Hedd Wyn & Madam Butterfly

Total Page:16

File Type:pdf, Size:1020Kb

Hedd Wyn & Madam Butterfly Hedd Wyn & Madam Butterfly: Re-imagined ______________________________________________ Deadline for submissions 5pm, Friday 30 September 2016 Project overview As part of our summer season, Welsh National Opera would like to commission a digital agency to devise and implement a Virtual Reality, 360-degree experience to immerse audiences in the world of Hedd Wyn and Madam Butterfly. We’re looking for an agency that will take an open and experimental approach to presenting this exciting Occulus Rift VR installation. We would expect participants to be transported into a multi-sensory journey to discover some of the themes, music and characters explored in these two landmark productions. The successful agency will also be encouraged to think creatively about how the virtual world is presented within a physical space. The virtual reality artwork will have its première in Cardiff with an ambition to tour the experience to Birmingham and London. Context Hedd Wyn WNO, S4C and Rondo productions have commissioned an original Welsh language opera film commemorating 100 years since the death of Hedd Wyn during WWI, to be broadcast on S4C and cinemas across Wales in summer 2017. The creative team includes Composer Stephen McNeff, Librettist Gruff Rhys (Super Furry Animals) and Film Director Marc Evans (Hunky Dory, Snow Cake and Patagonia). Madam Butterfly Joachim Herz’s Madam Butterfly has been with WNO for over three decades. It’s a classic, traditional staging of this much-loved opera. While being completely faithful to the composer’s intentions it also critiques imperialism to powerful effect. Each scene looks like a sepia photograph through which we glimpse a vanished world. About Welsh National Opera Welsh National Opera transforms lives through the power of opera. We are passionate about opera and want to share this passion with as many people as possible. We do this with award winning performances of fully staged opera and concerts that combine a sense of adventure with the highest possible quality. We keep our performances accessible through affordable ticket prices. Beyond the theatre we connect with people through our community and education work and digital projects. http://www.wno.org.uk Audience We expect the event to attract more than 5,000 people. Alongside our core opera audience we hope that the artwork would encourage thousands of young people to attend and the experience will need to be suitable for children aged 12 and over. Timetable Close for submissions: 5pm, 30 September. If your submission has been successful you will hear by: week commencing 3 October. Interviews: week commencing 10 October. Successful agency will be appointed by: 24 October. Project showcase: 21 May – 20 July. Budget £70,000 How to apply We will expect to see the following included in the tender: • Preliminary visuals, sketches, animatics, storyboards or moodboards describing your idea. • A realistic and well-presented budget. • A mind map that details some of the technical and logistical challenges around the event. • A production and delivery timeline. Contact If you have any questions or queries please contact: David Massey Digital Producer [email protected] 029 2063 5086 .
Recommended publications
  • National Theatre Wales Checkpoint 02
    Country WALES Type Surname: Name: Sex: Birth: of Date Place of Origin: Issue: of Date Expiry: of Date Issued by: Signature: BUTEPASSPORT PHOTO OFFICIAL PASSPORT 0103032013 NTW<<<<<<<<<<<<<< <<<<<<<<<< #DEGABAY <<<<<<<<<<<<<<<<<<<<<< BUTETOWN WALES <<<<<<<<<<<<<< NATIONALTHEATREWALES.ORG<<<<<<< <<<<<< DE GABAY TYPE: BUTETOWN PassPOrT NATIONALTHEATREWALES.ORG 2013 COUNTrY: WalEs TIMETABLE CHECKPOINT 01 SHOW SECTION TIME DESCRIPTION AND LOCATION ACT 1 11AM — 2.30PM IN PRIVATE PREMISES ACROSS BUTETOWN ACT 2 2.45PM — 4.30PM TWO PARADES, ONE BEGINNING IN LOUDOUN SQUARE, BUTETOWN; THE OTHER AT BUTE STREET, BUTETOWN 0103032013 (AT THE CITY CENTRE END). ACT 3 4.45PM — 6.15PM A PARLIAMENT AT