DOCSLIB.ORG

Homecoming 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Homecoming 2016 THE BAGPIPE MONDAY, SEPTEMBER 26, 2016 14049 SCENIC HIGHWAY, LOOKOUT MOUNTAIN, GA 30750 VOLUME 63.2 Gas Crisis Engbers Steps in Matthaus Evangelium The Cursed Child Listening Dangerously Pipeline leaks causing increased Covenant alumna Christine Eng- Prints by the prominant artist, Otto The newest installation in the Har- Dr. Weichbrodt continued the gas prices in South East. bers steps in as head softball Coach Dix, come to the library gallery. ry Potter series hits the stage. dangerous ideas chapel series. Page 2 Page 4 Page 5 Page 6 Page 7 FEDERAL SALARY LAW CHANGE by Greer McCollum This past spring, the Obama administration and the Department of La- bor updated overtime pay- ment laws. This change is one of the most significant compensation law changes in decades: the exemption threshold for overtime pay will be raised from $23,000 to $47, 476 start- ing December 1st. After this year, this threshold with continue to increase to align with inflation. As Dan Wykoff, Cov- enant Chief Financial Of- ficer, explains, this means that all across the US and in every industry full-time salaried employees will either have to be payed HOMECOMING 2016 $47, 476 or will have to be moved to hourly wage labor, in which they are by Margaret Duncan October 16th and 17th of the Year, and Nathan names written in the tow- compensated for overtime Covenant College wel- (‘10) and Jessica (Jelger- er. work—generally 1.5 times Young children and stu- comed over more than huis) (‘08) Newman were That evening alum- their base wage. dents alike danced bare- 700 people, including awarded Volunteers of the ni, faculty, staff and their Covenant’s Senior Ad- foot in the moonlit night alumni and their fami- Year. families enjoyed a picnic ministration is working during Jazz on the Over- lies, to campus. The week- After chapel, alumni on the lawn followed by with the Human Resourc- look last Friday evening. end of events kicked off from classes of 1976 & fireworks and Jazz on the es Department to figure Alumni and their fami- with Chapel on Friday 1966 met for their 40th Overlook. Campus Ac- out how to adjust to the lies, along with current where President Halvor- & 50th year class reunion tivity Board Director Zoë new law. As Wykoff ex- students, faculty, and staff son awarded the Alumni lunches and photos. There Knight (‘17) was pleased plains, “Everybody has to enjoyed the Sweet Geor- the Year awards, followed were over 40 alumni and with the event, saying,“We figure out what to do with gia Sound playing swing with a talk by alumnus friends present at the two had fantastic desserts, a those employees who are music under the stars and Steve Smallman (‘85). Jo- reunions. Soon after lunch beautiful moon hanging currently exempt but are above the twinkling lights anna Taft (’85) was award- alumni were led on tours over the overlook as peo- under that threshold.” At of Chattanooga as a part ed Alumnus of the Year, of the Carter Hall reno- ple danced, and a great the college, around ten of the 2016 Homecoming Anna Hollidge (’13), was vations by college staff, turnout. There were a lot percent of the full-time festivities. awarded Young Alumnus and enjoyed finding their CONTINUED ON PAGE 2 CONTINUED ON PAGE 3 Rush was born in Cal- NEW PROFESSOR PROFILES ifornia, and moved to Mount Maunganui, New Zealand, when he was by Kristie Jaya al arts college, has always six. He then went back to been interested in the California to finish high John Rush correlation between his school before moving to Christian faith and eco- Hawaii for his master and Dr. John Volney Rush nomics. Two masters and doctorate degrees. IV became the Robin one PHD later, Rush want- to Dr. Lance Wescher’s ed to teach