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Eizehu Gibor Living Jewish Values
1 PHOTO CREDITS: American Jewish Archives, pages 51, 97; AP Images, pages 21, 22, 37, 38; basel01658, page 16; Bechol Lashon, pages 39, 40; Giovanni Benintende, page 68; Bettmann/COrBIS, pages 28, 32, 43, 44, 46, 55, 57, 58, 87; Nikola Bilc, page 10 (foreground); rob Byron, page 30; Brian Chase, page 92 (foreground); Michal Cizik/Gettyimages, page 54; danielsko, page 28 (background); danilo ducak, page 53 (background); rob dunlavey, page 23; Entertainment Press, page 93; Tom Fakler, page 12; fotoret, page 36; Gaspar Furman, page 63; Zorik Galstyan, page 71 (background); Gabrielle Gelselman, page 88; dr. Nachum Tim Gidal/hadassah, page 85; Mandy Godbehear, page 20 (bottom); Bernard Gotfryd/ Gettyimages, page 57 (top); hashomer hatzair/Israelimages, page 42; Benrei huang, page 76; hulton-deutsch Collection/COrBIS, page 67; Chen Ping hung, page 5; hanan Isachar/Israelimages, page 64; Jewish World Watch, pages 7, 8, 9; Junial Enterprises, page 56 (front); Iakov Kalinin, page 96; Elena Kalistratova, page 34; KZWW, page 32 (background); Mikhail Levit, page 66; Luis Louro, page 72; Maccabi World union, page 19; Josh Mason- Barkin, page 15; Arkaday Mazor, page 60; Lorelyn Medina, page 70; Matthew Mendelsohn/COrBIS, page 31; Amy Meyers, page 20 (top); Michael Monahan, page 82; Murata-pho.com, page 6; Nafania, page 74; Scott Nelson/Gettyimages, page 8 (top); Cloudia Newland, page 10 (background); OJCEIV, page 17; Olly, page 83; pavelr, page 71 (front); Photosky4T.com, page 48; raqnarock, page 56 (background); reuters/COrBIS, page 25; Win robins, page 41; Jörg röse-Oberreich/Israelimages, page 47; david rubinger, page 13; Yaakov Saar/Gettyimages, page 26; Scapes, page 24; Stephen Schildbach, page 80; rosteckiy Sergey, page 92 (background); John S. -
Yom Yerushalayim Iyar 5778 • May 2018
YOM YERUSHALAYIM IYAR 5778 • MAY 2018 ISRAEL EDITION SPECIAL EDITION FOR YOM YERUSHALAYIM (JERUSALEM DAY) “When a Jew visits Jerusalem for the first time, it is not the first time. It is a homecoming.” (Elie Wiesel) This edition is dedicated in memory of the soldiers who fell in defense of Yerushalayim CHICAGO SOUTHAFRICA CANADA Yom HaAtzmaut 70 LOSANGELES WITHMIZRACHIAROUNDTHEWORLD CANADA WithSeventyforintheUSAtheDayofInspirationintheUKandYomHaAtzmautlearningprogramsand celebrationsinAustraliaCanadaSouthAfricaandaroundtheworldMizrachireachedoverpeople! PERTH MELBOURNE PERTH SYDNEY UK UK KNESSETLAUNCH OFSEVENTYFOR UKSDAYOFINSPIRATION NEWYORK Rabbi Doron Perez Torat HaMizrachi Jerusalem: A Tale of Two Cities erusalem is not one city but two. multiplicity, difference. The reality of two This is the key to unlocking the creates complexity. mystery of the Jewish people’s J holiest city. The secret of Jerusalem’s The great challenge of the number two is duality reveals the essence of Judaism itself. whether the potential for difference will create division or unity. Theologically, Jerusalem is at the same time both heavenly and earthly – a physical Will the complexity of contrast at the heart and a spiritual reality, Divine and mundane, of life create contradiction or complete- transient and timeless. ness? Thesis and antithesis can remain irreconcilable opposites or they can fuse in Geopolitically, there is east Jerusalem and beautiful synthesis. west Jerusalem, an upper city and a lower one, a city divided territorially between Because Jerusalem is the epicenter of spir- A soldier and an ultra-Orthodox Jew near the two tribes: Judah (Leah’s child) and Benja- itual life it presents us with this challenge Western Wall min (Rachel’s child). Additionally, the city more sharply than anywhere else. -
Confessions in the Courtroom: an Audience Research on Court Shows
