DOCSLIB.ORG

Setup Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Setup Manual Acuity Setup Manual v9.2 know in your heart is right. (You may rent Thank You For Choosing helicopters if necessary.) Ross You've made a great choice. We expect you will be very happy with your purchase of Ross Technology. Our mission is to: 1. Provide a Superior Customer Experience • offer the best product quality and support 2. Make Cool Practical Technology • develop great products that customers love Ross has become well known for the Ross Video Code of Ethics. It guides our interactions and empowers our employees. I hope you enjoy reading it below. If anything at all with your Ross experience does not live up to your expectations be sure to reach out to us at [email protected]. David Ross CEO, Ross Video [email protected] Ross Video Code of Ethics Any company is the sum total of the people that make things happen. At Ross, our employees are a special group. Our employees truly care about doing a great job and delivering a high quality customer experience every day. This code of ethics hangs on the wall of all Ross Video locations to guide our behavior: 1. We will always act in our customers' best interest. 2. We will do our best to understand our customers' requirements. 3. We will not ship crap. 4. We will be great to work with. 5. We will do something extra for our customers, as an apology, when something big goes wrong and it's our fault. 6. We will keep our promises. 7. We will treat the competition with respect. 8. We will cooperate with and help other friendly companies. 9. We will go above and beyond in times of crisis. If there's no one to authorize the required action in times of company or customer crisis - do what you ii • Thank You For Choosing Ross — Acuity Setup Manual (v9.2) Document Information Patents Patent numbers US 7,034,886; US 7,508,455; US • Ross Part Number: 4820DR-120-09.2 7,602,446; US 7,802,802 B2; US 7,834,886; US • Release Date: January, 2020. Printed in Canada 7,914,332; US 8,307,284; US 8,407,374 B2; US The information contained in this document is subject to 8,499,019 B2; US 8,519,949 B2; US 8,743,292 B2; US change without notice or obligation. D752,530 S; GB 2,419,119 B; GB 2,447,380 B; and other patents pending. Copyright Important Regulatory and Safety ©2020 Ross Video Limited, Ross®, Acuity®, OverDrive®, and any related marks are trademarks or registered Notices to Service Personnel trademarks of Ross Video Limited. All other trademarks Before using this product and any associated equipment, are the property of their respective companies. PATENTS refer to the “ Important Safety Instructions ” listed ISSUED and PENDING. All rights reserved. No part of in the front of your Setup Manual to avoid personnel this publication may be reproduced, stored in a retrieval injury and to prevent product damage. system, or transmitted in any form or by any means, The switcher makes use of a number of individual mechanical, photocopying, recording or otherwise, component products to make up a complete system. The without the prior written permission of Ross Video. Important Safety Instructions section of this manual is While every precaution has been taken in the preparation intended to compliment individual OEM product manuals of this document, Ross Video assumes no responsibility and the User must refer to, and heed, any safety for errors or omissions. Neither is any liability assumed instructions outlined in these supplementary product for damages resulting from the use of the information manuals. Separate manuals are included for the following contained herein. component products: Microsoft®, Windows®, Windows XP®, and Internet ® • Acuity Rack Panel Explorer are either registered trademarks or trademarks ® of Microsoft Corporation in the United States and/or • Evertz IP Input Board ® other countries. • Evertz IP Output Board Macintosh®, and OS X® are trademarks of Apple Inc., Product may require specific equipment, and/or registered in the U.S. and other countries. installation procedures to be carried out to satisfy certain ® regulatory compliance requirements. Notices have been Fedora and the Infinity design logo are trademarks of included in this publication to call attention to these Red Hat, Inc. specific requirements. ® ™ Oracle and Java are registered trademarks of Oracle This product has been determined to be compliant with and/or its affiliates. Other names may be trademarks of the applicable standards, regulations, and directives for their respective owners. the countries where the product is marketed. ™ ™ Python and PyCon are trademarks or registered Compliance documentation, such as certification or trademarks of the Python Software Foundation. Declaration of Compliance for the product is available Firefox® and Mozilla® are trademarks or registered upon request by contacting [email protected]. trademarks of the Mozilla Foundation. Please include the product; model number identifiers