DOCSLIB.ORG

Xirona® Le Rouge Cosmetic Pigment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Xirona® Le Rouge Cosmetic Pigment Xirona® Le Rouge Cosmetic Pigment Endless possibilities for stable red and pink shades Xirona® Le Rouge Endless possibilities for stable red and pink shades Come and experience a new era of pinks and reds in cosmetic colors: Xirona® Le Rouge opens a multitude of possibilities for exciting, innovative cosmetic creations. Xirona® Le Rouge is a red colored powder pigment with a dramatic red pearlescence. A subtle color travel effect from red to orange-red adds a touch of mystery. Xirona® Le Rouge offers endless red and pink shades with maximum stability in cosmetic formulations in combina- tion with other pearl luster pigments or pure white RonaFlair® functional fillers. The truly red pigment has a particle size distribution from 5 to 50 µm and thus provides a satiny to metallic shine effect. Xirona® Le Rouge is a beautiful and unique addition to our extraordi- nary series of inorganic color travel pigments based on silica flakes. A web coating process produces the artificial silica substrate. Silica flakes of synthetic origin feature an extremely uniform and controlla- ble thickness as well as a smooth and regular surface. Highly improved chroma and color purity are the result of these silica flake characteristics in combination with a precisely controlled metal oxide coating process. Xirona® Le Rouge, Item No. 17728 Are you interested in 100 more detailed 80 information on 60 Xirona® Le Rouge 40 Xirona® color travel 20 pigments? Please see 0 -60 -40 -20 0 20 40 60 80 100 120 our specific brochure -20 “Xirona® cosmetic -40 pigments – Travel -60 -80 through the world of colors" (W304137). Subtle color travel effect from red to orange-red. 1 Xirona® Le Rouge Inorganic pearlescent red – high stability in your products The following features of Xirona® Le Rouge lead the way to exciting new pearlescent shades of pink and red without the use of organic pigments: · Maximum light stability · High chemical and physical stability · Compatible with, and stable in, aqueous formulas – no color bleeding · Stable at different pH values · Very easy to incorporate into oil or water phases · Safe to use without concentration limit · Purely inorganic nature · Carmine-free · No allergy risk · Ecocert conformity · Unique red metallic shine · Subtle color travel effect · Soft skin feel 2 These listed features show the clear advantage over common red organic lakes or pearl luster pigments with organic coatings. The ingredients of Xirona® Le Rouge are not associated with any allergy risk and thus offer an additional advantage over organic colorants. Another benefit: now, for such Xirona® Le Rouge-based products as an elegant pink eye shadow, for example, you may use transparent components without the risk of color-fading. Xirona® Le Rouge is approved worldwide for use in color cosmetics and personal care products, including the eye and lip areas, with no limits on usage levels. Merck confirms that Xirona® Le Rouge, along with the portfolio of cosmetic pigments, is in compliance with the REACH regulation. Make your products sweet pink or red hot with Xirona® Le Rouge! Explore the infinite variety of sophisticated color cosmetics and personal care applications that can be created with Xirona® Le Rouge. 