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2016 Confessions in the Courtroom: An Audience Research on Court Shows Silvina Beatriz Berti University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Critical and Cultural Studies Commons, and the Mass Communication Commons Recommended Citation Berti, Silvina Beatriz, "Confessions in the Courtroom: An Audience Research on Court Shows" (2016). Doctoral Dissertations. 551. https://doi.org/10.7275/7873397.0 https://scholarworks.umass.edu/dissertations_2/551 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CONFESSIONS IN THE COURTROOM: AN AUDIENCE RESEARCH ON COURT SHOWS A Dissertation Presented by Silvina Beatriz Berti Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of Doctor of Philosophy February 2016 Communication © Copyright by Silvina Beatriz Berti 2016 All Rights Reserved CONFESSIONS IN THE COURTROOM: AN AUDIENCE RESEARCH ON COURT SHOWS A Dissertation Presented by Silvina Beatriz Berti Approved as to style and content by: ____________________________________ Michael Morgan, Chair ____________________________________ Sut Jhally, Member ____________________________________ Agustín Lao Montes, Member ____________________________________________ Erica Scharrer - Department Head Department of Communication DEDICATION To my loving children, Alejandro and Federico ACKNOWLDEGMENTS I would like to begin by thanking my advisor, Michael Morgan, for his many years of patient guidance and support. -
Souvenirs of Conquest: Israeli Occupations As Tourist Events
Int. J. Middle East Stud. 40 (2008), 647–669. Printed in the United States of America doi:10.1017/S0020743808081531 Rebecca L. Stein SOUVENIRS OF CONQUEST: ISRAELI OCCUPATIONS AS TOURIST EVENTS It is perhaps self-evident to suggest that military conquest shares something with tourism because both involve encounters with “strange” landscapes and people. Thus it may not surprise that the former sometimes borrows rhetorical strategies from the latter— strategies for rendering the strange familiar or for translating threatening images into benign ones. There have been numerous studies of this history of borrowing. Scholars have considered how scenes of battle draw tourist crowds, how soldiers’ ways of seeing can resemble those of leisure travelers, how televised wars have been visually structured as tourist events (e.g., the 2003 U.S. invasion of Iraq), and how the spoils of war can function as a body of souvenirs.1 These lines of inquiry expand our understanding of tourism as a field of cultural practices and help us to rethink the parameters of militarism and warfare by suggesting ways they are entangled with everyday leisure practices. This paper considers the ways this entanglement functions in the Israeli case. To be more specific, I am interested in the workings of Israeli tourist practices and discourses during two key moments of Israeli military engagement: the 1967 war and subsequent onset of the Israeli military occupation and the 1982 Israeli invasion of Lebanon. My analysis in both instances focuses on a reading of popular Israeli Hebrew and English- language print media,2 with attention to the ways that Israeli newspapers represented the incursion, occupation, and/or conquest to Israeli publics in the immediate aftermath of the wartime victory (1967) and invasion (1982). -
Here Comes the Judge! Gender Distortion on Tv Reality Court Shows
ARTICLE HERE COMES THE JUDGE! GENDER DISTORTION ON TV REALITY COURT SHOWS By: Taunya Lovell Banks∗ [W]e are seeing a shift from . the failed representation of the real . to . the impenetrable commingling of fiction and reality . representations no longer need to be rooted in reality. It is sufficient for images simply to reflect other images.1 Law has become … entertainment law.2 I. INTRODUCTION n 2000, television reality court shows replaced soap operas as the I top daytime viewing genre. Unlike the prototype reality court show, The People’s Court presided over by the patriarch Judge Wapner, a majority of reality court judges are female and non-white. A judicial world where women constitute a majority of the judges and where non-white women and men dominate is amazing. In real life most judges are white and male. During that break-through 2000-2001 television viewing season, seven of the ten reality court judges were male — three white and four black. Of the three women judges, only one Judy Sheindlin of Judge Judy was white. The others, Glenda Hatchett of Judge Hatchett, and Mablean Ephraim of Divorce Court, were black. At the beginning of the 2007-2008 viewing season there were still ten shows but women judges outnumbered men, and only two judges, Judy Sheindlin and David Young, were white. Five of the six women judges are non- white — three Latinas and two black Americans as are three of the four males — two black and one Latino. Judicial diversity, however, ∗Jacob A. France Professor of Equality Jurisprudence, University of Maryland School of Law. -
