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Thomas Nast 1840–1902
Name _____________________________ Class _________________ Date __________________ Life at the Turn of the 20th Century Biography Thomas Nast 1840–1902 WHY HE MADE HISTORY Thomas Nast has been called the father of modern American political cartooning. He is best known for his cartoons exposing the corruption of Boss Tweed’s political machine. As you read the biography below, think about how Thomas Nast influenced public opinion. How did he use images to communicate? CORBIS © By the late 1800s the governments of most major cities were run by political machines. These informal groups of professional politicians controlled local government. Often these politicians were corrupt and abused the public trust. Thomas Nast, a political cartoonist, exposed the corruption of one of the biggest political machines of his day. His drawings led to the downfall of Boss Tweed’s Tammany Hall political machine. Thomas Nast was born in Germany in 1840, the son of a musician. His family immigrated to the U.S. and settled in New York City when he was six years old. Nast studied art at the National Academy of Design. At the age of 15, he was hired as a staff artist for Frank Leslie’s Illustrated Newspaper. By the time he was 18, Nast was a freelance artist for Harper’s Weekly and the New York Illustrated News. In 1862 Harper’s Weekly hired Nast to draw images of the Civil War. His editors hoped he would draw realistic battle scenes. Instead, Nast drew images that supported the Union and opposed slavery. Nast distorted and exaggerated the physical traits of his subjects to convey strong social and political messages. -
November 05 2018.Pdf
OC REGIONAL FILM STARS UNENDING TRAIN OF TRAGEDY 18 `60 REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED TO FARIDABAD/05/2017-19 POST WITHOUT PREPAYMENT REGISTERED NO. RNI NO. 28587/75 RNI NO. THE INSIDE STORY OF HOW THE PREMIER INVESTIGATING AGENCY WAS ROCKED BY A CORRUPTION SCANDAL AND A DESTRUCTIVE TURF WAR. CAN IT RECOVER? AND WILL THE BLOWBACK SINGE THE GOVERNMENT? DIGITAL EDITION OC FREE WITH YOUR REGIONAL FILMFILM STARS UNENDING TRAIN OF TRAGEDYTRAGED www.indiatoday.in NOVEMBER 5, 2018 `60 9 9 DIGITAL EDITION MAY 8, 2017 OCTOBER 2018 WEAVESOF WONDER Making a difference WHAT TO EAT BEFORE YOUR WORKOUT WHY MAMMOGRAMS MATTER The Tre dsetters 50 INFLUENTIAL WOMEN UNDER 50 REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED FARIDABAD/05/2017-19 TO POST WITHOUT REGISTEREDPREPAYMENT NO. Anshu Jamsenpa, first Festive Spirit Indian woman to scale the Everest five times CELEBRATE THE SEASON IN STYLE RNI NO. 28587/75 RNI NO. THE INSIDE STORY OF HOW THE PREMIER INVESTIGATING AGENCY WAS ROCKED BY A CORRUPTION SCANDAL AND A DESTRUCTIVE TURF WAR. CAN IT RECOVER? AND WILL THE BLOWBACK SINGE THE GOVERNMENT? EXCLUSIVE MULTIMEDIA CONTENT ONLY FOR IPAD AYODHYA THE MANDIR MOMENTUM BOOK REVIEW BLIGHTLY ON OUR LAND COVER STORY WHAT A MESS BIG STORY BLOOD ON THE TRACKS #CBIWar SUBSCRIBE NOW www.indiatoday.in/digitalmagazines FROM THE www.indiatoday.in EDITOR-IN-CHIEF EDITOR-IN-CHIEF: Aroon Purie GROUP EDITORIAL DIRECTOR: Raj Chengappa heCBI’sinitialshavelongbeenthe tampering with evidence and worse. GROUP CREATIVE EDITOR: Nilanjan Das; GROUP PHOTO EDITOR: Bandeep Singh butt of alternative interpretati- Our cover story this week, by Deputy MANAGING EDITORS: Kai Jabir Friese, Rajesh Jha CONSULTING EDITOR: Ajit Kumar Jha (Research) on—from Narendra Modi’s 2013 Editor Uday Mahurkar, digs deep into the EXECUTIVE EDITORS: Damayanti Datta, S. -
Selected Bibliography of American History Through Biography
