N1 ROLL and FUCKING in the STREETS! RIGHT ON! WHITE
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Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
Press Release
OLYMPIA HAMMERSMITH ROAD LONDON W14 8UX +44 (0)20 7293 5522 WWW.SOTHEBYS.COM PRESS RELEASE Sotheby’s to host an exhibition of the art of Rock Art from Beat to Punk via Psychedelia including the infamous poster of the ‘Flying Eyeball’ measuring six feet high! INSPIRATIONAL TIMES - a major international exhibition tracing the history of one of the most influential periods through the Rock Art poster and graphic design in the 20th Century – will be held at Sotheby’s, Olympia from Sunday, January 5 through to Sunday, January 19, 2003. Based on the collection of fashion impresario Peter Golding, who is credited with creating the first stretch Jean in 1978, it is one of the largest archives of original rock and roll art in existence today. Peter began the collection after picking up a poster from a protest concert in Hyde Park, London in 1967 and has since amassed an extensive collection of original pieces of quintessential work by key artists and designers of the time ranging from sketches and illustrations to paintings, printing plates and first edition posters. Approximately 300 of these will be included in the exhibition. As well as having an impressive art collection, Peter Golding also owned the famous ACE boutique in London’s Kings Road, which during the 1970s and 1980s, catered to an international celebrity clientele of stage, screen and rock and roll stars. He is also an avid SOTHEBY’S: REGISTERED AT 34-35 NEW BOND STREET LONDON W1A 2AA NO. 874867 musician, very much dedicated to Blues and Jazz, and launched his CD “Stretching the Blues” in 1997 to a star studded audience at London’s Café de Paris. -
Michigan in Perspective 2015
Friday, March 13 Best Western Sterling Inn Banquet & Conference Center • 34911 Van Dyke Avenue, Sterling Heights, MI 48312 8 a.m. – 4:45 p.m. Check-In, On-Site Registration, and Exhibits 8 – 9 a.m. Refreshments and Exhibits Break 9 – 10 a.m. Opening Keynote (see below) 10 – 10:15 a.m. Exhibits Break 10:15 – 11:30 a.m. Concurrent Session I (see Breakouts 1 – 5) Opening Keynote - 9 a.m. Belle Isle: People’s Park Alive! • Joel Stone, Detroit Historical Society Often called the crowning jewel of Detroit’s riverfront, Belle Isle has a long and storied history. The island has hosted world-class sporting events, musical performances, and family parties. It has also witnessed massacre, riot, and military incursion. But, if it were not for a few twists of fate, this beloved island could have been a much different place. Come to learn about Belle Isle’s fascinating history and its reawakening. Written in Stone: The Sanilac Petroglyphs Regaining Intellectual Control Dean Anderson, State Historic Preservation Office • Over Your Collections Shannon Martin, Ziibiwing Center of Anishinabe Melissa Luberti & Elizabeth Culture and Lifeways • Stacy Tchorzynski, Michigan Thornburg, Troy Historic Village Historical Center/State Historic Preservation Office In December 2013, the collections The Sanilac Petroglyphs are the largest collection of Native American rock staff at the Troy Historic Village was tasked with carvings known in Michigan. Attendees making improvements to their collections policy will learn about the site through and revamping their artifact storage area. This “how archaeological and tribal perspectives. to” discussion will review the process they used Breakout 4 Breakout 1 The speakers will also reveal the current to accomplish their mission, enabling other small plans to preserve and interpret this museums to do the same. -
Leni Sinclair & Lessons from the 60S/70S
