Poster Data Compiled by Michael Erlewine
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Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
Press Release
OLYMPIA HAMMERSMITH ROAD LONDON W14 8UX +44 (0)20 7293 5522 WWW.SOTHEBYS.COM PRESS RELEASE Sotheby’s to host an exhibition of the art of Rock Art from Beat to Punk via Psychedelia including the infamous poster of the ‘Flying Eyeball’ measuring six feet high! INSPIRATIONAL TIMES - a major international exhibition tracing the history of one of the most influential periods through the Rock Art poster and graphic design in the 20th Century – will be held at Sotheby’s, Olympia from Sunday, January 5 through to Sunday, January 19, 2003. Based on the collection of fashion impresario Peter Golding, who is credited with creating the first stretch Jean in 1978, it is one of the largest archives of original rock and roll art in existence today. Peter began the collection after picking up a poster from a protest concert in Hyde Park, London in 1967 and has since amassed an extensive collection of original pieces of quintessential work by key artists and designers of the time ranging from sketches and illustrations to paintings, printing plates and first edition posters. Approximately 300 of these will be included in the exhibition. As well as having an impressive art collection, Peter Golding also owned the famous ACE boutique in London’s Kings Road, which during the 1970s and 1980s, catered to an international celebrity clientele of stage, screen and rock and roll stars. He is also an avid SOTHEBY’S: REGISTERED AT 34-35 NEW BOND STREET LONDON W1A 2AA NO. 874867 musician, very much dedicated to Blues and Jazz, and launched his CD “Stretching the Blues” in 1997 to a star studded audience at London’s Café de Paris. -
N1 ROLL and FUCKING in the STREETS! RIGHT ON! WHITE
FREE NEWSPAPER OF WHITE PANTHER PARTY DOPE, ROCK 'n 1 ROLL 1510 HILL ST., A.A. AND FUCKING IN THE 769-2017 (L.S.D. phone, also) STREETS! RIGHT ON! White Panther News Service WHITE PANTHER NEWS SERVICE July 23, 1969 The pig power structure of this state has finally done what they have been trying to do for the past 3 years. They have put John Sinclair in jail. This morning in Recorder's Court, Judge Colombo sentenced John to 9g to 10 years in a state prison for the possession of less than 2 joints of marijuana. They think with this move, they will have crippled the American Liberation Movement in the medwest, and specifically the White Panther Party. This is where they have made their biggest mistake., just as the pig power structure made the mistake of putting Huey P. Newton in jail. When the California pigs, led by Mickey Mouse Reagan and Dpneld D'icfc Rafferty. put Huey in gail, tftey th'ought they wpuld be destroying the Black Panther Party, or at least reducing it to a level where it would no longer be functional. But their tactics backfired on them and today the Black Panther Party is the most respected of the revolutionary groups in Amerika, and also the most feared by the Pigs. The White Panther Party will grow and become stronger and more together than ever before. John Sinclair had a dream for this world, a dream where mankind could live together as brothers and not want for anything. A world where there was truly "freedom and justice for all," and out of this dream came the community known as Trans-tove, and out of Trans-Love came the White Panthers, and from the White Pantbeps- and all of the other revolutionary groups in this country, this dream will become reality, and the dreams of Jefferson, Thoreau, Mao, Che, Huey, and Eldridge will come to pass also. -
DKT/MC5 Sonic Revolution
Listen mister, back in my day, blotter was 25 cents a hit and we had to walk two miles uphill to get it! And we liked it! Wayne Kramer is not someone who normally seems into beaming—his image is a little more ferocious than that. But onstage during the second night of the DKT-MC5 tour in Chicago, Kramer busted loose a big fat grin and started jumping up and down at one point. Back in the MC5 days, the band was known for its energetic, physical shows. Having never seen them live, I don't know if they ever jumped for pure joy back then, but that's clearly what Kramer was doing that night. The reunion of the surviving members of the MC5 (guitarist Kramer, bassist Michael Davis and drummer Dennis Thompson)—along with resurrections of the Stooges and the New York Dolls—is showing a renewed interest in these progenitors of punk rock. "It's surprising to me and it should be surprising to Iggy and those guys how much influence and affect our two bands have had on music now," Davis said. "I'm kind of in awe of it. We've had this kind of effect. And it's one thing to do something that people DKT/MC5 admire a lot, and go, 'That was really cool Sonic Revolution: Live At London's 100 stuff,' but to have this much influence is really Club [DVD] surprising to me." 2004 Image He continued: "I thought it was great, but I The DKT/MC5 gig at London's 100 Club never thought it was so foundational to the was the first salvo in what has become a future. -
