DOCSLIB.ORG

Modernism, Christianity and Apocalypse Studies in Religion and the Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Modernism, Christianity and Apocalypse Studies in Religion and the Arts Modernism, Christianity and Apocalypse Studies in Religion and the Arts Editorial Board James Najarian (Boston College) Eric Ziolkowski (Lafayette College) volume 8 The titles published in this series are listed at brill.com/sart Modernism, Christianity and Apocalypse Edited by Erik Tonning Matthew Feldman David Addyman LEIDEN | BOSTON Cover illustration: Apocalypse en Lilas, Capriccio. Medium: Gouache, pencil, indian wash ink and indian ink on paper. Dimensions: 51 x 35.5 cm, Date: 1945. Reproduced courtesy of the Ben Uri Gallery and Museum, London. Inscription: Signed b.l. ‘Chagall’ Library of Congress Cataloging-in-Publication Data Modernism, Christianity, and apocalypse / edited by Erik Tonning, Matthew Feldman, David Addyman. pages cm. -- (Studies in religion and the arts, ISSN 1877-3192 ; VOLUME 8) Includes index. ISBN 978-90-04-27826-4 (hardback : alk. paper) 1. Modernism (Christian theology) 2. Apocalyptic literature--History and criticism. I. Tonning, Erik, editor. BT82.M625 2014 230.09’04--dc23 2014032789 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 1877-3192 isbn 978-90-04-27826-4 (hardback) isbn 978-90-04-28228-5 (e-book) Copyright 2015 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Nijhofff and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. Brill has made all reasonable effforts to trace all rights holders to any copyrighted material used in this work. In cases where these effforts have not been successful the publisher welcomes communications from copyrights holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. This book is printed on acid-free paper. Contents Acknowledgements ix List of Illustrations x List of Contributors xii Introduction 1 Erik Tonning Part 1 Christianity, Modernist Culture, and Visions of Apocalypse 1 Versions of the Wasteland The Sense of an Ending in Theology and Literature in the Modern Period 29 Paul S. Fiddes 2 The Cup of Sufffering Dietrich Bonhoefffer’s Discipleship and German Expressionism 53 Jacob Phillips 3 Christian Prehistories of Literary Modernism in G.K. Chesterton and Allen Upward 67 Suzanne Hobson 4 Modernist Anti-Modernists T.E. Hulme, “Spilt Religion” and “The Religious Attitude” 8㻜 Henry Mead 5 Between the Bang and the Whimper Eliot and Apocalypse 97 Katherine Ebury 6 Ezra Pound’s Eriugena Eschatology in the Periphyseon and the Cantos 109 Mark Byron 7 Péguy’s Apocalypse 123 Brian Sudlow vi Contents Part 2 Cultural Transitions and Political Apocalypses, 1900–1945 8 The Reason of Nature Revolution of Principles Around 1900 141 Hans Ottomeyer 9 Nazi Modernism and the Mobilisation of Christian Artists in the Third Reich 166 Gregory Maertz 10 James Strachey Barnes and the Fascist Revolution Catholicism, Anti-Semitism and the International New Order 187 Paul Jackson 11 “Till Armageddon, No Shalam, No Shalom” Ezra Pound and the Consecration of Politics in the Italian Press During wwii 206 Andrea Rinaldi 12 The Moot, the End of Civilisation and the Re-Birth of Christendom 222 Jonas Kurlberg 13 Old Dogmas for a New Crisis Hell and Incarnation in T.S. Eliot and W.H. Auden 236 Erik Tonning 14 Apocalypse Deferred W.H. Auden’s Anti-Totalitarian Vision 260 Hedda Lingaas Fossum Part 3 Still Waiting for the End? Post-World War II Readings of Apocalypse 15 Ezra Pound’s Political Faith from First to Second Generation; Or, “It is 1956 Fascism” 279 Matthew Feldman Contents vii 16 “Of What Disaster Is this the Imminence” “The Auroras of Autumn” and the Christian Apocalypse 301 Benjamin Madden 17 “History is Done” Thomas Merton’s Figures of Apocalypse 321 Mary Bryden 18 Apocalypse in Early ufo and Alien-Based Religions Christian and Theosophical Themes 339 Carole M. Cusack 19 The Apocalyptic Social Imaginary 354 Malise Ruthven Index 385 Acknowledgements The editors wish to acknowledge the Bergen Research Foundation and its patron Trond Mohn for funding the “Modernism and Christianity” project at the Department of Foreign