and Google® and Google Chrome™ and the Google logo are serial number and country that compliance information registered trademarks of Google Inc. is needed in request. ® ™ VESA and DisplayPort are trademarks owned by the Symbol Meanings Video Electronics Standards Association (VESA®) in the United States and other countries. Protective Earth: This symbol identifies a Protective Earth (PE) terminal, which is provided for connection This product includes software developed by Jordan of the supply system's protective earth (green or Ritter. green/yellow) conductor. Wireshark and the "fin" logo are registered trademarks of the Wireshark Foundation. Important: This symbol on the equipment refers you to important operating and maintenance (servicing) instructions within the Product Manual Documentation. Failure to heed this information may present a major risk of damage or injury to persons or equipment. Acuity Setup Manual (v9.2) — Document Information • iii Warning: The symbol with the word “ Warning ” cord or plug is damaged, liquid has been spilled or within the equipment manual indicates a potentially objects have fallen into the apparatus, the apparatus hazardous situation which, if not avoided, could result has been exposed to rain or moisture, does not in death or serious injury. operate normally, or has been dropped. CAUTION: The symbol with the word “ Caution ” 14. Do not expose this apparatus to dripping or within the equipment manual indicates a potentially splashing, and ensure that no objects filled with hazardous situation which, if not avoided, may result liquids, such as vases, are placed on the apparatus. in minor or moderate injury. It may also be used to alert against unsafe practices. 15. To completely disconnect this apparatus from the AC Mains, disconnect the power supply cord plug Warning Hazardous Voltages: This symbol is from the AC receptacle. intended to alert the user to the presence of 16. The mains plug of the power supply cord shall uninsulated “ dangerous voltage ” within the product enclosure that may be of sufficient magnitude to remain readily operable. constitute a risk of shock to persons. Warning: Indoor Use: To reduce the risk of fire 17. or electric shock, do not expose this apparatus ESD Susceptibility: This symbol is used to alert the to rain or moisture. user that an electrical or electronic device or assembly is susceptible to damage from an ESD event. 18. The safe operation of this product requires that a protective earth connection be provided. A Important Safety Instructions grounding conductor in the equipment's supply cord provides this protective earth. To reduce the risk of Warning: Read these instructions. 1. electrical shock to the operator and service personnel, this ground conductor must be connected 2. Keep these instructions. to an earthed ground. 3. Heed all warnings. Warning: This apparatus, when equipped with 4. Follow all instructions. 19. multiple power supplies, can generate high leakage currents. To reduce the risk of electric 5. Do not use this apparatus near water. shock, ensure that each individual supply cord 6. Clean only with a dry cloth. is connected to its own separate branch circuit with an earth connection. 7. Do not block any ventilation openings. Install in accordance with manufacturer's instructions. CAUTION: These service instructions are for 8. Do not install near heat sources such as radiators, 20. use by qualified service personnel only. To heat registers, stoves, or other apparatus (including reduce the risk of electric shock, do not perform amplifiers) that produce heat. any servicing other than that contained in the operating instructions unless you are qualified 9. Do not defeat the safety purpose of the polarized or to do so. grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding 21. Service barriers within this product are intended to type plug has two blades and a third grounding protect the operator and service personnel from prong. The third prong is provided for your safety. hazardous voltages. For continued safety, replace If the provided plug does not fit into your outlet, all barriers after servicing. consult an electrician for replacement of the obsolete 22. Certain parts of this equipment still present a safety outlet. hazard with the power switch in the OFF position. 10. Protect the power cord from being walked on or To avoid electrical shock, disconnect all A/C power pinched, particularly at plugs, convenience cords from the chassis' rear appliance connectors receptacles, and the point where they exit from the before servicing. apparatus. 23. This product contains safety critical parts, which, if 11. Only use attachments/accessories specified by the incorrectly replaced, may present a risk of fire or manufacturer. electrical shock. Components contained within the 12. Unplug this apparatus during lightning storms or product's power supplies and power supply area are when unused for long periods of time.
