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2020 Major League Baseball Spring Training Media Guide
2020 MAJOR LEAGUE BASEBALL SPRING TRAINING MEDIA GUIDE CACTUS LEAGUE GRAPEFRUIT LEAGUE Arizona Diamondbacks ............................. 3-7 Atlanta Braves ....................................... 85-90 Chicago Cubs .......................................... 8-13 Baltimore Orioles .................................. 91-96 Chicago White Sox ............................... 14-19 Boston Red Sox ................................... 97-102 Cincinnati Reds .................................... 20-25 Detroit Tigers .................................... 103-108 Cleveland Indians .................................. 26-31 Houston Astros ................................. 109-113 Colorado Rockies .................................. 32-37 Miami Marlins .................................. 114-118 Kansas City Royals ................................ 38-42 Minnesota Twins ............................... 119-123 Los Angeles Angels ................................ 43-48 New York Mets .................................. 124-128 Los Angeles Dodgers ............................. 49-53 New York Yankees ............................. 129-133 Milwaukee Brewers ............................... 54-58 Philadelphia Phillies .......................... 134-138 Oakland Athletics .................................. 59-64 Pittsburgh Pirates .............................. 139-144 San Diego Padres ................................... 65-69 St. Louis Cardinals ............................ 145-149 San Francisco Giants ............................. 70-74 Tampa Bay Rays ............................... -
Alma's Good Trip Mikko Joensuu in Holy Water Hippie Queen of Design Frank Ocean of Love Secret Ingredients T H Is Is T H E M
FLOW MAGAZINE THIS IS THE MAGAZINE OF FLOW FESTIVAL. FESTIVAL. FLOW OF IS THE MAGAZINE THIS ALMA'S GOOD TRIP MIKKO JOENSUU IN HOLY WATER HIPPIE QUEEN OF DESIGN FRANK OCEAN OF LOVE SECRET INGREDIENTS F entrance L 7 OW F L O W the new This is 1 to 0 2 2 0 1 7 4 TABLE OF CONTENTS 6–9 12–13 18–21 36–37 Editor 7 7 W Tero Kartastenpää POOL OF ALMA Alma: ”We never really traveled when we were Art Director little. Our parents are both on disability Double Happiness pension and we didn’t IN SHORT have loads of money. Swimming with a Whenever our classmates Designers singer-songwriter. traveled to Thailand Featuring Mikko MINT MYSTERY SOLVED or Tenerife for winter Viivi Prokofjev SHH Joensuu. holidays we took a cruise AIGHT, LOOK to Tallinn. When me and Antti Grundstén 22–27 Anna turned eighteen we Frank Ocean sings about Robynne Redgrave traveled to London with love and God and God and our friends. We stayed for love. Here's what you didn’t five days, drunk.” 40–41 Subeditor know about alt-country star Ryan Adams. Aurora Rämö Alma went to L.A. and 14–15 met everybody. Publisher 34–37 O The design hippie Laura Flow Festival Ltd. 1 1 Väinölä creates a flower ALWAYS altar for yoga people. Lana Del Rey’s American Contributors nightmares, plant cutting 30–33 Hanna Anonen craze, the smallest talk etc. The most quiet places OCEAN OF TWO LOVES Maija Astikainen from abandoned villas to Pauliina Holma Balloon stage finds new UNKNOWN forgotten museums. -
A Dip Into Frank Ocean's Music and Marketing
A Dip Into Frank Ocean’s Music and Marketing [Draft 3 of Complete] A Senior Project presented to the Faculty of the Music Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Music Senior Project Advisor: Alyson McLamore by Katharine Gardias Winter 2019 Gardias 2 Table of Contents Introduction …...………………………………………….... 3 Chapter 1: The Becoming of Frank Ocean ……………....... 5 Chapter 2: Ocean’s Solos and Singles …………………… 10 Chapter 3: A Handful of blond ……………………………16 Chapter 4: Frank Ocean’s Musical Themes …………….... 25 Chapter 5: Non-Traditional Marketing …………………... 31 Conclusion ……………………………………………….. 35 Bibliography…………………………………………….... 