THE SENEDD, PLEASE STAMP HERE CARDIFF BAY 0103032013 ACT 4 6.15PM — 7PM FINALE IN CARDIFF BAY > PLEASE PRESENT THIS PASSPORT > OFFICIAL DE GABAY DOCUMENT AT ALL CHECKPOINTS. > Note: Please keep safe for >> your future records 2 3 DE GABAY TYPE: BUTETOWN PassPOrT NATIONALTHEATREWALES.ORG 2013 COUNTrY: WalEs CORE CAST POETS CREATIVE TEAM > Sarah Amankwah > Daud Farah > Jonathan Holmes - Director > Peter Bray > Ali Goolyad > Lucy Wilkinson - Designer > Ali Goolyad > Ahmed Ibrahim > Martin Hunt - Lighting Designer > Tomos James > Hassan Panero > Dan Lawrence - Musical Director > Anne Langford > Ahmed Yusuf > Mike Beer - Sound Designer > Laila Mason > Jon Street - AV Designer > Jo Munton >> > Mathilde López - Associate Director 0103032013 > Adura Onashile > Elise Davison - Assistant Director > Hassan Panero > Liara Barussi (Jukebox Juniors) - Choreographer > Dean
    [Show full text]
  • Doctor Atomic
    John Adams Doctor Atomic CONDUCTOR Opera in two acts Alan Gilbert Libretto by Peter Sellars, PRODUCTION adapted from original sources Penny Woolcock Saturday, November 8, 2008, 1:00–4:25pm SET DESIGNER Julian Crouch COSTUME DESIGNER New Production Catherine Zuber LIGHTING DESIGNER Brian MacDevitt CHOREOGRAPHER The production of Doctor Atomic was made Andrew Dawson possible by a generous gift from Agnes Varis VIDEO DESIGN and Karl Leichtman. Leo Warner & Mark Grimmer for Fifty Nine Productions Ltd. SOUND DESIGNER Mark Grey GENERAL MANAGER The commission of Doctor Atomic and the original San Peter Gelb Francisco Opera production were made possible by a generous gift from Roberta Bialek. MUSIC DIRECTOR James Levine Doctor Atomic is a co-production with English National Opera. 2008–09 Season The 8th Metropolitan Opera performance of John Adams’s Doctor Atomic Conductor Alan Gilbert in o r d e r o f v o c a l a p p e a r a n c e Edward Teller Richard Paul Fink J. Robert Oppenheimer Gerald Finley Robert Wilson Thomas Glenn Kitty Oppenheimer Sasha Cooke General Leslie Groves Eric Owens Frank Hubbard Earle Patriarco Captain James Nolan Roger Honeywell Pasqualita Meredith Arwady Saturday, November 8, 2008, 1:00–4:25pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Additional support for this Live in HD transmission and subsequent broadcast on PBS is provided by the Alfred P. Sloan Foundation. Ken Howard/Metropolitan Opera Gerald Finley Chorus Master Donald Palumbo (foreground) as Musical Preparation Linda Hall, Howard Watkins, Caren Levine, J.
    [Show full text]
  • Production Notes for Feature Film, “Snow Cake” It's April 2005 and The
    Production Notes for Feature Film, “Snow Cake” It’s April 2005 and the snow is melting fast in Wawa there is perceptible panic throughout the cast and crew of Snow Cake when they find out that this location chosen specifically for its customary frigid climate and overabundance of snow – has very little snow to speak of. “The reason we went to Wawa in the first place was to get the snow, says director Marc Evans with a smile. “I was very worried about not getting enough snow. And then Alan Rickman, who plays Alex, said ‘Look, at the end of the day, this film is not about snow. It’s got snow in the title, but it’s about the people who live in this place.’ And I thought, yes, that’s so true. It’s the interaction between the two main characters that forms the thrust of the film. The joy of this film is seeing how the characters interact.” In fact, the lack of snow may have been a blessing in disguise for the film. ‘It appears that this film is being guided by some unseen force in a way,” Rickman says. “We went to Wawa a week later than we were due to. Had we gone there the week before, we would have encountered temperatures that would have been so horrific to work in, so cold, below freezing” Instead, “we had a freak period of 13 days of unbroken sunshine, which on the face of it, with a film called Snow Cake, you might think would be a problem!” But Rickman had always said that the film would find itself and it did in the most beautiful way as the snow thawed around them.
