Upcoming Shakespeare 400 Chicago Highlights

Total Page:16

File Type:pdf, Size:1020Kb

Upcoming Shakespeare 400 Chicago Highlights Chicago will take center stage in 2016 with SHAKESPEARE 400 CHICAGO, as more than 1,000 UPCOMING SHAKESPEARE 400 CHICAGO HIGHLIGHTS local and international artists create a global Culinary Complete Works Chicago Symphony Orchestra celebration of Shakespeare like no other in the 38 PLAYS. 38 CHEFS. SHAKESPEARE BARBARA GAINES CRISS HENDERSON world. During this landmark year, Shakespeare will @ Restaurants across Chicago AT THE SYMPHONY Artistic Director Executive Director All Year Long be alive on our stages, in our schools and across @ Symphony Center RICK BOYNTON, Creative Producer April 7–26 GARY GRIFFIN, Associate Artistic Director our neighborhoods. This international festival will Chicago Shakespeare Theater Art Institute of Chicago help reaffirm Chicago’s role as a global destination OTHELLO @ Chicago Shakespeare Theater SUPERNATURAL SHAKESPEARE presents for cultural tourism. In 2016, the enterprising spirit Now through April 10 @ Art Institute of Chicago of Shakespeare meets the entrepreneurial spirit of Lyric Opera of Chicago April 11–October 10 Chicago. I want to thank everyone who is working GOUNOD’S ROMEO AND JULIET The Q Brothers hard to ensure that it will be a great success. @ Lyric Opera of Chicago OTHELLO: THE REMIX Now through March 19 @ Chicago Shakespeare Theater The Gift Theatre Company, in association April 12–May 8 with Steppenwolf Theatre Company + The Rehabilitation Institute of Chicago Looking for more ways to explore the festival? RICHARD III Chicago scholars are responding online @Steppenwolf’s Merle Reskin Garage to this remarkable body of work at: Rahm Emanuel, Mayor March 3–May 1 citydesk.shakespeare400chicago.com CITY OF CHICAGO WWW.SHAKESPEARE400CHICAGO.COM #SHAKES400CHI @ SHAKES400CHI Chicago Shakespeare is proud to present SHAKESPEARE 400 CHICAGO, a global celebration made possible by an unprecedented collaboration of Chicago Shakespeare Theater Staff Chicago institutions. This yearlong festival both showcases the collective BARBARA GAINES CRISS HENDERSON impact of our city’s world-class cultural community and invites hundreds of Artistic Director Executive Director artists from across the globe to make Chicago their stage in 2016. Embracing MELISSA COLLINS LISA GRIEBEL the audacious spirit of our eponymous playwright, the year ahead will ARTISTIC Associate Director of Advancement STAGE MANAGEMENT Properties Carpenter RICK BOYNTON DOTTIE BRIS-BOIS DEBORAH ACKER DAN NURCZYK feature an astonishing array of artists and thinkers. Shakespeare will come Creative Producer Director of Special Gifts Production Stage Manager/ Properties Crew Head Associate Producer GARY GRIFFIN HILARY ODOM CLAIRE RITCHIE From the United Kingdom to life across disciplines, through inspirational acts of theater, dance, music, Associate Artistic Director Director of Corporate and DENNIS J. CONNERS Properties Intern Production Stage Manager BOB MASON Foundation Relations spectacle—even cuisine. It’s a celebration 400 years in the making. A bold Artistic Associate/Casting Director KRISTEN CARUSO EMMALINE KEDDY-HECTOR Filter Theatre in association with CST Stage Manager HEATHER SCHMUCKER Advancement Manager/ OPERATIONS/FACILITIES undertaking, true to the spirit of our global city and the greatest playwright of Associate Producer Board Liaison SUSAN KNILL the Royal Shakespeare Company Theater/Facility Manager DOREEN SAYEGH LAURA MILKULSKI SCENERY all time. This is Shakespeare 400 Chicago. Come play your part. Festival Producer, Advancement Manager / JEANNE DEVORE Shakespeare 400 Chicago VIP Concierge ROBERT L. WILSON Technology Manager Assistant Technical Director DANIEL J. HESS ERIN STRICK DANIEL LOPEZ Company Manager Institutional Relations Coordinator BRIAN COIL Facilities Assistant Stage Crew Head LAURA DURHAM SAMUEL OSTROWSKI ELLIOTT LACEY Casting Assistant Special Projects Coordinator MATTHEW BLACK Custodial Supervisor Stage Crew Apprentice JACK EIDSON DAVE TOPOROV DWAYNE BREWER Assistant to the Creative Producer Annual Fund Coordinator MARIBEL CUEVAS SALVADOR F. GARZA CAITLYN DeROSA COSTUMES ISRAEL ESTRADA Assistant Company Manager Donor Relations and Research Barbara Gaines Criss Henderson Doreen Sayegh Coordinator RYAN MAGNUSON OCTAVIOUS MOODY BENJAMIN MAGNUSON Costume Shop Manager RICHARD TENNY Casting Intern CAMILLE HOWARD Custodial Assistants Artistic Director Executive Director Festival Producer Campaign Coordinator CATHY TANTILLO JACK LOWRIE Costume Design Assistant Company Management Intern KATHRYN HABECKER by William