in a Christian Rush’s parents serve in Batman as he assumed college that has this con- the mission field. the position of Assistant versation, and was curi- Professor of Economics ous about how a Christian Rush hopes to have this fall. For the past ten economist could work the chance to train Chris- years, the economic com- with the church. tian young economists to ponent of the Economic think carefully. He sees his and Community Devel- “I had learned about time at Covenant as an op- opment department has Covenant a couple years portunity to not just be an been solely manned by Dr. ago, about the Chalmer’s academic away from the Wescher. Rush current- center, and When Help- world, but also have the ly teaches Econometrics ing Hurts,” Rush said. He resources to actually help I, International Finance, applied to Covenant as he people who are struggling. and Economics of Asia in was looking for Christian the 21st century. universities that have an Rush loves the Cov- opening. enant environment and Rush, who finished his community. “Chattanoo- mont where he loved becue, and visiting The undergraduate degree in He laughed when I ga is a harder adjustment, “living in the woods.” Tennessee Aquarium with Economics at Whitworth asked where his home- though,” said Rush, who However, he has enjoyed his son and wife. University, a small liber- town is. “Well…” he said. moved from rural Ver- teaching, Tennessee bar- CONTINUED ON PAGE 2 NEWS 02 or continue to experience, intermittent service inter- GAS CRISIS ruptions. Colonial contin- by Mackenzie Jones ues to move as much gas- oline, diesel and jet fuel as Back in July, the Times possible and will continue Free Press reported Chat- to do so as markets return tanooga was the cheapest to normal.” source of gas in America. The American Auto- This month, their head- mobile Association states lines claim quite the op- gas prices in Georgia rose posite as Chattanooga five cents from Monday suffers from limited quan- to Tuesday, settling at an tities of unleaded gas. average of $2.36, displeas- In Alabama, on Sep- ing the locals. The U.S. tember 9, the stench of Energy Information Ad- gasoline and oily gleam ministration says, “Limit- on a manmade retention ed availability of gasoline pond, accompanied by at some local distribution surrounding dead vege- terminals and the higher tation, grabbed the atten- costs of alternative supply tion of concerned state options will ultimately in- workers. These unnatural fluence the retail price of elements revealed a leak gasoline.” in a pipeline running from For all the broke col- Houston to New York that lege students needing to supplies gas to the entire fuel their cars this week- east coast. end, you may have to set- The cause of the leak tle for being trapped on is unidentified. Between the mountain for a few 252,000 to 336,000 gallons days longer until prices of gas spilled into the re- this past Monday night dred foot bypass was con- warns the normal flow of are kinder to our wallets. tention pond. This leak af- exposed many closed gas structed to temporarily gas will be inhibited until Otherwise, try to hitch a fects Tennessee, Alabama, stations. Shortages were restore gas to lacking sta- the faulty line is properly ride with that one smart Georgia, South Carolina, reported from Hixson tions; however, shortages restarted and fully operat- friend who filled up their and North Carolina, caus- Pike to Signal Mountain may still be a problem for ing. tank before Chattanooga ing gas shortages and a Road and Amnicola High- the following days, and On Wednesday, Co- ran out. hike in prices. way to North Georgia. maybe until next week. lonial stated, “Some mar- timesfreepress.com A drive through Although the pipeline Colonial Pipeline Co., re- kets served by Colonial