3 Xirona® Le Rouge The “first aid” pigment for passionate red and pink cosmetic products Stable red or pink shades in color cosmetics are difficult to achieve due to the stability issues of organic colorants and their possible allergic potential or the unpleasant skin feel of pure iron oxide powders. In addition, manufacturing-related problems may occur if organic lakes are used. In formulations with lower pH values, or especially in water-based systems like emulsions, almost all organic pigments cause incompatibilities. Forget about common difficulties when creating red and pink shades – make use of the multi-talented cosmetic pigment Xirona® Le Rouge. The addition of interference red, blue or violet effect pigments such as Timiron® Splendid Colors results in highly stable pink shades. Depending on the ratio, even delicate pastel pinks can be developed by blending Xirona® Le Rouge with white or silverwhite cosmetic pigments or fillers. New sophisticated effects can be achieved in combination with sparkling Ronastar® and Ronastar® Sparks pigments. Employing a small amount of Xirona® Le Rouge (e.g. 0.1 %) creates delicate pink masstone colors without using any additional organic color dispersion. Pink cosmetic formulations are superior in light stability if formulated with Xirona® Le Rouge. 4 Examples of cosmetic red pigments: INCI name USA | INCI name EU | Stability | Allergy risk (*) | Remarks | Product type (EU) (**) Red 6 | CI 15850 | Bleeds in water | 1) | Not for eye area (FDA) | see footnote Red 7 | CI 15850 | Bleeds in water | 1) | Not for eye area (FDA) | see footnote Not for eye area; Red 33 Lake | CI 17200 | Bleeds in water | 0) | 3 % in lip products (FDA) | see footnote Bleeds in EU: 3 % in finished products organic FDA: not for eye area; Red 36 Lake | CI 12085 | solvents | 1) | 3 % in lip products | see footnote EU: <1 % fluorescein, < 2 % monobromofluorescein Red 28 Lake | CI 45410 | Weak fastness | 1) | FDA: not for eye area | see footnote Iron Oxides | CI 77491 | Stable | 0) | No pure red color | see footnote 0) = allergic risk not known or extremely rare 1) = allergic reactions reported in single cases (*) = source “Blaue Liste, Editio Cantor Verlag, 1993” (**) = allowed for all cosmetic application areas (>> hair dye products have not been considered) Combinations with clear red or bluish-red colorants as background colors intensify the vibrant red impression of Xirona® Le Rouge. We recommend using a ratio of 1:9 for organic lake and Xirona® Le Rouge. The unstable part of the organic colorant is significantly reduced by using only a very small amount of it while the strong red shade is intensified in the desired direction. The incorporation of Xirona® Le Rouge into cosmetic formulations such as nail polishes, lipgloss, pressed powders as well as gel products and emulsions follows the same basic rules as those of the well- known Merck/Rona pigments. There is no limitation on the usage level of the product. Xirona® Le Rouge disperses well in both oil and water systems and does not need milling and deagglomeration. 5 Chemical/physical data – Xirona® Le Rouge Composition . Iron Oxide, Silicon Dioxide INCI Name . CI 77491 (Iron Oxides), Silica CAS No. 1309-37-1, 7631-86-9 EINECS No. 215-168-2, 231-545-4 Appearance/color . Pearlescent red powder Particle size (80 % within range) . 5.0 – 50.0 μm pH (10 % aqueous dispersion DIN ISO 787-9) . 8.0 – 12.0 For more detailed information, please refer to the Technical Data Sheet. Ordering information Item No. Name Package Sizes 17728 | Xirona® Le Rouge cosmetic pigment | 30 g, 1 kg, 15 kg For more information/samples, please contact: Merck KGaA, Darmstadt/Germany at [email protected] 6 Lipstick S 11-32 Red! Ingredients Art. No. Suppliers INCI [%] A Xirona® Le Rouge | 1.17728 | (1) | CI 77491 (IRON OXIDES), SILICA | 10.00 Xirona® Volcanic Fire | 1.17469 | (1) | CI 77891 (TITANIUM DIOXIDE), SILICA, MICA, TIN OXIDE | 5.00 B Wax white | 1.11544 | (1) | CERA ALBA (BEESWAX) | 8.75 Paracera C 44 ||(2) | COPERNICIA CERIFERA (CARNAUBA WAX), CERESIN | 5.25 Adeps lanae ||(3) | LANOLIN | 3.50 Isopropyl myristate ||(4) | ISOPROPYL MYRISTATE | 5.60 Paraffin viscous | 1.07160 | (1) | PARAFFINUM LIQUIDUM (MINERAL OIL) | 2.10 Propyl-4-hydroxybenzoate | 1.07427 | (1) | PROPYLPARABEN | 0.10 PEG-8, TOCOPHEROL, ASCORBYL PALMITATE, ASCORBIC ACID, Oxynex® K liquid | 1.08324 | (1) | CITRIC ACID | 0.05 Covapate Unired LC 3779 ||(5) | RICINUS COMMUNIS (CASTOR) SEED OIL, CI 15850 (RED 7) | 2.00 Covapate Unired LC 3703 ||(5) | RICINUS COMMUNIS (CASTOR) SEED OIL, CI 15850 (RED 6) | 2.00 Castor oil ||(3) | RICINUS COMMUNIS (CASTOR) SEED OIL | 55.45 C Fragrance Pearl FC10599 ||(6) | PARFUM | 0.20 Procedure: Notes: Suppliers: Heat the ingredients of phase B to 75 °C. Add phase A A brilliant, intense red lipstick. Xirona® (1) Merck KGaA/Rona® ingredients and stir until the melt is homogeneous. Le Rouge and two color dispersions www.merck4cosmetics.com Transfer the mixture into a molding machine, which create this fully red color. Xirona® (2) Paramelt is heated up to 65 °C, add the perfume and stir about Volcanic Fire adds a sensational (3) Henry Lamotte GmbH 15 minutes. Fill into a lipstick mold which has been highlight with its color travel from (4) Cognis GmbH preheated to about 55 °C. Cool down the mould and red to copper to gold. A lipstick for (5) Les Colorants Wackherr transfer the cold bullets to mechanisms. A highly glossy that special occasion – to dress and (6) Parfex appearance can be obtained by subsequent flaming. to impress! Merck provides information on application technologies and relevant regulations based upon our current knowledge and opinion. Merck makes no representation or warranty of any kind, express or implied, including merchantability or fitness for a particular use, with respect to such information or its application. Purchasers must independently determine the suitability of our ingredients for the purchaser's intended product, use or process. Purchaser is responsible for observing all laws and regulations relevant to such products, uses or processes. The foregoing information and suggestions are also provided without warranty of non-infringement as to the intellectual property rights of third parties, and shall not be construed as any inducement to infringe the rights of third parties. 7 Nail Polish S 11-33 Fiery Nails Ingredients Art. No. Suppliers INCI [%] Xirona® Le Rouge | 1.17728 | (1) | CI 77491 (IRON OXIDES), SILICA | 2.00 CALCIUM ALUMINUM BOROSILICATE, CI 77891 (TITANIUM Xirona® Volcanic Sparks | 1.17736 | (1) | DIOXIDE), SILICA, TIN OXIDE | 1.00 BUTYL ACETATE, ETHYL ACETATE, PHTHALIC ANHYDRIDE/ TRIMELLITIC ANHYDRIDE/GLYCOLS COPOLYMER, NITROCELLULOSE, ISOPROPYL ALCOHOL, ACETYL TRIBUTYL CITRATE, CI 15880 (RED 34 LAKE), ACRYLATES Coloring Base Ref.
Load more

Recommended publications
  • Catalog So Beyond
    SO BEYOND CATALOG FLAWLESS, BEAUTIFUL true to you / no imitations / beauty is a lifestyle YOUR BEAUTY INSPIRES US. YOUR PERSONALITY AND THE WAY YOU EXPRESS YOURSELF DRIVES US TO CREATE MAKEUP JUST FOR YOU. WE ARE ALWAYS SEEKING THE PERFECT SHADE COMBINATION, TESTING NEW AND BETTER FORMULAS AND CREATING TOOLS TO HELP YOU TRANSFORM YOUR LOOK WITH EASE. ALONG WITH OUR TIME-TESTED FAVORITES, WE ARE EXCITED TO SHARE SOME GREAT NEW PRODUCTS THAT WE HOPE YOU WILL LOVE AS MUCH AS WE DO. ALWAYS, STAY TRUE TO YOU. SKIN TINT CRÈME CC CRÈME Luxurious, medium-coverage Designed to hydrate, control oil, foundation delivers moisture and and create a full-coverage finish. PERFECTING hydration with a water-gel Formulated with skin-loving POWDER INVINCIBLE formula that glides on and dries ingredients to perfect and renew ANTI-AGING quickly to achieve a silky, the appearance of skin. Vitamin Translucent, loose setting HD FOUNDATION luminescent finish. It works to E beads burst on skin during powder increases foundation minimize the appearance of fine application creating a luxurious wear while perfecting the Full-coverage foundation lines and wrinkles while feel and creamy consistency that appearance of the skin. Applies improves the appearance of fine providing a light-feeling, natural is easy to blend to a natural smoothly to set makeup without lines, skin tone, and pores. finish that is perfect for even the finish. adding any weight. This setting Moisture-rich formula hydrates most sensitive of skin. Oil free. powder is ideal for all skin types skin for a flawless demi-matte *PACKAGING MAY VARY DUE TO REBRAND.