Languages in the University of Bergen, thereby facilitating both the 2012 international conference where the essays in this volume were fijirst presented, and the editing process itself. In the articles by Andrea Rinaldi, Erik Tonning and Matthew Feldman, previously unpublished material by Ezra Pound is Copyright © (2014) by Mary de Rachewiltz and the Estate of Omar S. Pound. Used by permission. In Jonas Kurlberg’s article, permission to publish quotations from archival material has kindly been granted by the Special Collections at the Institute of Education, London, the Brotherton Collection at the University of Leeds, and Edinburgh University’s New College Library. Katherine Ebury’s article partially reproduces material from her “‘In this Valley of Dying Stars’: Eliot’s Cosmology,” Journal of Modern Literature Vol. 35, No. 3 (Spring 2012): 139–157. Mark Byron’s article partially reproduces material from chapter 1 of his mono- graph Ezra Pound’s Eriugena (Bloomsbury: London, 2014). Erik Tonning’s article partially reproduces material from chapter 3 in his monograph Modernism and Christianity (Basingstoke: Palgrave Macmillan, 2014). List of Illustrations The authors of the articles below acknowledge the following institutions for kind permissions to reproduce images: Deutsches Historisches Museum, Berlin; Kunsthaus, Zürich; The Unterlinden Museum, Colmar, Alsace; tate Britain; The British Museum; and The National Gallery of Art, Washington. In all other cases, the images in this volume are in the public domain. Figures 8.1 Children’s Work in the Largest Factory of Coloured Paper in Aschafffenburg, Leipziger Illustrierte Zeitung, 13. 11. 1858, p. 309 141 8.2 Robert Zünd, Der Eichwald, 1859, Zürich, Kunsthaus 143 8.3 Beech wood, Grumsiner Forest, 2012 143 8.4 Versailles, Petit Trianon, Belvedere and artifijicial rocks with waterfall by Richard Mique, 1777 145 8.5 Castle and park “Liselund” by Andreas Kirkerup, 1792/93, Island of Møn, Denmark 146 8.6 Franz Müller-Münster, “Arrestiert” (“Arrested”), from: Die Schönheit (1906/07), issue 1, p. 31 148 8.7 Ernst Haeckel, Seeanemonen (Actiniae) from: Kunstformen der Natur, Leipzig und Wien 1904, plate 49, lithograph 154 8.8 Ernst Haeckel, Die Radiolarien (Rhizopoda Radiaria). Eine Monographie, Berlin 1862, plate 22 155 8.9 Karl Blossfeld, seed capsule of a Scabiosa prolifera, eightfold enlargement, from: Wunder in der Natur. Bild-Dokumente schöner Pflanzenformen, Leipzig 1942, p. 31 156 8.10 Model of a Coccolith, Geocenter Møns Klint, Island of Møn, Denmark 157 8.11 Glass window by Tifffany, Lyndhorst, Tarrytown, New York 158 8.12 Art nouveau vase with mistletoe, New York, Metropolitan Museum 159 8.13 Art nouveau vase with seahorse, New York, Metropolitan Museum 160 8.14 House and Garden of Emil and Ada Nolde, Seebüll, Schleswig-Hohlstein, designed by the artist in 1927 161 8.15 Hugo Höppener (Fidus), “Lichtgebet,” 1924, oil on canvas, 150 x 100cm, Berlin, Deutsches Historisches Museum 162 9.1 Oskar Martin-Amorbach, Madonna, 1933. Whereabouts unknown 181 9.2 Richard Heymann, Des Volkes Lebensquell, 1937. Berlin, Deutsches Historisches Museum 182 List Of Illustrations xi 9.3 Ferdinand Spiegel, Kameraden, 1937. Berlin, Deutsches Historisches Museum 184 9.4 Deposition from the Cross. 17th Century. Strasbourg Cathedral 185 15.1 Mussolini’s “Believe, Obey, Fight” 281 15.2 First page of Virginians on Guard 296 15.3 “Ezra Pound returned to Italy today and hailed his adopted nation with a Fascist salute,” The New York Times, 9 July 1958 297 16.1 Stills from footage of Operation Doorstep, showing one of the model houses demolished by a shock wave, 1953. Photo courtesy of National Nuclear Security Administration/Nevada Field Offfijice 304 16.2 Scenes from inside one of the Operation Doorstep houses, before and after the nuclear detonation, 1953. Photos courtesy of National Nuclear Security Administration/Nevada Field Offfijice 305 16.3 Matthias Grünewald, Resurrection panel from the Isenheim Alterpiece, 1512–16, in the Unterlinden Museum, Colmar, Alsace 310 19.1 John Martin, The Last Judgement c. 1849–53. Oil on canvas 198.8 × 325.8 cm 364 