Load more

Recommended publications
  • Alma's Good Trip Mikko Joensuu in Holy Water Hippie Queen of Design Frank Ocean of Love Secret Ingredients T H Is Is T H E M
    FLOW MAGAZINE THIS IS THE MAGAZINE OF FLOW FESTIVAL. FESTIVAL. FLOW OF IS THE MAGAZINE THIS ALMA'S GOOD TRIP MIKKO JOENSUU IN HOLY WATER HIPPIE QUEEN OF DESIGN FRANK OCEAN OF LOVE SECRET INGREDIENTS F entrance L 7 OW F L O W the new This is 1 to 0 2 2 0 1 7 4 TABLE OF CONTENTS 6–9 12–13 18–21 36–37 Editor 7 7 W Tero Kartastenpää POOL OF ALMA Alma: ”We never really traveled when we were Art Director little. Our parents are both on disability Double Happiness pension and we didn’t IN SHORT have loads of money. Swimming with a Whenever our classmates Designers singer-songwriter. traveled to Thailand Featuring Mikko MINT MYSTERY SOLVED or Tenerife for winter Viivi Prokofjev SHH Joensuu. holidays we took a cruise AIGHT, LOOK to Tallinn. When me and Antti Grundstén 22–27 Anna turned eighteen we Frank Ocean sings about Robynne Redgrave traveled to London with love and God and God and our friends. We stayed for love. Here's what you didn’t five days, drunk.” 40–41 Subeditor know about alt-country star Ryan Adams. Aurora Rämö Alma went to L.A. and 14–15 met everybody. Publisher 34–37 O The design hippie Laura Flow Festival Ltd. 1 1 Väinölä creates a flower ALWAYS altar for yoga people. Lana Del Rey’s American Contributors nightmares, plant cutting 30–33 Hanna Anonen craze, the smallest talk etc. The most quiet places OCEAN OF TWO LOVES Maija Astikainen from abandoned villas to Pauliina Holma Balloon stage finds new UNKNOWN forgotten museums.
    [Show full text]
  • A Dip Into Frank Ocean's Music and Marketing
    A Dip Into Frank Ocean’s Music and Marketing [Draft 3 of Complete] A Senior Project presented to the Faculty of the Music Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Music Senior Project Advisor: Alyson McLamore by Katharine Gardias Winter 2019 Gardias 2 Table of Contents Introduction …...………………………………………….... 3 Chapter 1: The Becoming of Frank Ocean ……………....... 5 Chapter 2: Ocean’s Solos and Singles …………………… 10 Chapter 3: A Handful of blond ……………………………16 ​ ​ Chapter 4: Frank Ocean’s Musical Themes …………….... 25 Chapter 5: Non-Traditional Marketing …………………... 31 Conclusion ……………………………………………….. 35 Bibliography…………………………………………….... 37 Gardias 3 Introduction Famed musician Frank Ocean is known worldwide for his individualistic approach to ​ music and enigmatic persona. His music has gained critical acclaim and success over the past ten years, winning two Grammys as well as countless other awards. By avoiding the traps faced by ​ mainstream artists, Frank Ocean has resisted allowing others to control his art and creative process. Frank Ocean released various projects throughout his career that assisted in the growth and exposure of himself as an artist. His works include two studio albums, eight music videos, a visual album, and eighteen singles. Many of his original songs have charted countless times on the Billboard Hot 100, both on his own and in collaboration with others. Eight of his solo efforts ​ ​ have reached that standing, including “Novacane,” “Thinkin Bout You,” “Chanel,” “Nikes,” “Ivy,” “Pink + White,” “Solo,” and “Nights.” All of his compositions include an emotional narrative as well as a beautifully composed musical structure.
    [Show full text]
  • Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music
    Why Hip-Hop is Queer: Using Queer Theory to Examine Identity Formation in Rap Music Silvia Maria Galis-Menendez Advisor: Dr. Irene Mata Submitted in Partial Fulfillment of the Prerequisite for Honors in the Department of Women’s and Gender Studies May 2013 © Silvia Maria Galis-Menendez 2 Table of Contents Introduction 3 “These Are the Breaks:” Flow, Layering, Rupture, and the History of Hip-Hop 6 Hip-Hop Identity Interventions and My Project 12 “When Hip-Hop Lost Its Way, He Added a Fifth Element – Knowledge” 18 Chapter 1. “Baby I Ride with My Mic in My Bra:” Nicki Minaj, Azealia Banks and the Black Female Body as Resistance 23 “Super Bass:” Black Sexual Politics and Romantic Relationships in the Works of Nicki Minaj and Azealia Banks 28 “Hey, I’m the Liquorice Bitch:” Challenging Dominant Representations of the Black Female Body 39 Fierce: Affirmation and Appropriation of Queer Black and Latin@ Cultures 43 Chapter 2. “Vamo a Vence:” Las Krudas, Feminist Activism, and Hip-Hop Identities across Borders 50 El Hip-Hop Cubano 53 Las Krudas and Queer Cuban Feminist Activism 57 Chapter 3. Coming Out and Keepin’ It Real: Frank Ocean, Big Freedia, and Hip- Hop Performances 69 Big Freedia, Queen Diva: Twerking, Positionality, and Challenging the Gaze 79 Conclusion 88 Bibliography 95 3 Introduction In 1987 Onika Tanya Maraj immigrated to Queens, New York City from her native Trinidad and Tobago with her family. Maraj attended a performing arts high school in New York City and pursued an acting career. In addition to acting, Maraj had an interest in singing and rapping.