    [Show full text]
  • Additional Information Provided by the Minister
    Annex A Project Project Sponsor / Sector Scheme Description Size Implementing (£m) Agency To provide an additional 2,000 affordable homes, building on the success of the initial Housing Finance Grant, which has been in operation since 2014-15. The second phase, like the Housing first, will include an Welsh Housing Finance Grant annual funding stream £250m Government II provided by Welsh Government over 30 years to support Registered Social Landlords (RSLs) and Local Authorities to borrow private finance to invest in affordable homes. As part of a wider programme looking at the transformation of cancer services in Approx. Velindre South-East Wales, the Velindre NHS £210m Health Cancer Centre Velindre Cancer Centre Trust (2013-14 will be replaced with a prices). new build hospital, financed through the NPD model A465 Heads of the Valleys Dualling Dualling of sections 5 Approx. (Abergavenny and 6 of the A465, to be Welsh £300m Transport to Hirwaun) – financed through the Government (2013-14 Sections 5 & 6 NPD model. prices). (Dowlais to Hirwaun) To support delivery of 21st Century the 21st Century Schools Welsh Education Schools Band Programme for Band B £500m Government B projects, financed through the NPD model. The Programme was announced by the Welsh Government on 9 Welsh Resources Coastal Risk December 2014. It Government, and Management responds to the flooding LAs, Natural £150m Environment Programme and erosion risks our Resources coastal communities Wales face as a result of climate change. The Metro is intended to be a catalyst for transforming the economic and social prospects of South East South Wales Wales and the country Welsh £500m- Transport Metro as a whole.
    [Show full text]
  • S4C Board Meeting Minute Meeting No. 430 26 September 2019, Canolfan S4C Yr Egin, Carmarthen
    S4C Board Meeting Minute Meeting No. 430 26 September 2019, Canolfan S4C Yr Egin, Carmarthen Present: Non-executive Board Members: Huw Jones (Chairman) Anita George (Member of the Board) Owen Derbyshire (Member of the Board) Rhodri Williams (Member of the Board) Shadow Unitary Board Executive Members: Owen Evans (Chief Executive) Amanda Rees (Director of Content) Elin Morris (Chief Operating Officer) S4C Staff: Rhidian Dafydd (Director of Projects) Eilir Jones (Head of Research) Ruth Meadows (Head of Digital Strategy and Analysis) Owain Lloyd (Board Secretary) Bethan C. Williams (Assistant to the Board Secretary) Apologies: Hugh Hesketh Evans (Member of the Board) Siân Lewis (Member of the Board) Gwyn Williams (Director of Communications) STANDING ISSUES: 1. Welcome and Declaration of interest The Chairman welcomed all to the meeting at Canolfan S4C Yr Egin. He asked any member with an interest in the business of the meeting to declare their interest. No declarations of interest were received. See the Register of Interests under the Board section on the S4C website for general declarations. 2. Minutes of Board Meeting 429 (18.07.19) The minutes of meeting number 429 held on 18 July, 2019 were presented. The Board approved the minutes. 3. Matters arising from the Minutes of Board Meeting 429 7.1.3 - Programme Policy Statement 2019/20 - AR had updated the drafting. Officers were awaiting the translation before submission to Ofcom and publication. 8.1.2 – Inviting the Welsh Language Commissioner to the Board meeting - CHR had been in contact with the Commissioner's office. 10.1.6 – Providing information on the apportionment of expenditure on digital - there was a need to ensure that this was included in future reports.