    [Show full text]
  • Makeup Catalog Contents
    2020 MAKEUP CATALOG CONTENTS 1 MediaPRO® Sheer Foundations 9 Eye Shadows + Palettes 15 Eye Liners & Mascara Poudre Compacts + Palettes 10 Pearl Sheen Shadows + Palettes Eyebrow & Eye Liner Pencils 2 MatteHD Foundations + Palettes Golden Glam Palette 16 Lipsticks & Lip Pencils Studio Color MatteHD Palettes Rio Nights Palette Lip Palettes, Colors + Gloss 3 Divine Madness Palette 17 ProColor Airbrush Foundations, 18 MagiCake® & MagiCakeFX Contours & Concealers 11 Lumière Grande Colour + Palettes Death Color Cakes Luxe & UltraLuxe Powders 4 Color Cake Foundations 19 Primary & Pro Creme Colors Creme Foundations 12 Lumière Metallics Master Creme Palette 5 Studio Color Contour Palettes Luxe Sparkle Powders Clown White & Clown White Lite Creme Rouge, Highlights Sparklers & Aqua Glitters MagiColor Pencils & Crayons Glitter Glue & Glitz-It Gel & Shadows + Wheels FX Creme Colors + Palettes Lumière Cremes + Palettes 20 MediaPRO Concealers & Adjusters 13 Creme Death Foundations 6 Fireworks + Wheel 7 Concealer Palettes & Crayons Shimmer Crayons 21 Pro FX Wheels Alcohol Tattoo Cover & Heavy Metal Alcohol Palette ProColor Airbrush Paint Concealer Palettes 22 14 Luxury Powders Grime FX Quick Liquids Powder Blush + Palettes 8 Classic Powders 23 Grime FX Powders Shimmer Powders Alcohol FX Palettes 24 Sealers, Cleansers & Removers 25 Hair Colors & Crepe Wool Hair Tooth Colors & Bronzing Tint 26 Blood & Character Effects Front Cover Latex & Nose Wax Makeup Artists 27 (Clockwise from top L): Adhesives & Glitter Glue “Abstract Art” 28 Tools & Applicators Stan Edmonds 29 Professional Brushes “Ogre” Darren Jinks 32 Theatrical Creme Kits Turandot’s “Ice Princess” Personal Creme Kits Tiiu Luht 33 Cake Kit “Vision” Master Production Kit Lianne Mosley “Djinn” BACK COVER Darren Jinks Moulage Kits “Peonies” Nelly Rechia, Makeup Artist Assisted by Andrew Velazquez During a visit to Ben Nye, Nelly Rechia and Andrew Velazquez chose their must-have Powder Blush shades which evolved into our redesigned Studio Color Blush Palettes.
    [Show full text]
  • Notice of Opposition Opposer Information Applicant Information
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA969381 Filing date: 04/24/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name TLH Beauty LLC Entity limited liability company Citizenship Delaware Address 1458 Aloma Ave. Winter Park, FL 32789 UNITED STATES Attorney informa- Kristen Mollnow Walsh tion Nixon Peabody LLP 1300 Clinton Square Rochester, NY 14604 UNITED STATES [email protected], [email protected], [email protected] 585-263-1065 Applicant Information Application No 88170154 Publication date 03/26/2019 Opposition Filing 04/24/2019 Opposition Peri- 04/25/2019 Date od Ends Applicant Wang Weichao No.188,Zhengjiazhuang Vill., Yuanshang Town, Laixi, 266600 CHINA Goods/Services Affected by Opposition Class 003. First Use: 2016/10/11 First Use In Commerce: 2016/10/11 All goods and services in the class are opposed, namely: Adhesives for affixing false eyelashes;BB creams; Beauty masks; Blusher; CC creams; Cosmetic pencils; Cotton swabs forcosmetic purposes; Cotton wool for cosmetic purposes; Eye-shadow; Eye liner; Eye shadow; Eyebrow cosmetics; Eye- brow pencils; False eyelashes; Lip glosses; Lip liner; Lip rouge; Lipsticks; Liquid foundation (mizu-oshiroi); Make-up powder; Make-up removing lotions; Mascaras; Nail varnish; Perfumes; Skin whitening creams; Toilet waters; Varnish-removing preparations Grounds for Opposition No use of mark in commerce before application Trademark Act Sections 1(a) and (c) or amendment to allege use was filed Fraud on the USPTO In re Bose Corp., 580 F.3d 1240, 91 USPQ2d 1938 (Fed.
