DOCSLIB.ORG

Lowres1791 RT 2015 Primarybr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lowres1791 RT 2015 Primarybr PRIMARY 2015YEARS K TO 6 EDUCATION Absolutely nothing beats seeing smiles and excitement on the faces of children and knowing you have helped make that possible. Our 2015 Primary Program not only supports classroom learning, boosts literacy and comprehension skills and contributes to your students’ cultural development - but it DELIGHTS, EXCITES and INSPIRES. The arts in themselves are such an important aspect of a young person’s education. We know that you need absolute maximum bang for your buck, and that’s why we have programmed a wide variety of productions that will support learning across the KLA’s including HSIE and Science as well as English and the Creative Arts. To support this we have provided detailed curriculum links for each event so it’s clear exactly where your excursion might sit in terms of your programs for the year and which outcomes it might help you achieve. Also, check out my ‘From the Education Coordinator’ comment, where I outline the learning opportunities available in each production to help you make your decision as to which one, two or six productions you’ll bring your students to see. I look forward to helping you provide memorable learning experiences for your students in 2015. See you at the theatre! Amy Matthews Education Coordinator CONTENTS ACCESS Access and Accessible Performances �������������������������������������������������������������������������������������� 2 PRODUCTIONS FOR PRIMARY STUDENTS The Bugalugs Bum Thief.........................................................................................................4 Music to Mark an Event ����������������������������������������������������������������������������������������������������������6 The Witches �������������������������������������������������������������������������������������������������������������������������� 8 Erth’s Dinosaur Zoo �������������������������������������������������������������������������������������������������������������� 10 Snugglepot and Cuddlepie ���������������������������������������������������������������������������������������������������� 12 The 26-Storey Treehouse ����������������������������������������������������������������������������������������������������� 14 Roald Dahl’s Revolting Rhymes & Dirty Beasts ����������������������������������������������������������������������� 16 Simon Tedeschi: Pianist and Prankster ����������������������������������������������������������������������������������18 WORKSHOPS AND COMPETITIONS Sharp Short Theatre ������������������������������������������������������������������������������������������������������������� 20 Sydney Writers’ Festival Primary School Days ������������������������������������������������������������������������ 22 NIDA School Holiday Workshops �������������������������������������������������������������������������������������������� 23 MORE INFORMATION Extras ���������������������������������������������������������������������������������������������������������������������������������� 24 Getting Here ������������������������������������������������������������������������������������������������������������������������ 25 How to Book ������������������������������������������������������������������������������������������������������������������������ 26 Booking Form 2015 ������������������������������������������������������������������������������������������������������������� 27 ACCESS AT RIVERSIDE Riverside is committed to providing access to quality educational arts experiences for ALL students. This includes students with disability, special needs and students from low socio-economic backgrounds. Even though we have allocated certain performances where we provide specific services or modifications, students with any special needs are welcome to attend any performance in our program, not just those allocated as accessible performances. Here are some of the specific access points Riverside can provide: RIVERSIDE SUBSIDY Students from low socio-economic areas (including schools previously known as ‘Priority Funded’ or ‘Partnership schools’) or schools that are geographically disadvantaged may be eligible to receive ticket subsidies through our ticket subsidy program� Please contact our Education