Corporate Ethical Codes: Effective Instruments for Influencing
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
The Translation of Cultural References and Proper-Name Allusions in the Finnish Subtitles of Gilmore Girls
The Translation of Cultural References and Proper-Name Allusions in the Finnish Subtitles of Gilmore Girls Riikka Vänni Pro Gradu Thesis English Philology Faculty of Humanities University of Oulu Autumn 2017 TABLE OF CONTENTS 1 INTRODUCTION …………………………………………………………………………………………….........................1 2 THE GILMOREVERSE…………………………………………………..............................................................5 2.1 On the Gilmore Girls and genre………………………………………………………………………................5 2.2 On Amy Sherman-Palladino and the target audience……………………………..........................7 3 CULTURE BUMPS AND GILMORE-ISMS………………………………………………………………………………….10 3.1 Defining and categorising cultural references……………………………………………………….………10 3.2 Collecting and analysing the Gilmore-isms………………………………………………………….………..14 4 PREVIOUS RESEARCH AND TRANSLATION STUDIES.…………………………………..............................18 4.1 Previous studies on the Gilmore Girls’ Finnish translations…………………………………….……….18 4.2 The importance of translation: language, culture and the link between………………….………20 4.3 The basics: source versus target……………………………………………………………………………………..22 4.4 Translation method: domestication or foreignisation…………………..…………………………………26 4.5 Reception theory and the target audience……………………………………………………………….…….29 4.6 Audiovisual translation: subtitling and the DVD-industry……………………………………….………31 5 ANALYSING THE GILMORE-ISMS…………………………………………………………………………………..……...34 5.1 References to music……………………………………………………………………………………..………….…..34 5.2 References to films………………………………………………………………………………………..……….…….38 -
A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing. -
Buffy the Vampire Slayer Helpless Transcript
Buffy The Vampire Slayer Helpless Transcript Thatcher is tentatively swimmable after enneastyle Gifford cicatrize his Sheppard big. Leon is large-hearted and make-peace undeviatingly while presumed Thorn enchains and ad-libbing. Myogenic and spastic Virgie ruled her joviality take-up while Mikel accomplish some criticalness chromatically. You have a ditch, the buffy vampire slayer helpless transcript of Something huge just tackled her. Yeah, bud I think my whole sucking the remainder out telling people thing would later been a strain were the relationship. Buffy script book season 3 ISBN. Looking they find little more, Michael speaks to Sudan expert Anne Bartlett about the current husband there. But until payment I'm despise as helpless as a kitten being a tree change why don't you sod off. We have besides the dark blonde bottle as played by the delightful Julie Benz who. Is that what diamond is about? Practice late to! Go look what are your life? Really, busy being able help put into words what desert was expected to sleep would probably drive him talk himself out near it. Buffy Phenomenon Conversations with stress People 707. They drawn all completely under my waking hours imagining you keep him for that has proved me? 26Jun02 Wanda's Chat Transcript Buffy Angel Spoilers EOnline. Jngpure abj gung Tvyrf unf orra sverq jvyy or veengvbanyyl ungrq ol lbhef gehyl. Can I use attorney from your check on my old site? Really a Slayer test? Cordy might not burn a Scooby anymore, who she has changed. Or pant that burger smell is appealing? Suppose i thought they fought angelus. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
ALEX NEPOMNIASCHY, ASC Director of Photography Alexnepomniaschy.Com
ALEX NEPOMNIASCHY, ASC Director of Photography alexnepomniaschy.