19.2 John Martin, The Plains of Heaven 1851–3. Oil on canvas 198.8 × 306.7 cm 364 19.3 John Martin, The Fall of Babylon 1831 Mezzotint with etching 46.4 × 71.9 cm 366 19.4 The Senate House, University of London 366 19.5 John Martin, Joshua Commanding the Sun to Stand Still Upon Gibeon, exhibited 1816. Oil on canvas 150 × 231 cm 367 19.6 Albert Speer, “People’s Hall” [“Volkshalle”] seen through the triumphal arch. Model for the “Welthauptstadt Germania” [“World Captial, Germania”] project 367 List of Contributors David Addyman was awarded his PhD in 2008 for his thesis, ‘Beckett and Place: The Lie of the Land’, which was supervised by Professor Andrew Gibson at Royal Holloway, University of London. He is Archival Research Fellow in the Bergen “Modernism and Christianity” project, 2011–2014, and a co-editor of the present volume. He has published articles on Beckett in various edited volumes, journals, and pub- lished conference proceedings. He is currently working on a book, Modernism and Place. Mary Bryden is Professor Emeritus of French Literature at the University of Reading, where she is also an Adviser to the Samuel Beckett International Foundation.
Load more

Recommended publications
  • London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
    London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order.
    [Show full text]
  • Hitler's Germania: Propaganda Writ in Stone
    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Hitler's Germania: Propaganda Writ in Stone Aaron Mumford Boehlert Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Boehlert, Aaron Mumford, "Hitler's Germania: Propaganda Writ in Stone" (2017). Senior Projects Spring 2017. 136. https://digitalcommons.bard.edu/senproj_s2017/136 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Hitler’s Germania: Propaganda Writ in Stone Senior Project submitted to the Division of Arts of Bard College By Aaron Boehlert Annandale-on-Hudson, NY 2017 A. Boehlert 2 Acknowledgments This project would not have been possible without the infinite patience, support, and guidance of my advisor, Olga Touloumi, truly a force to be reckoned with in the best possible way. We’ve had laughs, fights, and some of the most incredible moments of collaboration, and I can’t imagine having spent this year working with anyone else.
    [Show full text]
  • Spectral Clustering on Mercury Hollows: the Dominici Crater Case
    Lunar and Planetary Science XLVIII (2017) 1329.pdf SPECTRAL CLUSTERING ON MERCURY HOLLOWS: THE DOMINICI CRATER CASE. A. Lucchetti1, M. Pajola2,3,1, G. Cremonese1, C. Carli4, G. A. Marzo5 and T. Roush3, 1INAF-Astronomical Observatory of Padova, Vicolo dell’Osservatorio 5, 35131 Padova, Italy ([email protected] ), 2Universities Space Research Association, NASA NPP Program (Supported by an appointment at NASA Ames Research Center: [email protected]), 3NASA Ames Research Center, Moffett Field, CA 94035, USA; 4INAF-IAPS Roma, Istituto di Astrofisica e Planetologia Spaziali di Roma, Via del Fosso del Cavaliere, 00133 Rome, Italy; 5ENEA Centro Ricerche Casaccia, 00123 Rome, Italy. Introduction: The Mercury Dual Imaging System [8], i.e. incidence angle of 30°, emission angle of 0° (MDIS, [1]) onboard NASA MESSENGER (MErcury and phase angle of 30°. On the photometrically cor- Surface, Space ENvironment, GEochemistry, and rected dataset we applied a statistical clustering over Ranging) spacecraft, provided the first global coverage the entire dataset based on a K-means partitioning al- of Mercury's surface with varying spatial resolution. gorithm [9]. It was developed and evaluated by [9-11] Early in the mission, high-resolution images showed and makes use of the Calinski and Harabasz criterion that specific areas exhibiting high reflectance and rela- [12] to find the intrinsically natural number of clusters, tive bluer in color were composed of shallow, irregular making the process unsupervised. A natural number of and rimless, flat-floored depressions with bright interi- ten clusters was identified within the crater and its ors and halos, often found on crater walls, rims, floors closest surroundings, see Fig.