downtown Chattanooga was shut down, a five hun- sponsible for the supply, Pipeline may experience, NEW PROFESSORS Garris has also started class he wanted at Cov- CONTINUED FROM PAGE 1 a Covenant Bioinvento- enant, he would revive ry project, which is a way “Natural History of the Heath Garris of documenting the bio- Appalachian Islands” as a diversity on Covenant’s field course. It would be Heath W. Garris took property on Lookout a May Term filled with up the baton from Pro- Mountain. This project is hiking Lookout Mountain fessor Emeritus Jerry in partnership with Lula and trekking across the Wenger when he joined as Lake Land Trust, Look- Smokies. Biology Department fac- out Mountain Conservan- ulty this fall. Garris had cy, and the U.S. National While used to moving moved from a mining job Parks. Through the proj- places, his move to Cov- in British Columbia. ect, Garris is hoping that enant is Garris’ first full- students can learn how time job as a professor. “I’m an ecologist and ecologists work on man- “[The] transition is also Christian, and that is aging the natural land- awesome and humbling,” kind of an unusual com- scape. Garris said. “Covenant bination in my field. So, I students are unique. started to look for Chris- During his time at They’re a smart, motivat- tian universities where my Covenant, Garris hopes ed group of people. That skills are needed,“ Garris to see students organizing is not something you find said. stewardship of nature. Af- everywhere.” and the Board of Trustees our Covenant experience, ter all, “it’s a Christ-hon- meetings.” so it was great to connect Garris currently teach- oring little-c vocation,” Saturday was packed with Southies from many Garris said. HOMECOMING es Ecology and Biology of CONTINUED FROM PAGE 1 with events for alumni different generations and Invertebrates. and their families start- to celebrate what Second If able to teach any of alumni in attendance ing with the alumni soc- South has meant to us.” which made for a unique cer and baseball matches Over 40 “southies,” plus atmosphere as well.” against the Junior Varsity their families, came to- The Homecoming fire- men’s and women’s teams.
Load more

Recommended publications
  • Alma's Good Trip Mikko Joensuu in Holy Water Hippie Queen of Design Frank Ocean of Love Secret Ingredients T H Is Is T H E M
    FLOW MAGAZINE THIS IS THE MAGAZINE OF FLOW FESTIVAL. FESTIVAL. FLOW OF IS THE MAGAZINE THIS ALMA'S GOOD TRIP MIKKO JOENSUU IN HOLY WATER HIPPIE QUEEN OF DESIGN FRANK OCEAN OF LOVE SECRET INGREDIENTS F entrance L 7 OW F L O W the new This is 1 to 0 2 2 0 1 7 4 TABLE OF CONTENTS 6–9 12–13 18–21 36–37 Editor 7 7 W Tero Kartastenpää POOL OF ALMA Alma: ”We never really traveled when we were Art Director little. Our parents are both on disability Double Happiness pension and we didn’t IN SHORT have loads of money. Swimming with a Whenever our classmates Designers singer-songwriter. traveled to Thailand Featuring Mikko MINT MYSTERY SOLVED or Tenerife for winter Viivi Prokofjev SHH Joensuu. holidays we took a cruise AIGHT, LOOK to Tallinn. When me and Antti Grundstén 22–27 Anna turned eighteen we Frank Ocean sings about Robynne Redgrave traveled to London with love and God and God and our friends. We stayed for love. Here's what you didn’t five days, drunk.” 40–41 Subeditor know about alt-country star Ryan Adams. Aurora Rämö Alma went to L.A. and 14–15 met everybody. Publisher 34–37 O The design hippie Laura Flow Festival Ltd. 1 1 Väinölä creates a flower ALWAYS altar for yoga people. Lana Del Rey’s American Contributors nightmares, plant cutting 30–33 Hanna Anonen craze, the smallest talk etc. The most quiet places OCEAN OF TWO LOVES Maija Astikainen from abandoned villas to Pauliina Holma Balloon stage finds new UNKNOWN forgotten museums.
