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Piracy: the World's Third-Oldest Profession
Comparative Civilizations Review Volume 63 Article 7 Number 63 Fall 2010 4-1-2010 Piracy: The orW ld's Third-Oldest Profession Laina Farhat-Holzman [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Recommended Citation Farhat-Holzman, Laina (2010) "Piracy: The orldW 's Third-Oldest Profession," Comparative Civilizations Review: Vol. 63 : No. 63 , Article 7. Available at: https://scholarsarchive.byu.edu/ccr/vol63/iss63/7 This Essay is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Farhat-Holzman: Piracy: The World's Third-Oldest Profession Dear Readers: We are instituting with this issue a new type of article: the Historic Review Essay. The process for publishing essays will run parallel to that now existing for peer reviewed papers, but the essays will not be submitted for anonymous peer review. The point of the essays will be to present challenging or thought-provoking theories or ideas or histories that may not necessarily be congruent with prevailing scholarship. The essays will be read and scheduled by the editorial board of the journal. The first such essay is printed below. Joseph Drew HISTORIC REVIEW ESSAY Piracy: The World's Third-Oldest Profession Laina Farhat-Holzman [email protected] The world has seen a reemergence of piracy during the past few decades—an activity that had seemed obsolete. I propose exploring the origins of piracy, its most significant appearances during history, and its strange modern reincarnation. -
Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
2012 Barcelona Christmas Agenda Ang
CHRISTMAS NEW YEAR’S EVE IN BARCELONA We celebrate New Year with food and parties as 2012 / 2013 we wait for the city clocks to strike midnight. Then everyone eats twelve lucky grapes, one by FESTIVALS AND TRADITIONS one, and drinks a toast with cava while they wish each other a Happy New Year. “PESSEBRE” THE THREE KINGS OF THE ORIENT The crib is displayed in the home and features This is the big day for children during the festive figures from the Nativity arranged in a specific season. On the evening of 5th January, the Three order. In recent years, living nativity scenes have Kings arrive in Barcelona and travel in a grown in popularity in Catalonia. They feature procession around the city in their royal carriages real people who re-enact different episodes from throwing sweets to the people in the crowd. After the Christmas story and are usually held in the children have welcomed the Kings, it’s time beautiful settings in towns and villages around the for them to go to bed. Before they do, they leave region. their slippers and something to eat for the Kings, their camels and pages, by the window or the “CAGANER” balcony. On the morning of the 6th January the The caganer , the curious crouching figure, is one children find the presents left by the Kings. of the most popular features of Catalan Nativity Children that have been naughty receive a lump of scenes. It is believed to date back to the 17th or coal. 18th centuries. For further information: www.bcn.cat/nadal “TIÓ” An old log which people used to place by the fire CHRISTMAS FAIRS AND MARKETS on Christmas Eve as a token of abundance. -
Socio-Ecological Complexity and Ecosystem Services. an Analysis Of
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Socio-ecological complexity and ecosystem Services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD Thesis Liliana Solé Figueras Socio-ecological complexity and ecosystem services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD thesis developed by Liliana Solé Figueras Supervised by Dr.Eduard Ariza Solé PhD program in Geography Department of Geography Universitat Autònoma de Barcelona (UAB) September 2019 Supervisor statement I STATE that the present study, entitled ‘Socio-ecological complexity and ecosystem services. An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism’, presented by Liliana Solé Figueras for the award of the degree of Doctor, has been carried out under my supervision at the Department of Geography of this university. Bellaterra, 17th Setember 2019. Doctoral thesis supervisor PhD student Director de la tesis doctoral Doctoranda Eduard Ariza Solé Liliana Solé Figueras i Summary Coastal landscapes are highly dynamic and complex socio-ecological systems resulting from the interface of land and sea. -
Marian Shrines of France, Spain, and Portugal