    [Show full text]
  • A British Reflection: the Relationship Between Dante's Comedy and The
    A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives.
    [Show full text]
  • Declaration in Support of Plaintiffs
    Case: 18-36082, 02/07/2019, ID: 11183380, DktEntry: 21-12, Page 1 of 80 Case No. 18-36082 IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT KELSEY CASCADIA ROSE JULIANA, et al., Plaintiffs-Appellees, v. UNITED STATES OF AMERICA, et al., Defendants-Appellants. On Interlocutory Appeal Pursuant to 28 U.S.C. § 1292(b) DECLARATION OF STEVEN W. RUNNING IN SUPPORT OF PLAINTIFFS’ URGENT MOTION UNDER CIRCUIT RULE 27-3(b) FOR PRELIMINARY INJUNCTION JULIA A. OLSON PHILIP L. GREGORY (OSB No. 062230, CSB No. 192642) (CSB No. 95217) Wild Earth Advocates Gregory Law Group 1216 Lincoln Street 1250 Godetia Drive Eugene, OR 97401 Redwood City, CA 94062 Tel: (415) 786-4825 Tel: (650) 278-2957 ANDREA K. RODGERS (OSB No. 041029) Law Offices of Andrea K. Rodgers 3026 NW Esplanade Seattle, WA 98117 Tel: (206) 696-2851 Attorneys for Plaintiffs-Appellees Case: 18-36082, 02/07/2019, ID: 11183380, DktEntry: 21-12, Page 2 of 80 I, Steven W. Running, hereby declare and if called upon would testify as follows: 1. In this Declaration, I offer my expert opinion about how excessive greenhouse gas (GHG) emissions, largely from the burning of fossil fuels, are causing climate change that is dangerously warming the surface of the Earth and causing devastating impacts to the Youth Plaintiffs in this case. Because there is a decades-long delay between the release of carbon dioxide (CO2) and the resultant warming of the climate, these Youth Plaintiffs have not yet experienced the full amount of warming that will occur from emissions already released.
    [Show full text]
  • 2019 Publication Year 2020-12-22T16:29:45Z Acceptance
    Publication Year 2019 Acceptance in OA@INAF 2020-12-22T16:29:45Z Title Global Spectral Properties and Lithology of Mercury: The Example of the Shakespeare (H-03) Quadrangle Authors BOTT, NICOLAS; Doressoundiram, Alain; ZAMBON, Francesca; CARLI, CRISTIAN; GUZZETTA, Laura Giovanna; et al. DOI 10.1029/2019JE005932 Handle http://hdl.handle.net/20.500.12386/29116 Journal JOURNAL OF GEOPHYSICAL RESEARCH (PLANETS) Number 124 RESEARCH ARTICLE Global Spectral Properties and Lithology of Mercury: The 10.1029/2019JE005932 Example of the Shakespeare (H-03) Quadrangle Key Points: • We used the MDIS-WAC data to N. Bott1 , A. Doressoundiram1, F. Zambon2 , C. Carli2 , L. Guzzetta2 , D. Perna3 , produce an eight-color mosaic of the and F. Capaccioni2 Shakespeare quadrangle • We identified spectral units from the 1LESIA-Observatoire de Paris-CNRS-Sorbonne Université-Université Paris-Diderot, Meudon, France, 2Istituto di maps of Shakespeare 3 • We selected two regions of high Astrofisica e Planetologia Spaziali-INAF, Rome, Italy, Osservatorio Astronomico di Roma-INAF, Monte Porzio interest as potential targets for the Catone, Italy BepiColombo mission Abstract The MErcury Surface, Space ENvironment, GEochemistry and Ranging mission showed the Correspondence to: N. Bott, surface of Mercury with an accuracy never reached before. The morphological and spectral analyses [email protected] performed thanks to the data collected between 2008 and 2015 revealed that the Mercurian surface differs from the surface of the Moon, although they look visually very similar. The surface of Mercury is Citation: characterized by a high morphological and spectral variability, suggesting that its stratigraphy is also Bott, N., Doressoundiram, A., heterogeneous. Here, we focused on the Shakespeare (H-03) quadrangle, which is located in the northern Zambon, F., Carli, C., Guzzetta, L., hemisphere of Mercury.