    [Show full text]
  • Meet Nasty Habit Cherry Bomb Review Mental Illness In
    MEET NASTY HABIT CHERRY BOMB REVIEW MENTAL ILLNESS IN THE MUSIC INDUSTRY 20 WATTS | 1 01 // THE CITY - THE 1975 02 // YESTERDAY - ATMOSPHERE 03 // GRINDIN’ - CLIPSE 04 // AFRICA - TOTO 05 // GRAVITY - TURNSTILE 06 // CLUSH - ISLES & GLACIERS 07 // R U MINE? - ARCTIC MONKEYS 08 // CLARK GABLE - POSTAL SERVICE 09 // CAROLINA - SEU JORGE 10 // NO ROOM IN FRAME - DEATH CAB FOR CUTIE 11 // JESUS TAKE THE WHEEL - CARRIE UNDERWOOD 12 // A WALK - TYCHO 13 // SEDATED - HOZIER 14 // HEY YA! - OUTKAST 15 // MY BODY - YOUNG THE GIANT 16 // DREAMS - FLEETWOOD MAC 17 // PAST LIVES - BØRNS 18 // PLEASE DON’T - LEO STANARD TWEET @20_WATTS WHAT 19 // TOTALLY FUCKED - JONATHAN GROFF YOU’RE LISTENING TO! 20 // TUBTHUMPING - CHUMBAWAMBA Cover Photo by Adam Gendler 2 | 20 WATTS 20 WATTS | 3 20 WAT TSSPRING 2015 WE ASKED: WHAT IS YOUR EMOJI STORY? LYNDSEY JIMENEZ RIKKI SCHNEIDERMAN ADAM GENDLER JANE DEPGEN PHIL DECICCA EDITOR IN CHIEF MANAGING EDITOR MULTIMEDIA CREATIVE DIRECTOR HEAD DESIGNER MIKEY LIGHT SAM HENKEN JACKIE FRERE TIFFANY GOMEZ JOEY COSCO JAKE LIBASSI FEATURES EDITOR ASSISTANT FEATURES FRONT OF BOOK PHOTO EDITOR DIGITAL DIRECTOR WEB EDITOR A SPECIAL THANKS TO OUR CONTRIBUTORS: KAITLIN GRENIER COLE HOCK TOMMY ENDE KENNY ENDE ERIN SINGLETON CAROLYN SAXTON KATIE CANETE JIM COLEMAN WILL SKALMOSKI COPY EDITOR REVIEWS + PUBLICIST PUBLISHER MARKETING SOCIAL MEDIA 4 | 20 WATTS 20 WATTS | 5 TABLE OF CONTENTS 08 LETTER FROM THE EDITOR 10 THE FIVE 11 EAR TO THE GROUND 12 ON THE GRIND 13 PLAYLIST // 20 WATTS GOES ABROAD 15 BACK FROM THE DEAD 16 DROP THE MIC // SEXUALITY IN MUSIC 18 A DAY IN THE LIFE W/ NASTY HABIT 22 WHAT IS EDM? 24 2015: THE YEAR OF HIP-HOP 26 REVIEW // CHERRY BOMB 28 Q&A // RICKY SMITH 31 HEADSPACE 34 DIY, YOU WON’T 38 FUSION FRENZY 42 BACK OF BOOK LETTER 6 | 20 WATTS 20 WATTS | 7 There’s a lot that goes into making a magazine — a lot of arguments, a lot of cuts, a whole lotta shit that you probably don’t even think about as you’re holding this book in your hands right now.