DOCUMENT RESUME ED 088 763 SO 007 145 AUTHOR Fustukjian, Samuel, Comp. TITLE Selected Bibliography of American History through Biography. PUB DATE Aug 71 NOTE 101p.; Represents holdings in the Penfold Library, State University of New York, College at Oswego EDRS PRICE MF-$0.75 HC-$5.40 DESCRIPTORS *American Culture; *American Studies; Architects; Bibliographies; *Biographies; Business; Education; Lawyers; Literature; Medicine; Military Personnel; Politics; Presidents; Religion; Scientists; Social Work; *United States History ABSTRACT The books included in this bibliography were written by or about notable Americans from the 16th century to the present and were selected from the moldings of the Penfield Library, State University of New York, Oswego, on the basis of the individual's contribution in his field. The division irto subject groups is borrowed from the biographical section of the "Encyclopedia of American History" with the addition of "Presidents" and includes fields in science, social science, arts and humanities, and public life. A person versatile in more than one field is categorized under the field which reflects his greatest achievement. Scientists who were more effective in the diffusion of knowledge than in original and creative work, appear in the tables as "Educators." Each bibliographic entry includes author, title, publisher, place and data of publication, and Library of Congress classification. An index of names and list of selected reference tools containing biographies concludes the bibliography. (JH) U S DEPARTMENT Of NIA1.114, EDUCATIONaWELFARE NATIONAL INSTITUTE OP EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED ExAC ICY AS RECEIVED FROM THE PERSON OR ORGANIZATIONORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYREPRE SENT OFFICIAL NATIONAL INSTITUTEOF EDUCATION POSITION OR POLICY PREFACE American History, through biograRhies is a bibliography of books written about 1, notable Americans, found in Penfield Library at S.U.N.Y. -
View / Open Thesis Final-Bisson.Pdf
NO LAUGHING MATTER: XENOPHOBIA AND ANTI-RADICALISM IN EARLY AMERICAN POLITICAL CARTOONS by BIANCA RENEE BISSON A THESIS Presented to the Department of Political Science and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2014 An Abstract of the Thesis of Bianca Renee Bisson for the degree of Bachelor of Arts in the Department of Political Science to be taken June 2014 Title: No Laughing Matter: Xenophobia and Anti-Radicalism in Early American Political Cartoons Approved: __d_---l ~--~--------- Anita Chari While political cartoons have a reputation for upholding the tenants of democracy and freedom, the editorial images of the late 19th century and early 20th century show quite the contrary. In fact, they promote elements of early American life such as racism, misogyny and anti-radicalism, and make negative statements about the aspects of society that did not conform to conservative White Anglo-Saxon Protestantism. [j Acknowledgements First of all, I would like to thank my thesis advisors, Professors Anita Chari, Alison Gash, and Casey Shoop. Professor Chari is a wonderful instructor, whose class on radical political theory motivated me to continually think critically about the world. Professor Gash teaches in a captivating way that drove me to question the status quo from a legal perspective. Professor Shoop, though I have not had the chance to take a class from him, made me feel at ease and comfortable despite the often high demands of the Clark Honors College. I would also like to thank my parents for supporting my education from afar and my friends for creating a safe and warm environment to come home to at the end of a long day of studying. -
Uniting Mugwumps and the Masses: the Role of Puck in Gilded Age Politics, 1880-1884
Uniting Mugwumps and the Masses: The Role of Puck in Gilded Age Politics, 1880-1884 Daniel Henry Backer McLean, Virginia B.A., University of Notre Dame, 1994 A Thesis presented to 1he Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia August 1996 WARNING! The document you now hold in your hands is a feeble reproduction of an experiment in hypertext. In the waning years of the twentieth century, a crude network of computerized information centers formed a system called the Internet; one particular format of data retrieval combined text and digital images and was known as the World Wide Web. This particular project was designed for viewing through Netscape 2.0. It can be found at http://xroads.virginia.edu/~MA96/PUCK/ If you are able to locate this Website, you will soon realize it is a superior resource for the presentation of such a highly visual magazine as Puck. 11 Table of Contents Introduction 1 I) A Brief History of Cartoons 5 II) Popular and Elite Political Culture 13 III) A Popular Medium 22 "Our National Dog Show" 32 "Inspecting the Democratic Curiosity Shop" 35 Caricature and the Carte-de-Viste 40 The Campaign Against Grant 42 EndNotes 51 Bibliography 54 1 wWhy can the United States not have a comic paper of its own?" enquired E.L. Godkin of The Nation, one of the most distinguished intellectual magazines of the Gilded Age. America claimed a host of popular and insightful raconteurs as its own, from Petroleum V. -