Coordinator on 8839 3308 for more information on eligibility or to apply for these subsidies� WHEELCHAIR AND LEVEL ACCESS Wheelchair and Level Access is available in all of our venues� Please notify us if your booking requires this access so we can be prepared to best accommodate you on the day and ensure you’re booked into our level access seats� HEARING SYSTEM Our Riverside and Lennox theatres are equipped with a hearing system that can be accessed through modern hearing aids� Headsets and receivers are also available for patrons who do not have hearing aids or whose hearing aid doesn’t work with our system� Please notify us if your booking requires access to the headsets� AUDIO DESCRIPTION For select performances throughout the year, Vision Australia is providing an Audio Description service� This involves the patron who is using this service wearing headphones through which they will hear someone describing the action and visual elements taking place on stage� This service is suitable for people with vision impairment or for people with intellectual disabilities where their comprehension of the performance may be assisted� This year’s Audio Described performance for primary students is: The Bugalugs Bum Thief: Wednesday 6th May at 12:30pm (see page 4) If you have a group requiring this service that you would like to bring to another event please let us know� More information on access: Call our Education Coordinator on 8839 3308 or email [email protected] Image by Branco Gaica 2 RELAXED PERFORMANCES Select performances throughout the year are provided as Relaxed Performances, where the perceived ‘rules’ of theatre are modified to allow people with Autism and other special needs to enjoy the performance in a safe and welcoming environment� Modifications will differ depending on the show, but can include: • Opening the doors to the theatre early to allow students to find their seats and become familiar with the space • The house lights being dimmed but not turned all the way down • The understanding that patrons may come and go from the theatre as needed • Elements of the show that might include loud noises or sudden bright lights being toned down or removed from the performance� This year’s Relaxed Performances for primary students are: The Witches: Thursday 25th June at 10am (see page 8) Simon Tedeschi: Pianist and Prankster: Wednesday 21 October at 10am (see page 18) If you have a group requiring similar modifications that you would like to bring to another event please let us know� SOCIAL STORIES, TOUCH TOURS, MEET AND GREETS & SPECIAL SEATING REQUESTS Upon request, we may be able to provide other services other than listed above to help make your students’ visit more comfortable� These include providing a social story with images and simple language about what to expect when coming to Riverside, arranging a pre-show touch tour or meet and greet with the cast to allow your students time to become familiar with their surroundings, or arranging for you to be seated early or near to an exit if you feel as if you may need to leave the theatre at all during the show� Simply contact us with any request you might have and we’ll do our best to arrange it for you� Image by Mark Nolan 3 RIVERSIDE PRESENTS MONKEY BAA THEATRE COMPANY THE BUGALUGS BUM THIEF BASED ON THE BOOK BY TIM WINTON Monkey Baa’s hilarious adaptation of The Bugalugs Bum Thief has toured across Australia, playing to over 100,000 young people� A decade later, this hysterical adventure returns to the SUITABLE FOR stage for a new generation of young people to enjoy� YEARS Skeeta Anderson’s got a problem� He’s woken up without his bum� He soon realises that he’s not K – 4 the only one without a behind! All 496 citizens of the town of Bugalugs are BUMLESS! Along with his best mates Mick Misery and Billy Marbles, Skeeta sets out on a side-splitting adventure to track down the culprit of the crime� On the way we meet the colourful characters of Tim Winton’s much loved story including Skeeta’s mum and dad, Mick’s mum the miserable Mrs Misery, Billy’s sister Mavis Marbles, the sleepy Constable Coma and the school teacher Mr Wally� Join Skeeta and his friends in this ripper adventure that will have you singing along and laughing your own bum off! And besides that, bums are funny! Audio Described performance: Wednesday 6 May at 12:30pm DURATION DATES & TIMES PRICE 55 minutes – no interval