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Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
Complete Epcot Cheat Sheet
Mitsukoshi Store and Via The Culture Tutto Napoli Gusto American Exhibit Liberty Adventure Inn Katsura Teppan Edo Tutto Grill Italia Sommerfest Tokyo Dining Restaurant Marrakesh Bier- garten Gardens Tangierine Cafe Theater France Boulangerie Pâtisserie Japan Spice Road Ice Cream Refreshment Italy Table Coolpost Germany American Impressions Pavilion Morocco Chefs de France de France Boat/Walkway to France Bistro Hollywood Studios, BoardWalk de Paris and Epcot Resorts International China IllumiNations Gateway Lotus Blossom Yorkshire County of China + FP+ Nine Dragons Fish Shop United Kingdom Norway Akershus Rose & Crown Pub & Dining Room Kringla Bakeri Maelstrom La Hacienda + de San Angel Mexico Canada Cantina World Showplace de San Angel San Angel Mexico Inn Shops and Showcase La Cava Le Cellier del Plaza Tequila O’ Canada! Gran Fiesta Tour Odyssey Captain Center EO++ Journey Into Imagination With Figment+ Test Soarin’+ Track+ Club Mouse Cool Sunshine Gear Character Seasons FP+ Fountain Spot + Garden Mission: Grill Sum of FP+ (Top Floor) Space Electric FP+ + All Thrills Umbrella FP+ Sunshine Innoventions Seasons East Innoventions Circle of Life Living with West (Top Floor) the Land+ FP+ Festival Center Spaceship Ellen’s Energy Turtle Earth Nemo Talk Adventure Guest + + Ride+ Services Coral Reef First Hour Attractions Living Seas Attraction Entrance First 2 Hours / Last 2 Hours of Operation Restrooms Anytime Attractions Main Entrance Table Service Dining and Exit Guest Services Quick Service Dining Resort Shopping Bus Stops IllumiNations Viewing Attractions followed by a + are FastPass+ enabled Epcot Cheat Sheet Rope Drop: Epcot has two entrances. At the main entrance, a brief welcome spiel will play over the speakers beginning at 8:45am. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Carolwood Chronicle No.42
fall 2010 HISTORICAL SOCIETY © RETLAW o N. 42 Retlaw 1 Combine Update by Larry Boone t was July 17th, 1955 when a very special train made its first ‘official’ run around i the outskirts of a very special park… Disneyland. That was opening day and Walt wanted everything to be perfect. The train cars were meticulously crafted on the sound stages of the Disney Studios and looked every bit like they had been transplanted right from the turn of the century. The railroad at his park was so important to him that he inside this issue chose it as the way to make platform 1 his own grand entrance for Retlaw 1 Combine the T.V. cameras. At that time Update Walt had a freight train pulled by engine #1, the C.K. Holiday, platform 2 and a passenger train pulled new & renewing by engine #2, the E.P. Ripley. members Walt rode into Main Street Station that day as engineer platform 3 of the Ripley with its bright Retlaw 1 Combine yellow consist of one combine, Update (cont.) four passenger coaches and Welcome to the There were smiles all around at the final signing of the agreement little mining town an observation car. The grand of Rainbow Ridge opening of Disneyland was between the Norred family and the Carolwood Foundation. From top left standing: Carrie Norred, Michael Campbell and Larry Boone. underway. Bottom row seated: Charlene Norred and Larry Varblow. platform 4 Walt had a lifelong interest Carolwood Members Walt’s love of his SF&D railroad The original passenger train Contribute Graphic in trains. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
Copyrighted Material
18_571532 Index.qxd 7/22/04 9:19 AM Page 362 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Airports, 42–43 Astronaut Memorial Plane- security procedures, 43–44 tarium and Observatory, transportation to/from, 43 332 A AA (American Automo- Air travel with kids, 36 Astro Orbiter, 192 bile Association), 64–65, Akershus Castle, 210 Atlanta Braves, 23, 236, 285 88, 247, 252 Aladdin’s Magic Carpet Ride, Atlantic Dance, 311 ABC Super Soap 235 ATMs (automated-teller Weekend, 26 Altamonte Mall, 292–293 machines), 18, 20, 58–59, Accommodations, 82–124. The Amazing Adventures of 175 See also Accommodations Spider-Man, 7, 257 Animal Kingdom, 224 Index The American Adventure, Disney–MGM Studios, 212 advantages of staying at 211 Epcot, 196 Walt Disney World, American Automobile Islands of Adventure, 254 85–86 Association (AAA), 64–65, Magic Kingdom, 180 bed & breakfasts, 123–124 88, 247, 252 SeaWorld, 267 best bets, 10–12 American Express, 78 Auctions, 291 choosing a hotel and sav- traveler’s checks, 20 Audubon of Florida— ing money, 82 American Film Institute National Center for Cocoa Beach, 336–338 Showcase, 214 Birds of Prey, 286 condo or home