    [Show full text]
  • A Dip Into Frank Ocean's Music and Marketing
    A Dip Into Frank Ocean’s Music and Marketing [Draft 3 of Complete] A Senior Project presented to the Faculty of the Music Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Music Senior Project Advisor: Alyson McLamore by Katharine Gardias Winter 2019 Gardias 2 Table of Contents Introduction …...………………………………………….... 3 Chapter 1: The Becoming of Frank Ocean ……………....... 5 Chapter 2: Ocean’s Solos and Singles …………………… 10 Chapter 3: A Handful of blond ……………………………16 ​ ​ Chapter 4: Frank Ocean’s Musical Themes …………….... 25 Chapter 5: Non-Traditional Marketing …………………... 31 Conclusion ……………………………………………….. 35 Bibliography…………………………………………….... 37 Gardias 3 Introduction Famed musician Frank Ocean is known worldwide for his individualistic approach to ​ music and enigmatic persona. His music has gained critical acclaim and success over the past ten years, winning two Grammys as well as countless other awards. By avoiding the traps faced by ​ mainstream artists, Frank Ocean has resisted allowing others to control his art and creative process. Frank Ocean released various projects throughout his career that assisted in the growth and exposure of himself as an artist. His works include two studio albums, eight music videos, a visual album, and eighteen singles. Many of his original songs have charted countless times on the Billboard Hot 100, both on his own and in collaboration with others. Eight of his solo efforts ​ ​ have reached that standing, including “Novacane,” “Thinkin Bout You,” “Chanel,” “Nikes,” “Ivy,” “Pink + White,” “Solo,” and “Nights.” All of his compositions include an emotional narrative as well as a beautifully composed musical structure.
    [Show full text]
  • Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music
    Why Hip-Hop is Queer: Using Queer Theory to Examine Identity Formation in Rap Music Silvia Maria Galis-Menendez Advisor: Dr. Irene Mata Submitted in Partial Fulfillment of the Prerequisite for Honors in the Department of Women’s and Gender Studies May 2013 © Silvia Maria Galis-Menendez 2 Table of Contents Introduction 3 “These Are the Breaks:” Flow, Layering, Rupture, and the History of Hip-Hop 6 Hip-Hop Identity Interventions and My Project 12 “When Hip-Hop Lost Its Way, He Added a Fifth Element – Knowledge” 18 Chapter 1. “Baby I Ride with My Mic in My Bra:” Nicki Minaj, Azealia Banks and the Black Female Body as Resistance 23 “Super Bass:” Black Sexual Politics and Romantic Relationships in the Works of Nicki Minaj and Azealia Banks 28 “Hey, I’m the Liquorice Bitch:” Challenging Dominant Representations of the Black Female Body 39 Fierce: Affirmation and Appropriation of Queer Black and Latin@ Cultures 43 Chapter 2. “Vamo a Vence:” Las Krudas, Feminist Activism, and Hip-Hop Identities across Borders 50 El Hip-Hop Cubano 53 Las Krudas and Queer Cuban Feminist Activism 57 Chapter 3. Coming Out and Keepin’ It Real: Frank Ocean, Big Freedia, and Hip- Hop Performances 69 Big Freedia, Queen Diva: Twerking, Positionality, and Challenging the Gaze 79 Conclusion 88 Bibliography 95 3 Introduction In 1987 Onika Tanya Maraj immigrated to Queens, New York City from her native Trinidad and Tobago with her family. Maraj attended a performing arts high school in New York City and pursued an acting career. In addition to acting, Maraj had an interest in singing and rapping.