    [Show full text]
  • Cosmetics in Roman Antiquity: Substance, Remedy, Poison Author(S): KELLY OLSON Source: the Classical World, Vol
    Cosmetics in Roman Antiquity: Substance, Remedy, Poison Author(s): KELLY OLSON Source: The Classical World, Vol. 102, No. 3 (SPRING 2009), pp. 291-310 Published by: The Johns Hopkins University Press on behalf of the Classical Association of the Atlantic States Stable URL: http://www.jstor.org/stable/40599851 Accessed: 28-06-2016 17:54 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/40599851?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press, Classical Association of the Atlantic States are collaborating with JSTOR to digitize, preserve and extend access to The Classical World This content downloaded from 141.211.4.224 on Tue, 28 Jun 2016 17:54:40 UTC All use subject to http://about.jstor.org/terms Cosmetics in Roman Antiquity: Substance, Remedy, Poison ABSTRACT: Mention of ancient makeup, allusions to its associations, and its connection to female beauty are scattered throughout Latin literature. It may seem a minor, even unimportant concern, but nonetheless one from which we may recover aspects of women s historical experience and knowledge of women as cultural actors.
    [Show full text]
  • Toxic Elements in Traditional Kohl-Based Eye Cosmetics in Spanish and German Markets
    International Journal of Environmental Research and Public Health Article Toxic Elements in Traditional Kohl-Based Eye Cosmetics in Spanish and German Markets Elisabet Navarro-Tapia 1,2,3,† , Mariona Serra-Delgado 3,4,†, Lucía Fernández-López 5, Montserrat Meseguer-Gilabert 5, María Falcón 5, Giorgia Sebastiani 1,6, Sebastian Sailer 1,6, Oscar Garcia-Algar 1,3,6,‡ and Vicente Andreu-Fernández 1,2,*,‡ 1 Grup de Recerca Infancia i Entorn (GRIE), Institut d’Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS), 08036 Barcelona, Spain; [email protected] (E.N.-T.); [email protected] (G.S.); [email protected] (S.S.); [email protected] (O.G.-A.) 2 Department of Health, Valencian International University (VIU), 46002 Valencia, Spain 3 Maternal & Child Health and Development Research Network-Red SAMID Health Research, Programa RETICS, Health Research Institute Carlos III, 28029 Madrid, Spain; [email protected] 4 Institut de Recerca Sant Joan de Déu, 08950 Esplugues de Llobregat, Spain 5 Departamento de Ciencias Sociosanitarias, Medicina Legal y Forense, Universidad de Murcia, 30003 Murcia, Spain; [email protected] (L.F.-L.); [email protected] (M.M.-G.); [email protected] (M.F.) 6 Department of Neonatology, Hospital Clínic-Maternitat, ICGON, Institut d’Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS), Barcelona Center for Maternal-Fetal and Neonatal Medicine (BCNatal), 08036 Barcelona, Spain * Correspondence: [email protected] † These authors share co-first authorship. ‡ These authors share last authorship. Citation: Navarro-Tapia, E.; Serra-Delgado, M.; Fernández-López, Abstract: Kohl is a traditional cosmetic widely used in Asia and Africa. In recent years, demand L.; Meseguer-Gilabert, M.; Falcón, M.; for kohl-based eyelids and lipsticks has increased in Europe, linked to migratory phenomena of Sebastiani, G.; Sailer, S.; Garcia-Algar, populations from these continents.
