Mafia Y Narcotráfico En Colombia
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Drug War Deadlock
Hoover Press : Huggins/Deadlock hhugdw ch1 Mp_1 rev1 page 1 PART ONE Background Prohibition will work great injury to the cause of temperance. It is a species of intemperance within itself, for it goes beyond the bounds of reason in that it attempts to control a man’s appetite by legislation, and makes a crime out of things that are not crimes. A prohibition law strikes a blow at the very principles upon which our government was founded. Abraham Lincoln Speech in the Illinois House of Representatives, December 18, 1840 Prohibition may be a disputed theory, but none can complain that it doesn’t hold water. Thomas L. Masson Little Masterpieces of American Wit and Humor 1922 Hoover Press : Huggins/Deadlock hhugdw ch1 Mp_2 rev1 page 2 Hoover Press : Huggins/Deadlock hhugdw ch1 Mp_3 rev1 page 3 American Drug Policy: The Continuing Debate James A. Inciardi James A. Inciardi is director of the Center for Drug and Alcohol Studies at the University of Delaware, a professor in the Department of Sociology and Criminal Justice at Delaware, and an adjunct professor at the University of Miami School of Medicine. This selection was excerpted from “American Drug Policy: The Continuing Debate” in The Drug Legalization Debate (Thousand Oaks, Calif.: Sage Publications, Inc. 1999). Concern over the use and abuse of illegal drugs remained critical throughout the 1990s. In fact, regardless of political affiliation and ideology, socioeconomic status and ethnicity, or geographical location and occupational status, most Americans continued to rank “drugs” among the major problems facing the nation for three reasons. The first was crack-cocaine and its relation to crime. -
Perhapsthemostfamousvic
COVER STORY Cocaine Violence Is the Last Straw SUMMARY: The threat of death, made real by assassinations and bombs, has tipped the scaies In Colombia's cocaine battle. Last summei's murder of a respected presidential contender seemed finally too much, forging public opinion and making the nation's leader talk tough on extradition. In December, authorities gunned down a drug kingpin. The changed mood in Bogota may be behind the cartels' recent claims of retreat, though skeptics call it little but public relations. Perhapstim ofthethe battlemost famousbetweenvicthe New World's oldest justice system and its most lucra tive industry is Colombia's former justice minister, Monica de Greiff. She now teaches Colombian law at the University of Miami and lives in an elegant if small apartment with a view of the Atlantic De Greiff invokes her son's safety to explain her retreat from the Justice Ministry. shoreline. The view from her balcony is a panorama of white sand beach, rows of De Greiff resigned from the Justice Greiff will not name names, she says, palm trees and Miami's most exclusive Ministry Sept. 21 amid death threats and "These were not veiled threats; they let me apartments. Youalso see a bunch of kiddie warnings from the notoriousMedellin drug know on exactly whose behalf they were seats and a Batman tricycle that belong to cartel that members would kill 10 judges calling." de Greiffs son, Miguel Jose, who is by all for every Colombian extradited to the There are about 4,000 justices, at all accounts doing well in school. -
Representación De La Violencia En La Novela Del Narcotráfico Y El Cine Colombiano Contemporáneo
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO Claudia Ospina University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Ospina, Claudia, "REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO" (2010). University of Kentucky Doctoral Dissertations. 45. https://uknowledge.uky.edu/gradschool_diss/45 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Claudia Ospina The Graduate School University of Kentucky 2010 REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Claudia Ospina Lexington, Kentucky Director: Dr. Susan Carvalho, Associate Provost for International Programs Lexington, Kentucky 2010 Copyright © Claudia Ospina 2010 ABSTRACT OF DISSERTATION REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO This dissertation analyzes the representation of violence in Colombian novels and films from the last two decades of the XX century. Aided by current theories of violence and representation on the one hand, and an interdisciplinary methodology that analyses the phenomenon of the violence of drug trafficking from different perspectives on the other, my analysis examines the challenges and limits of literary and cinematic representation as it grapples with the extreme realities of life in Colombia’s major cities. -
Carlos Lehder Rivas: the Fall of an 'Untouchable'