Monday 4 May at 1pm, Tuesday 5 May at 10am & 12:30pm, $16 per student & additional teacher Wednesday 6 May at 10am & 12:30pm NSW STATE CURRICULUM LINKS SUBJECT CONTENT OUTCOMES Early Stage 1 English Texts which are widely regarded as quality literature; A widely defined ENe-6B, ENe-8B, ENe-10C, ENe-11D Australian literature� Drama Playbuilding, Storytelling. DRAES1�4 Music Repertoire: Vocal Music MUES1�4 Unit of Work: Sing and Move Stage 1 English Texts which are widely regarded as quality literature; A widely defined EN1-4A, EN1-6B, EN1-8B, EN1-10C, Australian literature� EN1-11D Drama Playbuilding, Storytelling. DRAS1�4 Music Repertoire: Vocal Music Repertoire: Vocal Music Stage 2 English Texts which are widely regarded as quality literature; A widely defined EN2-4A, EN2-6B, EN2-8B, EN2-10C, Australian literature� EN2-11D Drama Playbuilding, Storytelling�
Load more

Recommended publications
  • Korngold Violin Concerto String Sextet
    KORNGOLD VIOLIN CONCERTO STRING SEXTET ANDREW HAVERON VIOLIN SINFONIA OF LONDON CHAMBER ENSEMBLE RTÉ CONCERT ORCHESTRA JOHN WILSON The Brendan G. Carroll Collection Erich Wolfgang Korngold, 1914, aged seventeen Erich Wolfgang Korngold (1897 – 1957) Violin Concerto, Op. 35 (1937, revised 1945)* 24:48 in D major • in D-Dur • en ré majeur Dedicated to Alma Mahler-Werfel 1 I Moderato nobile – Poco più mosso – Meno – Meno mosso, cantabile – Più – Più – Tempo I – Poco meno – Tempo I – [Cadenza] – Pesante / Ritenuto – Poco più mosso – Tempo I – Meno, cantabile – Più – Più – Tempo I – Meno – Più mosso 9:00 2 II Romanze. Andante – Meno – Poco meno – Mosso – Poco meno (misterioso) – Avanti! – Tranquillo – Molto cantabile – Poco meno – Tranquillo (poco meno) – Più mosso – Adagio 8:29 3 III Finale. Allegro assai vivace – [ ] – Tempo I – [ ] – Tempo I – Poco meno (maestoso) – Fließend – Più tranquillo – Più mosso. Allegro – Più mosso – Poco meno 7:13 String Sextet, Op. 10 (1914 – 16)† 31:31 in D major • in D-Dur • en ré majeur Herrn Präsidenten Dr. Carl Ritter von Wiener gewidmet 3 4 I Tempo I. Moderato (mäßige ) – Tempo II (ruhig fließende – Festes Zeitmaß – Tempo III. Allegro – Tempo II – Etwas rascher (Tempo III) – Tempo II – Allmählich fließender – Tempo III – Wieder Tempo II – Tempo III – Drängend – Tempo I – Tempo III – Subito Tempo I (Doppelt so langsam) – Allmählich fließender werdend – Festes Zeitmaß – Tempo I – Tempo II (fließend) – Festes Zeitmaß – Tempo III – Ruhigere (Tempo II) – Etwas rascher (Tempo III) – Sehr breit – Tempo II – Subito Tempo III 9:50 5 II Adagio. Langsam – Etwas bewegter – Steigernd – Steigernd – Wieder nachlassend – Drängend – Steigernd – Sehr langsam – Noch ruhiger – Langsam steigernd – Etwas bewegter – Langsam – Sehr breit 8:27 6 III Intermezzo.
    [Show full text]
  • Fne Music Magazne
    February 2013 MAGAZINE VLADIMIR ASHKENAZY The Mystery of Music CORRALLING THE MASSES Sydney Philharmonia Choirs THE MUSIC- MATH MYTH Simon Tedeschi MASTER OF MODERNISM - Elliott Carter BIRTH OF AN OPERA Un Ballo in Maschera FROM THE ROYAL OPERA LA BOHEME MARCH 1, 2, 3 & 6 www.palaceoperaandballet.com.au CONTENTS EDITOR’S DESK In our cover story there’s a classic master-meets- Vol 40 No 2 apprentice moment as Robert Clark endeavours 4 COVER STORY to find some insights into how the great Vladimir Vladimir Ashkenazy, Principal Conductor of Ashkenazy achieves what he does. Clark finds however, that the practice of making music in the the Sydney Symphony, talks with Robert Clark maestro’s realm is more spiritual than tangible. and ponders the mysteries of making music Just one month into the Wagner anniversary year 3 Simon Says and we appear to be pleasantly awash with all things 6 Brett Weymark Interview Wagnerian. In a one page special review, Randolph Magri-Overend lifts the lid on a commemorative 8 Un Ballo in Maschera – Solti Ring cycle 14 CD Box set limited edition and the Wagner Society in NSW unveils a Birth of an Opera packed calendar of events. 11 Presenter Profile – Tom Zelinka Over at the Sydney Symphony, Chief Conductor and Artistic Director designate David Robertson is set to mark the 200th anniversaries of Verdi and Wagner with two July 12 Young Virtuosi events - Verdi’s Requiem and a concert version of Wagner’s Flying Dutchman. 13 Meet Kathryn Selby These two concerts are among seven this year where the Sydney Symphony teams up with the Brett Weymark-led Sydney Philharmonia Choirs.