Thomas Nast.” Prints & Photographs Online Catalog
Annotated Bibliography Primary Sources: Archives: “Thomas Nast.” Prints & Photographs Online Catalog. Lib. of Cong., n.d. Web. 11 Nov. 2014. The Library of Congress Prints and Photographs Division collection of Thomas Nast images is the largest online resource for Nast’s work and related materials. This archive was invaluable in providing high resolution primary source illustrations for all sections of our exhibit. It also includes some contemporary cartoons inspired by Nast’s work. Thomas Nast Papers. Billy Ireland Cartoon Library and Museum, The Ohio State University, Columbus, Ohio. The Nast material available at the Billy Ireland Cartoon Library and Museum Reading Room includes all of Nast’s Harper’s Weekly illustrations from 1871, the height of the campaign against the Tweed Ring, as well as contemporary takes on his work such as a play on “Who Stole the People’s Money?” created by Jim Borgman during the Carter Administration. Thomas Nast Papers, 1860-1902. Gilded Age Collection, Rutherford B. Hayes Presidential Center, Fremont, Ohio. This collection includes correspondence, photographs, personal journals from Nast’s travel in Europe, the Nast family scrapbook of newspaper clippings, and published works from various magazines as well as numerous original sketches. Of particular interest were the sketches in which Nast seemed to be developing ideas for famous cartoons such as “The ‘Brains.’” Books: Paine, Albert Bigelow. Thomas Nast, His Period and His Pictures. 1904. Broomall: Chelsea, 1997. Print. Paine’s biography, based on interviews with Nast and originally published shortly after Nast’s death, is an essential resource. It provided a wealth of information about Nast’s life and work as well as a number of useful quotes illustrating Nast’s influence and legacy. -
Journal of the Thomas Nast Society Vol
Journal of The Thomas Nast Society Vol. 13 No. 1 1999 President's Message ALICE CAULKINS Nast on the Cover of Time RICHARD SAMUEL WEST Thomas Nast's Holidays JEFFREY EGER Dearest Sallie... Sarah Nast, the Woman Who Inspired Thomas Nast CHRISTINE JOCHEM 3D from 2D: An Authentic Re-creation of JOHN BATTRAM Thomas Nast's Santa Claus Costume AND JEFFREY EGER Clement Moore and Thomas Nast: Santa Claus in the Big Apple JEFFREY EGER Update: The World of Thomas Nast JOHN ADLER Thomas Nast and David Ross Locke: Mocking Birds of a Feather PAUL P. SOMERS, JR. Thomas Nast and the New York Illustrated News, Part IV: The War Between the States JEFFREY EGER Allusion and Illusion: The Robinson Crusoe of Thomas Nast JEFFREY EGER Contributors ii; Journal of The Thomas Nast Society Vol. 13 No. 1 1999 The Journal of The Thomas Nast Society is published annually by The Thomas Nast Society, a non-profit, tax-exempt organization. Its address is the Morristown-Morris Township Public Library, 1 Miller Road, Morristown, N.J. 07960, (Telephone: 973-538- 3473). The Journal is a benefit of membership in the Society. All correspondence should be sent to the Morristown address. Manuscripts are welcome. Please contact the editor for more information. Officers of the Society: Alice Caulkins, President; Christine Jochem, Treasurer. Board of Trustees: William R. Battey (honorary), Alice Caulkins, Chris Jochem, Jeffrey Eger, Marian R. Gerhart (honorary), Draper Hill (honorary), Ken Miller, Nancy Miller, Thomas Nast III (honorary), Michael Rockland, and Richard Simon. Editor: Jeffrey Eger Researcher: Asa Eger Layout and Design: Shalit Design Works © 1999 by The Thomas Nast Society V. -
8Th Annual MARIN FAIR PLEIN