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-18-2014 Leni Sinclair & Lessons from the 60s/70s Era Chelsie Noble Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Noble, Chelsie, "Leni Sinclair & Lessons from the 60s/70s Era" (2014). Honors Theses. 2432. https://scholarworks.wmich.edu/honors_theses/2432 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. 6 Leni Sinclair and the Lessons of the Hippie Generation: Teachings from a Minister of Education Chelsie Noble Lee Honors College Thesis Spring 2014 A Prologue I first met Leni Sinclair during my sophomore year at Western Michigan University. I was enrolled in Scott Friesner’s legendary “Vietnam and Rock” course and didn’t quite know what to expect yet from either the course or Scott. Being a product of the honors college, I showed up to new classes with a tinge of nervousness, but mostly a quiet confidence. A couple of lines from that initial class in Dunbar are forever burned in my mind. Firstly, and most importantly, professors that keep students for the full class on the first day are wankers. Secondly, if we never push ourselves to learn from people that are different from ourselves, we are simply masturbating our way through life. -
FOR IMMEDIATE RELEASE August 27, 2018
Contact: Amy Schreiber Executive Assistant for Advancement and Administration 260. 422. 6467, ext. 334 [email protected] FOR IMMEDIATE RELEASE August 27, 2018 Solo exhibition by Chuck Sperry, legendary rock poster artist, opens September 15 Including a sister exhibition of work from the psychedelic era opening September 8 [Fort Wayne, IN] ̶ The Fort Wayne Museum of Art is pleased to announce dual exhibitions exploring the intersection of art, music, and journalism, and their influence by the psychedelic era of the 1960s. On September 8, FWMoA will open Litmus Test: Works on Paper from the Psychedelic Era, followed by the opening of All Access: Exploring Humanism in the Art of Chuck Sperry a week later on September 15. The Psychedelic Era was, among many things, a cultural frontier for colors and imagery. Music, politics, and drugs ignited an unprecedented expansion of art revolving around these elements. From Berkeley College to the Grande Ballroom in Detroit, young idealists organized and the art of the era came to fruition. This exhibition will be our bridge to that time, showcasing a psychedelic era works on paper. The poster work and ephemera of Gary Grimshaw and the photography of Leni Sinclair will showcase the art that poured from that time and place. Blotter sheets from Mark Mothersbaugh, H.R. Giger, S. Clay Wilson, Chuck Sperry, and more will represent the creative fuel for many of the artists of the time. Also featured will be the work of the poster artists of the time: Wes Wilson, Victor Moscoso, Stanley Mouse, Rick Griffin, and Alton Kelley. -
The Black Power Movement. Part 2, the Papers of Robert F
Cover: (Left) Robert F. Williams; (Upper right) from left: Edward S. “Pete” Williams, Robert F. Williams, John Herman Williams, and Dr. Albert E. Perry Jr. at an NAACP meeting in 1957, in Monroe, North Carolina; (Lower right) Mao Tse-tung presents Robert Williams with a “little red book.” All photos courtesy of John Herman Williams. A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 2: The Papers of Robert F. Williams Microfilmed from the Holdings of the Bentley Historical Library, University of Michigan at Ann Arbor Editorial Adviser Timothy B. Tyson Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of LexisNexis Academic & Library Solutions 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 2, The papers of Robert F. Williams [microform] / editorial adviser, Timothy B. Tyson ; project coordinator, Randolph H. Boehm. 26 microfilm reels ; 35 mm.—(Black studies research sources) Accompanied by a printed guide compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. Part 2, The papers of Robert F. Williams. ISBN 1-55655-867-8 1. African Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—20th century—Sources. 3. Black nationalism— United States—History—20th century—Sources. 4. Williams, Robert Franklin, 1925— Archives. I. Title: Papers of Robert F. Williams. -
Paranoia Is Often Described As Ultimate Awareness and So It Was in Lennon's Case