    [Show full text]
  • Meet Nasty Habit Cherry Bomb Review Mental Illness In
    MEET NASTY HABIT CHERRY BOMB REVIEW MENTAL ILLNESS IN THE MUSIC INDUSTRY 20 WATTS | 1 01 // THE CITY - THE 1975 02 // YESTERDAY - ATMOSPHERE 03 // GRINDIN’ - CLIPSE 04 // AFRICA - TOTO 05 // GRAVITY - TURNSTILE 06 // CLUSH - ISLES & GLACIERS 07 // R U MINE? - ARCTIC MONKEYS 08 // CLARK GABLE - POSTAL SERVICE 09 // CAROLINA - SEU JORGE 10 // NO ROOM IN FRAME - DEATH CAB FOR CUTIE 11 // JESUS TAKE THE WHEEL - CARRIE UNDERWOOD 12 // A WALK - TYCHO 13 // SEDATED - HOZIER 14 // HEY YA! - OUTKAST 15 // MY BODY - YOUNG THE GIANT 16 // DREAMS - FLEETWOOD MAC 17 // PAST LIVES - BØRNS 18 // PLEASE DON’T - LEO STANARD TWEET @20_WATTS WHAT 19 // TOTALLY FUCKED - JONATHAN GROFF YOU’RE LISTENING TO! 20 // TUBTHUMPING - CHUMBAWAMBA Cover Photo by Adam Gendler 2 | 20 WATTS 20 WATTS | 3 20 WAT TSSPRING 2015 WE ASKED: WHAT IS YOUR EMOJI STORY? LYNDSEY JIMENEZ RIKKI SCHNEIDERMAN ADAM GENDLER JANE DEPGEN PHIL DECICCA EDITOR IN CHIEF MANAGING EDITOR MULTIMEDIA CREATIVE DIRECTOR HEAD DESIGNER MIKEY LIGHT SAM HENKEN JACKIE FRERE TIFFANY GOMEZ JOEY COSCO JAKE LIBASSI FEATURES EDITOR ASSISTANT FEATURES FRONT OF BOOK PHOTO EDITOR DIGITAL DIRECTOR WEB EDITOR A SPECIAL THANKS TO OUR CONTRIBUTORS: KAITLIN GRENIER COLE HOCK TOMMY ENDE KENNY ENDE ERIN SINGLETON CAROLYN SAXTON KATIE CANETE JIM COLEMAN WILL SKALMOSKI COPY EDITOR REVIEWS + PUBLICIST PUBLISHER MARKETING SOCIAL MEDIA 4 | 20 WATTS 20 WATTS | 5 TABLE OF CONTENTS 08 LETTER FROM THE EDITOR 10 THE FIVE 11 EAR TO THE GROUND 12 ON THE GRIND 13 PLAYLIST // 20 WATTS GOES ABROAD 15 BACK FROM THE DEAD 16 DROP THE MIC // SEXUALITY IN MUSIC 18 A DAY IN THE LIFE W/ NASTY HABIT 22 WHAT IS EDM? 24 2015: THE YEAR OF HIP-HOP 26 REVIEW // CHERRY BOMB 28 Q&A // RICKY SMITH 31 HEADSPACE 34 DIY, YOU WON’T 38 FUSION FRENZY 42 BACK OF BOOK LETTER 6 | 20 WATTS 20 WATTS | 7 There’s a lot that goes into making a magazine — a lot of arguments, a lot of cuts, a whole lotta shit that you probably don’t even think about as you’re holding this book in your hands right now.
    [Show full text]
  • A Broad Lens New Film Professor Will Bring International Worldview to Students
    PINGPONG AND PITCHERS Discover Ruby’s Arcade downtown LIFE | 8 Also NEWS GOING FOR GOLD OPINION SPOTIFY VS APPLE MUSIC inside: What it’s like to volunteer Which streaming giant will 3 at the Olympics 5 come out on top? Vol. 95, No. 2 Thursday, September 1, 2016 breezejmu.org KNOCKDOWN!KNOCKDOWN! THE BREEZE CONNOR WOISARD / WOISARD CONNOR By BENNETT CONLIN with the head, don’t hit anybody when they’re down. As long as ball to make it more competitive.” The Breeze people follow those rules we don’t have any injuries.” The game is still making its way around the country as not Massie credits the tension inside the ball for creating a place for everyone has heard of knockerball, which originated in Europe. The competitors gaze anxiously at their respective foes as the joust soft landings. Students agree that getting knocked over isn’t as bad Since the game is still in its infancy, some people doubt how often sets to begin. As the referee yells “Go!” the two players sprint toward as it looks. the game could actually be played without the novelty wearing off. each other hoping to knock the enemy off their feet and earn the “When you fell it felt like you were landing on a cloud,” freshman “I don’t think I’d do it every weekend, but I think it would be title of champion. And thus began the fierce game of knockerball at marketing major Mikayla Bernetich said. “It was so fun.” something to do like with your friends,” Reynolds said.