Michigan in Perspective 2015
Friday, March 13 Best Western Sterling Inn Banquet & Conference Center • 34911 Van Dyke Avenue, Sterling Heights, MI 48312 8 a.m. – 4:45 p.m. Check-In, On-Site Registration, and Exhibits 8 – 9 a.m. Refreshments and Exhibits Break 9 – 10 a.m. Opening Keynote (see below) 10 – 10:15 a.m. Exhibits Break 10:15 – 11:30 a.m. Concurrent Session I (see Breakouts 1 – 5) Opening Keynote - 9 a.m. Belle Isle: People’s Park Alive! • Joel Stone, Detroit Historical Society Often called the crowning jewel of Detroit’s riverfront, Belle Isle has a long and storied history. The island has hosted world-class sporting events, musical performances, and family parties. It has also witnessed massacre, riot, and military incursion. But, if it were not for a few twists of fate, this beloved island could have been a much different place. Come to learn about Belle Isle’s fascinating history and its reawakening. Written in Stone: The Sanilac Petroglyphs Regaining Intellectual Control Dean Anderson, State Historic Preservation Office • Over Your Collections Shannon Martin, Ziibiwing Center of Anishinabe Melissa Luberti & Elizabeth Culture and Lifeways • Stacy Tchorzynski, Michigan Thornburg, Troy Historic Village Historical Center/State Historic Preservation Office In December 2013, the collections The Sanilac Petroglyphs are the largest collection of Native American rock staff at the Troy Historic Village was tasked with carvings known in Michigan. Attendees making improvements to their collections policy will learn about the site through and revamping their artifact storage area. This “how archaeological and tribal perspectives. to” discussion will review the process they used Breakout 4 Breakout 1 The speakers will also reveal the current to accomplish their mission, enabling other small plans to preserve and interpret this museums to do the same. -
Leni Sinclair & Lessons from the 60S/70S
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-18-2014 Leni Sinclair & Lessons from the 60s/70s Era Chelsie Noble Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Noble, Chelsie, "Leni Sinclair & Lessons from the 60s/70s Era" (2014). Honors Theses. 2432. https://scholarworks.wmich.edu/honors_theses/2432 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. 6 Leni Sinclair and the Lessons of the Hippie Generation: Teachings from a Minister of Education Chelsie Noble Lee Honors College Thesis Spring 2014 A Prologue I first met Leni Sinclair during my sophomore year at Western Michigan University. I was enrolled in Scott Friesner’s legendary “Vietnam and Rock” course and didn’t quite know what to expect yet from either the course or Scott. Being a product of the honors college, I showed up to new classes with a tinge of nervousness, but mostly a quiet confidence. A couple of lines from that initial class in Dunbar are forever burned in my mind. Firstly, and most importantly, professors that keep students for the full class on the first day are wankers. Secondly, if we never push ourselves to learn from people that are different from ourselves, we are simply masturbating our way through life. -
FOR IMMEDIATE RELEASE August 27, 2018
Contact: Amy Schreiber Executive Assistant for Advancement and Administration 260. 422. 6467, ext. 334 [email protected] FOR IMMEDIATE RELEASE August 27, 2018 Solo exhibition by Chuck Sperry, legendary rock poster artist, opens September 15 Including a sister exhibition of work from the psychedelic era opening September 8 [Fort Wayne, IN] ̶ The Fort Wayne Museum of Art is pleased to announce dual exhibitions exploring the intersection of art, music, and journalism, and their influence by the psychedelic era of the 1960s. On September 8, FWMoA will open Litmus Test: Works on Paper from the Psychedelic Era, followed by the opening of All Access: Exploring Humanism in the Art of Chuck Sperry a week later on September 15. The Psychedelic Era was, among many things, a cultural frontier for colors and imagery. Music, politics, and drugs ignited an unprecedented expansion of art revolving around these elements. From Berkeley College to the Grande Ballroom in Detroit, young idealists organized and the art of the era came to fruition. This exhibition will be our bridge to that time, showcasing a psychedelic era works on paper. The poster work and ephemera of Gary Grimshaw and the photography of Leni Sinclair will showcase the art that poured from that time and place. Blotter sheets from Mark Mothersbaugh, H.R. Giger, S. Clay Wilson, Chuck Sperry, and more will represent the creative fuel for many of the artists of the time. Also featured will be the work of the poster artists of the time: Wes Wilson, Victor Moscoso, Stanley Mouse, Rick Griffin, and Alton Kelley. -