Click here for Full Issue of EIR Volume 14, Number 8, February 20, 1987 Carlos Lehder Rivas: the fall of an 'untouchable' by Valerie Rush A scan of the last five years' writings and interviews given refugeit had provided theunderworld financier, thereby forc by Colombia's flamboyantdope czar, Carlos Lehder Rivas, ing Vesco into Caribbean island-hopping. Using the good provides a striking view of his kaleidoscope of ideological offices of a Dutch Antilles shell company undoubtedly cre attachments. Lehder's professed admiration for Adolf Hitler, ated for the occasion by Vesco, Lehder and his new friend his association with the Colombian MAS death squad that purchased the privateisland known as Norman'sCay, a mere murdered leftiststudents and labor leaders, his oft-published 200miles from the tip of Florida anda first-class smugglers' denunciations of "Marxism-Leninism," all stand in seeming paradise, whereLehder was to live for the next several years. ly stark contrast to his adoration of the Beatles' "peace Under the pretextof turningthe island into a tourist resort, loving" John Lennon, his politicalmovement's emulation of Vesco andLehder convertedit into a high-class "pit stop"for the "flower-children" of West Germany's Green Party, his the dope trade. Providing refrigerated warehouses for the lucrative business arrangements with the Cuban and Nicara cocaine, airplane hangars for repair and refueling, comfort guan governments, and his declaration of common cause able accommodations for weary pilots, and the best in elec with the leftist M -19 guerrillas in Colombia. tronic surveillance and killer Dobermans as security, Lehder Schizophrenic? Not at all. -
Pablo Escobar: Drug Lord As Heroic Archetype Adem Ahmed Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2016 Pablo Escobar: Drug Lord as Heroic Archetype Adem Ahmed Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Recommended Citation Ahmed, Adem, "Pablo Escobar: Drug Lord as Heroic Archetype" (2016). Honors Theses. 344. https://digitalcommons.bucknell.edu/honors_theses/344 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. PABLO ESCOBAR Drug Lord as Heroic Archetype by Adem Ahmed Submitted to the Honors Council For Honors In Comparative Humanities April 1, 2016 Approved by: ________________________ Adviser: James Mark Shields ________________________ Co-Adviser: David Rojas _______________________ Department Chair: Katherine Faull 2 ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor James Shields, both my academic and primary thesis advisor. His patience, dedication and continual support in my endeavors have played a large role in my accomplishments. I would like to thank Professor David Rojas, who courteously agreed to serve as my co- advisor. As a native Colombian, without his expertise I would not have been able to complete this thesis. I also find it appropriate to thank Professor Slava Yastremski, who served as my advisor for as long as he could. Lastly, I would like to thank my family for their continuous support in both my personal and academic success. My gratitude towards them cannot be expressed in words. -
La Representación Artística De La Biografía De Pablo Escobar En La Serie Narcos (2015)
Háskóli Íslands Hugvísindasvið Deild erlendra tungumála, bókmennta og málvísinda Spænska La representación artística de la biografía de Pablo Escobar en la serie Narcos (2015) Lokaritgerð til B.A. prófs í spænsku Linda Corina Maria Dotterweich Kennitala: 031091-4979 Leiðbeinandi: Hólmfríður Garðarsdóttir Október 2016 1 Declaration of Authenticity I declare that all material presented in this paper is my own work or fully and specifically acknowledged wherever adapted from other sources. I understand that if at any time it is shown that I have significantly misrepresented material presented here, any degree or credits awarded to me on the basis of that material may be revoked. I declare that all statements and information contained herein are true, correct and accurate to the best of my knowledge and belief. Reykjavík, September 10th 2016 ………………………………………………… Linda Corina Maria Dotterweich 2 Abstract Linda Dotterweich, Spanish (120 ECTS), Háskóli Íslands (e. University of Iceland). Abstract of Bachelor’s Thesis, submitted 10 September 2016: La representación de la biografía de Pablo Escobar en la serie Narcos (2015). The primary purpose of this study is to investigate and identify the reality content of the biography of Pablo Escobar (1949-1993), Colombia’s most famous drug cartel leader, in the Netflix series Narcos (2015) and to provide the reader with a general overview of his life, his appearance in the series and the historical background of Colombia between 1930 and 1990. In the first part, the reader is introduced to the general content of the thesis, presenting statistics of the cocaine consumption in the United States during the ‘80s and nowadays, while in addition the increasing number of heroin addicts in the United States is exposed, hence offering a context to the current importance of the theme of trafficking. -
I. Introduction I. Introduction
