Moving Environmental Bioethics Into the 21St Century: Green Bioethics and the Common Good
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Piercing the Veil: the Limits of Brain Death As a Legal Fiction
University of Michigan Journal of Law Reform Volume 48 2015 Piercing the Veil: The Limits of Brain Death as a Legal Fiction Seema K. Shah Department of Bioethics, National Institutes of Health Follow this and additional works at: https://repository.law.umich.edu/mjlr Part of the Health Law and Policy Commons, and the Medical Jurisprudence Commons Recommended Citation Seema K. Shah, Piercing the Veil: The Limits of Brain Death as a Legal Fiction, 48 U. MICH. J. L. REFORM 301 (2015). Available at: https://repository.law.umich.edu/mjlr/vol48/iss2/1 This Article is brought to you for free and open access by the University of Michigan Journal of Law Reform at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in University of Michigan Journal of Law Reform by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. PIERCING THE VEIL: THE LIMITS OF BRAIN DEATH AS A LEGAL FICTION Seema K. Shah* Brain death is different from the traditional, biological conception of death. Al- though there is no possibility of a meaningful recovery, considerable scientific evidence shows that neurological and other functions persist in patients accurately diagnosed as brain dead. Elsewhere with others, I have argued that brain death should be understood as an unacknowledged status legal fiction. A legal fiction arises when the law treats something as true, though it is known to be false or not known to be true, for a particular legal purpose (like the fiction that corporations are persons). -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Captain Flashback #5
CAPTAIN FLASHBACK A fanzine composed for the 394th distribution of the The Mystery of Aunt Hattie -- Solved! Turbo-Charged Party-Animal Amateur Press A Genealogical Digression Association, from the joint membership of Andy th by Andy Hooper Hooper and Carrie Root, residing at 11032 30 Ave. NE Seattle, WA 98125. E-mail Andy at [email protected], and you may reach Carrie at In HOOPER’S ORIGINAL BAGATELLE #11, [email protected]. This is a Drag Bunt Press published in Turbo-Apa #388, I gave a summary Production, completed on 4/20/2019. of my-then current understanding of my Father Frank H. Hooper’s family tree. It has been CAPTAIN FLASHBACK is devoted to old fanzines, extraordinarily difficult to simply identify all of monster movies, garage bands and other fascinating my Grandfather’s siblings and their descendants, phenomena of the 20th Century. Issue #5 is once because he was the youngest of ten children in again a piece of pure self-indulgence, as the lead his family, born to two different women between story concerns the Hooper family genealogy, and the years 1865 and 1894. And the number seems resolution of the lingering Mystery of Aunt Hattie. as unstable as our understanding of the solar And after the usual lengthy comments on the previous mailing, the I REMEMBER ENTROPY system: Another son, John, may have been born Department presents “Jam Today,” a column by in 1861, and family tradition holds that a stepson Ginjer Buchanan, published by Linda Bushyager in named Sydney came to the family with my issue #16 of her fine fanzine GRANFALLOON, Great-Grand-father’s first wife Maria. -
The Fiction Factory: a Novel
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2018-04-24 The Fiction Factory: A Novel Jansen, Brian Jansen, B. (2018). The fiction factory: A novel (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/31862 http://hdl.handle.net/1880/106576 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Fiction Factory: A Novel by Brian Jansen A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA APRIL, 2018 © Brian Jansen 2018 Abstract This dissertation is composed of two parts. The first, a critical foreword titled “The Fiction Factory: On Precarity, Popularity, and Piecing Together Our Stories,” discusses my creative work through a theoretical lens. In it, I draw on contemporary discussions around precarity in cultural and academic work, theories of cultural industries, and scholars of the “ethical turn” in literature—such as Wayne Booth, Martha C. Nussbaum, and Marshall Gregory—to explore questions of agency and ethics in popular fiction. In complicating binaries (the sphere of art versus the sphere of commerce; work versus labour; friendship versus transactional relationships), and by taking Leslie McFarlane (better known as Franklin W. -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
Issues with the Determination of Brain Death: the Case for Religious and Moral Exceptions
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2020 Issues with the Determination of Brain Death: The Case for Religious and Moral Exceptions Alyson Schwartz Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Schwartz, Alyson, "Issues with the Determination of Brain Death: The Case for Religious and Moral Exceptions" (2020). Law School Student Scholarship. 1106. https://scholarship.shu.edu/student_scholarship/1106 I. Introduction The double doors open to the emergency room, where paramedics are wheeling in patients, a child is receiving stiches while holding her mother’s hand, and a patient behind a curtain is screaming as nurses run to him. The hospital corridor is stuffy, and the air has an undertone of bleach. The walls are painted a slate gray and are scraped in places from the hundreds of gurnies that have bumped into them. The pictures on the walls in the waiting room are cheap prints of uplifting scenes. Here in the waiting room, loved ones sit, with anxious faces, some silent and staring off into the distance, others tapping a foot and rustling through last week’s New York Times to keep themselves occupied, others weeping silently in the corner. When a physician walks into the waiting room, all heads turn towards the door, watching the physician, restless to hear their names being called, in hope to find out the fate of their loved one(s). A family’s name is called, and they are escorted into another room. Here they are told that their son was in a major car accident, leading to a traumatic brain injury. -