    [Show full text]
  • The Life and Times of the Remarkable Alf Pollard
    1 FROM FARMBOY TO SUPERSTAR: THE LIFE AND TIMES OF THE REMARKABLE ALF POLLARD John S. Croucher B.A. (Hons) (Macq) MSc PhD (Minn) PhD (Macq) PhD (Hon) (DWU) FRSA FAustMS A dissertation submitted for the degree of Doctor of Philosophy University of Technology, Sydney Faculty of Arts and Social Sciences August 2014 2 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: 12 August 2014 3 INTRODUCTION Alf Pollard’s contribution to the business history of Australia is as yet unwritten—both as a biography of the man himself, but also his singular, albeit often quiet, achievements. He helped to shape the business world in which he operated and, in parallel, made outstanding contributions to Australian society. Cultural deprivation theory tells us that people who are working class have themselves to blame for the failure of their children in education1 and Alf was certainly from a low socio-economic, indeed extremely poor, family. He fitted such a child to the letter, although he later turned out to be an outstanding counter-example despite having no ‘built-in’ advantage as he not been socialised in a dominant wealthy culture.
    [Show full text]
  • Simon Tedeschi & Nick Parnell – “Virtuosi” MEDIA KIT Www
    Simon Tedeschi & Nick Parnell – “Virtuosi” MEDIA KIT www.nickparnell.com For more information contact Chris Bull on 8463 5015 MEDIA RELEASE Simon Tedeschi & Nick Parnell – “Virtuosi” Two of Australia’s most celebrated classical music virtuosos will take to the stage together for the first time during the 2012 Adelaide Fringe Festival. Sparks will fly as acclaimed pianist Simon Tedeschi joins forces with Adelaide percussionist Nick Parnell in a musical celebration of rhythm, colour and vitality. Blurring the lines between classical and jazz, this spectacular show will include Simon’s signature work - Gershwin’s Rhapsody in Blue - and the dazzling, Brazilian-inspired Bem-Vindo. “This collaboration came about after Simon and I met in Sydney more than a year ago. It wasn’t long before we realised that we both have a passion for not only classical music, but for jazz as well,” Nick explains. “We decided it would be fun to play music together because we both share the same sense of adventure in exploring different styles of music. It’s going to be exciting to see what happens in the performance!” Virtuosi will be the very first time Nick and Simon have collaborated on stage and the performance is set to be explosive! Both artists have recently returned from extended overseas performances tours. Nick is fresh from a performance and research tour of the USA, France and the UK after winning the prestigious “Dame Roma Churchill Fellowship”. Simon just recently got back to Australia after spending some time living and performing in the USA. “Nick Parnell is a complete and utter star.
    [Show full text]
  • More Than an Overture: a Program Teaching Music by Creating, Writing
    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2013 More Than An Overture: a program teaching music by creating, writing, producing and performing tenminute opera Steven John Capaldo University of Wollongong, [email protected] Lotte Latukefu University of Wollongong, [email protected] Publication Details Capaldo, S. John. and Latukefu, L. (2013). More Than An Overture: a program teaching music by creating, writing, producing and performing tenminute opera. Redefining the Musical Landscape: Inspired Learning and Innovation in Music Education - XIX National Conference Proceedings (pp. 45-51). Parkville, Victoria: Australian Society for Music Education. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] More Than An Overture: a program teaching music by creating, writing, producing and performing tenminute opera Abstract The project More Than An Overture enabled unversity academics, an established and respected Australian music composer and an emerging artist to teach pre-service generalist primary education and creative arts (performance) students at the University of Wollongong how to create and produce children's operas. The university students, academics and artists then worked with local primary school students and their teachers in creating children's operas that culminated in a performance for the school and their community. This paper explores the creation of the project, the motivations behind its development and the results from the project. Keywords overture, program, than, teaching, creating, more, music, opera, tenminute, performing, producing, writing Disciplines Arts and Humanities | Law Publication Details Capaldo, S.