Adult Department – Special One Day Contest 8th Annual MARIN FAIR PLEIN AIR Coordinator: Ellen Campbell, Novato Judges: Jocelyn Audette, Calistoga Jocelyn Audette is an artist and plein air landscape painter whose work depicts the beauty of the western United States. She is a vivid colorist with a deft abstract touch that points to the dialogue on canvas. Most of her paintings are plein air with a wonderful quality of spontaneity and sense of mystery that come of grappling directly with evanescent nature. Her work also includes the figure, animals, and still lifes, pursuing an interest in the illumination of detail. Her paintings are oils on linen, canvas, board, or paper as well as watercolor, encaustic, gouache, charcoal, ink, and other mediums. “To me, being an artist is all about visually expressing my own experiences and perceptions...and as I love new discoveries and am stimulated by variety.” She studied under William Wheeler, has had numerous exhibitions, and is represented by galleries across the United States. Clark Mitchell, Cotati Northern California artist Clark Mitchell, known for his evocative landscapes in pastels, has been designated Master Pastelist by the Pastel Society of America and Distinguished Pastelist by the Pastel Society of the West Coast. He has had numerous feature articles printed, most notably in American Artist, Southwest Art, Pastel Journal and Artist's Magazine. He has also been included in Rockport Publications Best of Pastel, Best of Pastel 2, and Landscape Inspirations. Mitchell paints both in the studio as well as en plein air and teaches throughout the area. His recent work may be seen at: cgmitchell.com Charles “Chuck” Pyle, Petaluma Chuck Pyle is the Director of the School of Illustration, Academy of Art University, San Francisco. -
4 Broadcast Sector
MINISTRY OF INFORMATION AND BROADCASTING Annual Report 2006-2007 CONTENTS Highlights 1. Overview 1 2. Administration 3 3. Information Sector 12 4. Broadcast Sector 53 5. Films Sector 110 6. International Co-operation 169 7. Plan and Non-Plan Programmes 171 8. New Initiatives 184 Appendices I. Organisation Chart of the Ministry 190 II. Media-wise Budget for 2006-2007 and 2007-2008 192 Published by the Director, Publications Division, Ministry of Information and Broadcasting, Government of India Typeset at : Quick Prints, C-111/1, Naraina, Phase - I, New Delhi. Printed at : Overview 3 HIGHLIGHTS OF THE YEAR The 37th Edition of International Film Festival of India-2006 was organized in Goa from 23rd November to 3rd December 2006 in collaboration with State Government of Goa. Shri Shashi Kapoor was the Chief Guest for the inaugural function. Indian Film Festivals were organized under CEPs/Special Festivals abroad at Israel, Beijing, Shanghai, South Africa, Brussels and Germany. Indian films also participated in different International Film Festivals in 18 countries during the year till December, 2006. The film RAAM bagged two awards - one for the best actor and the other for the best music in the 1st Cyprus International Film Festival. The film ‘MEENAXI – A Tale of Three Cities’ also bagged two prizes—one for best cinematography and the other for best production design. Films Division participated in 6 International Film Festivals with 60 films, 4 National Film Festivals with 28 films and 21 State level film festivals with 270 films, during the period 1-04-06 to 30-11-06. Films Division Released 9791 prints of 39 films, in the theatrical circuits, from 1-4-06 to 30-11-06. -
The Mentor Magazine. October 1923. Vol. 11, No. 9
Consistency Consistency in the assembling of the fur nishings, proper relation in the form and size, harmony in color— all combine to make the veil furnished, livable room. These require no unusual outlay of money, because with taste and knowledge great expense is not always necessary. Our collection of Antique and Modem Furniture offers an unlimited selection— and our experts are at your service. W. & J. SLOANE FIFTH AVENUE a n d 4 7 t h STREET, NEW YORK WASHINGTON SAN FRANCISCO TELE MENTOR, published monthly, on the first of the month, by The Crowell Publishing? Company at Springfield, Ohio, U. S. A. Subscrip tion, $4.00 a year in the United States and Canada; foreign postage, 50 cents extra. Single copies, 35 cents. Subscribers are notified that change of address must reach us five weeks in advance of the next day of issue. October, 1923. Serial No. 248. Entered as second-class matter at the post office at Springfield, Ohio, under the act of March 3, 1879. FOUR-MINUTE ESSAYS, by DR. FRANK CRANE THE MAN WITH A MILLION FRIENDS Dr. Frank Crane was not known outside of a small circle of friends ten years ago when he began writing for one daily newspaper. To-day 50 of the great metropolitan papers publish his daily messages which are read by millions of men and women who are doing the world’s work. In a decade he has won a million friends through his helpful philosophy. Here are 400 of his Four-Minute Essays—his masterpieces—selected by Dr. Crane himself. -