    [Show full text]
  • Welsh Acheivements Brochure
    WELSH ACHIEVEMENTS [ IN SCIENCE, TECHNOLOGY AND ENGINEERING ] ‘Our vision in Wales is of a learning country, where highly- skilled and highly-qualified people are employed in high- technology, high added-value companies.’ Professor John Harries, first chief scientific adviser for Wales, speaking in 2011 at the Welsh universities collaboration, research knowledge and expertise programme – Welsh Crucible. This publication is also available electronically from business.wales.gov.uk/innovation To discuss your innovation needs please call Business Wales on 03000 6 03000 or visit business.wales.gov.uk. Print ISBN 978 1 4734 0171 6 Printed on recycled paper Digital ISBN 978 1 4734 0169 3 WG16613 / G/MH/4578 / 0813 © Crown copyright 2013 2 On a global scale Wales is a small, but smart country, in which every opportunity has been taken to optimise resources, designs and processes. Shaped by landscape and culture it made its mark on the world through the maximisation of the great natural mineral wealth found here. Wales continues to make its mark through in-depth scientific and technical understanding and commercial innovation. From the past to the present an impressive list of achievements, many of which are the first of their kind in the world, have given Wales a great momentum for the future. CONTENTS 02 Foreword 05 Bioscience and Health 13 The Built Environment 20 Telecommunications and ICT 26 Creative Industries 35 Energy 41 Engineering 45 Environmental Sciences 50 Materials 56 Transport 64 People 74 Milestones 86 Conclusion 1 The modern world is increasingly made up of the products of the application of science, technology and engineering.
    [Show full text]
  • WNO Directing Fellow (Weston Jerwood Creative Bursary)
    WNO Directing Fellow (Weston Jerwood Creative Bursary) Fixed Term – April 2021 to March 2022 (start date can be flexible but before end of April 2021) Welsh National Opera is delighted to have been chosen as one of 50 host arts organisations offering Fellowships as part of the Weston Jerwood Creative Bursaries Programme 2020 – 2022. This programme aims to get more people from low socio-economic backgrounds into cultural careers. We are proud of our steps towards The new role of WNO Directing Fellow This Fellowship is ideally suited to a better inclusivity and now have one of the is aimed specifically at people who have candidate seeking to gain experience in most diverse Boards in the British opera experienced social and/or economic opera by working on productions large industry. However, opera is still viewed as barriers to employment in opera. You do and small, live and digital, and we will elitist and we know that significantly more not need a formal education for this role. provide development opportunities, diversity in our work force is required to You don’t need a music or drama degree, resources, and career assistance during start to break down this conception, and or need to speak any foreign languages. your time with WNO. to make sure that all people see WNO as You don’t even need to have seen an an open and accessible option for a opera. We want to make sure that WNO career in the arts. is current and relevant to the audiences it serves around the UK and we can only do that by telling the story of opera through many different voices.
    [Show full text]
  • Paid Traineeship
    Paid Traineeship WNO Associate Artist Fixed Term August 2020 – July 2021 Salary range: £19,000 to £22,000 per annum, pro rata (depending on experience and the content of traineeship contract to be offered) Deadline for Applications: Monday 18 November 2019 (12 pm) Auditions & Informal interviews: 1st round auditions: 28 & 29 November in Cardiff 2 & 3 December in Manchester 8 & 9 December in London 11 & 12 December in Birmingham 13 December in Bristol/Bath 2nd round auditions: January/February 2020 in Cardiff Start Date: 3 August 2020 End date: Circa July 2021; depending on content of contract WNO Associate Artist programme aims to encourage singers from all backgrounds to take part and is grateful to the Shirley & Rolf Olsen Bursary and other Bursary supporters for their significant support in enabling us to achieve this. To Apply Please provide a CV which details all your relevant performance training and current/ previous employment. Along with a cover letter explaining what you feel you would gain from being a WNO associate artist, why the scheme and its associated professional training programme and how this would benefit your future career path into the performing industry. CVs, covering letters and forms can be submitted electronically to [email protected] or in hard copy to the HR Department, WNO, Wales Millennium Centre, Bute Place Cardiff CF10 5AL. Our Mission Our mission is to bring the power, drama and raw emotion of opera to as wide an audience as possible in performances, marked by an uncompromising quest for artistic quality. As a national company with international status, we sit at the heart of music-making in Wales and play a valuable role in the communities we serve in England.