37 Gardias 3 Introduction Famed musician Frank Ocean is known worldwide for his individualistic approach to music and enigmatic persona. His music has gained critical acclaim and success over the past ten years, winning two Grammys as well as countless other awards. By avoiding the traps faced by mainstream artists, Frank Ocean has resisted allowing others to control his art and creative process. Frank Ocean released various projects throughout his career that assisted in the growth and exposure of himself as an artist. His works include two studio albums, eight music videos, a visual album, and eighteen singles. Many of his original songs have charted countless times on the Billboard Hot 100, both on his own and in collaboration with others. Eight of his solo efforts have reached that standing, including “Novacane,” “Thinkin Bout You,” “Chanel,” “Nikes,” “Ivy,” “Pink + White,” “Solo,” and “Nights.” All of his compositions include an emotional narrative as well as a beautifully composed musical structure. -
Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music
Why Hip-Hop is Queer: Using Queer Theory to Examine Identity Formation in Rap Music Silvia Maria Galis-Menendez Advisor: Dr. Irene Mata Submitted in Partial Fulfillment of the Prerequisite for Honors in the Department of Women’s and Gender Studies May 2013 © Silvia Maria Galis-Menendez 2 Table of Contents Introduction 3 “These Are the Breaks:” Flow, Layering, Rupture, and the History of Hip-Hop 6 Hip-Hop Identity Interventions and My Project 12 “When Hip-Hop Lost Its Way, He Added a Fifth Element – Knowledge” 18 Chapter 1. “Baby I Ride with My Mic in My Bra:” Nicki Minaj, Azealia Banks and the Black Female Body as Resistance 23 “Super Bass:” Black Sexual Politics and Romantic Relationships in the Works of Nicki Minaj and Azealia Banks 28 “Hey, I’m the Liquorice Bitch:” Challenging Dominant Representations of the Black Female Body 39 Fierce: Affirmation and Appropriation of Queer Black and Latin@ Cultures 43 Chapter 2. “Vamo a Vence:” Las Krudas, Feminist Activism, and Hip-Hop Identities across Borders 50 El Hip-Hop Cubano 53 Las Krudas and Queer Cuban Feminist Activism 57 Chapter 3. Coming Out and Keepin’ It Real: Frank Ocean, Big Freedia, and Hip- Hop Performances 69 Big Freedia, Queen Diva: Twerking, Positionality, and Challenging the Gaze 79 Conclusion 88 Bibliography 95 3 Introduction In 1987 Onika Tanya Maraj immigrated to Queens, New York City from her native Trinidad and Tobago with her family. Maraj attended a performing arts high school in New York City and pursued an acting career. In addition to acting, Maraj had an interest in singing and rapping. -
Meet Nasty Habit Cherry Bomb Review Mental Illness In
MEET NASTY HABIT CHERRY BOMB REVIEW MENTAL ILLNESS IN THE MUSIC INDUSTRY 20 WATTS | 1 01 // THE CITY - THE 1975 02 // YESTERDAY - ATMOSPHERE 03 // GRINDIN’ - CLIPSE 04 // AFRICA - TOTO 05 // GRAVITY - TURNSTILE 06 // CLUSH - ISLES & GLACIERS 07 // R U MINE? - ARCTIC MONKEYS 08 // CLARK GABLE - POSTAL SERVICE 09 // CAROLINA - SEU JORGE 10 // NO ROOM IN FRAME - DEATH CAB FOR CUTIE 11 // JESUS TAKE THE WHEEL - CARRIE UNDERWOOD 12 // A WALK - TYCHO 13 // SEDATED - HOZIER 14 // HEY YA! - OUTKAST 15 // MY BODY - YOUNG THE GIANT 16 // DREAMS - FLEETWOOD MAC 17 // PAST LIVES - BØRNS 18 // PLEASE DON’T - LEO STANARD TWEET @20_WATTS WHAT 19 // TOTALLY FUCKED - JONATHAN GROFF YOU’RE LISTENING TO! 20 // TUBTHUMPING - CHUMBAWAMBA Cover Photo by Adam Gendler 2 | 20 WATTS 20 WATTS | 3 20 WAT TSSPRING 2015 WE ASKED: WHAT IS YOUR EMOJI STORY? LYNDSEY JIMENEZ RIKKI SCHNEIDERMAN ADAM GENDLER JANE DEPGEN PHIL DECICCA EDITOR IN CHIEF MANAGING EDITOR MULTIMEDIA CREATIVE DIRECTOR HEAD DESIGNER MIKEY LIGHT SAM HENKEN JACKIE FRERE TIFFANY GOMEZ JOEY COSCO JAKE LIBASSI FEATURES EDITOR ASSISTANT FEATURES FRONT OF BOOK PHOTO EDITOR DIGITAL DIRECTOR WEB EDITOR A SPECIAL THANKS TO OUR CONTRIBUTORS: KAITLIN GRENIER COLE HOCK TOMMY ENDE KENNY ENDE ERIN SINGLETON CAROLYN SAXTON KATIE CANETE JIM COLEMAN WILL SKALMOSKI COPY EDITOR REVIEWS + PUBLICIST PUBLISHER MARKETING SOCIAL MEDIA 4 | 20 WATTS 20 WATTS | 5 TABLE OF CONTENTS 08 LETTER FROM THE EDITOR 10 THE FIVE 11 EAR TO THE GROUND 12 ON THE GRIND 13 PLAYLIST // 20 WATTS GOES ABROAD 15 BACK FROM THE DEAD 16 DROP THE MIC // SEXUALITY IN MUSIC 18 A DAY IN THE LIFE W/ NASTY HABIT 22 WHAT IS EDM? 24 2015: THE YEAR OF HIP-HOP 26 REVIEW // CHERRY BOMB 28 Q&A // RICKY SMITH 31 HEADSPACE 34 DIY, YOU WON’T 38 FUSION FRENZY 42 BACK OF BOOK LETTER 6 | 20 WATTS 20 WATTS | 7 There’s a lot that goes into making a magazine — a lot of arguments, a lot of cuts, a whole lotta shit that you probably don’t even think about as you’re holding this book in your hands right now. -