Tekton Ministries “Serving God’s people on their journey of faith” Pilgrimage to the Marian Shrines of France, Spain, and Portugal with Fr. John McCaslin and Fr. Jim Farrell April 4th - 16th, 2016 e Pilgrimage Itinerary e Fatima Santiago de Compostela e Day 1 - April 4: Depart U.S.A. Your pilgrimage begins today as you depart on your e Day 4 - April 7: Fatima / Santiago de Compostela flight to Portugal. Depart Fatima this morning and drive north to Porto where we will visit the soaring Cathedral and admire e Day 2 - April 5: Arrive Lisbon / Fatima the richly decorated Church of Sao Francisco. Then After a morning arrival in Lisbon, you will meet your proceed to Braga which contains over 300 churches knowledgeable local escort, who in addition to the and is the religious center of Portugal. Our sightseeing priests accompanying your pilgrimage, will be with here will include visits to Braga’s Sé Cathedral which you throughout your stay. Drive north to Fatima, one is the oldest in Portugal and the Bom Jesus do Monte of the world’s most important Marian Shrines and an which is an important pilgrimage shrine. Then important center for pilgrimages. Time permitting we continue on to Santiago de Compostela. Tradition will make a stop in Santarem for Mass at the Church tells us that St. James the Apostle journeyed to Spain of St. Stephen, famous for its venerated relic, “the in 40 A.D. to spread the Gospel as far as possible. He Bleeding Host” en route from Lisbon to Fatima. died a martyr’s death after returning to Jerusalem and his remains were eventually returned to Spain and e Day 3 - April 6: Fatima buried in this city. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
Catalonia 1400 the International Gothic Style
Lluís Borrassà: the Vocation of Saint Peter, a panel from the Retable of Saint Peter in Terrassa Catalonia 1400 The International Gothic Style Organised by: Museu Nacional d'Art de Catalunya. From 29 March to 15 July 2012 (Temporary Exhibitions Room 1) Curator: Rafael Cornudella (head of the MNAC's Department of Gothic Art), with the collaboration of Guadaira Macías and Cèsar Favà Catalonia 1400. The International Gothic Style looks at one of the most creative cycles in the history of Catalan art, which coincided with the period in western art known as the 'International Gothic Style'. This period, which began at the end of the 14th century and went on until the mid-15th century, gave us artists who played a central role in the history of European art, as in the case of Lluís Borrassà, Rafael Destorrents, Pere Joan and Bernat Martorell. During the course of the 14th century a process of dialogue and synthesis took place between the two great poles of modernity in art: on one hand Paris, the north of France and the old Netherlands, and on the other central Italy, mainly Tuscany. Around 1400 this process crystallised in a new aesthetic code which, despite having been formulated first and foremost in a French and 'Franco- Flemish' ambit, was also fed by other international contributions and immediately spread across Europe. The artistic dynamism of the Franco- Flemish area, along with the policies of patronage and prestige of the French ruling House of Valois, explain the success of a cultural model that was to captivate many other European princes and lords. -
Art History of Spain in the History of Western Art, Spain
Art History of Spain In the history of Western Art, Spain occupies a very significant and distinct position; after the French and the Italians, the Spanish are probably the most important contributors to the development and evolution of art in the Western Hemisphere. Over the centuries, numerous Spanish artists have contributed heavily to the development of European art in almost all the “major” fields like painting, sculpture and architecture. While Spanish art has had deep linkages with its French and Italian counterparts, Spain’s unique geographic location has allowed it to evolve its own distinct characteristics that set it quite apart from other European artistic traditions. Spain’s fascinating history of conquest and trade is inextricably linked to the evolution of its art. Cave Paintings of Altamira, Spain The earliest inhabitants of what is now modern-day Spain were known for their rich art traditions, especially with respect to cave-paintings from the Stone Age. The Iberian Mediterranean Basin in the regions of Aragon and Castile-La Mancha in eastern Spain, and the world famous Altamira Cave paintings in Cantabria are both UNESCO World Heritage sites that showcase vivid cave paintings from the Stone Age. Pre-Romanesque Period Over the course of history, Spain has been deeply influenced by the culture art of its neighbors, who were more often than not its conquerors. The Roman control over Hispania, from 2nd century BC to 5th century AD, had a deep influence on Spain, especially in its architecture dating from that period. The Aqueduct of Segovia, Alcantara Bridge and the Tower of Hercules Lighthouse are some of the important monuments from that period that still survive to-date. -
Catalonian Architectural Identity