    [Show full text]
  • AWARDS Monday 7Th November 2016 NSW Parliament House
    AWARDS Monday 7th November 2016 NSW Parliament House changing lives strengthening communities Brochure.indd 1 25/10/16 9:34 pm We would like to express our thanks to our host at NSW Parliament House, Mr. Matt Kean MP, Member for Hornsby, Parliamentary Secretary to the Treasurer Fast-tracking the education and experience of future leaders Since 1983 BBM Youth Support Awards have provided financial assistance to over 1000 talented young Australians to further their education and experience overseas. We offer them a life-changing experience that gives our future leaders access to tuition from internationally renowned experts. They also have opportunities to learn, experience and perform on a bigger stage whilst developing extensive international networks to help them excel in their chosen field. The impact of the BBM Youth Support Awards program on the broader community is immeasurable. Many of our award recipients are household names while others become inspirational ‘quiet achievers’. But they all have one thing in common. They return to Australia with the drive to share their knowledge and enthusiasm within their professions and their communities. They are the mentors, role models, teachers and employers of the future. They inspire the next generation of young people to follow their dreams. In today’s dollars, BBM Youth Support has invested over $7 million in the development of Australian Youth over the last 30 years through the awards program. BBM Youth Support Awards reach across a wide range of categories including the arts, agriculture and trades and inspire young people from all walks of life. If you share our passion for supporting Australian youth, contact us to contribute towards these life changing opportunities.
    [Show full text]
  • Tedeschi & Omega
    Principal sponsor Media partner Major sponsor and Artistic Director’s Chair sponsor Other supporters Huntington Estate, Art Gallery Society of NSW, 2easy Telecom, Ars Musica Australis, Carlisle Print, City of Sydney, City Recital Hall Angel Place, Boardroom Partners, DFK Laurence Varnay Patrons’ Program $5000 + Mr and Mrs Bruce and Mary Anne Terry Mr and Mrs Chris and Pat Wetherall Anonymous (1) Dr Nicholas Wilcken Anonymous (3) $1000 + Professors Peter and Christine Alexander $250 + Mr and Mrs Steve and Maggie Banks Dr Danielle Chiel Ms Erica Booker Ms Phillipa Clark Mr Randell Heyman Ms Sarah Dunn Mr and Mrs Diccon and Liz Loxton Drs Russ and Virginia Hancock Tedeschi & Omega Drs Keith and Eileen Ong Mr and Mrs Bruce and Alison Handmer The Hon. George Palmer AM QC Mr and Mrs Robert and Jocelyn Hellyer Mr and Mrs Adrian and Dairneen Pilton Mr and Mrs Alex and Libby Jones Françaix Quartet for Winds "Quatuor à vents" John Sydney Smith and Nola Charles Ms Anne Knight Spohr Septet for Flute, Clarinet, Horn, Bassoon, Violin, Cello Professor John Snowdon Mr and Mrs Richard and Alison Morgan and Piano in A minor, Op. 147 The Suttie Family Ms Rossie Ogilvie Dr and Mrs Anthony and Doffy White Ms Petrina Slaytor Anonymous (2) Professor Gill Straker INTERVAL Mr Mark Tedeschi and Ms Sharon Tofler $500 + Robert Titterton Strauss Capriccio, Op. 85 Mr and Mrs Roberto and Ofelia Brozky Mr Geoffrey White Shostakovich Quintet for Piano and Strings in G minor, Op. 57 Mr Mark Dempsey SC Ms Sandy Williams Mr and Mrs Hugh and Frances Dixson Justice David
    [Show full text]