1963 SNCC Benefit
1963 SNCC benefit 131 San Francisco Examiner, March 20, 1964, San Francisco State College students charged harassment by the FBI for a trip to Cuba in 1963 (Luria Castell is speaking) 132 1965 Jeff erson Airplane and the Hedds (Note the pre-psychedelic lettering) 133 The Movement newspaper front page, October 1966 (Note “Curfew Raid in Haight-Ashbury” subhead in lead story) 134 1967 Straight Theater opening, with a representative sample of the San Francisco music scene at that time 135 1967 Benefit for Berkeley Strike Committee 136 1967 Week of Angry Arts—Spring Mobilization to End the War in Vietnam (Note: Quicksilver, Big Brother, Sopwith Camel, Country Joe and the Fish, Grateful Dead—the same groups that opened the Straight Theater) 137 1967 Vietnam Summer benefit 138 1967 Vietnam Summer benefit 139 1967 Vietnam Summer 140 1967 benefit for Quaker medical relief for North Vietnam 141 1967 Benefit for the Valley Peace Center 142 1967 benefit for Proposition P, a San Francisco initiative stating official opposition to the War in Vietnam (it was voted down). Note: although added too late to be included in the poster, this author’s band, The Threshold, opened this show. 143 1968 Benefit for the Peace and Freedom Party 144 1969 Detroit’s MC5 played the Straight Theater—one of the last shows at the Straight, which closed in 1969 145 Circa 1969 146 1969 147 1970 National Rally to Free Los Siete 148 Black Panther newspaper, August 29, 1970 149 1970 Viva Los Siete 150 Circa 1970 151 Circa 1971 Alcatraz Indian Land poster 152 Circa 1971 Detail of Alcatraz Indian Land poster showing that Creedence Clearwater Revival donated $15,000 to the Alcatraz Indians 153 1971 Revolutionary Intercommunal Day of Solidarity 154 1972 Concert for Angela Davis 155 1972 Farmworkers benefit 156 1972 Justice for Farmworkers 157 1973 Legal Aid Benefit 158 1974 United Farm Workers benefit 159 Above and right: 1974 United Farm Workers benefits featuring major Latin-rock bands characteristic of the era 160 161 1974 benefit for Books Behind Bars 162 Poster credits: P. -
MC5's Wayne Kramer, Motorhead and the Sex Pistols Modernize Iconic Sound with Re- Recorded Tracks for Guitar Hero(R) World Tour
MC5's Wayne Kramer, Motorhead and The Sex Pistols Modernize Iconic Sound With Re- Recorded Tracks for Guitar Hero(R) World Tour 40 Years Later, Wayne Kramer, Joined By Jerry Cantrell of Alice and Chains and Gilby Clark Formerly of Guns 'N' Roses, Brings Back 'Kick Out the Jams' for Guitar Hero World Tour SANTA MONICA, Calif., Sept 03, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Guitar Hero(R) fans will have a unique opportunity to unleash their inner rockstar as they come together and kick out some jams with exclusive re-records by MC5's Wayne Kramer, Motorhead and The Sex Pistols in Activision Publishing, Inc.'s (Nasdaq: ATVI) Guitar Hero(R) World Tour. Just shy of the 40th anniversary of the seminal performance in October 1968 when "Kick Out the Jams" was originally recorded, founder and lead guitarist Wayne Kramer went back into the recording studio with original producer Bruce Botnick to re-record the track exclusively for Guitar Hero World Tour. Featuring the vocals recorded by Rob Tyner in 1968, Wayne Kramer was joined by friends Jerry Cantrell of Alice and Chains and Gilby Clark formerly of Guns 'N' Roses -- at The Woodshed Recorder, studio of composer and ex-Oingo Boingo keyboardist Richard Gibbs -- to update and modernize the sound without taking away from the original visceral garage sound that made MC5 famous and helped start the Punk Rock revolution. Last year when they re-recorded "Anarchy in the U.K." as a Guitar Hero exclusive, fellow Punk Rock band The Sex Pistols - with original members John Lydon on vocals, guitarist Steve Jones, drummer Paul Cook and producer Chris Thomas - also re- recorded "Pretty Vacant" utilizing the original analog sound board (circa 1969) that was built for George Martin at Air Studios, London, England in order to maintain the classic sound. -
THE MOVEMENT PRESS 330 Grove Street San Francisco, California 94102
