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A Voyage of Discovery Through the Threads of Bengali Embroidery
a voyage of discovery through the threads of Bengali embroidery a voyage of discovery through the threads of Bengali embroidery . -
Summer Ta Y Bolster Pillow Skill Level: Intermediate
Summer Tay Bolster Pillow Skill Level: Intermediate Designed and Sewn By Susie Layman www.threadsonmysocks.blogspot.com Summer Taffy Bolster Pillows are easy to sew on your machine and one can easily be made in a day. They look great when grouped with pillows of other shapes and sizes and are perfect for a girl’s room or perched on your favorite chairs. Instructions are provided for both ruffled and pleated ends. Finished size - 16” x 4”. Fabrics Needed Fabric A 1 fat quarter Fabric B 1 fat eighth Fabric C* ¼ yard straight cut Fabric D* ¼ yard straight cut *Fabric C can be used for both the inside and outside of the rue or pleat at the end of the pillow. If so, eliminate fabric D and replace with ⁄ yard of fabric C. Materials Needed Pellon® 987F Fusible Fleece ½ yard Pellon® Perfect Loft® Cluster Fiber Fill 1 bag Thread Tools Needed Sewing machine and related supplies Rotary cutter and related supplies www.pellonprojects.com Graphic Artist Alexandra Henry PERMISSION IS GIVEN TO REPRODUCE FOR PERSONAL USE ONLY ©2014 - PCP Group, LLC www.pellonprojects.com Assembly Seam allowance is ½” unless otherwise noted. Step 1. Cutting Instructions. Fabric A Cut one 17” x 16” rectangle for outer pillow body Fabric B Cut two 5” circles using the template found on page 3 Fabric C Cut two 3” x width of fabric strips for outer rue/pleat* Fabric D Cut two 3” x width of fabric strips for inside rue/pleat* Fusible Fleece Cut one 16” x 15” rectangle Cut two 5” circles using the template found on page 3 *If fabric C is used for inside and outer rue, eliminate the cut for fabric D and cut two 5” x width of fabric from fabric C. -
Copyright Law and Quilted Art, 9 J. Marshall Rev. Intell. Prop. L
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW PATCHWORK PROTECTION: COPYRIGHT LAW AND QUILTED ART MAUREEN B. COLLINS ABSTRACT Historically, quilts have been denied the same copyright protection available to any other expression in a fixed medium. When quilts have been considered protectable, the protectable elements in a pattern have been limited, or the application of the substantial similarity test has varied widely. One possible explanation for this unequal treatment is that quilting is viewed as 'women's work.' Another is that quilts are primarily functional. However, quilts have evolved over time and may now be expensive collectible pieces of art; art that deserves copyright protection. This article traces the history of quilt making, addresses the varying standards of protection afforded to quilts and concludes that consistent and comprehensive protection is needed for this art form. Copyright © 2010 The John Marshall Law School Cite as Maureen B. Collins, Patchwork Protection: Copyright Law and QuiltedArt, 9 J. MARSHALL REV. INTELL. PROP. L. 855 (2010). PATCHWORK PROTECTION: COPYRIGHT LAW AND QUILTED ART MAUREEN B. COLLINS * INTRODUCTION When is a quilt a blanket and when is it art? This question takes on greater importance as the universe of quilted art expands and changes. Once relegated to attics and church craft bazaars, the quilt has come out of the closet. Today, quilts are found in museums 2 and corporate headquarters. 3 They are considered to be among the most collectible "new" forms of art. 4 Quilting is a multi-million dollar industry. 5 Handmade quilts fetch asking prices in the tens of thousands of dollars. -
Radio Repairs Happy Farmer CITRUS FRUIT -T—-Ir-'L
MISCELLANEOUS FOR SALE (Cent. > _MISCELLANEOUS FOR SALE. MISCILLANEOUS FOR SALE. MISCELLANEOUS FOR SALI. MISCniANEOUS FOR SALI. MltCILLANIOUS WANTIP (Cant.). KNABE size, upright, medium mahogany, RADIO. 7-tube Philco, floor model, push STOKER, hard-coal, electric furnaeeman. TYPEWRITER. Royal de luxe: Quiet: with bench, $185 cash. After 0 porta- TWO TONS OF STOVE COAL, price, RADIO, (mail table, for serviceman, not plain, a.m., button, two-wave, excellent cond., $00. thermostat; very cheap. No further use. ble, with case. 1113 13th st. Adams 1258 n.w., Apt. *12.50 ton; other articles. No phone calls. over *20: good condition. AT. #108. 3134 28th st. s.e. TR. 8690. 21* 795 Oth st. or GE. 0420. 10. • MISCELLANEOUS WANTED. LIBRARY DESK, oak, .V<Tx2'4", with book 1325 Quincy n e., Brookland. RADIO. McMurdo. Silver Masterpiece No. 0004, MTS, ITC. (Con*.). RADIO—Philco, model; uphol- STOKER of standard make. 90 lbs. per ~* shelves. $10 Sfe cabinet, TYPEWRITER, portable. latest model DOMESTIC RUG, flower pattern, 6 by 9; 8 or 15-17. EM. .1881, CASH FOR DIAMONDS AND janitor, The Foreland. stered Duncan Phyfe davenport, used 3 hour capacity, one year old, soft Coal type, Underwood bicycles (2k OLD OOLD IRISH TERRIERS. • boy’s and girl’s; practically new. HO. 651(1. RADIOS, any make, table models only 28 2nd st n.c. months. HO. 5717. home or Diamond watches and discarded Jewelry B mlles from Fall for larse small apt. house: may 2 Pr. roller skates; kerosene heater. DU 220 us Church MONEL FREIGHT TRAIN O-GAUGE, SWIFT MODEL 70 Winchester Will pay from *20 to $45. -