    [Show full text]
  • Marr, Kathryn Masters Thesis.Pdf (4.212Mb)
    MIRRORS OF MODERNITY, REPOSITORIES OF TRADITION: CONCEPTIONS OF JAPANESE FEMININE BEAUTY FROM THE SEVENTEENTH TO THE EARLY TWENTIETH CENTURY A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts in Japanese at the University of Canterbury by Kathryn Rebecca Marr University of Canterbury 2015 Table of Contents Acknowledgements ·········································································· 1 Abstract ························································································· 2 Notes to the Text ·············································································· 3 List of Images·················································································· 4 Introduction ···················································································· 10 Literature Review ······································································ 13 Chapter One Tokugawa Period Conceptions of Japanese Feminine Beauty ························· 18 Eyes ······················································································ 20 Eyebrows ················································································ 23 Nose ······················································································ 26 Mouth ···················································································· 28 Skin ······················································································· 34 Physique ·················································································
    [Show full text]
  • COSMETICS in USE: a PHARMACOLOGICAL REVIEW Abdul Kader Mohiuddin, Department of Pharmacy, World University of Bangladesh KEYWORD
    European Journal of Biology and Medical Science Research Vol.7, No.4, pp.22-64, October 2019 Published by ECRTD- UK Print ISSN: ISSN 2053-406X, Online ISSN: ISSN 2053-4078 COSMETICS IN USE: A PHARMACOLOGICAL REVIEW Abdul Kader Mohiuddin, Department of Pharmacy, World University of Bangladesh 151/8, Green Road, Dhanmondi, Dhaka – 1205, Bangladesh Orcid Id: https://orcid.org/0000-0003-1596-9757 Web of Science Researcher ID: T-5428-2019 ABSTRACT: The word “cosmetics” actually stems from its use in Ancient Rome. They were typically produced by female slaves known as “cosmetae,” which is where the word “cosmetics” stemmed from. Cosmetics are used to enhance appearance. Makeup has been around for many centuries. The first known people who used cosmetics to enhance their beauty were the Egyptians. Makeup those days was just simple eye coloring or some material for the body. Now-a-days makeup plays an important role for both men and women. In evolutionary psychology, social competition of appearance strengthens women’s desires for ideal beauty. According to “The Origin of Species”, humans have evolved to transfer genes to future generations through sexual selection that regards the body condition of ideal beauty as excellent fertility. Additionally, since women’s beauty has recently been considered a competitive advantage to create social power, a body that meets the social standards of a culture could achieve limited social resources. That's right, even men have become more beauty conscious and are concerned about their looks. Cosmetics can be produced in the organic and hypoallergenic form to meet the demands of users.
    [Show full text]
  • Title Semiotics of the Other and Physical Beauty: the Cosmetics Industry and the Transformation of Ideals of Beauty in the U.S
    Semiotics of the Other and Physical Beauty: The Cosmetics Title Industry and the Transformation of Ideals of Beauty in the U.S. and Japan, 1800's － 1960's Author(s) Isa, Masako 沖縄大学人文学部紀要 = Journal of the Faculty of Citation Humanities and Social Sciences(4): 31-48 Issue Date 2003-03-31 URL http://hdl.handle.net/20.500.12001/6070 Rights 沖縄大学人文学部 2003 Semiotics of the Other and Physical Beauty: The Cosmetics Industry and the Transformation of Ideals of Beauty in the U.S. and Japan, 1800's - 1960's Masako Isa Abstract This paper describes theoretical aspects of the "Other" by Jacques Lacan and examines the historical development of ideals of physical beauty in the United States and Japan. The Lacan's concept of the "Other" in relation to a technology for creating the appearance of the Other in the beauty industry is investigated. Cosmetic industry tries to create the appearance of the Other by using the technology of cosmetics and discourse of ads. In the U.S., beauty culture, motion pictures, the establishment of the African-American segment of the industry, and immigration from other countries have influenced the cultural construction of beauty. In Japan, the modern cosmetics industry, motion pictures, and foreign manufacturers contributed to the transformation of ideals of physical beauty. Through examining cultural events of the cosmetic industry in both countries, it is concluded that beauty is not universal, but is culturally constructed by society. What is common between both countries is influence from the outside. Keywords: semiotics, the "Other", unconscious, mirror stage, cosmetics industry I.