    [Show full text]
  • Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
    UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society.
    [Show full text]
  • The Power of Images in the Age of Mussolini
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies.
    [Show full text]
  • 2D Mercury Crater Wordsearch V2
    3/24/2019 Word Search Generator :: Create your own printable word find worksheets @ A to Z Teacher Stuff MAKE YOUR OWN WORKSHEETS ONLINE @ WWW.ATOZTEACHERSTUFF.COM NAME:_______________________________ DATE:_____________ Craters on Mercury SICINIMODFIQPVMRQSLJ BEETHOVEN MICHELANGELO BLTVPTSDUOMRCIPDRAEN BYRON RAPHAEL YAPVWYPXSEHAUEHSEVDI CUNNINGHAM SAVAGE RRZAYRKFJROGNIGSNAIA DAMER SHAKESPEARE ORTNPIVOCDTJNRRSKGSW DOMINICI SVEINSDOTTIR NOMGETIKLKEUIAAGLEYT DRISCOLL TOLSTOI PCLOLTVLOEPSNDPNUMQK ELLINGTON VANGOGH YHEGLOAAEIGEGAHQAPRR FAULKNER VIEIRADASILVA NANHIDLNTNNNHSAOFVLA HEMINGWAY VIVALDI VDGYNSDGGMNGAIEDMRAM HOLST GALQGNIEBIMOMLLCNEZG HOMER VMESTIWWKWCANVEKLVRU IMHOTEP ZELTOEPSBOAWMAUHKCIS IZQUIERDO JRQGNVMODREIUQZICDTH JOPLIN SHAKESPEARETOLSTOIOX KIPLING BBCZWAQSZRSLPKOJHLMA LANGE SFRLLOCSIRDIYGSSSTQT LARROCHA FKUIDTISIYYFAIITRODE LENGLE NILPOJHEMINGWAYEGXLM LENNON BEETHOVENRYSKIPLINGV MARKTWAIN 1/2 Mercury Craters: Famous Writers, Artists, and Composers: Location and Sizes Beethoven: Ludwig van Beethoven (1770−1827). German composer and pianist. 20.9°S, 124.2°W; Diameter = 630 km. Byron: Lord Byron (George Byron) (1788−1824). British poet and politician. 8.4°S, 33°W; Diameter = 106.6 km. Cunningham: Imogen Cunningham (1883−1976). American photographer. 30.4°N, 157.1°E; Diameter = 37 km. Damer: Anne Seymour Damer (1748−1828). English sculptor. 36.4°N, 115.8°W; Diameter = 60 km. Dominici: Maria de Dominici (1645−1703). Maltese painter, sculptor, and Carmelite nun. 1.3°N, 36.5°W; Diameter = 20 km. Driscoll: Clara Driscoll (1861−1944). American glass designer. 30.6°N, 33.6°W; Diameter = 30 km. Ellington: Edward Kennedy “Duke” Ellington (1899−1974). American composer, pianist, and jazz orchestra leader. 12.9°S, 26.1°E; Diameter = 216 km. Faulkner: William Faulkner (1897−1962). American writer and Nobel Prize laureate. 8.1°N, 77.0°E; Diameter = 168 km. Hemingway: Ernest Hemingway (1899−1961). American journalist, novelist, and short-story writer. 17.4°N, 3.1°W; Diameter = 126 km.