Defining Death: Getting It Wrong for All the Right Reasons
TRUOG.TOPRINTER.RESUBMIT2.DOCX (DO NOT DELETE) 6/8/2015 11:39 AM Defining Death: Getting It Wrong for All the Right Reasons Robert D. Truog* The Uniform Determination of Death Act defines death as either the irreversible cessation of all circulatory and respiratory functions or of all func- tions of the entire brain. As a matter of scientific fact, many patients declared dead for purposes of organ donation do not meet this legal requirement. In addition, many of these patients have not lost “the integrated functioning of the organism as a whole,” a scientific standard that defines life across the entire biological spectrum, not just in humans. As such, current practices violate the implicit ethical and legal principle known as the “dead donor rule,” which states that vital organs may never be removed from patients before they are dead. I claim that while current practices of organ procurement do cause the death of the patient, they are nevertheless ethical because: (1) they are performed with the patient’s or surrogates’ consent (principle of respect for autonomy), and (2) they do not harm or set back the interests of the patient (principle of nonmaleficence). While the ideal long-term solution is to reframe the ethics of vital-organ donation in terms of these principles rather than the dead donor rule, a more practical short-term solution may be to conceptualize current approaches to defining death as socially acceptable “legal fictions,” acknowledging that they are not biologically valid. Not only would this solution create a more honest and transparent public policy, but it would save lives by increasing both the quantity and the quality of organs available for transplantation. -
MELBOURNE PROGRAM GUIDE Sunday 22Nd January 2012
MELBOURNE PROGRAM GUIDE Sunday 22nd January 2012 06:00 am Jag (Rpt) What If ... Former fighter pilot, Captain Harmon "Harm" Rabb, and his team of lawyers are charged with the duty of investigating and litigating crimes committed by Navy and Marine personnel. Starring: David James Elliott, Catherine Bell, Tracey Needham, Zoe McLellan 07:00 am Macgyver (Rpt) PG Phoenix Under Siege Mild Violence Armed with only a roll of duct tape and a Swiss Army knife, super resourceful secret agent, Angus MacGyver, can get himself out of any sticky situation by using his brains over brawn. Starring: Richard Dean Anderson, Dana Elcar 08:00 am The Brady Bunch (Rpt) G The Grass Is Always Greener Here's the story of a lovely lady … you know how it goes! Carol married Mike, both have three children each, together with housekeeper, Alice, and dog, Tiger, they became the Brady Bunch. Starring: Robert Reed, Florence Henderson, Barry Williams, Maureen McCormick, Christopher Knight, Eve Plumb, Mike Lookinland, Susan Olsen, Ann B Davis 08:30 am Everybody Loves Raymond (Rpt) CC PG Your Place Or Mine After 40 years of marriage, Marie gets fed up with Frank and moves in with Ray and Debra. Starring: Ray Romano, Patricia Heaton, Doris Roberts, Peter Boyle 09:00 am Touched By An Angel (Rpt) PG Holy Of Holies Adult Themes Be inspired as Monica, Tess and Andrew bring messages of hope and love from God to the people who need His guidance the most. Even the most cynical will soon believe in angels. Starring: Roma Downey, Della Reese, John Dye 10:00 am 7th Heaven (Rpt) WSPG MI Familia Part 2 The Camdens, a Christian family living in California, face the challenges of trying to live a moral life in a confusing world. -
Index of /Sites/Default/Al Direct/2011/November
AL Direct, November 2, 2011 Contents American Libraries Online ALA News Booklist Online Dallas Update Division News Awards & Grants Seen Online Tech Talk E-Content The e-newsletter of the American Library Association | November 2, 2011 Books & Reading Actions & Answers New This Week Calendar American Libraries Online Libraries tap into crowd power It seemed only natural when one of the most- consulted websites in the world recently posted a ubiquitous banner stating WIKIPEDIA LOVES LIBRARIES. What has resulted is a nationwide “editathon”—editing marathons organized by active Wikipedia users to expand and add depth to the website’s content on a wide range of cultural and historical topics. Dozens of them are taking place in cities across the country, including Atlanta, Boulder, Seattle, St. Louis, and Washington, D.C.... American Libraries news, Nov. 1 School filters reach into students’ homes Pop star Lisa Loeb will Gordon Flagg writes: “The installation of filtering software on bring her wit, wacky computers continues to create problems for students doing humor, and sparkling assignments using computers on their school campuses—and even creativity to the Wrap Up beyond. A survey conducted by the Dartmouth (Mass.) High School’s Rev Up Celebration during student newspaper, The Spectrum, has found that, since the school the Midwinter Exhibits district installed Fortiguard Web Filtering in January, 89% of students Closing on January 23. have had difficulty researching school-related topics on campus. It also reported that students and teachers have been banned from all streaming media.”... AL: Censorship Watch, Nov. 2 Next Steps: Building a competitive advantage Brian Mathews writes: “When Susan Nutter (right) took over the leadership role at North Carolina State University Libraries in Raleigh, it wasn’t a very inspiring organization. -