    [Show full text]
  • A Broad Lens New Film Professor Will Bring International Worldview to Students
    PINGPONG AND PITCHERS Discover Ruby’s Arcade downtown LIFE | 8 Also NEWS GOING FOR GOLD OPINION SPOTIFY VS APPLE MUSIC inside: What it’s like to volunteer Which streaming giant will 3 at the Olympics 5 come out on top? Vol. 95, No. 2 Thursday, September 1, 2016 breezejmu.org KNOCKDOWN!KNOCKDOWN! THE BREEZE CONNOR WOISARD / WOISARD CONNOR By BENNETT CONLIN with the head, don’t hit anybody when they’re down. As long as ball to make it more competitive.” The Breeze people follow those rules we don’t have any injuries.” The game is still making its way around the country as not Massie credits the tension inside the ball for creating a place for everyone has heard of knockerball, which originated in Europe. The competitors gaze anxiously at their respective foes as the joust soft landings. Students agree that getting knocked over isn’t as bad Since the game is still in its infancy, some people doubt how often sets to begin. As the referee yells “Go!” the two players sprint toward as it looks. the game could actually be played without the novelty wearing off. each other hoping to knock the enemy off their feet and earn the “When you fell it felt like you were landing on a cloud,” freshman “I don’t think I’d do it every weekend, but I think it would be title of champion. And thus began the fierce game of knockerball at marketing major Mikayla Bernetich said. “It was so fun.” something to do like with your friends,” Reynolds said.
    [Show full text]
  • The Free Black Artist: Frank Ocean Through a Decolonial Lens Benjamin Lewellyn-Taylor* Brite Divinity School, Dallas, TX, USA
    BLACK THEOLOGY 2019, VOL. 17, NO. 1, 52–68 https://doi.org/10.1080/14769948.2019.1554329 The Free Black Artist: Frank Ocean Through a Decolonial Lens Benjamin Lewellyn-Taylor* Brite Divinity School, Dallas, TX, USA ABSTRACT KEYWORDS This paper examines the historical degradation of Black artists in the Hip hop; decolonial; music industry as a form of neocolonialism wrought by largely neocolonialism; Frank Ocean; White-owned parent companies. Using Frank Ocean’s 2016 music industry; GRAMMYS rebellion against Def Jam Recordings and the GRAMMYs, this paper uplifts Ocean as a model for the liberation of other Black artists. This paper employs a decolonial approach that reads Negritude thinkers Aimé Césaire and Frantz Fanon and theologian Kelly Brown Douglas through the lens of Ocean’s actions and artistry as a means to envision new possibilities for the disruption and destruction of neocolonial structures and the affirmation of Black lives as sacred. Introduction The music industry’s treatment of Black artists is a form of neocolonialism that operates as the historical life-force of the music industry. From recording contracts that cheat Black artists out of money and creative expression to the GRAMMY Awards’ continued denial of their exclusionary awards practices, the control of Black artistry permeates the music industry’s various structures. In the face of such exploitation and marginalization, Frank Ocean exemplifies a free Black artist who liberated and liberates himself from these multiple industry woes. In this paper, I outline the neocolonial history of the music indus- try’s relationship to Black artists as a means to view Frank Ocean’s self-liberating actions from the music industry as a model for the decolonial liberation of Black artists everywhere.
    [Show full text]
  • View / Open OURJ Spring 2018 Lelkins.Pdf
    Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression.
    [Show full text]
  • Frank Ocean Endless Album Download Frank Ocean Endless Album Download
    frank ocean endless album download Frank ocean endless album download. Artist: Frank Ocean Album: Endless Released: 2018 Style: Pop. Format: MP3 320Kbps. Tracklist: 01 – At Your Best (You Are Love) 02 – Alabama 03 – Mine 04 – Unity 05 – A Certain Way 06 – Comme De Gar‡ons 07 – Xenons 08 – Honeybaby 09 – Wither 10 – Hubolts 11 – In Here Somewhere 12 – Slide On Me 13 – Sideways 14 – Florida 15 – Impietas + Deathwish 16 – Rushes 17 – Rushes To 18 – Higgs 19 – Mitsubishi Sony. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. Frank ocean endless album download. Список разделов находится в левой части окна ( показать ). Каждый раздел может иметь несколько страниц. Для систематизации или добавления разделов щелкните ссылку "Организация разделов" ( показать ). Можно переименовать любой раздел, щелкнув отображающийся значок , изменить порядок разделов, щелкнув и перетащив их, или удалить разделы, щелкнув значок . Разделы имеют несколько страниц. Список страниц текущего раздела находится в правой части окна ( показать ). Для систематизации или добавления страниц щелкните ссылку "Организация/управление страницами" ( показать ). Можно переименовать любую страницу, щелкнув отображающийся значок , можно удалить страницу, щелкнув значок ×, или изменить порядок страниц, щелкнув и перетащив их. Теперь вы можете редактировать! При необходимости можно переименовать страницу или изменить опции комментирования ( показать ). Можно сохранить, просмотреть или отменить изменения в любое время, нажав кнопку справа ( показать ). Содержание разделено на подразделы, которые имеют пунктирную границу. Можно удалить или изменить содержание подраздела, используя значки и в верхнем правом углу подраздела. Для добавления новых подразделов найдите и щелкните тип содержания, которое необходимо добавить в список опций в правой части страницы ( показать ). Frank Ocean - ENDLESS (CDQ) Frank Ocean Endless Full album Download, zip format mp3 songs, free working (pc-mobile) DOWNLOAD DIRECT - https://bit.ly/3aDqBgp Track list: 01.
