Feature 09 A Legacy of Catholic Identity at St. Pius X 10 From the Office of Advancement 12 St. Pius X News 14 Senior Advocates for Diabetes Research 17 Fine Arts at St. Pius X 18 Parent Organizations Make a Difference 20 Writing Center Offers Peer to Peer Tutoring 22 NHS Welcomes New Inductees 23 Athletics at St. Pius X 24 Spotlight on the Pius Community 26 Living the Pius Mission 28 Homecoming-Reunion Weekend 2017 32 Lion Lines 34 Student Connects Through Social Media 38 In Memoriam 39 03 From the President Dear Golden Lion Families, We have been blessed this year with great students and incredibly supportive families striving to lighting, building locker rooms, bathrooms, strengthen our Pius mission.
    [Show full text]
  • ALBUM? Peter Gabriel and St~Ng,These I Dudesdohaveasenseofhumor, ~IIIIIIIIIIIIIIIIIIII~ As the "If I Were A...I'dt' Series and "Nasty Man" Can Attest To
    . - .. - . -. ~. A ~ , - . , . , . , . , -. ::*--.i'_'.-. ~-----.~.7. '. .,.? 7 . ~ $ .. ,, t-c. * .A?. ' - a -. .-? ' '9' . " -, , -,, &., ,:.--: .: .. ., . , y , - . ,,;.? .. .- . .. -- 8 ' . ,"<, ' ~..D. ? PAGE 3 k SLUG To Mike Carlson, wereright, though.mestagewas me, industrial always was shit ENTEIWAINMENT Once again you have con- PM~..---. like ELP, Kraftwerk, Laibach, GUIIBE AN11 firmed the fact that you are a 4. Mary Annerules. She is the This guy 1tEVIEW complete geek Do you ever tire AlternativeCultural Icon for this what's of public humiliation? month. Next up, I submit Chris Youn in warm regards, -1 -1 T. Stinson Robin. Love and bullets, 5. Matt Taylor is right on the Charlee X Nine Editor /Publisher Dearest Dickheads, ball, friends and neighbors. To J.R. Ruppel Controversy, controvesy, controversy! After reading the Sales & Production SlugNo.30/June'91 issue,I must Natalie Kaminski respond to the following: 1. Mike Carlson, suck mine. Photographs Your.bullshit attitude is right Robert DeBerry from the pages of Maximum Special Thanx To: Rock And Roll. "Getting signed Lara Bringard to the maprs and being bled dry Matt Taylor for the bloodsucking consumer Scott Bringard machine?" That shit happens on quite a few indies, too, but why AND OUR TWANX TOOOOOO: 'even bother to record or tour JanBny, Jon Shum~,Brd OWu. Woody Gonulu, Bud Bmrkrq dthout somedegreeof success? Rlck Ruppl, Dan Kw. MuhMron, Sorry, babycake<but the money Xotl Bdngud, Kwh Uk,Charlea Johmn, BUI Ward, Hofflnc Rlnthg, goes along with this and it's not CopperfleldPublbhlng the cash that makes things bad, ?he opinions and views expressed but what you do with it. If this in this rag are those of the writem wasn't the case, records would and arc nM necessarily those of the be free of charge to make and people who pur this shit together.