    [Show full text]
  • Youngblood® M Ineral Cosmetics
    PRODUCT INFORMATION WORKBOOK YOUNGBLOOD® M INERAL COSMETICS 4583 Ish Drive • Simi Valley, CA 93063 800 216 6133 • YBSKIN.COM TABLE OF CONTENTS 2. PAULINE’S STORY • 3 KEY POINTS • YB DIFFERENCE PRODUCTS PREP 4. MINERALS IN THE MIST TM 5. EYE IMPACT QUICK RECOVERY EYE CREAM PRIMERS 6. MINERAL PRIMER 7. ANTI-SHINE MATTIFIER 8. CC PRIMER, STAY PUT EYE PRIME, BREAK AWAY MAKEUP REMOVER ESSENTIALS 9. COUNTOUR & ILLUMINATE PALETTES 10. ULTIMATE CONCEALER/ULTIMATE CORRECTOR 11. MINERAL RICE POWDER 12. HI-DEFINITION HYDRATING MINERAL PERFECTING POWDER FOUNDATIONS 13. SHADE CHART 14. STEPS TO MATCH FOUNDATION 15. LOOSE MINERAL FOUNDATION 16. PRESSED MINERAL FOUNDATION 17. MINERAL RADIANCE CRÈME POWDER FOUNDATION 18. MINERAL RADIANCE MOISTURE TINT 19. LIQUID MINERAL FOUNDATION 20. TROUBLE SHOOTING APPLICATION TIPS 21. COLOR WHEEL CHEEKS 22. MINERAL RADIANCE 23. PRESSED MINERAL BLUSH 24. LOOSE MINERAL BLUSH 25. LUMINOUS CRÈME BLUSH EYES 26. BROW ARTISTE KIT & WAX 27. BROW ARTISTE SCULPTING PENCIL 28. EYE-LLUMINATING DUO 29. PRESSED INDIVIDUAL EYESHADOW 30. PRESSED MINERAL EYESHADOW QUAD 31. EYE LINER PENCIL 32. INCREDIBLE WEAR GEL LINER 33. EYE-MAZING LIQUID LINER PEN 34. OUTRAGEOUS LASHES MINERAL LENGTHENING MASCARA 35. NOTES LIPS 36. LIPSTICK 37. LIP LINER PENCIL 38. LIP GLOSS 39. HYDRATING LIP CRÈME SPF 15 BROAD SPECTRUM BODY 40. LUNAR DUST 41. MINERAL ILLUMINATING TINT BODY 42-43. NOTES TIPS & TEQHNIQUES 44. GET THE LOOK 45-46. THE YOUNGBLOOD EXPERIENCE 47-48. FREQUENTLY ASKED QUESTIONS 49. NOTES INGREDIENTS UNIVERSAL INGREDIENT LISTINGS FOR ALL PRODUCTS PARABEN FREE • TALC FREE • • FRAGRANCE FREE V SELECT VEGAN PRODUCTS SELECT GLUTEN FREE PRODUCTS 3-2017 Granting women the power to conceal and correct imperfect complexions has been the mission of Pauline Youngblood, founder and president of Youngblood Mineral Cosmetics.
    [Show full text]
  • Determination of Lead and Cadmium in Cosmetic Products
    Available on line www.jocpr.com Journal of Chemical and Pharmaceutical Research __________________________________________________ J. Chem. Pharm. Res., 2010, 2(6):92-97 ISSN No: 0975-7384 CODEN(USA): JCPRC5 Determination of Lead and Cadmium in cosmetic products Amit S Chauhan 1* , Rekha Bhadauria 1, Atul K Singh 2, Sharad S Lodhi 3, Dinesh K Chaturvedi 1, Vinayak S Tomar 1 1School of Studies in Botany, Jiwaji University, Gwalior (M.P.), India. 2Department of Biotechnology, Madhav Institute of Technology & Science Gwalior (M.P.), India 3School of Studies in Biochemistry, Jiwaji University Gwalior (M.P.), India _____________________________________________________________________________ ABSTRACT Heavy metal toxicity to the humans and animals is the result of long term low or high level exposure to pollutants common in our environment including in air we breathe, water, food etc. Apart from these, numerous consumer products like cosmetics and toiletries have been reported as a source of heavy metal exposure to human beings. Heavy metals like lead and cadmium were determined in different cosmetics products viz soap, face cream, shampoo, shaving cream etc from local market of Gwalior with atomic absorption spectrophotometer. Lead was prominently detected in all of cosmetics products followed by cadmium. Among the different cosmetics products studied, the highest heavy metal contamination was found in bathing soap. Present study concludes that though in less amount but beauty cosmetic products are contaminate with heavy metals and hence may results in skin problems. Key words: Lead, cadmium, cosmetic products. ______________________________________________________________________________ INTRODUCTION Since the dawn of civilization cosmetics have constituted a part of routine body care not only by the upper strata of society but also by middle and low class people.