Beverly Hills City, Schools Reach Deal to Plug Oil Wells
BEVERLYPRESS.COM INSIDE • Beverly Hills budget. pg. 3 Rainy, with • Anne Hathaway highs in the gets her star. upper 60s pg. 10 Volume 29 No. 20 Serving the Beverly Hills, West Hollywood, Hancock Park and Wilshire Communities May 16, 2019 Beverly Hills city, schools Bergin’s moves closer to designation n Supporters will reach deal to plug oil wells gather at L.A. City Hall for its next By luke harold one of the board’s liaisons who committee meeting worked with the city on the deal, The Beverly Hills Unified said he expects the school board to By cameron kiszla School District and City Council vote in favor of the agreement have reached an agreement over when it’s agendized. Proponents of a plan to desig- how to split the costs of plugging The agreement would cap the nate the Fairfax Avenue building 19 oil wells at the Beverly Hills city’s contributions to the wells pro- once home to Tom Bergin’s High School campus. ject, which the city estimates will Public House as a historic-cultur- The City Council approved the cost $23-28 million, at $11 million. al monument will make their agreement at its meeting last week. case again on May 21, this time School board member Mel Spitz, See Oil page 25 in front of the Los Angeles City Council’s Planning and Land Use Management Committee. Ken Hixon, senior vice presi- dent of the Miracle Mile Residential Association, said he is optimistic the PLUM commit- photo by Maura Turcotte tee will agree with the Los On May 21, the Los Angeles City Council’s Planning and Land Use Angeles Cultural Heritage Committee will consider a proposal to grant historic-cultural monument Commission, which unanimous- status to the Tom Bergin’s Public House building. -
024RDB.060117 ER Six-Day War.Indd
eretz Ours Again! 50 years later, iconic photo still evokes elation of Six-Day War win. DAVID RUBINGER DAVID Editor’s Note: This story t was the picture seen photograph and asked them to “I saw an Israeli soldier in and winded our way to the first appeared on the around the world. share a few memories from the the area — I had no idea where Western Wall. I was very moved Israel Defense Forces blog I In June 1967, David special day. she came from. I asked her, by what we accomplished that on May 20, 2012, during Rubinger, a press photogra- Zion Karasenti is 69 years ‘Where am I?’ She said, ‘This is day. I am not religious, but I the 45th anniversary of pher in Israel, followed Israel old. He fought in the Battle of the Western Wall.’ Then, before realized how important it was the Six-Day War. Defense Forces soldiers who Ammunition Hill in Jerusalem. disappearing, she gave me a for Jews worldwide.” were fighting to liberate the Today he lives in Afula and is a postcard and told me to write Born in Yemen in 1944, Chaim Old City of Jerusalem. At the director and choreographer. to my parents. I thought I had Oshri immigrated to Israel in Western Wall, three soldiers “I had finally been mobilized, dreamed it. But years later, I 1949 and completed his military posed for a photograph. They and almost all of the reservists met this woman. She was a sol- service in 1965. He was called were Tzion Karasenti, Yitzhak in my unit were already in com- dier in the IDF Postal Corps.” up for reserve duty in the days Yifat and Chaim Oshri. -
A Leader's Guide