Paranoia is often described as ultimate awareness and so it was in Lennon's case. His FBI files showed the extent of the surveillance they had him under and, eventually, Governor Nelson Rockefeller sent in Harmless, pot-addled rock stars like never did his songwriting much good. Many of the 1,700 armed officers who rained dum-dum bullets on Donovan, George Harrison and, in this case, sentiments expressed on the album sound at best the rioters, 32 of whom died, many bleeding to death Lennon, who had agreed to plead guilty as long heavy-handed, woodenly tub-thumping, rigid with a from their wounds. Lennon would sport a button, as Yoko was let off. second-hand, improperly digested indignation that "Indict Rockefeller For Murder", and in December The deportation order would inhibit Lennon's only serves to make the songs seem awkward and would perform a benefit for the wives of the victims movement, keep him in New York longer than inelastic rather than piercing and impassioned. of the riot. he might otherwise have stayed, and prevented "Woman Is The Nigger Of The World" was a classic Lennon also took up the cudgels for John Sinclair, him from touring widely. case in point-the rather lame second line, "Yes, she is - Minister of Information for the White Panthers and Paranoia is often described as the ultimate form think about it," is indicative of Lennon's uncertainty as former manager of the MC5, who was serving a of awareness, and so it was in Lennon's case. The to how to proceed with the song, which came under lengthy jail sentence for a marijuana bust. -
1963 SNCC Benefit
1963 SNCC benefit 131 San Francisco Examiner, March 20, 1964, San Francisco State College students charged harassment by the FBI for a trip to Cuba in 1963 (Luria Castell is speaking) 132 1965 Jeff erson Airplane and the Hedds (Note the pre-psychedelic lettering) 133 The Movement newspaper front page, October 1966 (Note “Curfew Raid in Haight-Ashbury” subhead in lead story) 134 1967 Straight Theater opening, with a representative sample of the San Francisco music scene at that time 135 1967 Benefit for Berkeley Strike Committee 136 1967 Week of Angry Arts—Spring Mobilization to End the War in Vietnam (Note: Quicksilver, Big Brother, Sopwith Camel, Country Joe and the Fish, Grateful Dead—the same groups that opened the Straight Theater) 137 1967 Vietnam Summer benefit 138 1967 Vietnam Summer benefit 139 1967 Vietnam Summer 140 1967 benefit for Quaker medical relief for North Vietnam 141 1967 Benefit for the Valley Peace Center 142 1967 benefit for Proposition P, a San Francisco initiative stating official opposition to the War in Vietnam (it was voted down). Note: although added too late to be included in the poster, this author’s band, The Threshold, opened this show. 143 1968 Benefit for the Peace and Freedom Party 144 1969 Detroit’s MC5 played the Straight Theater—one of the last shows at the Straight, which closed in 1969 145 Circa 1969 146 1969 147 1970 National Rally to Free Los Siete 148 Black Panther newspaper, August 29, 1970 149 1970 Viva Los Siete 150 Circa 1970 151 Circa 1971 Alcatraz Indian Land poster 152 Circa 1971 Detail of Alcatraz Indian Land poster showing that Creedence Clearwater Revival donated $15,000 to the Alcatraz Indians 153 1971 Revolutionary Intercommunal Day of Solidarity 154 1972 Concert for Angela Davis 155 1972 Farmworkers benefit 156 1972 Justice for Farmworkers 157 1973 Legal Aid Benefit 158 1974 United Farm Workers benefit 159 Above and right: 1974 United Farm Workers benefits featuring major Latin-rock bands characteristic of the era 160 161 1974 benefit for Books Behind Bars 162 Poster credits: P. -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
THE MOVEMENT PRESS 330 Grove Street San Francisco, California 94102
THE MOVEMENT PRESS 330 Grove Street San Francisco, California 94102 8ULK "AT. ~.Ir. & Mrs. Grant Cannon U. t. IaO.TAG.· 4907 Klatte RQad Cincinnati,' Ohio 45244 PAID ... Fl'ancl...-Clillf. l, ...... ~~ ·1 ••~ .., eile eTime WHAT NOW, PEOPLE? On November 15, a quarter of a million people marched in the The editorial staff of the MOVEMENT and the people close to the Moratorium in San Francisco. Even for those cynical about demon newspaper have been discussing a heavy ques.tion-that is, whether or not strations, the sheer mass of the crowd was impressive. But before long we should continue to publish the newspaper. that impressive crowd became disgustingly piggish. The same people who We have always viewed the function of the newspaper as providing a consider themselves radicals applauded Wayne Morse when he praised the means by which movement organizers, participants and sympathizers American flag and hooted David Hilliard down in the name of "Peace". could learn from each others' experiences. Our ideal article is one which The next day Alioto called for the arrest of Hilliard for threatening the is written by a participant in some struggle or project that analyzes the life of pig Nixon. When asked by reporters, what he thought of Hilliard's struggle in such a way that organizers in other places could apply the arrest, Alioto beamed and said, "He marred OUR demonstration."