    [Show full text]
  • Dior Cosmetics, Fragrances & More Ingredients List
    Dior Cosmetics, Fragrances & More Ingredients List 1 Synthetic fluorphlogopite, talc, boron nitriqe, barium sulfate, diphenyl dimethiconeninyl diphenyl dimethicone/silsesquioxane crosspolymer, nylon-12, octylex)decyl stearoyl stearate, magnesium myristate, phenyl trimethicone, acrylates/stbnftyl acrylate/dimeihicone methacrylate copolymer, calcium aluminum borosilicate, pentylene glycol, hdi/trimethylcl hexyllactone crosspolymer, dimethicone, lauroyl lysine, sodium dehydroacetate, silica, hydrogen dimethicone, tin oxide, palmitic acid, magnesium hydroxide n 09384/a. 2 Synthetic fluorphlogopite, dimethicone, talc, diisostearyl malate, methyl methacrylate crosspolymer, petrolatum, mica, trimethylolpropane triethylhexanoate, magnesium myristate, hdi/ppg/ polycaprolactone crosspolymer, sorbitan sesquiisostearate, siuca, trimethylsiloxysilicate, polypropyl, silsesqumane, sodium dehydroacetate, sorbic acid, ethylhexylglycerin, glyceryl caprylate, tocopherol n 09458/a. 3 Dimethicone, mica, talc, diisostearyl malate, synthetic fluorphlogopite, methyl methacrylate crosspolymer, petrolatum, trimethylolpropane triethylhexanoate, magnesium myristate, hdi/ppg/ polycaprolactone crosspolymer, silica, sorbitan sesquiisostearate, trimethylsiloxysilicate, polypropyl- silsesquioxane, sodium dehydroacetate, sorbic acid, lauroyl lysine, ethylhexylglycerin, glyceryl caprylate, tin oxide, tocopherol, n 09451/a. 5 Color Designer All In One Artistry Palette - 4 Dimethicone, talc, calcium sodium borosilicate, silica, No. 208 Navy Design diisostearyl malate, petrolatum,
    [Show full text]
  • Dec. 25, 1956 2,775,247
    Dec. 25, 1956 J. C. MORREL 2,775,247 COSMETIC PACKAGE Filed April 13, 1951 2,775,247 United States Patent Office Patented Dec. 25, 1956 2 1 in Figures 1, 2 and 3 consists of a base 2 made of card board or a relatively thin sheet of other fibrous material, plastic or the like, with open cell or trough-like depres 2,775,247 sion 3 containing cosmetic 4. There may be one or more cells containing cosmetics. The cosmetics may COSMETEC PACKAGE comprise face powder, lip rouge, rouge and the like. Jacque C. Morrell, Chevy Chase, Md. The face powder may be in the form of a cake as shown in these figures which may be held in place by adhesives Application April 13, 1951, Serial No. 220,936 or the face powder may be loose in the cell and kept in 10 place by a cover of paper, cellophane, etc., by the use 6 Claims. (Cl. 132-79) of adhesives or by "Scotch' tape or the like, not shown in Figures 1, 2 and 3, but shown in Figure 4; and ap plicable to the other figures. An oil-impervious sheet 6 such as cellulosic material, e. g., of the regenerated This invention relates to cosmetic packages particu 5 cellulose type or plastic or the like, covers the top Sur larly packages of a compact and inexpensive type adapted faces of the base 2 and the open cell or depression 3 for dispensing or marketing through automatic, coin and the cosmetics and more particularly when the pack operated vending machines, and is a continuation-in-part age is closed may serve as a protector for the plurality of my application Serial No.
    [Show full text]