rentals, 114 Amtrak, 46 Auggie’s Jammin’ Piano Bar, Daytona Beach, 346–349 Auto Train, 47 306 for disabled travelers, 30 senior discounts, 33 disadvantages of staying at for travelers with B aby care, 175 Walt Disney World, disabilities, 30 Animal Kingdom, 224 86–87 Anandapur, 229 Disney-MGM Studios, 212 family-friendly, 35 Angell & Phelps Chocolate Epcot, 196 frequent-stay clubs, 84 Factory (Daytona Beach), Islands of Adventure, 254 reservation services, 85 346 Magic Kingdom, 180 surfing for, 40 Anheuser-Busch Hospitality SeaWorld, 267 Tampa area, 324–326 Center, 272 Universal Studios Florida, tipping, 69 Animal Kingdom, 221–230 245 Adventure Express Tour, arriving in, 222, 224 Babysitters, 78 264, 266 Hidden Mickeys, 217 Backstage Magic, 201 Adventure Island, 314 hours, 224 Backstage Safari, 201 Adventureland, 181–183 restaurants, 140–141 Back to the Future . -
Disney and His Worlds
DISNEY AND HIS WORLDS Disney and his Worlds is a thorough overview of what is by now quite a large literature on the Disney organization, in particular the theme parks and their significance for contemporary culture. The author looks at Walt Disney’s life and how his biography has been constructed; the Walt Disney Company in the years after his death; and the writings of various commentators on the Disney theme parks. He raises important issues about the parks: whether they are harbingers of postmodernism; the significance of consumption at the parks; the nature of the parks as tourism; and the representation of past and future. The discussion of theme parks is central but links with the presentation of Walt Disney’s biography and his organization by showing how central economic and business considerations have been in their development, and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic. In the process, the book questions the assumption that the parks are sites of postmodern sensibility. Disney films, merchandizing and theme parks are one of the defining features of our times and one of the more effective elements in American cultural imperialism. It is impossible to imagine an encyclopedic sociology of contemporary culture that did not devote at least a chapter to Disney and his Worlds. In particular the parks are often employed as examples in areas like cultural studies, the sociology of postmodernism, tourism and leisure studies, while Walt Disney and his organization are important to the area of organization studies. -
Creating an Inclusive Community
Spring 2018 l No. 39 No. Sergio Rebia leads a drawing demonstration on Application Day at Cal State Fullerton. 51 students from 45 high schools attended, and 75% of them later applied to Ryman Arts Creating an Inclusive Community “I encourage my students to apply [to Ryman Arts] because it forces them out of their bubble of comfort and complacency. Students are exposed to quality art supplies and instruction they may not be able to afford on their own,” says L’lia Thomas (Ms. T) from La Tijera K-8 Academy of Excellence Charter School. Every year, Ryman Arts connects with over 2,000 Ms. T is an exemplary model of the community students through school presentations, community champions we count on to learn about student fairs, and Application Days. These efforts combat needs in our communities. Because of her the challenges that some students experience in initiative, we have continued to build our learning about and completing the application to relationship with La Tijera Charter School and Ms. T (second from left) and students from La Tijera our highly competitive program. Through strong recently added a special in-school workshop for Charter School relationships with public school teachers like her students. Ms. T, we have made great strides in “It was incredible having Miss Robin come out increasing access to Ryman Arts. to my classroom to facilitate a two-day workshop Application Days have been successful for students who are applying. Her approach in in creating a supportive environment my classroom gave students a real taste of what it where prospective students can take an would be like [at Ryman Arts].” introductory drawing class led by one of Ensuring broad access to Ryman Arts remains our faculty and work on a still life that an important part of our efforts because of the can be included in their application. -
Winter 2015 • Volume24 • Number4