I. Introduction Political violence in Colombia continues to take more lives than in any other country in the hemisphere. Some of the killings take place during fighting between combatants, but most are cases of simple murder. Those responsible for these murders include members of the military and security forces as well as insurgents, hired gunmen and paramilitary groups. The intellectual authors of these crimes are comparably varied. The very complexity of political violence in Colombia often serves as a shield for those who order and commit violent acts. As this report demonstrates, the Colombian government has done too little to work through these complexities to identify, prosecute and punish those behind the political violence. This failing has been greatest in acknowledging the role of military and security forces in the killings. These forces continue to commit violent abuses themselves, and to condone and support killings by paramilitary groups. The problem is most acute in the case of paramilitary groups. These groups, which have been responsible for some of the largest and most sensational massacres, are gangs of highly trained killers, often masquerading as "self-defense" associations of farmers. Powerful economic interests recruit, train, finance and support these bands, and use them to target leftist political activists, leaders of peasant and popular organizations, and those Colombians perceived to be the "social base" of the guerrillas. Drug traffickers are among the most prominent supporters of paramilitary groups, a fact -
Spaulding, Hon. Karla R
Published December 2013 Judicial Profile by Coleman W. Watson Hon. Karla R. Spaulding U.S. Magistrate Judge, Middle District of Florida pproximately 210 miles from the Florida coast sits Norman’s Cay, an island in the Central Bahamas. There is no question that both its sunshine and pristine beaches con- tribute to its fame. But in the late 1970s Aand early 1980s, one man put Norman’s Cay on the map: Carlos Lehder, co-founder of the Medellin Cartel. He used Norman’s Cay as his personal island headquarters for the distribution of cocaine. During his prime, he was respon- sible for smuggling the bulk of all cocaine into the United States from Colombia by using small airplanes. According to Forbes magazine, he amassed a $2.7 billion fortune in doing so. Lehder’s fleet took off from a private runway on Norman’s Cay, which was closely protected by attack dogs and armed guards, and then landed on several out-of-the- way runways in Florida and Georgia. He bribed and evaded authorities for years, and once threatened to kill one federal judge per week if he were ever captured and extra- dited. The threat put officials on high alert in 1987 after he was apprehended on a farm in Colombia. Within hours of his capture, he was put on a U.S. government airplane en route to Florida to face drug trafficking charges. Ultimately, Robert Merkle, former U.S. attorney for the Middle District of Florida, and Ernst Mueller, an assistant U.S. attorney, prosecuted Lehder. On their pretrial team sat a young prosecutor who would later go on to become a respected member of the federal bench: the future U.S. -
Political Visuality of Latin America in Narcos
° www. comunicacionymedios.uchile.cl 106 Comunicación y Medios N 37 (2018) Political Visuality of Latin America in Narcos: a te- levision style analysis Visualidad política de América Latina en Narcos: un aná- lisis a través del estilo televisivo Simone Rocha Universidade Federal de Minas Gerais, Belo Horizonte, Brasil [email protected] Abstract Resumen From the theoretical approach of the visual stu- Desde la fundamentación teórica ofrecida por dies articulated with television style analysis, I los estudios visuales articulados al análisis del intend to analyze visualities of Latin America estilo televisivo, propongo analizar visualidades and historical events on the contemporary drug de América Latina y de eventos históricos que problem exhibited in the first season of Narcos tratan la problemática contemporánea de las (Netflix, 2015). Based on the primary meaning drogas exhibidas en la primera temporada de established by the producers, it is possible to Narcos (Netflix, 2015). A partir de la identifica- understand the complex relationships between ción del sentido tutor, definido por los realizado- crime, economy, formal politics and corruption. res de la serie, es posible captar las complejas relaciones establecidas entre crimen, economía, Keywords política formal y corrupción. Visuality; Narcos; Latin America; Television Style. Palabras clave Visualidad; Narcos; América Latina; estilo tele- visivo. Received: 10-03-2018/ Accepted: 08-06-2018 / Published: 30-06-2018 DOI: 10.5354/0719-1529.2018.48572 Political Visuality of Latin America in Narcos: a television style analysis 1. Introduction There were four directors in the first season:107 the Brazilians Jose Padilha (episodes 1 and A little over a decade ago audiovisual produc- 2) and Fernando Coimbra (episodes 7 and 8); tions depicting the global issue of drug traffic- the Mexican Guillermo Navarro (3 and 4) and king began making an appearance. -
Los Misterios De Medellín: Representación Y Consumo Cultural De La Narcotelenovela Escobar, El Patrón Del Mal En La Localidad De Kennedy De Bogotá