    [Show full text]
  • The Free Black Artist: Frank Ocean Through a Decolonial Lens Benjamin Lewellyn-Taylor* Brite Divinity School, Dallas, TX, USA
    BLACK THEOLOGY 2019, VOL. 17, NO. 1, 52–68 https://doi.org/10.1080/14769948.2019.1554329 The Free Black Artist: Frank Ocean Through a Decolonial Lens Benjamin Lewellyn-Taylor* Brite Divinity School, Dallas, TX, USA ABSTRACT KEYWORDS This paper examines the historical degradation of Black artists in the Hip hop; decolonial; music industry as a form of neocolonialism wrought by largely neocolonialism; Frank Ocean; White-owned parent companies. Using Frank Ocean’s 2016 music industry; GRAMMYS rebellion against Def Jam Recordings and the GRAMMYs, this paper uplifts Ocean as a model for the liberation of other Black artists. This paper employs a decolonial approach that reads Negritude thinkers Aimé Césaire and Frantz Fanon and theologian Kelly Brown Douglas through the lens of Ocean’s actions and artistry as a means to envision new possibilities for the disruption and destruction of neocolonial structures and the affirmation of Black lives as sacred. Introduction The music industry’s treatment of Black artists is a form of neocolonialism that operates as the historical life-force of the music industry. From recording contracts that cheat Black artists out of money and creative expression to the GRAMMY Awards’ continued denial of their exclusionary awards practices, the control of Black artistry permeates the music industry’s various structures. In the face of such exploitation and marginalization, Frank Ocean exemplifies a free Black artist who liberated and liberates himself from these multiple industry woes. In this paper, I outline the neocolonial history of the music indus- try’s relationship to Black artists as a means to view Frank Ocean’s self-liberating actions from the music industry as a model for the decolonial liberation of Black artists everywhere.
    [Show full text]
  • View / Open OURJ Spring 2018 Lelkins.Pdf
    Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression.
    [Show full text]
  • Frank Ocean Endless Album Download Frank Ocean Endless Album Download
    frank ocean endless album download Frank ocean endless album download. Artist: Frank Ocean Album: Endless Released: 2018 Style: Pop. Format: MP3 320Kbps. Tracklist: 01 – At Your Best (You Are Love) 02 – Alabama 03 – Mine 04 – Unity 05 – A Certain Way 06 – Comme De Gar‡ons 07 – Xenons 08 – Honeybaby 09 – Wither 10 – Hubolts 11 – In Here Somewhere 12 – Slide On Me 13 – Sideways 14 – Florida 15 – Impietas + Deathwish 16 – Rushes 17 – Rushes To 18 – Higgs 19 – Mitsubishi Sony. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. Frank ocean endless album download. Список разделов находится в левой части окна ( показать ). Каждый раздел может иметь несколько страниц. Для систематизации или добавления разделов щелкните ссылку "Организация разделов" ( показать ). Можно переименовать любой раздел, щелкнув отображающийся значок , изменить порядок разделов, щелкнув и перетащив их, или удалить разделы, щелкнув значок . Разделы имеют несколько страниц. Список страниц текущего раздела находится в правой части окна ( показать ). Для систематизации или добавления страниц щелкните ссылку "Организация/управление страницами" ( показать ). Можно переименовать любую страницу, щелкнув отображающийся значок , можно удалить страницу, щелкнув значок ×, или изменить порядок страниц, щелкнув и перетащив их. Теперь вы можете редактировать! При необходимости можно переименовать страницу или изменить опции комментирования ( показать ). Можно сохранить, просмотреть или отменить изменения в любое время, нажав кнопку справа ( показать ). Содержание разделено на подразделы, которые имеют пунктирную границу. Можно удалить или изменить содержание подраздела, используя значки и в верхнем правом углу подраздела. Для добавления новых подразделов найдите и щелкните тип содержания, которое необходимо добавить в список опций в правой части страницы ( показать ). Frank Ocean - ENDLESS (CDQ) Frank Ocean Endless Full album Download, zip format mp3 songs, free working (pc-mobile) DOWNLOAD DIRECT - https://bit.ly/3aDqBgp Track list: 01.