  • ARIA TOP 100 CLASSICAL ALBUMS CHART 2015 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 CLASSICAL ALBUMS CHART 2015 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 OUR CHRISTMAS WISH The Ten Tenors MGM FIASAU00011 2 THE CLASSIC 100 - SWOON Various ACL/UMA 4823282 3 CINEMA Andrea Bocelli UCJ/UMA 4811885 4 MY HERO Greta Bradman DEC/UMA 4811894 5 INTO THE WOODS Soundtrack WALT/UMA 8732015 6 STAR WARS: THE FORCE AWAKENS John Williams WALT/UMA 8733588 7 FROM BROADWAY TO LA SCALA Teddy Tahu Rhodes ACL/UMA 4823700 8 ROMAN HOLIDAY André Rieu, Johann Strauss Orchestra UMA 4747220 9 WICKED Soundtrack DEC/UMA 9861343 10 VIVA LA DOLCE VITA Patrizio Buanne DEC/UMA 4721953 11 MAGIC OF THE VIOLIN Andre Rieu & Johann Strauss Orchestra UCJ/UMA 4725817 12 CELLOVERSE 2Cellos SMC/SME 88843087812 13 LES MISERABLES: HIGHLIGHTS FROM THE MOTION PICTURE Soundtrack <G> PDR/UMA 3724585 14 MAGIC OF THE MUSICALS Andre Rieu UNI/UMA 3778860 15 ON ANOTHER NOTE Sol3 Mio DEC/UMA 4812121 16 SOL3 MIO Sol3 Mio DEC/UMA 3757602 17 DECADE Celtic Woman DEC/UMA 4740857 18 LOVE IN VENICE Andre Rieu UCJ/UMA 3794632 19 SWOON: THE ULTIMATE COLLECTION Various ACL/UMA 4821401 20 CLASSICALLY CHILLED Various DEC/UMA 4736797 21 THE HOBBIT: THE BATTLE OF THE FIVE ARMIES Howard Shore UMA 4710479 22 VIVERE: THE BEST OF ANDREA BOCELLI Andrea Bocelli <P> UNI/UMA 1746680 23 THERE WAS A MAN LIVED IN THE MOON: NURSERY RHYMES AND CHILD… Teddy Tahu Rhodes, Jane Sheldon ACL/UMA 4812235 24 HIS LIFE AND MUSIC Gurrumul Yunupingu & The Sydney Symphon… ABC/UMA 3764720 25 IN CONCERT (25TH
    [Show full text]
  • Music & Opera Singers Trust Ltd 2019 Annual Report
    MUSIC & OPERA SINGERS TRUST LTD 2019 ANNUAL REPORT IFAC Handa Australian ABC Young Rona Tranby Singing Competition Performers Awards Opera Awards Trust VISION & MISSION VISION Music & Opera Singers Trust Limited (MOST) aims to support the career development of operatic and classical musicians by providing performance and educational opportunities. The organisation embraces cutting-edge technologies, as it continues to provide professional management and consultancy services for competitions, events, scholarships, prizes, awards and grants. MISSION Music & Opera Singers Trust Limited (MOST) promotes excellence in music, the performing arts and related education sectors through the creation and management of programmes and activities which recognise creative talent. MOST tailors development opportunities to suit and benefit individuals as they move into the next stage of their profession. 2019 IFAC Handa Australian Singing Competition Finalist, Rebecca Hart CEO’s REPORT I am very pleased to introduce the 2019 Music & Opera Singers Trust Ltd (MOST®) year in review. In 2019 we presented our • 37th edition of the Australian Singing Competition • 29th Opera Awards • 11th MasterClass • 8th Workshop In addition, MOST • organised the 2nd fundraising recital for the Australian Friends of Keshet Eilon • supported a Rona Tranby Trust Australian Light Horse Project participant to attend the Commemoration Ceremonies for the 1918 Battle of Semakh (Tzemach) • significantly contributed to 3 major documentaries • strengthened our ties with the German community • recruited a new MOST team member Swiss soprano Noëmi Nadelmann was the National Adjudicator of the 37th consecutive Australian Singing Competition (ASC), bringing her extensive knowledge of repertoire, fach, global singing standards, singing competitions, and Australian opera companies to the Competition.