Los misterios de Medellín: representación y consumo cultural de la narcotelenovela Escobar, el patrón del mal en la localidad de Kennedy de Bogotá. Luis Felipe Neira Reyes Universidad Nacional de Colombia Facultad de Ciencias Humanas. Centro de Estudios Sociales Bogotá, Colombia 2020 Los misterios de Medellín: representación y consumo cultural de la narcotelenovela Escobar, el patrón del mal en la localidad de Kennedy de Bogotá Luis Felipe Neira Reyes Trabajo de investigación presentado como requisito parcial para optar al título de: Doctor en Ciencias Humanas y Sociales Director: Fabio López de la Roche Doctor en Estudios Literarios. Línea de investigación: Estéticas y Narrativas Universidad Nacional de Colombia Facultad de Ciencias Humanas. Centro de Estudios Sociales Bogotá, Colombia 2020 A la memoria de Edith y a mi familia en las fronteras de Macondo… Agradecimientos Estas páginas cierran un largo esfuerzo de interrogar el melodrama televisivo sobre la mafia criolla. En el curso de su desarrollo he contraído una deuda de gratitud con el doctorado de Ciencias Humanas y Sociales del Centro de Estudios Sociales de la Universidad Nacional y con más de una persona. La condición de investigador que me proveyó el doctorado hizo posible no solo el espacio interior para escribir el texto, sino también el acercamiento al rico y complejo mundo de la comunicación y de la cultura de masas de América Latina. En particular agradezco la confianza del director de la investigación, profesor Fabio López de la Roche del Instituto de Estudios Políticos y Relaciones Internacionales y su énfasis en aportarme la entrada empírica y teórica al complejo y espinoso campo de los medios masivos de comunicación en plena revolución tecnológica. -
Los Medios Y El Mito De Pablo Escobar Marcela Osorio Granados
Los medios y el mito de Pablo Escobar Marcela Osorio Granados Trabajo de grado para optar por el título de Comunicador Social Campo profesional: Periodismo Director: Jorge Enrique Cardona Álzate Pontificia Universidad Javeriana Facultad de Comunicación y Lenguaje Carrera Comunicación Social Bogotá 2008 5 "La Universidad no se hace responsable por los conceptos emitidos por sus alumnos en sus tesis de grado. Sólo velará porque no se publique nada contrario al dogma y a la moral católica, y porque las tesis no contengan ataques o polémicas puramente personales. Antes bien, se vea en ellas el anhelo de buscar la verdad y la justicia". [ARTÍCULO 23 DEL REGLAMENTO ACADÉMICO] 6 AGRADECIMIENTOS A mis padres sin cuya ayuda no hubiera podido llegar a este punto de mi carrera profesional. A Jorge Cardona, quien ha sido apoyo en mi vida, en mi trabajo y en este proyecto que guió incondicionalmente. A todos aquellos que estuvieron a mi lado durante la realización de este trabajo, y a Carlos Mario Correa, cuyo testimonio fue fundamental para demostrar los planteamientos que aquí se presentan. 8 TABLA DE CONTENIDO 1. Introducción........................................................................................... 10 2. Capítulo I: Las múltiples facetas de un capo………………………………………. 13 La vida de uno de los hombres que más recuerda el país y quién dejó como legado, la pesada cruz del narcotráfico. 3. Capítulo II: Seguimos adelante…………………………………………………………… 47 El periodismo en medio de la guerra. El narcotráfico intimida y acaba con los medios que denuncian sus operaciones fraudulentas. 4. Capítulo III: De Robin Hood paisa a temido criminal………………. 90 La revista que mostró en un principio a Pablo Escobar como un Robin Hood paisa y que conoció detalles íntimos de la vida personal del capo de capos. -
Pablo Pdf, Epub, Ebook
PABLO PDF, EPUB, EBOOK Julie Birmant,Clement Oubrerie | 344 pages | 05 May 2015 | Selfmadehero | 9781906838942 | English | London, United Kingdom Pablo PDF Book Print Cite. Archived from the original on 4 May Also remember that access will be restricted starting March 1, for nesting season. Play the game. Get some streaming picks. Color: Color. Need even more definitions? Take the quiz Citation Do you know the person or title these quotes desc On January 8, , Pablo Reservoir opened for ice fishing. Email address. You must be a registered user to use the IMDb rating plugin. As of fall , Pablo National Wildlife Refuge has new entrance signs that feature traditional native languages in addition to English. In the cartel reportedly placed a bomb aboard an airplane in an attempt to kill an alleged informant. Fish and Wildlife Service, manages a national network of lands and waters set aside to conserve America's fish, wildlife, and plants. Daily Record. Escobar's influence allowed him to discover the plan in advance and make a successful escape, spending the remainder of his life evading the police. El Nuevo Herald. Patrick Cockburn reports". Ultimately, authorities were unable to link her funds to illegal activity, and she was released. Retrieved 11 July Yet as he saw it, his path to wealth and legitimacy lay in crime. These large white birds can be seen with some regularity throughout the potholes and waterways of the Valley. Archived from the original on 14 July Google Livres. Escobar, Juan Pablo. The relationship was discouraged by the Henao family, who considered Escobar socially inferior; the pair eloped.