    [Show full text]
  • 2 CD (1 CD 29.01 Perc ; 2
    C 20 The Christmas Sing-a-long Collection . — [s.l.] : Play 24-7 Limited, cop. 2008 . — 2 CD (1 CD_ 29.01 perc ; 2. CD: 29.33 perc) Komolyzene, könnyűzene, tradicionális, karácsony 5051503901429 : 990,- Ft komolyzene, könnyűzene, tradicionális, karácsony Példány adatok: CD6153.1 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 CD6153.2 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- E 35 Electro Jazz Crooners Vol. 1. — [s.l.] : Wagram Music, 2006 . — 1 CD (75.51 perc) Könnyűzene, Elektronikus, Nujazz, Headz, Groove 3113632 : 4649,- Ft Könnyűzene, Elektronikus, Nujazz, Headz, Groove Példány adatok: CD4062 E 35 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- I 52 In bed with nova : Deuxiéme nuit . — Paris : Nova Records, 2006 . — 1 CD (71.58 perc) Könnyűzene, Elektronikus 3112262/WAG 331 : 3799,- Ft Könnyűzene, Elektronikus Példány adatok: CD4055 I 52 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- J 63 Jive : Ouvrir Nos Coeurs : Crazy Love : Just For You . — [s.l.] : Azzura Music Srl, [cop. 2007] . — 1 CD (32.39 perc) . — (Ballroom Music Series ; CD 10) Könnyűzene, Pop, Táncoktatás TBPB1009 . 1005 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4904 J 63 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- L 71 Listening Pearls Vol. 3. — [s.l.] : InterGroove, 2001 . — 1 CD (62.46 perc) Könnyűzene, Elektronikus Mole cd 042-2 : 3488,- Ft Könnyűzene, Elektronikus Példány adatok: CD4054 L 71 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- P 39 Paso Doble : Spetacular : El Beso : Pasolindo . — [s.l.] : Azzura Music Srl, cop. 2007 . — 1 CD (38.14 perc) . — (Ballroom Music Series ; CD 7) Könnyűzene, Pop, Táncoktatás TBPB1006 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4912 P 39 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- Q 50 Quick Step - Fox Trot : This Can't Be Love : Lullaby of Broadway : Mrs Robinson .
    [Show full text]
  • Weed Crumbles Into Glitter”: Representing a Marijuana High in Frank Ocean’S Blonde
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons Draft - Do Not Circulate or Reproduce Without Permission “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde Introduction Frank Ocean released his second full-length album, Blonde, in August 2016.1 As the follow-up to his critically-acclaimed 2012 debut Channel Orange, Blonde entered the Billboard album charts at the number one position and received glowing reviews from fans and critics. With hints of rhythm and blues, soul, rap, pop, and experimental/avant-garde soundscapes, many reviewers remarked upon Blonde’s stylistic eclecticism. Along with D’Angelo's Black Messiah (2014), Kendrick Lamar’s To Pimp a Butterfly (2015), and Beyoncé’s Lemonade (2016), Blonde has been lauded for its progressive experimentalism, an experimentalism that pushes at the stylistic boundaries associated with contemporary pop, hip hop, R & B, and soul. Writing in The Guardian, for example, critic Tim Jonze describes how “…texture and experimentation are given free rein” in Blonde, comparing it to celebrated “avant-garde” rock records such as Radiohead’s Kid A (2000) and Big Star’s Third (recorded in 1974; released in 1978).2 Writing in Consequence of Sound, critic Nina Corcoran describes Blonde as “minimalist, avant-garde R & B.”3 With its sparse instrumentation, unique timbral qualities, constantly shifting textures, and unconventional forms, one can infer that the songs on Blonde were not conceived as club hits 1 The album title is variously referred to as Blond and Blonde in reviews, on streaming sites and internet radio stations, and on Ocean’s website.