Download the Co-Cities Report
The CO-Cities Report contains the result of a work carried out by the research unit of the "Università degli Studi Guglielmo Marconi", coordinated by Professor Christian Iaione, within the research project PRIN 2015 - codice 2015XYKZPP - "Democratic innovations among collaborative design, active citizenship and Internet governance" coordinated by prof. Michele Sorice from LUISS Guido Carli. Acknowledgements We are also grateful to Aaron Maniam and the team of Oxford Urbanists for their feedbacks and comments that enriched This work is the result of a wide collaborative effort. It our work; the European Cultural Foundation (ECF) for their benefited from close collaboration of Sheila Foster, Christian support and stimulation; Alicia Bonner Ness, whose fresh Iaione, Elena De Nictolis in an initial phase (2015-2018) with insights contributed to improve our work and who the P2P Foundation; the Transformative Actions coordinated the first test and validation of the Co-City Interdisciplinary Laboratory (TrailLab) of the Catholic protocol in the Bellagio Conference Program retreat hosted University of Milan, in particular Professor Ivana Pais and by LabGov “Accelerating Citywide entrepreneurship: an Michela Bolis; the International Association for the Study of exercise in the Co-City approach”. We are thankful to the the Commons (IASC). It them drew years of dialogue, Bellagio Conference Program for their hospitality and to the collaboration, exchange and learning with scholars, retreat participants for taking part in such a challenging practicioners, undergraduate and graduate students to which experiment: the City of Amsterdam, the Netherlands (Urban goes our deep gratitude. Constant supervision, guidance and Innovation Office); the city of Barcelona, Spain (Regidoria de source of continuing inspiration was provided by Sheila Participaciò i territorio); the City of Boulder, Colorado (Chief Foster. -
10Th Annual MARIN FAIR PLEIN AIR
Adult Department – Special One Day Contest 10th Annual MARIN FAIR PLEIN AIR Coordinator: Ellen Campbell, Novato Judges: Tim Brody, Rohnert Park Born into a musical family, Tim began clarinet studies at age 7. He earned his Bachelor’s degree in fine art from Illinois State University (painting & printmaking) in 1975. Tim has worked in the healing arts (Neuromuscular therapy) for the past 30 years. “Being present to natures healing influence is the guiding principle of my life and art. My intention is to invoke a contemplative presence-freeing the busy, self-contracted, grasping mind into wakefulness, spaciousness, and clarity. The “quality of light” that permeates and suffuses the scene conveys feeling, emotion, mood, and mystery. I work entirely in pastel which with its multiple layering techniques is the perfect medium to convey these qualities.” His paintings have garnered many awards including first prize and best in show. Charles Chuck Pyle, Petaluma Chuck Pyle is the Director of the School of Illustration, Academy of Art University, San Francisco. He was trained as an illustrator at the Academy, and comes from an impressive freelance career. Chuck drew pictures from an early age and still remembers fondly the unique aroma of warm crayons and manila paper. Early artistic influences were Thomas Nast, Charles Dana Gibson, Mort Drucker, Jack Davis, Wally Wood, James R. Neill, and the great editorial cartoonists like Oliphant, Herblock, and Daumier. Art school broadened Chuck's palette of influences and interests to the great painter illustrators including Rockwell, Cornwell, Pyle and Tepper. He is an internationally sought-after artist, working with clients from New York to Tokyo.