    [Show full text]
  • Il Contributo Della Scultura Alla Difficile Rinascita
    Carravetta Lanaro, Silvio. Storia dell’Italia repubblicana. Venezia: Marsilio, Arte italiana e transizione istituzionale: il contributo della 1992. Print scultura alla difficile rinascita Langiulli, Nino. “Editor’s Introduction.” In N. Abbagnano. Critical Existentialism. 1969. Print. Lo Schiavo, Aldo. Gentile. Bari: Laterza, 1986. Print. Troppo umana la statua Lyotard, Jean-François. The Postmodern Condition. Minneapolis: per raggiungere l'anonimo University of Minnesota Press, 1984. Print. Arturo Martini, La scultura lingua morta Mazzotta, Giuseppe. La ragione in A. Banfi: Saggio teoretico- (Martini e De Micheli 135) fenomenologico. Napoli: Edizione Glaux, 1977. Print. Pico della Mirandola, Giovanni. La dignità dell’uomo. A cura di F. S. Il presente articolo intende studiare le fasi che portarono ad una Pignagnoli. Trad. di E. Garin. Bologna: Pàtron, 1970. Print. rinascita della scultura italiana dopo il primo conflitto mondiale. ----. On the Dignity of Man, On Being and the One, Heptaplus. Lo studio inizierà con una breve analisi della produzione scultorea Indianapolis: Bobbs-Merrill, 1965. Print. di regime al fine di chiarire le condizioni in cui operarono gli artisti Pareyson, Luigi. Esistenza e persona. Genova: Il Melangolo, 1985. durante il Ventennio e negli anni della guerra. L'indagine si soffermerà, Print. in seguito, sulla campagna di distruzione delle opere plastiche e ---. Estetica. Teoria della formatività. Firenze: Sansoni, 1974. Print. monumentali fasciste da parte delle forze partigiane; l'obiettivo ---. Existence, Interpretation, Freedom. Selected Writings. Trans. di questa sezione della ricerca sarà di dimostrare come la scultura Paolo D. Bubbio. Aurora: Davies Group Publishers, 2009. Print. italiana subì pesantemente le conseguenze degli eventi bellici prima ---. La filosofia dell’esistenza e Carlo Jaspers.
    [Show full text]
  • Media – History
    Matej Santi, Elias Berner (eds.) Music – Media – History Music and Sound Culture | Volume 44 Matej Santi studied violin and musicology. He obtained his PhD at the University for Music and Performing Arts in Vienna, focusing on central European history and cultural studies. Since 2017, he has been part of the “Telling Sounds Project” as a postdoctoral researcher, investigating the use of music and discourses about music in the media. Elias Berner studied musicology at the University of Vienna and has been resear- cher (pre-doc) for the “Telling Sounds Project” since 2017. For his PhD project, he investigates identity constructions of perpetrators, victims and bystanders through music in films about National Socialism and the Shoah. Matej Santi, Elias Berner (eds.) Music – Media – History Re-Thinking Musicology in an Age of Digital Media The authors acknowledge the financial support by the Open Access Fund of the mdw – University of Music and Performing Arts Vienna for the digital book pu- blication. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial pur- poses, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contacting rights@transcript- publishing.com Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder.
    [Show full text]
  • A Choice of Illusions: Belief, Relativism, and Modern Literature
    A Choice of Illusions: Belief, Relativism, and Modern Literature Alastair Morrison Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2015 © 2015 Alastair Morrison All rights reserved ABSTRACT A Choice of Illusions: Belief, Relativism, and Modern Literature Alastair Morrison This dissertation considers how defenses of traditional faith in Britain have adapted to new frontiers of cultural relativism and religious difference. Its contention is that poetry has become central to such defenses. Relativistic thinking would seem to dispose against metaphysical belief; poetry, as a parallel claimant for cultural and expressive particularity, and as a sensuously non-empirical rhetorical medium, offers a way of muffling the dissonance that might otherwise arise from positioning difference and particularity as pretext for claims of universal truth. This study traces formal and rhetorical innovations from the Victorian crisis of faith forward to literary modernism, with a brief conclusion contemplating related developments in more contemporary poetry and religious thought in Britain. Table of Contents Acknowledgements ii 1. Introduction: Belief, Relativism, and Modern Literature 1 i. works cited 11 2. Unction on the Tightrope: Religion as Culture in Victorian Britain 12 ii. works cited 60 3. T.E. Hulme: What Choice in Illusion? 63 iii. works cited 94 4. To Do the Right Thing for the Wrong Reason: The Justification of T.S. Eliot 96 iv. works cited 131 5. David Jones: Cultures in Parenthesis 134 v. works cited 164 6. Conclusion: Poetry and Postsecularism 166 vi. works cited 173 i Acknowledgements It is chastening to think how different this study might be were it not for the generous contributions others have made to it.
    [Show full text]