    [Show full text]
  • Cardiff Meetings & Conferences Guide
    CARDIFF MEETINGS & CONFERENCES GUIDE www.meetincardiff.com WELCOME TO CARDIFF CONTENTS AN ATTRACTIVE CITY, A GREAT VENUE 02 Welcome to Cardiff That’s Cardiff – a city on the move We’ll help you find the right venue and 04 Essential Cardiff and rapidly becoming one of the UK’s we’ll take the hassle out of booking 08 Cardiff - a Top Convention City top destinations for conventions, hotels – all free of charge. All you need Meet in Cardiff conferences, business meetings. The to do is call or email us and one of our 11 city’s success has been recognised by conference organisers will get things 14 Make Your Event Different the British Meetings and Events Industry moving for you. Meanwhile, this guide 16 The Cardiff Collection survey, which shows that Cardiff is will give you a flavour of what’s on offer now the seventh most popular UK in Cardiff, the capital of Wales. 18 Cardiff’s Capital Appeal conference destination. 20 Small, Regular or Large 22 Why Choose Cardiff? 31 Incentives Galore 32 #MCCR 38 Programme Ideas 40 Tourist Information Centre 41 Ideas & Suggestions 43 Cardiff’s A to Z & Cardiff’s Top 10 CF10 T H E S L E A CARDIFF S I S T E N 2018 N E T S 2019 I A S DD E L CAERDY S CARDIFF CAERDYDD | meetincardiff.com | #MeetinCardiff E 4 H ROAD T 4UW RAIL ESSENTIAL INFORMATION AIR CARDIFF – THE CAPITAL OF WALES Aberdeen Location: Currency: E N T S S I E A South East Wales British Pound Sterling L WELCOME! A90 E S CROESO! Population: Phone Code: H 18 348,500 Country code 44, T CR M90 Area code: 029 20 EDINBURGH DF D GLASGOW M8 C D Language: Time Zone: A Y A68 R D M74 A7 English and Welsh Greenwich Mean Time D R I E Newcastle F F • C A (GMT + 1 in summertime) CONTACT US A69 BELFAST Contact: Twinned with: Meet in Cardiff team M6 Nantes – France, Stuttgart – Germany, Xiamen – A1 China, Hordaland – Norway, Lugansk – Ukraine Address: Isle of Man M62 Meet in Cardiff M62 Distance from London: DUBLIN The Courtyard – CY6 LIVERPOOL Approximately 2 hours by road or train.
    [Show full text]
  • Jane Hutt: Businesses That Have Received Welsh Government Grants During 2011/12
    Jane Hutt: Businesses that have received Welsh Government grants during 2011/12 1 STOP FINANCIAL SERVICES 100 PERCENT EFFECTIVE TRAINING 1MTB1 1ST CHOICE TRANSPORT LTD 2 WOODS 30 MINUTE WORKOUT LTD 3D HAIR AND BEAUTY LTD 4A GREENHOUSE COM LTD 4MAT TRAINING 4WARD DEVELOPMENT LTD 5 STAR AUTOS 5C SERVICES LTD 75 POINT 3 LTD A AND R ELECTRICAL WALES LTD A JEFFERY BUILDING CONTRACTOR A & B AIR SYSTEMS LTD A & N MEDIA FINANCE SERVICES LTD A A ELECTRICAL A A INTERNATIONAL LTD A AND E G JONES A AND E THERAPY A AND G SERVICES A AND P VEHICLE SERVICES A AND S MOTOR REPAIRS A AND T JONES A B CARDINAL PACKAGING LTD A BRADLEY & SONS A CUSHLEY HEATING SERVICES A CUT ABOVE A FOULKES & PARTNERS A GIDDINGS A H PLANT HIRE LTD A HARRIES BUILDING SERVICES LTD A HIER PLUMBING AND HEATING A I SUMNER A J ACCESS PLATFORMS LTD A J RENTALS LIMITED A J WALTERS AVIATION LTD A M EVANS A M GWYNNE A MCLAY AND COMPANY LIMITED A P HUGHES LANDSCAPING A P PATEL A PARRY CONSTRUCTION CO LTD A PLUS TRAINING & BUSINES SERVICES A R ELECTRICAL TRAINING CENTRE A R GIBSON PAINTING AND DEC SERVS A R T RHYMNEY LTD A S DISTRIBUTION SERVICES LTD A THOMAS A W JONES BUILDING CONTRACTORS A W RENEWABLES LTD A WILLIAMS A1 CARE SERVICES A1 CEILINGS A1 SAFE & SECURE A19 SKILLS A40 GARAGE A4E LTD AA & MG WOZENCRAFT AAA TRAINING CO LTD AABSOLUTELY LUSH HAIR STUDIO AB INTERNET LTD ABB LTD ABER GLAZIERS LTD ABERAVON ICC ABERDARE FORD ABERGAVENNY FINE FOODS LTD ABINGDON FLOORING LTD ABLE LIFTING GEAR SWANSEA LTD ABLE OFFICE FURNITURE LTD ABLEWORLD UK LTD ABM CATERING FOR LEISURE LTD ABOUT TRAINING