    [Show full text]
  • 泽维尔·维扬橘色频道XAVIER VEILHAN Channel Orange
    Manfredi (局部 / detail), 2019. 不锈钢、聚氨酯颜料 | Stainless steel, polyurethane paint Mobile n°3 (局部 / detail), 2019. 碳 | Carbon. 213 x 119 cm | 83 7/8 x 46 7/8 in 160 x 142 x 72 cm | 63 x 55 7/8 x 28 3/8 in. 摄影 | Photo: Claire Dorn © Veilhan / ADAGP, Paris 2019. 图片提供：贝浩登 | Courtesy Perrotin © Veilhan / ADAGP, Paris 2019. 图片提供：贝浩登 | Courtesy Perrotin 泽 维 尔·维 扬 橘色频道 XAVIER VEILHAN Channel Orange 开幕：6 月 5 日（ 周 三 ） 4 - 7PM Opening Wednesday June 5 4 - 7PM 2019 年 6 月 5 日至 8 月 17 日 June 5 - August 17, 2019 贝浩登（上海）荣幸宣布呈现泽维尔•维扬个展“橘色频道”(Channel Xavier Veilhan’s first solo exhibition on Chinese territory presents a Orange)，这也是艺术家在中国的个人首秀，展览将联袂呈现艺术家近期代 series of newly produced works from each of his significant formal research fields: variations on both human and animal statuary, mobile 表性创作领域中的数件新作：人形与动物雕塑、动态雕塑及“Rays”系 列 装 sculptures and Rays installations. It is an introduction to his oeuvre in its 置 ，试 图 为 观 者 完 整 呈 现 其 创 作 发 展 面 貌 。 present state of development. 正如一个真实的雕塑景观，具有在同一视野上的多重视角，这些集合将 Like a true landscape of sculptures, with variable perspectives yet on 我们的目光转向多个方向，最终落在橘色的《Manfredi》与《 Mobile n°5》 a single horizon, the ensemble steers our gaze in many directions, but anchors on the color orange of Manfredi and Mobile n°5. Choice of 上。泽维尔•维扬对于颜色的选择出于审美，但总是与具体语境相关，无 color with Xavier Veilhan is often aesthetic but always in regards to the 论是作品本身或是它所处的物理空间。 context, either of the piece or of the physical space where it lives.
    [Show full text]
  • Tony Bennett with Statue, Festivities F Ever There Was a Man to Throw a Grand Birthday Bash for in San Francisco, It Had to Be Tony Bennett
    lifestyle SUNDAY, AUGUST 21, 2016 MUSIC & MOVIES Apple Music posts new Frank Ocean video album pple Music has released new and long-await- main album is yet to come.” Ocean is credited as the released in 2012. The record featured the hit song ed music from Grammy-winning singer Frank director of the video, and it features a cover of an “Thinkin bout You” and earned him two Grammy AOcean in the form of a 45-minute “visual Isley Brothers song and guest musicians James Awards, including best urban contemporary album. album.” The company tweeted a link to the music Blake, Jonny Greenwood of Radiohead and the Ocean is known for his previous association with video “Endless” by the R&B artist on Thursday night. London Contemporary Orchestra. the alternative hip-hop group Odd Future. He has The link is only available to subscribers of Apple’s Ocean has been teasing information about his also written songs for Beyonce, Justin Bieber, John music streaming service. next album on his website boysdontcry.co, but rep- Legend and Brandy. He appeared on two songs The video shows black-and-white footage of resentatives from Universal Music Group and Apple from Jay Z and Kanye West’s collaborative album, Ocean building a staircase in a warehouse over new Music didn’t immediately respond to emails seeking “Watch the Throne.” — AP music, which looks more like a visual art project comment. “He is intentionally keeping everyone compared to the more cinematic approaches by guessing,” Aswad said. artists like Beyonce and Prince. “It feels to me like Fans have been anxiously awaiting the 28-year- what a bonus disc would be,” said Jem Aswad, a old singer’s first album in four years.
    [Show full text]