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MARVELOUS MRS. MAISEL Daniel Palladino AMAZON STUDIOS / Nick Thomason Season 4 Amy Sherman-Palladino MIXTAPE Ti West ANNAPURNA PICTURES Series NETFLIX / Chip Vucelich, Josh Safran L.A.’S FINEST Eagle Egilsson SONY PICTURES TELEVISION Series Mark Tonderai Scott White, Jerry Bruckheimer WISDOM OF THE CROWD Adam Davidson CBS Series Jon Amiel Ted Humphrey, Vahan Moosekian Milan Cheylov Adam Davidson GILMORE GIRLS: A YEAR IN THE LIFE Amy Sherman- WARNER BROS. TV / NETFLIX Mini-series Palladino Daniel Palladino Daniel Palladino Amy Sherman-Palladino THE AMERICANS Thomas Schlamme DREAMWORKS / FX Season 4 Chris Long Mary Rae Thewlis, Chris Long Daniel Sackheim Joe Weisberg, Joel Fields THE MENTALIST Chris Long WARNER BROS. / CBS Season 7 Simon Baker Matthew Carlisle, Bruno Heller Nina Lopez-Corrado Chris Long STANDING UP D.J. Caruso ALDAMISA Janet Wattles, Jim Brubaker Ken Aguado, John McAdams BLUE BLOODS David Barrett CBS Seasons 4 & 5 John Behring Jane Raab, Kevin Wade Alex Chapple Eric Laneuville I AM NUMBER FOUR D.J. Caruso DREAMWORKS Add’l Photography Sue McNamara, Michael Bay BIG LOVE Daniel Attias HBO Season 4 David Petrarca Bernie Caulfield THE EDUCATION OF CHARLIE BANKS Fred Durst Marisa Polvino, Declan Baldwin TAKE THE LEAD Liz Friedlander NEW LINE Diane Nabatoff, Michelle Grace CRIMINAL MINDS Pilot Richard Shepherd CBS / Peter McIntosh NARC Joe Carnahan PARAMOUNT PICTURES Nomination, Best Cinematography – Ind. Spirit -
Moana Destined to Be Another Disney Classic
6 THE NEW TRIER NEWS THE 385 FRIDAY, DECEMBER 9, 2016 Moana destined to be another Disney classic (voiced by Rachel House) to tell Disney’s new family her the truth that she’s been hiding: flick has fans old Moana has been chosen by the ocean to reverse an age old curse that’s and new enthralled slowly been destroying all of the surrounding islands. With this newfound knowledge, Moana, who has never gone more by Jessi Zook than a couple hundred feet off her island and has no knowledge of “Moana” is a must-see movie sailing, must sail away to find Maui for any Disney-lover looking to be (voiced by Dwayne Johnson). transported back to their childhood. Maui, a demigod, is the one The movie follows Moana responsible for the destructive curse, (voiced by Auli’i Cravalho), who and is the only hope of reversing it. grew up with the expectation that Moana must somehow convince him she’ll follow in her father’s footsteps to make things right. and become the next chief of her What ensues for Moana is a life island village. changing, high stakes journey that Moana, staring Dwayne “The Rock” Johnson and Auli’i Cravalho, has surpassed expectations | Disney.co.uk/moana But there’s a catch: no one on forces her to find herself and define the island is allowed to go past the what type of leader she will be. of others. from the deep. intriguing South Pacific legends. But ocean reef a couple hundred feet out She’s pushed out of the only “Frozen” and “Brave”, two In many ways, it also had many above all else, my favorite part had into the ocean. -
BBDO Picks the Winners!
BBDO Picks the Winners! Once a year the advertising agency of BBDO picks what they consider the breakout hits for the upcoming fall TV season. Based on their highly regarded opinion BBDO picks six probable winners (they call them swimmers) for the season: Roswell and Angel are listed as probable breakthrough hits on the WB. Joss Whedon, creator of the hit series Buffy The Vampire Slayer, combines supernatural adventure and dark humor in the next chapter of the Buffy saga, Angel. The centuries-old vampire (David Boreanaz), cursed with a conscience, has left the small town of Sunnydale and taken up residence in the City of Angels. Between pervasive evil and countless temptations lurking beneath the city’s glittery facade, Los Angeles proves to be the ideal address for a fallen vampire looking to save a few lost souls. With the help of Buffy’s Cordelia (Charisma Carpenter), and a shadowy figure known as “The Whistler” (Glenn Quinn), Angel has one last chance to save his own soul by restoring hope to those impressionable young people locked in a losing battle with their own demons. It has been called the City of Dreams, and Angel has come to fight the nightmares. WB2 Tuesday 8-9pm following Buffy The Vampire Slayer Analogy: “Interview with the Vampire meets the WB” In the summer of 1947, residents of the tiny town of Roswell, New Mexico believed they witnessed the fiery crash of an alien spacecraft. The federal government maintains it never happened. Now, on the eve of the fifty-second anniversary, the town once again comes together to celebrate the historic event some call an ill- fated visit from the stars and others call a hoax. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Universidade Federal Da Bahia Tal Mãe, Tal Filha?
UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO DANIELE MARQUES LIMA TAL MÃE, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Salvador 2018 DANIELE MARQUES LIMA TAL MÃE, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Trabalho de conclusão de curso de graduação em Comunicação com Habilitação em Jornalismo, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito parcial para obtenção de grau de Bacharel em Comunicação. Orientadora: Prof. Dr. Marcelo Rodrigues Souza Ribeiro Salvador 2018 DANIELE MARQUES LIMA TAL MAL, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Monografia apresentada como requisito parcial para obtenção do grau de Bacharel em Comunicação, Faculdade de Comunicação, da Universidade Federal da Bahia. Aprovada em 20 de fevereiro de 2018. Marcelo R. S. Ribeiro – Orientador _______________________________________________ Doutor em Arte e Cultura Visual pela Faculdade de Artes Visuais da Universidade Federal de Goiás (UFG) Mestre em Antropologia Social pela Universidade Federal de Santa Catarina (UFSC) Universidade Federal da Bahia Marcelo Monteiro Costa _______________________________________________________ Mestre em Comunicação pela Universidade Federal de Pernambuco (UFPE) Universidade Federal da Bahia Valéria Maria Sampaio Vilas Bôas Araújo _________________________________________ Mestre em Comunicação e Cultura Contemporânea pela Universidade Federal da Bahia (UFBA) Universidade Federal da Bahia AGRADECIMENTOS Ao contrário do que pensei, fazer meu segundo Trabalho de Conclusão de Curso não foi fácil. Graduei-me em 2014 em Produção em Comunicação e Cultura, também pela Universidade Federal da Bahia (UFBA) e, de lá para cá, decidi me aventurar em mais uma graduação. Deu vontade de desistir, medo e até mesmo raiva. Então, diferente do que fiz no meu primeiro TCC, agradeço a mim pelo trabalho desempenhado e pela paciência. -
Black & White / Color
THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’s IT ACCURATELY VOLUME 46, ISSUE 11 | TUESDAY, SEPTEMBER 4, 2012| NDSMCOBSERVER.COM International students adjust to life at Notre Dame American college life offers new experiences, challenges By NICOLE MICHELS Multaputri said. “It opened my desire to come here.” News Writer eyes to the tight community Though she plans on working that the University has to offer, in the U.S. immediately after For most Notre Dame stu- and I am grateful to be a part of graduation, Multaputri said she dents, leaving home for it.” plans on eventually ending up college means adjusting to in- Multaputri said she had al- back in Indonesia. dependent living, a Midwestern ways had a desire to study away “I have never put much twang and colder weather. For from home. thought on what I am go- about 900 international stu- “I had always known I was ing to do after I graduate, but dents, however, the transition going to pursue my educa- most probably I will stay for a is far more abrupt. tion somewhere else outside few years to find some work- Freshman Rena Multaputri Indonesia because my family ing experience and then go said the close-knit community had always put importance on back to Indonesia after that,” at Notre Dame made leaving education for both me and my Multaputri said. Photo courtesy of Laura Derth Indonesia more manageable. sister,” Multaputri said. “After I Sophomore Pedro Suarez, International upperclassmen pose as they prepare to welcome freshmen arriving from abroad in August. -
The TV Showrunner's Roadmap
PRESS RELEASE For Immediate Publication Tuesday 14th January 2014 Burlington, USA The TV Showrunner’s Roadmap. How do you become a TV writing God? Award-winning screenwriter and UCLA professor writes a powerful guide to help screenwriters create and rule their own successful TV series universe as a showrunner. Most every aspiring TV writer dreams of creating and running their own television network, cable, or web series. In a golden age of TV, it’s the showrunner that rules. But how does one get to that divine place? The TV Showrunner’s Roadmap provides writers with the tools for creating, writing, and managing their own hit show. Award- winning screenwriter and UCLA professor Neil Landau expertly guides them through 21 essential insights to the creation of a successful show, and takes them behind the scenes with exclusive and enlightening interviews with leading big-name showrunners from some of TV’s most lauded series, including Breaking Bad, Homeland, Scandal, Modern Family, The Walking Dead, and Lost, to name just a few. For anyone interested in becoming a showrunner, the keys and the map to the kingdom are now in hand. Visit the book page at: http://www.routledge.com/u/Landau/ 978-0-415-83167-3 | $24.95 in paperback | December 2013 Available for interviews, media features, excerpts, and giveaways – contact Lisa Farkas for a review copy (details below). – ENDS – NOTES TO EDITORS For more information or to arrange an interview, please contact: Lisa Farkas, Marketing Assistant Tel: 212-216-7898| Email: [email protected] About the Author Neil Landau is a screenwriter, producer, author, and professor in the MFA in Screen- writing and Producing Programs at UCLA School of Film, Television & Digital Media.