THE MOVEMENT PRESS 330 Grove Street San Francisco, California 94102 8ULK "AT. ~.Ir. & Mrs. Grant Cannon U. t. IaO.TAG.· 4907 Klatte RQad Cincinnati,' Ohio 45244 PAID ... Fl'ancl...-Clillf. l, ...... ~~ ·1 ••~ .., eile eTime WHAT NOW, PEOPLE? On November 15, a quarter of a million people marched in the The editorial staff of the MOVEMENT and the people close to the Moratorium in San Francisco. Even for those cynical about demon newspaper have been discussing a heavy ques.tion-that is, whether or not strations, the sheer mass of the crowd was impressive. But before long we should continue to publish the newspaper. that impressive crowd became disgustingly piggish. The same people who We have always viewed the function of the newspaper as providing a consider themselves radicals applauded Wayne Morse when he praised the means by which movement organizers, participants and sympathizers American flag and hooted David Hilliard down in the name of "Peace". could learn from each others' experiences. Our ideal article is one which The next day Alioto called for the arrest of Hilliard for threatening the is written by a participant in some struggle or project that analyzes the life of pig Nixon. When asked by reporters, what he thought of Hilliard's struggle in such a way that organizers in other places could apply the arrest, Alioto beamed and said, "He marred OUR demonstration."- lessons of that struggle in their own practice. We have also tried to About two weeks later, Deputy provide informational and agitational articles that would be useful for Chairman Fred Hampton was them, and also free oppressed women organizers to have- And in each issue, we try to have at least one piece murdered in his sleep, Mark Clark was from the daily chores that make it that can be used directly in mass work. -
C:\Documents and Settings\Cohron.MIE\Local Settings\Temp\Notesfff692\Derminerpiop.Wpd
2:04-cv-74942-JF-MKM Doc # 35 Filed 09/08/05 Pg 1 of 13 Pg ID 767 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION REBECCA DERMINER, ELIZABETH DERMINER, ROBIN DERMINER, and AMY VALLANDI, Plaintiffs, Civil No. 04-74942 Hon. John Feikens Magistrate Judge Mona Mazjoub v. WAYNE & MARGARET KRAMER, MICHAEL & ANGELA DAVIS, DENNIS THOMPSON, MUSCLETONE RECORDS, INC., and SVENGIRLY MUSIC, INC., Defendants. ________________________________/ OPINION AND ORDER Plaintiffs, the heirs of Robert Derminer (also called Rob Tyner) of the Detroit band the “MC5", move for a preliminary injunction. Magistrate Judge Majzoub issued a report and recommendation recommending I deny this motion in its entirety. Plaintiffs make nine objections to this report and recommendation. For the reasons explained below, I find that jurisdiction has been called into question,1 1A court always has jurisdiction to determine its jurisdiction, and its findings on jurisdictional issues are valid and entitled to res judicata effect, even if the court determines it has no jurisdiction. E.g., William W. Schwarzer, A. Wallace Tashima, and James M. Wagstaffe, Federal Civil Procedure Before Trial, 2:21 (2005). This Court also has before it Plaintiffs’ Motion for Leave to File Excess Pages, which Defendants oppose. Because the brief contains discussion of issues that bear on jurisdiction, I GRANT Plaintiffs’ motion, although I agree that this case has been briefed at length. I also 2:04-cv-74942-JF-MKM Doc # 35 Filed 09/08/05 Pg 2 of 13 Pg ID 768 and thus, it is not yet appropriate for me to either adopt or reject the magistrate’s recommendation as to the motion. -
Leni Sinclair Is the 2016 Kresge Eminent Artist
2016 KRESGE EMINENT ARTIST LENI SINC LAIR The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for lifelong profes- sional achievements and contributions to metropolitan Detroit’s cultural community. | Leni Sinclair is the 2016 Kresge Eminent Artist. This monograph commemorates her life and work. Fred “Sonic” Smith in concert with the MC5 at Michigan State University, Lansing, Michigan, 1969. Front Cover: Dallas Hodge Band concert at Gallup Park, Ann Arbor, Michigan, 1974. 5 Forward Other Voices 42 The Greatness 76 “John Sinclair” Kresge Arts in Detroit By Rip Rapson 13 Hugh “Buck” Davis of Leni Sinclair By John Lennon 108 2015-16 Kresge Arts in Detroit President and CEO 27 Bill Harris By John Sinclair Advisory Council The Kresge Foundation 35 Robin Eichele 78 A People’s History of the 47 Harvey Ovshinsky CIA Bombing Conspiracy 108 The Kresge Eminent Artist 6 Artist’s Statement 55 Peter Werbe Art (The Keith Case): Or, Award and Winners 71 Juanita Moore and Lars Bjorn 52 When Photography How the White Panthers 85 Judge Damon J. Keith is Revolution: Saved the Movement 110 About The Kresge Foundation Life 97 Rebecca Derminer Notes on Leni Sinclair By Hugh “Buck” Davis Board of Trustees 10 Leni Sinclair: Back 97 Barbara Weinberg Barefield By Cary Loren Credits In The Picture 90 Photographs: Acknowledgements By Sue Levytsky 62 Leni Sinclair: The Times 40 Coming to Amerika: Out of the Dark 22 A Reader’s Guide Leni Sinclair Chronicled Our By Herb Boyd 100 Biography Dreams and Aspirations 24 Photographs: By George Tysh 107 Our Congratulations Michelle Perron The Music Activism 68 The Evolution of Director, Kresge Arts in Detroit a Commune 107 A Note From By Leni Sinclair Richard L.