Island Sun News Sanibel 08.21.2015
PRSRT STD U.S. POSTAGE PAID FT MYERS, FL PERMIT #5718 Postal Customer Read Us Online at ECRWSS IslandSunNews.com NEWSPAPER VOL. 23, NO. 9 SANIBELSanibel & CAPTIVA & Captiva ISLANDS, Islands FLORIDA AUGUST 21, 2015 AUGUST SUNRISE/SUNSET: 21 7:03 • 8:00 22 7:03 • 8:00 23 7:04 • 7:59 24 7:04 • 7:58 25 7:05 • 7:57 26 7:05 • 7:56 27 7:06 • 7:55 Sanibel Sea School Campers Observe SCCF Turtle Nest Inventory SCCF volunteer Nancy Riley shows students Sanibel Sea School student Niko Palanzi is a tiny loggerhead hatchling amazed by the depth of the turtle nest Sanibel Sea School students observe a sea turtle nest inventory led by SCCF volunteer Nancy Riley About three days after a turtle nest hatches, trained Sanibel-Captiva Conservation Foundation volunteers trek out to the beach to conduct a nest inventory. They gently dig submitted by Leah Biery the sand out of the hatched nest, count the number of hatched and unhatched eggs, and check to see if there are any live hatchlings that need a bit of help climbing out. These ea turtles are beloved creatures on Sanibel and Captiva. They nest on our observations are recorded and shared with scientists at SCCF and around the state and beaches during the early summer months, and come July and August, tiny country who track the data from year to year. Shatchlings emerge by the thousands. Island residents eagerly wait to find out Last week, a few lucky Sanibel Sea School campers were invited by SCCF turtle biol- how successful this year’s turtles have been at producing young, and it takes a lot of ogist Kelly Sloan and volunteer Nancy Riley to observe a nest inventory, and all agreed people to answer that question. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
The Prospector, February 21, 2017
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 2-21-2017 The rP ospector, February 21, 2017 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, February 21, 2017" (2017). The Prospector. 276. http://digitalcommons.utep.edu/prospector/276 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. VOL. 102, NO. 20 THE UNIVERSITY OF TEXAS AT EL PASO FEBRUARY 21, 2017 DESIGN BY ANA RAMOS / THE PROSPECTOR BY ADRIAN BROADDUS streetcars. Jackson saw the impact While some would consider it There will be six streetcars run- es open up around there so they The Prospector that a streetcar had to each indi- a construction and traffic night- ning at all times and they will ar- can get in on the action,” Jackson Growing up in Brooklyn, New vidual city and how much the lo- mare, the El Paso streetcar proj- rive at each stop every 10 minutes, said. “It’s going to go from the York, Carl Jackson, assistant di- cal area benefited from it. How- ect has been under construction according to Jackson. -
A Broad Lens New Film Professor Will Bring International Worldview to Students
PINGPONG AND PITCHERS Discover Ruby’s Arcade downtown LIFE | 8 Also NEWS GOING FOR GOLD OPINION SPOTIFY VS APPLE MUSIC inside: What it’s like to volunteer Which streaming giant will 3 at the Olympics 5 come out on top? Vol. 95, No. 2 Thursday, September 1, 2016 breezejmu.org KNOCKDOWN!KNOCKDOWN! THE BREEZE CONNOR WOISARD / WOISARD CONNOR By BENNETT CONLIN with the head, don’t hit anybody when they’re down. As long as ball to make it more competitive.” The Breeze people follow those rules we don’t have any injuries.” The game is still making its way around the country as not Massie credits the tension inside the ball for creating a place for everyone has heard of knockerball, which originated in Europe. The competitors gaze anxiously at their respective foes as the joust soft landings. Students agree that getting knocked over isn’t as bad Since the game is still in its infancy, some people doubt how often sets to begin. As the referee yells “Go!” the two players sprint toward as it looks. the game could actually be played without the novelty wearing off. each other hoping to knock the enemy off their feet and earn the “When you fell it felt like you were landing on a cloud,” freshman “I don’t think I’d do it every weekend, but I think it would be title of champion. And thus began the fierce game of knockerball at marketing major Mikayla Bernetich said. “It was so fun.” something to do like with your friends,” Reynolds said. -