Download the Original Report Here
CONTRIBUTORS AARON YELOWITZ, University of Kentucky MARK PERRY, American Enterprise Institute and the University of Michigan-Flint DAVID NEUMARK, University of California-Irvine DAVID MACPHERSON, Trinity University JAMES SHERK, Former Research Fellow, Heritage Foundation WILLIAM EVEN, Miami University ANDY PUZDER, Former CEO, CKE RICHARD BERMAN, Center for Union Facts LLOYD CORDER, CorCom, Inc., Carnegie Mellon University and University of Pittsburgh JOSEPH SABIA, San Diego State University and University of New Hampshire With an Introduction by MICHAEL SALTSMAN Edited by LIAM SIGAUD and MICHAEL SALTSMAN EMPLOYMENT POLICIES INSTITUTE 5 INTRODUCTION: A CASE FOR CAUTION MICHAEL SALTSMAN EMPLOYMENT POLICIES INSTITUTE In his 2013 State of the Union, President Obama These consequences shouldn’t come as a surprise, called for a 25 percent increase in the federal minimum given the lack of precedent for a minimum wage as high wage, to $9 an hour. Five years later, the Democratic as $15 an hour. The first federal minimum in 1938 was Party promised a minimum wage increase of more than $0.25 an hour, or $4.20 in 2015 dollars. It began primarily 100 percent, to $15 an hour. as a skilled minimum wage, applied to industries such as This radical evolution in what constitutes an mining, manufacturing and transportation. As it expanded acceptable minimum wage can be credited to the to include jobs in the service industry, the minimum Service Employees International Union (SEIU), which wage in effect became a wage floor for unskilled labor. starting in 2012 invested more than $100 million to Adjusted for inflation, the federal minimum wage has normalize the concept of a $15 minimum wage. -
[43B]? Download Gratis El Libro De Moe (Los
Register Free To Download Files | File Name : El Libro De Moe (Los Simpson) PDF EL LIBRO DE MOE (LOS SIMPSON) Tapa dura 9 junio 2010 Author : Matt Groening Descripcin del productoBiografa del autorMatt Groening, dibujante, productor y escritor, cre la serie Los Simpson hace ms de veinte aos para la cadena Fox. Es autor adems de la tira cmica semanal Life in Hell, que se publica desde 1978, y de la serie de animacin Futurama. Groening ha logradod iez premios Primetime Emmy, nueve por Los Simpson y uno por Futurama, adems de un premio British Comedy. Amazon.com: El libro de Moe (Los Simpson) (Spanish Edition) (9788466643740): Groening, Matt: Books El libro de Moe (Los Simpson): Amazon.es: Groening, Matt: Libros Selecciona Tus Preferencias de Cookies Utilizamos cookies y herramientas similares para mejorar tu experiencia de compra, prestar nuestros servicios, entender c\u00f3mo los utilizas para poder mejorarlos, y para mostrarte anuncios. Fecha de publicaci\u00f3n: Abril de 2008 (En 2010 en Espa\u00f1a) Posible traducci\u00f3n: \u00abThe Simpsons Library Of Wisdom - The Book Of Moe\u00bb Descripci\u00f3n: Moe Szyslak, el poco agraciado proveedor del tugurio de bebidas local, lo ha hecho todo\u2026 desde probar suerte en un ring de boxeo hasta realizar cirug\u00eda clandestina. Conoce al hombre detr\u00e1s del delantal, el incomprendido coctelero de coraz\u00f3n ... Portada: EL LIBRO DE MOE de B (Ediciones B) Editorial: B (Ediciones B) | 11/06/2010; Sinopsis: Los autores de este libro, con isbn 978-84-666-4374-0, son Equipo Editorial Ediciones B y Matt Groening, esta publicaci\u00f3n tiene noventa y seis p\u00e1ginas. -
3.2 Family Guy
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra divadelních, filmových a mediálních studií Vztahové relace matka-dcera v současném americkém prime-timeovém animovaném seriálu Bakalářská diplomová práce Tereza Šemberová (filmová věda-žurnalistika) Vedoucí práce: Mgr. Jakub Korda, PhD. Olomouc 2013 Prohlášení: Prohlašuji, že jsem tuto práci vypracovala samostatně a uvedla všechny zdroje, prameny a literaturu, které jsem použila. V Olomouci dne 10. dubna 2013 …..………………… Tereza Šemberová Ráda bych poděkovala Mgr. Jakubu Kordovi, PhD za vedení práce, trpělivost a prospěšné rady, dále Marii Šemberová za ustavičnou psychickou podporu během psaní práce a studia a také Lukáši Šemberovi za vstřícnost a technickou pomoc. Obsah 1. Úvod...................................................................................................................................5 1.1 Metodologie.................................................................................................................7 1.2 Vymezení pramenů......................................................................................................9 1.3 Vyhodnocení literatury...............................................................................................10 2. Teoretická část – žánr sitcom a subžánr animovaný sitcom.............................................15 2.1 Teoretické vymezení žánru sitcom a jeho charakterů z historického hlediska..........15 2.2 Specifika subžánru animovaný sitcom......................................................................17