Winter 2015 • Volume24 • Number4 If Disney Files Magazine was a grocery store tabloid, the headline on this edition’s cover may read: Giant Reptile to Terrorize China! Of course, we’d never resort to such sensationalism, even if we are ridiculously excited about the imposing star of the Roaring Rapids attraction in the works for Shanghai Disneyland (pages 3-8). We take ourselves far too seriously for such nonsense. Wait a minute. What am I saying? This isn’t exactly a medical journal, and anyone who’s ever read the fine print at the bottom of this page knows that, if there’s one thing we embrace in theDisney Files newsroom, it’s nonsense! So at the risk of ending our pursuit of a Pulitzer (close as we were), I introduce this issue with a series of headlines crafted with all the journalistic integrity of rags reporting the births of alien babies, celebrity babies…and alien-celebrity babies. Who wore it best? Disney’s Beach Club Villas vs. the Brady family! (Page 13) Evil empire mounting Disney Parks takeover! (Pages 19-20) Prince Harry sending soldiers into Walt Disney World battle! (Page 21) An Affleck faces peril at sea! (Page 24) Mickey sells Pluto on the street! (Page 27) Underage driver goes for joy ride…doesn’t wear seatbelt! (Page 30) Somewhere in Oregon, my journalism professors weep. All of us at Disney Vacation Club wish you a happy holiday season and a “sensational” new year. Welcome home, Ryan March Disney Files Editor Illustration by Keelan Parham VOL. 24 NO. -
A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling. -
DVC Spring 2008 Magazine:Layout 1
spring 2008 vol. 17 no. 1 James Lamb joins Katie Winn of Marlborough, Mass., Member since 2003, for a hike along the trails of The Nature Conservancy’s Disney Wilderness Preserve in Central Florida. Disney Files Magazine is published by the good people at A wise frog once said, “It’s not easy being green.” (Okay, so it was a wise man with his Disney Vacation Club hand in a felt facsimile of said frog, but you get the point.) P.O. Box 10350 With all due respect to the rainbow-connecting amphibian, being green really isn’t that Lake Buena Vista, FL 32830 tough. In fact, as the frigid months of winter give way to the warm promise of spring (those sub-70 temperatures here in Florida were brutal), now’s the perfect time to enjoy the greener E-mail the magazine staff at: [email protected] side of Disney. Let’s start with The Nature Conservancy’s Disney Wilderness Preserve, pictured on our All dates, times, events and prices cover. More than 15 years ago, The Walt Disney Company entered into a relationship with printed herein are subject to The Nature Conservancy and other visionary agencies to preserve thousands of acres just change without notice. (Our lawyers minutes from the Walt Disney World® Resort at the headwaters of the Everglades ecosystem. do a happy dance when we say that.) Owned and managed by The Nature Conservancy, the protected land supports lakes, swamp systems and more than 300 wildlife species. MOVING? Today, this meticulously restored sanctuary of natural Florida is being hailed as a model Update your mailing address for land-protection efforts around the world. -
Optimizing Greenhouse Tomato Production: Light and the Physiological Disorder Edema
OPTIMIZING GREENHOUSE TOMATO PRODUCTION: LIGHT AND THE PHYSIOLOGICAL DISORDER EDEMA A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Science by Dylan Charles Kovach May 2020 © 2020 Dylan Charles Kovach ABSTRACT Greenhouse production of tomatoes through the use of sophisticated environmental controls and precision hydroponic growing techniques allows for significantly higher yields within a smaller footprint when compared to traditional field production. One of the challenges faced by year-round greenhouse tomato operators in the Northeast U.S. is the low availability of solar radiation during the winter months, which results is a heavy reliance on supplemental lighting to maintain the photosynthetic processes required for suitable yields. During preliminary experiments evaluating multiple daily light integral (DLI) and CO2 combinations with juvenile tomato plants grown in acrylic miniature growth chambers under cool white fluorescent lights, we began to notice the development of the physiological disorder edema on the lower, oldest leaves. Multiple studies have evaluated the effect of light quality on the development of edema in tomato, with many finding a correlation between increasing rates of edema in UV-deficient environments. Given the UV-filtering characteristics of acrylic and a lack of literature evaluating the interaction of multiple cultivars to edema, the objective of our study was to evaluate the development of edema in one rootstock cultivar, ‘Maxifort’, and four hybrid scion cultivars: ‘Sweetelle,’ ‘Trust,’ ‘Merlice,’ and ‘Torero.’ We began our experiment with 4-week-old tomato plants, with two of each cultivar being placed into four identical acrylic miniature chambers and a remaining eight of each being grown in a control walk-in chamber with no acrylic.