Alef-Bet Patchwork Quilt
Women’s League for Conservative Judaism CH #24 ALEF BET INSTANT PATCHWORK QUILT Patchwork and quilting are two separate arts that were combined by the early settlers of this country to make beautiful quilts. Patchwork is very simple, requiring only accuracy in making the units. The sewing of patchwork consists only of a straight seam. Quilting is the process of sewing the layers of quilt together by hand. Patchwork and quilting, while pleasant to do, take time and patience – but are indeed worth it. Instant patchwork quilting is fun to do, for in no time at all, beautiful and lasting easy care quilts, comforters and throws can be made for loved ones. The quilts can be made quickly because you use material with a patchwork design for the top layer of your quilt (there is no need to sew squares together). This patchwork material may be bought at your yard goods department or you may use a “patchwork design” sheet found in the line department. Bed sheets are excellent to use for both top and lining of your quilt. If you buy the no-iron sheets, they are practically care-free and come in widths to fit all beds. MATERIALS: 1. Patchwork material – fast dye, cotton fabric. 2. Lining – fast dye, cotton fabric of same good quality as top. 3. Scraps of plain colored material for alphabet. 4. Long needle with large eye. 5. Small ball of matching or contrasting yarn. 6. Batting – enough for 1 or 2 layers (I used two for added puffiness) 7. Dining room table or large work table. -
Heart Patchwork Quilt | Pottery Barn Kids 5/15/19, 10 05 AM
Heart Patchwork Quilt | Pottery Barn Kids 5/15/19, 1005 AM Start earning 10% back in Rewards with the Pottery Barn Credit Card. Learn more > POTTERY BARN PB/APT PB MODERN|BABY BABY KIDS TEEN DORM Williams Sonoma WS Home west elm Rejuvenation Mark and Graham | Ship To: SIGN IN REGISTRY KEY REWARDS FAVORITES TRACK YOUR ORDER What are you looking for? New Baby Kids Furniture Bedding Rugs Windows Bath Decor Backpacks & Lunch Baby Gear Beach Gifts Sale PB Modern Baby Up to 50% off Spring Furniture Sale Up to 60% off 25% off 20-40% off Flash Sale: 40% off Backpacks, Lunch & More Beach Towels, Totes & More All Kids' Bedding Ready to Ship Comfort Swivel Rocker Home > Bedding > Quilts & Comforters > Heart Patchwork Quilt Heart Patchwork Quilt Recently $32.50 – $189 Viewed Sale $12.99 – $74.99 CHOOSE ITEMS BELOW Earn $25 in rewards* for every $250 spent with your Pottery Barn Credit Card. Learn More OVERVIEW Spread the love over their sleep space with our Heart Patchwork Quilt. Pieced together with pastel-colored hearts, this quilt provides lasting comfort and charming style to their bed. DETAILS THAT MATTER Made of 100% cotton. Woven cotton gives the fabric a soft finish while providing durability and ultimate breathability. Quilt is expertly stitched by hand. Quilt is filled with 50% cotton and 50% polyester batting. Quilt and shams reverse to solid pink color. VIEW LARGER Roll Over Image to Zoom Shams have center tie closures. KEY PRODUCT POINTS Rigorously tested to meet or exceed all required and voluntary safety standards. Pottery Barn Kids exclusive. -
History of Quilting
History of Quilting When the first settlers came to this country they brought with them their quilting skills. New fabric was hard to come by, so fabric for clothing and for quilts had to be used and reused saving as much as possible from worn clothing. Thus the patchwork quilt was born. Scraps of fabric were cut into geometric patterns that fit together into larger blocks of design. Many of these patterns have been passed through generations, created by the ingenuity of our ancestors and traded within communities. Names for particular patterns sometimes changed as they moved from one part of the country to another, reflecting the environment within which it was named. (i.e. a pattern called the pine tree pattern in Connecticut might be named bear’s path in Ohio). Quilt