- lessons of that struggle in their own practice. We have also tried to About two weeks later, Deputy provide informational and agitational articles that would be useful for Chairman Fred Hampton was them, and also free oppressed women organizers to have- And in each issue, we try to have at least one piece murdered in his sleep, Mark Clark was from the daily chores that make it that can be used directly in mass work. -
Twenty to Life: the Life and Times of John Sinclair - Trailer - Showtime
Twenty to Life: The Life and Times of John Sinclair - Trailer - Showtime... http://movies.nytimes.com/movie/316826/Twenty-to-Life-The-Life-and... HOME PAGE MY TIMES TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Get Home Delivery Log In Register Now Friday, November 9, 2007 Movies nmlkji Movies nmlkj All NYT WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies, People and Showtimes Top-Rated in Theaters More in Movies » In Theaters Tickets & On DVD Critics' Shopping Select a Movie Title 6 Showtimes Picks Cart Twenty to Life: The Life and Times of John Sinclair SHARE E-MAIL SAVE (2007) Alternate Title: 20 to Life: The Life and Times of John Sinclair, 20 to Life: The Life and Times of John Sinclair Tickets & Showtimes Enter your ZIP code or city to view tickets and showtimes in your Director: Steve Gebhardt area. Overview Cast: John Sinclair Rating: NR City, State or ZIP Cast, Credits & Awards Review Summary Readers' Reviews Michigan native and counter-cultural icon John Sinclair is the subject of filmmaker Box Office Top 5 Steve Gebhardt's detailed documentary 1. American Gangster tracing the legendary White Panther Party 2. Bee Movie chairman from his small town America 3. Saw IV roots to his later life in Amsterdam. While 4. Dan in Real Life some call Sinclair a poet, those who know 5. The Game Plan More Box Office Data » his story realize that it runs far deeper than that. A performing artist, radio broadcaster, music journalist, and record producer TimesPulse among many other things, Sinclair emerged as a cultural activist in the The most popular movies among 1960s due to his efforts in founding the Detroit Artists Workshop, his stint NYTimes.com readers. -
Radio Free Amsterdam 2021 Blues, Jazz & Reefer—Keeping the Music Alive
The John Sinclair Foundation Presents RADIO FREE AMSTERDAM 2021 BLUES, JAZZ & REEFER—KEEPING THE MUSIC ALIVE Mondays The John Sinclair Radio Show plus Fly By Night with Steve The Fly Tuesdays The Blues Show with Bruce Pingree plus Blues From the Red Rooster Lounge with Cary Wolfson Wednesdays BluesTime International with Roger White plus Blues Edition with Leslie Keros Thursdays Face The Music with arwulf arwulf plus The Groove Yard with George Klein Fridays Ancestor Worship with John Sinclair plus Sounds of Blue with Bob Putignano Saturdays Big City Blues Cruise with Martino D’Lorenzo plus The Soul Lucille Show with Lucille DJ Sundays Jazz at Daybreak with Leslie Keros plus Jazz Lunatique with David Kunian Happy New Year! Radio Free Amsterdam airs two hours of original programming every day and offers a continuous flow of music on the 24/7 stream on our website, where you can hear hour after hour of our programming on end. This month the John Sinclair Radio Show features two hours of poetry and conversation with New Orleans poet Don Paul and an investigation of his new album Meld #1 with a variety of musical ensembles. The next two hours of the John Sinclair Radio Show are taken up with selections from the 4 hours of CDs of New Orleans classics and obscurities provided to RFA by the Maestro, Jules Bauduc from his personal collection. All of our programmers and production staff contribute their work to this important project of the John Sinclair Foundation, offered free to the public throughout the universe for the past fifteen years, since the formation of Radio Free Amsterdam on January 1, 2005.