    [Show full text]
  • The Shore Weekly Record
    The Shore Weekly Record Friday, 24 May 2019 Volume LXXX Term 2 Week 4 Headmaster’s Assembly Address Sportsmanship The German Max Schmeling was a man who you are a skilled and successful sportsperson deserves greater fame than he has today. Twice you are somehow automatically a good moral heavy weight boxing champion of the world, he example and a role model. Many difficulties was brought to America to fight Joe Louis in arise from that view and we have seen many 1936. Louis was 22, much younger than sportsmen, and some women, act in appalling Schmeling, and the latest boxing phenomenon, ways both on and off the field. light on his feet, and capable of devastating Nevertheless, properly managed the games aggressive boxing. He was also black and in the activities of the School will give great racially charged international politics of the time opportunity for us to learn about ourselves and the fight was seen as a representation both of others. We ought to learn teamwork, the racial theory. Schmeling was the 10-1 outsider, subordination of our own ego to the benefit of almost a sacrificial lamb, and the German the group, how to manage our tempers and how government tried to get him to withdraw as they to cope with success and disappointment. In saw a defeat as a politically disastrous event. addition, we will learn to respect those who However, it was no defeat as the hard counter- might play against us and that can only lead to punching Schmeling knocked Louis out in the the development of an ability to accept others for 12th round.
    [Show full text]
  • Simon Tedeschi + Kevin Hunt
    arts law centre of australia in association with sydney grammar school presents simon tedeschi + kevin hunt thursday 5th november a fundraising concert ‘together they are dynamite.... Top notch!’ Following his enormous success of last year Simon Tedeschi joins forces with long time collaborator, renowned jazz pianist Kevin Hunt, in a two piano performance......a unique blend of styles and backgrounds. Two amazing pianists on two pianos – a performance that transcends genre… where it’s hard to know where the jazz ends and the classical begins…stirring the jazz and classical realms into one musical recipe! From this exciting mix, Tedeschi and Hunt serve up music from Bach to Duke Ellington, Gershwin and Brubeck, and a moving new work by Kevin Hunt. ‘... put them together and a new music sensation emerges!’ Canberra Times Pianists Simon Tedeschi and Kevin Hunt at the Basement Sydney. (c) Brendan Read. Used with Permission Kevin Hunt Simon Tedeschi is a renowned and versatile jazz pianist who has One of Australia’s most renowned and sought shared the stage with international artists after pianists; awarded the Young Performer including Herb Ellis, Billy Cobham, Sheila of the Year Award, Centenary of Federation Jordan and Larry Adler; has toured extensively Medal and the Legacy Award (USA); has with the legendary Don Burrows, and is performed for world leaders George W. Bush, currently recording an album based on works Vladimir Putin, Nelson Mandela; and for the Stuart Piano and ancient Aboriginal collaborated with Larry Adler, James Morrison, chants of the Sydney region. Yvonne Kenny and Richard Bonynge When: Thursday 5 November 2015 Where: The New Hall Time: 7PM Sydney Grammar School Tickets: $60: $30 Students Yurong Street Entrance Wheelchair Accessible Purchase tickets at www.trybooking.com/159333 AUSLAN Interpreter available This fundraising event will support the essential work of Arts Law in helping Australian artists Join us for an unforgettable musical evening!.
    [Show full text]
  • Communicating Artistry Through Gesture by Legendary Australian
    Communicating artistry through gesture by legendary Australian jazz singer Kerrie Biddell Simone Waddell A Thesis submitted in partial fulfilment of the requirements for the degree of Master of Music (Performance) Sydney Conservatorium of Music University of Sydney 2017 Declaration I, Simone Waddell, hereby declare that this submission is my own work and that it contains no material previously published or written by another person except for the co-authored publication submitted and where acknowledged in the text. This thesis contains no material that has been accepted for the award of a higher degree. Ethical approval has been granted for the study presented in this thesis from The University Human Ethics Committee (Sydney Conservatorium Review Committee). Participants were required to read an information document and provided informed consent prior to the collection of data. Signed: Date: 29/12/2017 i Acknowledgments Firstly, thank you Kerrie Biddell for everything. Words do not suffice and you are greatly missed. Your music, your hilarious wit, and your legacy will remain. The honour is mine to have known you. I remember singing God Bless The Child for you in the masterclass section of a vocal jazz workshop in 1992. You were extremely complimentary and also questioned the key. Too high, you felt. I remember it well. Remarkably, I recorded that very song (in a much lower key) and many others, under your guidance twenty-five years later. Thank you for your ongoing influence on my life and work. I would like to thank my son Jacob Alfaro who is my inspiration to constantly move forward.
    [Show full text]