    [Show full text]
  • Matthew Rhys
    Matthew Rhys Trained at the Royal Academy of Dramatic Art First recipient of the Lady Rothermere Award, presented at the 1993 Evening Standard Drama Awards Agents Kirk Whelan-Foran Assistant +44 (0) 20 3214 0800 Donovan Mathews +44 (0)7920713142 [email protected] 02032140800 Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company A BEAUTIFUL DAY IN THE Lloyd Vogel Marielle Heller Big Beach Films NEIGHBORHOOD THE REPORT Scott Z. Burns Vice Media MOWGLI John Lockwood Andy Serkis Warner Bros. | Imaginarium Productions THE POST Daniel Ellsberg Steven DreamWorks Spielberg BURNT Reece John Wells 3 Arts Entertainment United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE SCAPEGOAT John Charles Island Pictures Sturridge LUSTER Joseph Miller ADAM MASON Azurelight Pictures PATAGONIA Mateo Marc Evans Rainy Day Films ABDUCTION CLUB Strang Steven Schwartz Pathe DEATHWATCH Doc M.J. Bassett Pathe FAKERS Nick Blake Richard Janes Faking It Productions COME WHAT MAY Percy Christian Carion Nord-Ouest Productions GUILTY PLEASURES Count David Leland Boccaccio Productions Dzerzhinsky HEART Sean Charles Granada McDougal HOUSE OF AMERICA Boyo Marc Evans September Films LOVE AND OTHER DISASTERS Peter Simon Alek Keshishian Skyline Ltd PAVAROTTI IN DAD'S ROOM Nob Sara Sugarman Dragon
    [Show full text]
  • Patagonian Road Movies and Migration from Wales
    I D E N T I D A D E S Núm. 5, Año 3 Diciembre 2013 pp. 131-136 ISSN 2250-5369 Patagonian road movies and migration from Wales Esther Whitfield1 Abstract This paper analyzes two recent films, Patagonia (2011) and Separado! (2010), both produced in Wales and set in Patagonia. It proposes that both take advantage of the codes and tropes of the road movie genre, and of the history of Welsh emigration to Patagonia, to situate Welsh language and culture in both a local and global context. Key Words Wales - Patagonia - road movie - emigration. Las road movies patagónicas y la migración desde Gales Resumen Este trabajo analiza dos películas recients, Patagonia (2011) y Separado!(2010), ambas producidas en Gales y escenificadas en la Patagonia. Propone que ambas se aprovechan de los códigos y tropos de la “road movie” y de la historia de emigración galesa a la Patagonia, para ubicar la cultura y lengua galesas en un contexto que es a la vez local y global. Palabras claves Gales - Patagonia - road movie - migración 1 Associate Professor of Comparative Literature, Brown University, Providence, Rhode Island, Estados Unidos. [email protected]. WHITFIELD PATAGONIAN ROAD MOVIES AND MIGRATION FROM WALES “The driving force propelling most road movies,” writes David Laderman, “is an embrace of the journey as a means of cultural critique” (Laderman 2002, 1). In the light of this analysis, this essay begins with two questions: in what ways might Patagonia lend itself- as setting, as landscape, as historically preconceived idea - to the road movie? And how do road movies set in Patagonia intersect with a history of immigrant travel to the region, specifically in the case of the storied nineteenth- century Welsh immigration to Chubut and the Esquel/ Trevelin area? My focus here is two bilingual (Spanish-Welsh) films, Patagonia and Separado!, released in 2011 and 2010 respectively in a context of much cultural production – in the form of novels, documentaries, radio programs etc.
    [Show full text]