1967-2017: 50 Years | A leader’s guide This year we commemorate the 50th anniversary of the Six-Day War and the liberation of Jerusalem. For some – both citizens of the State of Israel and Jews around the world – this date is celebrated as the exciting reunification of Jerusalem, the capital of Israel. For other segments of the population, however, it is a moment signifying the start of the occupation of Palestinians. This Jubilee of this event offers an opportunity to delve into questions of boundaries, holiness, power and its limitations, democracy, and the status of Jerusalem as a whole. Images serve as an educational aid: Images are a visual and expressive tool that integrate well with educational activities. They can serve as a means to launch or present a topic, as the basis for a thinking exercise, for a discussion, a processing session or summary of a topic. Such images can present contemporary reality or historical evidence. They can illustrate a variety of opinions, activities, and expressions of daily life from perspectives that often go unexamined. An explanation of each image in the kit can be found below. 1 Jerusalem of Gold - Lyrics and Music by Naomi Shemer. Original performance, Shuli Natan. The song was commissioned by Teddy Kollek, the mayor of Jerusalem, in advance of the Israeli Song Festival in 1967. The title of the song is based on the name of a piece of jewelry on which Jerusalem of Gold is painted. According to tradition, this piece was given by the rabbinic sage, Rabbi Akiva, to his wife Rachel in appreciation for having encouraged him to study Torah. -
Thesis Outline
Peace, Politics and PostZionism: Contemporary Left-Wing Graphic Design in Israel Bareket Kezwer Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of the Decorative Arts and Design MA Program in the History of the Decorative Arts and Design Cooper-Hewitt, National Design Museum, Smithsonian Institution; and Parsons The New School for Design 2011 ©2011 Bareket Kezwer All Rights Reserved Table of contents Introduction 1 Chapter One: The Birth of a Nation: Visual Language and the Construction of the Zionist Narrative and Israeli Identity 5 Chapter Two: Breaking Out of the Narrative: the Birth of PostZionist Design 14 Chapter Three: Varied Voices: Expanding the Practice 53 Concluding Remarks 110 Bibliography 112 Appendix A: Timeline 115 i Acknowledgements This project would not be possible without the help of Jen Cohlman, Iris Dishon, Ronen Eidelman, David Grossman, Lahav Halevy, Ofer Kahana, Ruben Kohn, Jonathan Lax, Yossi Lemel, Ellen Lupton, Paula Markus, Ilan Molcho, Guy Saggee, Amitai Sandy, Adi Stern, Adlai Stock, David Tartakover, Alice Twemlow, Ziv Tzapati, Yarom Vardimon, Mushon Zer-Aviv, and Gil Zohar. Thank you תודה רבה ii 1 Introduction ―Israel is a country still searching for its principles and its identity.‖1 Pundits have quipped that Israel is a country with more history than geography. That surfeit could equally apply to the Israeli political system, which has been called a democracy on steroids. The number of political opinions, are jokingly said to outnumber the population. Israelis span a spectrum from the far left to the rabid right, and are rarely shy about making their opinions known. -
Alumni History and Hall of Fame Project
Los Angeles Unified School District Alumni History and Hall of Fame Project Los Angeles Unified School District Alumni History and Hall of Fame Project Written and Edited by Bob and Sandy Collins All publication, duplication and distribution rights are donated to the Los Angeles Unified School District by the authors First Edition August 2016 Published in the United States i Alumni History and Hall of Fame Project Founding Committee and Contributors Sincere appreciation is extended to Ray Cortines, former LAUSD Superintendent of Schools, Michelle King, LAUSD Superintendent, and Nicole Elam, Chief of Staff for their ongoing support of this project. Appreciation is extended to the following members of the Founding Committee of the Alumni History and Hall of Fame Project for their expertise, insight and support. Jacob Aguilar, Roosevelt High School, Alumni Association Bob Collins, Chief Instructional Officer, Secondary, LAUSD (Retired) Sandy Collins, Principal, Columbus Middle School (Retired) Art Duardo, Principal, El Sereno Middle School (Retired) Nicole Elam, Chief of Staff Grant Francis, Venice High School (Retired) Shannon Haber, Director of Communication and Media Relations, LAUSD Bud Jacobs, Director, LAUSD High Schools and Principal, Venice High School (Retired) Michelle King, Superintendent Joyce Kleifeld, Los Angeles High School, Alumni Association, Harrison Trust Cynthia Lim, LAUSD, Director of Assessment Robin Lithgow, Theater Arts Advisor, LAUSD (Retired) Ellen Morgan, Public Information Officer Kenn Phillips, Business Community Carl J. Piper, LAUSD Legal Department Rory Pullens, Executive Director, LAUSD Arts Education Branch Belinda Stith, LAUSD Legal Department Tony White, Visual and Performing Arts Coordinator, LAUSD Beyond the Bell Branch Appreciation is also extended to the following schools, principals, assistant principals, staffs and alumni organizations for their support and contributions to this project. -