making is an art form that both individuals, as well as groups of people participated in. From the lore surrounding quilt making we learn that parents passed the skills for quilt making on to their children at a very young age. The children would start with small patches of fabric, and learn to sew the very fine stitches needed for beautiful and elaborate quilts. Historically, quilting has generally been practiced by, and associated with women. This could be because the sewing skills needed to make a quilt have always been an integral part of women’s lives. Learning how to sew was such an important skill for girls to have that it was taught and practiced in the home and at school. Women of all classes participated in this form of expression. -
Free Project Sheet
{ FEATURING UTOPIA COLLECTION} FREE PROJECT SHEET DESIGNED BY : QUILT DESIGNED BY FRANCES NEWCOMBE KIT QUANTITY UT-24502 1/8 yd. UT-24509 1/4 yd. UT-24507 1/4 yd. UT-24204 1/8 yd. FINISHED SIZE: 42" X 42" UT-14501 1/8 yd. To download the instructions UT-14505 1/4 yd. UT-14503 1/4 yd. for this pattern visit UT-24506 3/8 yd. NE-104 1 yd. artgalleryfabrics.com Backing 1 1/2 yd. by UT-14500 UT-14501 UT-14502 UT-14503 UT-14504 Dreamlandia Atomic Influx Perse Specks of Rambutan Megalopolitan Dim Orni Bioluminescence Illuminated FANTASY CITY FERVOR UT-14505 UT-14506 UT-14507 UT-14508 UT-14509 Chatter Pods Citrica Lucid Hills Amber Paradise Dwellers Vivid Urban Sprawl Magenta Aglow Sapling Mango UT-24500 UT-24501 UT-24502 UT-24503 UT-24504 Dreamlandia Atomic Influx Alloy Specks of Carambola Megalopolitan Glim Orni Incandescence Irradiated REVERIE CITY WINTER UT-24505 UT-24506 UT-24507 UT-24508 UT-24509 Chatter Pods Menta Lucid Hills Jade Paradise Dwellers Urban Sprawl Grass Aglow Sapling Sloe Neon © 2014 Courtesy of Art Gallery Quilts LLC. All Rights Reserved. 3804 N 29th Ave. Hollywood, FL 33020 PH: 888.420.5399 FX: 425.799.6103 FABRICS DESIGNED BY FRANCES NEWCOMBE FOR ART GALLERY FABRICS QUILT DESIGNED BY Karen Turchan CUTTING DIRECTIONS FINISHED SIZE: 42" X 42" ¼" seam allowances are included. WOF means width To download the instructions of fabric. for this pattern visit One (1) 3 1/2" x WOF strip from fabric A Sub cut strip into four (4) 3 1/2" X 6 1/2" strips artgalleryfabrics.com Two (2) 3 1/2" x WOF strips from fabric B Sub cut strip into four (4) 3 1/2" x 12 1/2" strips Two (2) 3 1/2" x WOF strips from fabric C Sub cut strip into four (4) 3 1/2" x 18 1/2" strips FABRIC REQUIREMENTS One (1) 3 1/2" x WOF strip from fabric D Sub cut strip into six (6) 3 1/2" squares Fabric A UT-24502 1/8 yd. -
The Cutter Quilt Fad, 1980 to Present
The Cutter Quilt Fad, 1980 to Present: A Case Study in Value-Making in American Quilts A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Rebecca H. McCormick Bachelor of Arts St. Edward’s University, 2010 Director: Jennifer Van Horn, Professor Department of History of Decorative Arts Fall Semester 2013 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION I would like to dedicate this thesis to my parents who made me who I am and to my husband who never asked, “So what are you going to do with that degree?” iii ACKNOWLEDGEMENTS This thesis would not have been possible without the tireless work and never-ending questions of my advisor, Jennifer Van Horn. iv TABLE OF CONTENTS Page List of Figures ................................................................................................................... vii Abstract ............................................................................................................................ viii Introduction ......................................................................................................................... 1 Chapter One: “Why Not Wear Them?” .............................................................................. 4 Dead Quilts and Cutter Quilts ......................................................................................... 5 The History of Dead Quilts ............................................................................................ -
Making Modern Quilts: 4 Free Modern Quilt Patterns Quiltingdaily.Com 1 ©F+W Media Making Modern Quilts Quilting Daily 4 Free Quilt Patterns