    [Show full text]
  • 2 CD (1 CD 29.01 Perc ; 2
    C 20 The Christmas Sing-a-long Collection . — [s.l.] : Play 24-7 Limited, cop. 2008 . — 2 CD (1 CD_ 29.01 perc ; 2. CD: 29.33 perc) Komolyzene, könnyűzene, tradicionális, karácsony 5051503901429 : 990,- Ft komolyzene, könnyűzene, tradicionális, karácsony Példány adatok: CD6153.1 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 CD6153.2 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- E 35 Electro Jazz Crooners Vol. 1. — [s.l.] : Wagram Music, 2006 . — 1 CD (75.51 perc) Könnyűzene, Elektronikus, Nujazz, Headz, Groove 3113632 : 4649,- Ft Könnyűzene, Elektronikus, Nujazz, Headz, Groove Példány adatok: CD4062 E 35 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- I 52 In bed with nova : Deuxiéme nuit . — Paris : Nova Records, 2006 . — 1 CD (71.58 perc) Könnyűzene, Elektronikus 3112262/WAG 331 : 3799,- Ft Könnyűzene, Elektronikus Példány adatok: CD4055 I 52 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- J 63 Jive : Ouvrir Nos Coeurs : Crazy Love : Just For You . — [s.l.] : Azzura Music Srl, [cop. 2007] . — 1 CD (32.39 perc) . — (Ballroom Music Series ; CD 10) Könnyűzene, Pop, Táncoktatás TBPB1009 . 1005 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4904 J 63 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- L 71 Listening Pearls Vol. 3. — [s.l.] : InterGroove, 2001 . — 1 CD (62.46 perc) Könnyűzene, Elektronikus Mole cd 042-2 : 3488,- Ft Könnyűzene, Elektronikus Példány adatok: CD4054 L 71 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- P 39 Paso Doble : Spetacular : El Beso : Pasolindo . — [s.l.] : Azzura Music Srl, cop. 2007 . — 1 CD (38.14 perc) . — (Ballroom Music Series ; CD 7) Könnyűzene, Pop, Táncoktatás TBPB1006 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4912 P 39 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- Q 50 Quick Step - Fox Trot : This Can't Be Love : Lullaby of Broadway : Mrs Robinson .
    [Show full text]
  • Weed Crumbles Into Glitter”: Representing a Marijuana High in Frank Ocean’S Blonde
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons Draft - Do Not Circulate or Reproduce Without Permission “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde Introduction Frank Ocean released his second full-length album, Blonde, in August 2016.1 As the follow-up to his critically-acclaimed 2012 debut Channel Orange, Blonde entered the Billboard album charts at the number one position and received glowing reviews from fans and critics. With hints of rhythm and blues, soul, rap, pop, and experimental/avant-garde soundscapes, many reviewers remarked upon Blonde’s stylistic eclecticism. Along with D’Angelo's Black Messiah (2014), Kendrick Lamar’s To Pimp a Butterfly (2015), and Beyoncé’s Lemonade (2016), Blonde has been lauded for its progressive experimentalism, an experimentalism that pushes at the stylistic boundaries associated with contemporary pop, hip hop, R & B, and soul. Writing in The Guardian, for example, critic Tim Jonze describes how “…texture and experimentation are given free rein” in Blonde, comparing it to celebrated “avant-garde” rock records such as Radiohead’s Kid A (2000) and Big Star’s Third (recorded in 1974; released in 1978).2 Writing in Consequence of Sound, critic Nina Corcoran describes Blonde as “minimalist, avant-garde R & B.”3 With its sparse instrumentation, unique timbral qualities, constantly shifting textures, and unconventional forms, one can infer that the songs on Blonde were not conceived as club hits 1 The album title is variously referred to as Blond and Blonde in reviews, on streaming sites and internet radio stations, and on Ocean’s website.