    [Show full text]
  • September 1995
    Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK
    [Show full text]
  • What Literature Knows: Forays Into Literary Knowledge Production
    Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
    [Show full text]
  • Dag Nasty Wig out at Denkos Mp3, Flac, Wma
    Dag Nasty Wig Out At Denkos mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Wig Out At Denkos Country: US Released: 1987 Style: Hardcore, Punk MP3 version RAR size: 1868 mb FLAC version RAR size: 1240 mb WMA version RAR size: 1751 mb Rating: 4.4 Votes: 350 Other Formats: AC3 MP3 MP4 MPC DMF AIFF AUD Tracklist A1 The Godfather A2 Trying A3 Safe A4 Fall A5 When I Move B1 Simple Minds B2 Wig Out At Denkos B3 Exercise B4 Dag Nasty B5 Crucial Three Companies, etc. Copyright (c) – Dischord Records Phonographic Copyright (p) – Dischord Records Produced At – Inner Ear Studios Recorded At – Inner Ear Studios Pressed By – MPO Credits Bass – Doug Carrion Drums – Colin Sears Engineer – Don Zientara Graphics – Cynthia Connolly Guitar – Brian Baker Photography By – Ken Salerno, Tomas Squip Producer – Don*, Ian* Songwriter – Dag Nasty Vocals – Peter Cortner Notes Includes black and white insert with lyrics one the one and a photo on the other side Produced at Inner Ear Studios. Recorded at Inner Ear Studios. This album is $5. postpaid from Dischord Records. c & p 1987 Dischord Records. Made in France. Barcode and Other Identifiers Matrix / Runout (Runout A [etched]): DISCHORD 26 A-1 MPO Matrix / Runout (Runout B [etched]): DISCHORD 26 B-1 MPO Other versions Category Artist Title (Format) Label Category Country Year Dag Wig Out At Denkos Dischord Dischord 26 Dischord 26 US 1987 Nasty (LP, Album) Records Wig Out At Denko's Dag Dischord DIS26CD (CD, Album, RE, DIS26CD US 2002 Nasty Records RM) Dischord Dischord 26, Dischord 26, Dag Wig Out At Denkos Records, Dischord Dischord US Unknown Nasty (LP, Album, RP) Dischord Records 26 Records 26 Records Dag Wig Out At Denkos Dischord Dischord 26 Dischord 26 UK 1987 Nasty (LP, Album, TP) Records Dischord Records, Wig Out At Denkos 26, dis26v, Dag Dischord 26, dis26v, (LP, Album, RM, US 2009 Dischord 26 Nasty Records, Dischord 26 RP) Dischord Records Related Music albums to Wig Out At Denkos by Dag Nasty 1.
    [Show full text]
  • La Fugazi Live Series Sylvain David
    Document generated on 10/01/2021 9:37 p.m. Sens public « Archive-it-yourself » La Fugazi Live Series Sylvain David (Re)constituer l’archive Article abstract 2016 Fugazi, one of the most respected bands of the American independent music scene, recently posted almost all of its live performances online, releasing over URI: https://id.erudit.org/iderudit/1044387ar 800 recordings made between 1987 and 2003. Such a project is atypical both by DOI: https://doi.org/10.7202/1044387ar its size, rock groups being usually content to produce one or two live albums during the scope of their career, and by its perspective, Dischord Records, an See table of contents independent label, thus undertaking curatorial activities usually supported by official cultural institutions such as museums, libraries and universities. This approach will be considered here both in terms of documentation, the infinite variations of the concerts contrasting with the arrested versions of the studio Publisher(s) albums, and of the musical canon, Fugazi obviously wishing, by the Département des littératures de langue française constitution of this digital archive, to contribute to a parallel rock history. ISSN 2104-3272 (digital) Explore this journal Cite this article David, S. (2016). « Archive-it-yourself » : la Fugazi Live Series. Sens public. https://doi.org/10.7202/1044387ar Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International This document is protected by copyright law. Use of the services of Érudit (CC BY-NC-SA 4.0) Sens-Public, 2016 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit.
    [Show full text]
  • X 7" Singles X Lps/Cds
    customer name: email: RECORD STORE DAY 6/12/21 **availability subject to quantites on hand **quantity limited to 1 of each title per customer **most titles are extremely limited & will be sold on a first come, first served basis **no holds/mail order on RSD titles **no store coupons allowed on RSD titles **all items held for you from your menu must by picked up by 6PM on 6/12/21 X 7" singles Batmobile Ba-Baboon [Yellow Color] 7" Blind Boys of Alabama I Wish I Knew How it Would Feel to Be Free 7" NO STOCK Cautious Clay Prototype 3000 7" NO STOCK Czarface/MF Doom Meddle With Metal 3" Vinyl Dekker,Desmond King Of Ska: Beverley's Records Ska Singles [7"x10] 7" BOX Earle,Steve & The Dukes/Justin Townes Earle The Saint of Lost Causes 7" Goblin L'Alba Dei Morti Viventi [Zombi/Dawn of the Dead] 7" Golden Earring Twilight Zone 7" Gun Club Ruby Sessions 7" Haim feat. Taylor Swift Gasoline 7" Hu Sad But True & Wolf Totem [Picture Disc] 7" Integrity Cradle To The Grave [Blue & Black] 7" Mudhoney/Meat Puppets “Warning” / “One of These Days” 7" Richards,Keith Wicked As It Seems Live [Red Color] 7" NO STOCK Urban Renewal Project Posse Comitatvs #1: Border's Edge 7" Various Artists DJ Marky Brazil 45s Boxset 7" BOX X LPs/CDs AC/DC Through The Mists of Time [Picture Disc] 12" Air People In the City [Picture Disc] 12" Alestorm Sunset On The Golden Age [Deluxe 2LP Gold & Black Splatter] LP Alkaline Trio From Here To Infirmary LP NO STOCK Allen,Jimmie Hazy-O! 12" Animal Collective Prospect Hummer [Green & Yellow Starburst] 12" Anti-Flag 20/20 Division [Translucent
    [Show full text]
  • Complete Band and Panel Listings Inside!
    THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple.
    [Show full text]
  • Georgia FOOD • DRINK • ARTS ENTERTAINMENT RECREATION LODGING MAPS
    2017–2018 flagpole Guide to ATHENS Georgia FOOD • DRINK • ARTS ENTERTAINMENT RECREATION LODGING MAPS PO AG L L E F M A E G A Z I N SANDWICHES SALADS WRAPS K-BOWLS The Moose Deli�er�!& Cater� �o�. a�ar�-�innin� origina� Wings sandwiches BELGIAN FRIES 10 SIGNATURE SAUCES Sign up for our rewards TRY A KEBA program to earn free food, �pecialt� �res� Burgers OUTDOORSEATING salads and have discounts sent GYRO TODAY! straight to your phone! � SOMETHING EVERYone! 1860 Barnett Shoals Road AS long as everybody likes a good time. Athens • 706.850.7285 Locos is the ultimate place for great food, fun, beverages and catching 1850 Epps Bridge Parkway the game with friends, all in a family friendly environment. With dine Athens • 706.543.8210 in, pick up, delivery or catering, it’s easy to enjoy Locos any time! 1021 Jamestown Blvd. Stop by and see for yourself – Locos has something for everyone. Watkinsville (Drive thru) 706.310.7222 1985 Barnett Shoals Rd. Trivia Tuesdays! 2020 Timothy Rd. Athens, GA 30605 DRINK SPECIALS Athens, GA 30606 306 Exchange Blvd., Suite 200 706.208.0911 Giveaways and Prizes 706.549.7700 Bethlehem • 770.867.4655 dine-in • takeout • delivery • catering LOCOSGRILL.COM KebaGrill.com ƒ 2 201 7–201 8 flagpole Guide to ATHENS flagpole.com TAble OF Contents Athens at a Glance . .4 Stage and Screen . 22. Annual Events . .9 Books and Records . 25. Athens Favorites . 11. Athens Music . 26. Lodging . 12. Food Trucks and Farmers Markets . 29 Art Around Town . 14. Athens and UGA Map . .31 Get Active .
    [Show full text]
  • Killing Hope U.S
    Killing Hope U.S. Military and CIA Interventions Since World War II – Part I William Blum Zed Books London Killing Hope was first published outside of North America by Zed Books Ltd, 7 Cynthia Street, London NI 9JF, UK in 2003. Second impression, 2004 Printed by Gopsons Papers Limited, Noida, India w w w.zedbooks .demon .co .uk Published in South Africa by Spearhead, a division of New Africa Books, PO Box 23408, Claremont 7735 This is a wholly revised, extended and updated edition of a book originally published under the title The CIA: A Forgotten History (Zed Books, 1986) Copyright © William Blum 2003 The right of William Blum to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Cover design by Andrew Corbett ISBN 1 84277 368 2 hb ISBN 1 84277 369 0 pb Spearhead ISBN 0 86486 560 0 pb 2 Contents PART I Introduction 6 1. China 1945 to 1960s: Was Mao Tse-tung just paranoid? 20 2. Italy 1947-1948: Free elections, Hollywood style 27 3. Greece 1947 to early 1950s: From cradle of democracy to client state 33 4. The Philippines 1940s and 1950s: America's oldest colony 38 5. Korea 1945-1953: Was it all that it appeared to be? 44 6. Albania 1949-1953: The proper English spy 54 7. Eastern Europe 1948-1956: Operation Splinter Factor 56 8. Germany 1950s: Everything from juvenile delinquency to terrorism 60 9. Iran 1953: Making it safe for the King of Kings 63 10.
    [Show full text]