The Free Black Artist: Frank Ocean Through a Decolonial Lens Benjamin Lewellyn-Taylor* Brite Divinity School, Dallas, TX, USA
BLACK THEOLOGY 2019, VOL. 17, NO. 1, 52–68 https://doi.org/10.1080/14769948.2019.1554329 The Free Black Artist: Frank Ocean Through a Decolonial Lens Benjamin Lewellyn-Taylor* Brite Divinity School, Dallas, TX, USA ABSTRACT KEYWORDS This paper examines the historical degradation of Black artists in the Hip hop; decolonial; music industry as a form of neocolonialism wrought by largely neocolonialism; Frank Ocean; White-owned parent companies. Using Frank Ocean’s 2016 music industry; GRAMMYS rebellion against Def Jam Recordings and the GRAMMYs, this paper uplifts Ocean as a model for the liberation of other Black artists. This paper employs a decolonial approach that reads Negritude thinkers Aimé Césaire and Frantz Fanon and theologian Kelly Brown Douglas through the lens of Ocean’s actions and artistry as a means to envision new possibilities for the disruption and destruction of neocolonial structures and the affirmation of Black lives as sacred. Introduction The music industry’s treatment of Black artists is a form of neocolonialism that operates as the historical life-force of the music industry. From recording contracts that cheat Black artists out of money and creative expression to the GRAMMY Awards’ continued denial of their exclusionary awards practices, the control of Black artistry permeates the music industry’s various structures. In the face of such exploitation and marginalization, Frank Ocean exemplifies a free Black artist who liberated and liberates himself from these multiple industry woes. In this paper, I outline the neocolonial history of the music indus- try’s relationship to Black artists as a means to view Frank Ocean’s self-liberating actions from the music industry as a model for the decolonial liberation of Black artists everywhere. -
View / Open OURJ Spring 2018 Lelkins.Pdf
Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression. -
Table of Contents
TABLE OF CONTENTS 2019 Thunder Front Office Directory ............................................................................... 2 Stadium and Media Information ...................................................................................... 3 Thunder Radio Network .................................................................................................. 4 2019 Thunder Manager and Coaching Staff ..................................................................... 5 Yankees Minor League Players, Non-Roster Invitees ....................................................... 8 2018 Trenton Thunder Season in Review Yankees Minor League Leaders and Awards ............................................................ 10 2018 Thunder Regular Season and Situational Statistics ............................................ 11 Year-By-Year Breakdown ........................................................................................ 13 2018 Thunder Day By Day Results ............................................................................ 14 2018 Transactions ................................................................................................... 16 Thunder Franchise Records ............................................................................................ 18 Thunder All-Time Individual Top-Five Single Season and Career .................................... 21 Low-Hit Games and Cycles Involving the Thunder ......................................................... 23 Thunder Playoff History .................................................................................................