MaKING MODERN QUILTS Quilting Daily 4 FREE QUILT PATTERNS Making Modern Quilts 4 FREE MODERN QUILT PATTERNS 1 2 4 3 Modern Mountains Quilt: Fresh Cut Quilt 1 Create a Pieced Landscape 3 JACQUIE GERING & KATIE PEDERSEN KRISTA FLECKENSTEIN Me and My Arrow Mod Pinwheel Quilt 4 JACQUIE GERING & KATIE PEDERSEN 2 JACQUIE GERING & KATIE PEDERSEN MAKING MODERN QUILTS: 4 FREE MODERN QUILT PATTERNS QUILTINGDAILY.COM 1 ©F+W Media MaKING MODERN QUILTS Quilting Daily 4 FREE QUILT PATTERNS hat is modern quilting? There’s no shows you how to cut strip-pieced Wset definition. Typically, though, blocks at wonky angles to give the modern quilts have large fields of solid mountains a bold, contemporary look. colors, take an improvisational approach The Mod Pinwheel Quilt takes the MAKING MODERN to cutting and piecing, and highlight whimsical pinwheel block and gives QUILTS contemporary commercial fabrics. it a modern patchwork twist using 4 FREE One thing’s for certain: foundation piecing. MODERN QUILT modern patchwork In the Fresh Cut Quilt pattern, you'll PATTERNS quilts sure are popular. learn the slice-and-insert technique In Making Modern where three large modern quilt blocks EDITOR Vivika Hansen DeNegre Quilts: 4 Free Modern alternate with solid blocks. ONLINE EDITOR Cate Coulacos Prato Quilt Patterns, The Me and My Arrow modern quilt CREATIVE SERVICES we’ve put together pattern makes a point about points: the DIVISION ART DIRECTOR Larissa Davis three modern quilt pieces and even the quilting have points! designs from the authors of the Quilting PHOTOGRAphERS Larry Stein With these four modern quilt tutorials Modern book, Jacquie Gering and Katie you will learn how to how to capture the Projects and information are for inspira- Pedersen, and one modern landscape flavor of modern quilting in your studio. -
Hexi Pillow Featuring Hindsight by Anna Maria Use Your English Paper Piecing Skills to Create This Beautiful Bolster Pillow in an Assortment of Fun Prints
Hexi Pillow Featuring Hindsight by Anna Maria Use your English Paper Piecing skills to create this beautiful bolster pillow in an assortment of fun prints. Collection: Hindsight by Anna Maria Technique: English Paper Piecing Skill Level: Confident Beginner Finished Size: 6" x 14" (15.24cm x 35.56cm) All possible care has been taken to assure the accuracy of this pattern. We are not responsible for printing errors or the manner in which individual work varies. Please read the instructions carefully before starting this project. If kitting it is recommended a sample is made to confirm accuracy. freespiritfabrics.com 1 of 2 Hexi Pillow Project designed by Liza Prior Lucy Instructions 9. Remove the basting and the papers from all Tech edited by Linda Turner Griepentrog 1 the hexagons. Seam allowances are ⁄2" (1.27cm). 10. Shape the hexagon piece into a tube and Fabric Requirements 1. Sew a line of basting stitches along the whipstitch the adjacent piece edges together. seamline on both 19" (48.26cm) edges of 11. Slip the hexagon tube over the bolster pillow, • Quilter’s Lace from Wheelhouse Medallion the pillow rectangle, leaving the thread ends center and hand-stitch the hexie points to Quilt*, for hexies long enough to pull. the pillow cover. 1 • ⁄4 yard (22.86cm) fabric, for pillow ends 2. With right sides together, fold the pillow 1 • ⁄2 yard (45.72cm) fabric, for pillow fabric rectangle in half aligning the 15" (38.10cm) edges. Sew the seam, leaving a 5" *Quilter’s Lace is leftover fabric once you’ve fussy- (12.70cm) opening in the middle of the seam cut the Wheelhouse Medallion Quilt blocks. -
The Refining of a Domestic Art: Surayia Rahman Niaz Zaman [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2014 The Refining of a Domestic Art: Surayia Rahman Niaz Zaman [email protected] Cathy Stevulak Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons, and the Art Practice Commons Zaman, Niaz and Stevulak, Cathy, "The Refining of a Domestic Art: Surayia Rahman" (2014). Textile Society of America Symposium Proceedings. 886. http://digitalcommons.unl.edu/tsaconf/886 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Refining of a Domestic Art: Surayia Rahman Niaz Zaman and Cathy Stevulak The kantha or, as it is increasingly referred to now, the nakshi kantha, is an important women’s domestic art of Bengal. It is made all over Bangladesh except in the south-eastern Chittagong Hill Tracts region. Layers of old garments such as saris, lungis and dhotis are put together and reconstituted into objects of functional, ritual, or ceremonial use. Borders and motifs are embroidered in variations of the running stitch with coloured thread, traditionally drawn from the borders of old saris. The empty spaces are stitched with white yarn to create an effect of ripples. In most Bengali families, small kanthas made of soft, old cloth, are used to wrap babies. [Figure 1] Husbands or sons who leave home to work on land or water almost always carry with them a kantha made by their mothers or wives.