Catalan Identity as Expressed Through Architecture Devon G. Shifflett HIST 348-01: The History of Spain November 18, 2020 1 Catalonia (Catalunya) is an autonomous community in Spain with a unique culture and language developed over hundreds of years. This unique culture and language led to Catalans developing a concept of Catalan identity which encapsulates Catalonia’s history, cuisine, architecture, culture, and language. Catalan architects have developed distinctly Catalan styles of architecture to display Catalan identity in a public and physical setting; the resulting buildings serve as a physical embodiment of Catalan identity and signify spaces within Catalan cities as distinctly Catalonian. The major architectural movements that accomplish this are Modernisme, Noucentisme, and Postmodernism. These architectural movements have produced unique and beautiful buildings in Catalonia that serve as symbols for Catalan national unity. Catalonia’s long history, which spans thousands of years, contributes heavily to the development of Catalan identity and nationalism. Various Celtiberian tribes initially inhabited the region of Iberia that later became Catalonia.1 During the Second Punic War (218-201 BC), Rome began its conquest of the Iberian Peninsula, which was occupied by the Carthaginians and Celtiberians, and established significant colonies around the Pyrennees mountain range that eventually become Barcelona and Tarragona; it was during Roman rule that Christianity began to spread throughout Catalonia, which is an important facet of Catalan identity.2 Throughout the centuries following Roman rule, the Visigoths, Frankish, and Moorish peoples ruled Catalonia, with Moorish rule beginning to flounder in the tenth-century.3 Approximately the year 1060 marked the beginning of Catalan independence; throughout this period of independence, Catalonia was very prosperous and contributed heavily to the Reconquista.4 This period of independence did not last long, though, with Catalonia and Aragon's union beginning in 1 Thomas N. -
Historical Memory and History in the Memoirs of Iraqi Jews*
Historical Memory and History in the Memoirs of Iraqi Jews* Mark R. Cohen Memoirs, History, and Historical Memory Following their departure en masse from their homeland in the middle years of the twentieth century, Jews from Iraq produced a small library of memoirs, in English, French, Hebrew, and Arabic. These works reveal much about the place of Arab Jews in that Muslim society, their role in public life, their relations with Muslims, their involvement in Arab culture, the crises that led to their departure from a country in which they had lived for centuries, and, finally, their life in the lands of their dispersion. The memoirs are complemented by some documentary films. The written sources have aroused the interest of historians and scholars of literature, though not much attention has been paid to them as artifacts of historical memory.1 That is the subject of the present essay. Jews in the Islamic World before the Twentieth Century Most would agree, despite vociferous demurrer in certain "neo-lachrymose" circles, that, especially compared to the bleaker history of Jews living in Christian lands, Jews lived fairly securely during the early, or classical, Islamic * In researching and writing this paper I benefited from conversations and correspondence with Professors Sasson Somekh, Orit Bashkin, and Lital Levy and with Mr. Ezra Zilkha. Though a historian of Jews in the Islamic world in the Middle Ages, I chose to write on a literary topic in honor of Tova Rosen, who has contributed so much to our knowledge of another branch of Jewish literature written by Arab Jews. -
Uvic-Ucc | Universitat De Vic - Universitat Central De Catalunya
CONTENTS WHAT WE’RE LIKE BARCELONA AND BEYOND Pere Virgili Ruth Marigot WELCOME to our city, to our country and to our home! Working together with the newspaper ARA, at BCU we’ve prepared this guide to help you to enjoy Barcelona and Catalonia like Barcelona in 10 concepts ................................................................. 4-5 On foot, running and by bike ...................................... 18-19 a native. Our universities in figures ................................................................. 6-7 From Barcelona to the world ................................... 20-21 We aim to help you feel Secret Barcelona ................................................................................................... 8-9 Why did I decide to stay here? ........................................... 22 welcome and make things easier Instagram-worthy spots ......................................................................... 10 Where can I live? ........................................................................................................ 24 for you. So, in the following pages, Don’t miss out ......................................................................................................... 12-16 Catalonia: more than just a club ....................................... 26-27 you’ll find plenty of information TALENT CITY ROSES, FIRE AND... about what to do and see, and where and when to do and see it. Pere Tordera Francesc Melcion Because historically we’ve always been a land of welcome and we’re very happy that you’ve