'Last Jewish Cowboy' Couple Honored with Newly Named Award Local Congregation Joins National Orthodox Union Women's Initia
HEADLINES | 4 SPECIAL SECTION | 14 RODEO CAMP & SCHOOL GUIDE Meet the Jewish girl who's Kids study Torah playing Miss Teen Rodeo Arizona Dungeons & Dragons OCTOBER 18, 2019 | TISHREI 19, 5780 | VOLUME 72, NUMBER 2 $1.50 ‘Last Jewish cowboy’ Local congregation joins national couple honored with Orthodox Union women’s initiative LEISAH WOLDOFF | CONTRIBUTING WRITER newly named award s Beth Joseph Congregation joins the rest of world Jewry in NICK ENQUIST | STAFF WRITER Acelebrating Simchat Torah next week, it will also join more than 40 North American synagogues that aim to make Simchat he owner of Cholla Cattle Co., Harvey Dietrich has been called Torah more meaningful for women. T“Arizona’s last Jewish cowboy.” But to only mention Harvey For the second consecutive year, the Phoenix congregation is Dietrich’s work as a rancher would be telling half the story. He and his participating in the Orthodox Union Women’s Initiative Simchat wife, Marnie Dietrich, have been a driving force for multiple communal Torah Together program, which provides shiurim (classes) for organizations and charities. women on Simchat Torah morning. This year, the Arizona Jewish Historical Society will honor the Dietrichs These classes, taught by local female scholars, are held during with its annual heritage award. aliyot, the period in the service where, at Orthodox congrega- When asked how it felt to receive the award, Harvey Dietrich said, tions like Beth Joseph, all the adult men at the service are called “Oh, I’m sure there are people who deserve it more than me.” to the Torah. Lawrence Bell, the executive director of AZJHS, said such a reaction The idea for the initiative was sparked by a sense that women were is common for the Dietrichs. -
Bulletin Du Centre De Recherche Français À Jérusalem, 23 | 2012 [Online], Online Since 31 December 2012, Connection on 11 March 2020
Bulletin du Centre de recherche français à Jérusalem 23 | 2012 Varia Electronic version URL: http://journals.openedition.org/bcrfj/6679 ISSN: 2075-5287 Publisher Centre de recherche français à Jérusalem Printed version Date of publication: 31 December 2012 Electronic reference Bulletin du Centre de recherche français à Jérusalem, 23 | 2012 [Online], Online since 31 December 2012, connection on 11 March 2020. URL : http://journals.openedition.org/bcrfj/6679 This text was automatically generated on 11 March 2020. © Bulletin du Centre de recherche français à Jérusalem 1 TABLE OF CONTENTS Éditorial Olivier Tourny Activités du Centre de recherche français à Jérusalem en 2012 The Dynamics of Images in the Israeli-Palestinian Conflict Foreword Jérôme Bourdon and Frédérique Schillo Foreign coverage: evaluation and self-reflection Representing the Israeli-Palestinian conflict A short history and some research questions Jérôme Bourdon Still… the power of words Marius Schattner Beyond neutrality and/or political commitment The ethical commitment of the discourse analyst Roselyne Koren Peace Journalism, the Israeli-Palestinian conflict, the German press and the German public Wilhelm Kempf Blogging around and beyond the Israeli-Palestinian Conflict Delphine Matthieussent Visualizing the conflict Mapping Israel/Palestine Constructing National Territories across Different Online International Newspapers Christine Leuenberger Dynamics of death images in Israeli press Tal Morse Cartooning the conflict Michel Kichka Israel: commitments The New Historians