    [Show full text]
  • 泽维尔·维扬橘色频道XAVIER VEILHAN Channel Orange
    Manfredi (局部 / detail), 2019. 不锈钢、聚氨酯颜料 | Stainless steel, polyurethane paint Mobile n°3 (局部 / detail), 2019. 碳 | Carbon. 213 x 119 cm | 83 7/8 x 46 7/8 in 160 x 142 x 72 cm | 63 x 55 7/8 x 28 3/8 in. 摄影 | Photo: Claire Dorn © Veilhan / ADAGP, Paris 2019. 图片提供：贝浩登 | Courtesy Perrotin © Veilhan / ADAGP, Paris 2019. 图片提供：贝浩登 | Courtesy Perrotin 泽 维 尔·维 扬 橘色频道 XAVIER VEILHAN Channel Orange 开幕：6 月 5 日（ 周 三 ） 4 - 7PM Opening Wednesday June 5 4 - 7PM 2019 年 6 月 5 日至 8 月 17 日 June 5 - August 17, 2019 贝浩登（上海）荣幸宣布呈现泽维尔•维扬个展“橘色频道”(Channel Xavier Veilhan’s first solo exhibition on Chinese territory presents a Orange)，这也是艺术家在中国的个人首秀，展览将联袂呈现艺术家近期代 series of newly produced works from each of his significant formal research fields: variations on both human and animal statuary, mobile 表性创作领域中的数件新作：人形与动物雕塑、动态雕塑及“Rays”系 列 装 sculptures and Rays installations. It is an introduction to his oeuvre in its 置 ，试 图 为 观 者 完 整 呈 现 其 创 作 发 展 面 貌 。 present state of development. 正如一个真实的雕塑景观，具有在同一视野上的多重视角，这些集合将 Like a true landscape of sculptures, with variable perspectives yet on 我们的目光转向多个方向，最终落在橘色的《Manfredi》与《 Mobile n°5》 a single horizon, the ensemble steers our gaze in many directions, but anchors on the color orange of Manfredi and Mobile n°5. Choice of 上。泽维尔•维扬对于颜色的选择出于审美，但总是与具体语境相关，无 color with Xavier Veilhan is often aesthetic but always in regards to the 论是作品本身或是它所处的物理空间。 context, either of the piece or of the physical space where it lives.
    [Show full text]
  • Setup Manual
    Acuity Setup Manual v9.2 know in your heart is right. (You may rent Thank You For Choosing helicopters if necessary.) Ross You've made a great choice. We expect you will be very happy with your purchase of Ross Technology. Our mission is to: 1. Provide a Superior Customer Experience • offer the best product quality and support 2. Make Cool Practical Technology • develop great products that customers love Ross has become well known for the Ross Video Code of Ethics. It guides our interactions and empowers our employees. I hope you enjoy reading it below. If anything at all with your Ross experience does not live up to your expectations be sure to reach out to us at [email protected]. David Ross CEO, Ross Video [email protected] Ross Video Code of Ethics Any company is the sum total of the people that make things happen. At Ross, our employees are a special group. Our employees truly care about doing a great job and delivering a high quality customer experience every day. This code of ethics hangs on the wall of all Ross Video locations to guide our behavior: 1. We will always act in our customers' best interest. 2. We will do our best to understand our customers' requirements. 3. We will not ship crap. 4. We will be great to work with. 5. We will do something extra for our customers, as an apology, when something big goes wrong and it's our fault. 6. We will keep our promises. 7. We will treat the competition with respect.
    [Show full text]