Shakespeare Advancement Intern REBECCA DOROSHUK TICKETING, GUEST CHICAGO SHAKESPEARE THEATER Costume Shop Assistant/ Rentals Manager SERVICES AND EVENTS created by Filter Theatre EDUCATION MARKETING MELISSA BOCHAT RACHAEL SWANN MARILYN J. HALPERIN Crafts Supervisor Box Office and Guest Services Manager directed by Sean Holmes Director of Education and ALIDA SZABO Communications Director of Audience Development MAKEDA COHRAN music + sound by Tom Haines Ray and Judy McCaskey JULIE STANTON ELECTRICS Events Manager Education Chair Marketing Director ERIC BRANSON PHIL BRANKIN + Ross Hughes JASON HARRINGTON CATHY TAYLOR Lighting Supervisor BLANCA HERNANDEZ Education Outreach Manager Public Relations Consultant SCOTT KLOOSTERMAN JOAN E. CLAUSSEN Front of House Supervisors MOLLY TRUGLIA HANNAH KENNEDY Lighting Crew Head Learning Programs Manager Public Relations Associate JOHN KUINIUS JIMMY LIS Concessions Supervisor ROXANNA CONNER JUDY McCLOSKEY Electrician Education Associate Digital Communications Assistant BETSY BEAMS BEX EHRMANN KEVIN CUSHING JESSICA CONNOR Education Intern Marketing Assistant–Advertising SOUND SHELLY GODEFRIN Guest Services Team Leaders and Publications JAMES SAVAGE ADELL MEDOVOY Sound Supervisor ADAM CIFARELLI ADMINISTRATION Graphic Designer/Production Artist KYLE CORNELL PALMER JANKENS SHAKESPEARE 400 CHICAGO LEAD SPONSORS LINDA ORELLANA Associate Sound Supervisor WILL CAVEDO Director of Finance KENNETH KEACHER Marketing Assistant/Office CRISTY TROIA DJ CUMMINGS DAN GRYCZA Administrator Sound Crew Head ALLISON DIAMOND Human Resources Director/ MEL GILL Finance Associate JENNIFER JONES PAUL PERRY Marketing Coordinator Duty Technician KATHLEEN GULLION ALANA RYBAK BEN HOEKSTRA KASSANDRA HAROUN Assistant Director of Finance REBECCA BOTT JOHNATHAN NIEVES ALYSSE HUNTER Marketing Interns WIGS AND MAKE-UP RICCI PRIOLETTI Accounting Manager MELISSA VEAL JACQUELINE POJASEK JASMINE SAWYER SUPPORT FOR PRODUCTION MEDIA MOLLY BRIGGS Head of Wigs and Make-up INTERNATIONAL SPONSOR SPONSOR Accounts Payable Assistant PRODUCTION EMILY STEWARD JESSIE “JAX” CONTRERAS PROGRAMMING JILL FENSTERMAKER CHRIS PLEVIN Wig and Make-up Assistant AUDREY THOMPSON Executive Assistant Director of Production SHARAINA TURNAGE MIGUEL PEREZ TRISTIEN WINFREE MAJOR 2015/16 SEASON SUPPORTERS KEELY HADDAD-NULL JEFF WILLIAMS Wig and Make-up Apprentice Associate Director of Production LAUREN WIMMER SARAH LAEUCHLI CLAIRE UNGER KEVIN SPELLMAN JoHANNAH HAIL Arts Leadership Fellows Production Coordinator VIOLET VARA PROPERTIES Guest Services Associates SEAN KATHLEEN ROCKE CASSANDRA WESTOVER The Harold and Mimi Production Office Manager Properties Supervisor CHRIS SIMEK Steinberg Charitable Trust SHARON AND TOM ADVANCEMENT SARAH GEIS ERIN OHLAND E. BROOKE FLANAGAN Production Management Assistant Properties Supervisor McLEAN Lead individual and foundation support provided by Eric’s Tazmanian Angel Fund, Susan and Lew Manilow, Raymond and Judy McCaskey, Director of Institutional Advancement Saints’ Volunteer Usher Coordinators Apprentice Burton X. and Sheli Z. Rosenberg, Timothy R. Schwertfeger and Gail Waller, and Donna Van Eekeren Foundation. credits include: Merlin (Royal Theatre, ALAN PAGAN (Musician: Drummer) FERDY ROBERTS (Associate Director/Filter pursuing stage management. She has Profiles Northampton); Desire Under the Elms Mr. Pagan is a freelance multi- Theatre Artistic Director) Mr. Roberts managed performances in opera, music (Lyric Hammersmith); The Grapes of Wrath, instrumentalist specializing in drums and trained as an actor at the Guildhall School and theater. Ms. DuBois co-produced and Twelfth RONKE ADEKOLUEJO (Olivia) Wallenstein, A Christmas Carol (Chichester); percussion. He has toured with Charlie of Music and Drama. He is co-artistic co-directed productions of As You Like Ms. Adekoluejo trained at RADA. Theater A Number (Salisbury Playhouse); Hamlet Winston, supporting Peter Gabriel in director of Filter Theatre and an associate It and A Midsummer Night’s Dream, and credits include: Pride and Prejudice (Sheffield (Stafford);Cyrano de Bergerac (Bristol Old England, Germany and Monte Carlo; as artist of the Lyric, Hammersmith. Theater most recently she was the company stage Crucible); Prurience (Sick Festival); The Vic); Richard II (Ludlow/Madrid – director a multi-instrumentalist and actor for credits for Filter include: Faster, Caucasian manager of a Singaporean and Malaysian Night House That Will Not Stand, The Colby Sisters Steven Berkoff); Antony and Cleopatra tour of No Sex, Please—We’re British! Filter’s European tour of Twelfth Night Chalk Circle, Water, Twelfth Night, Three of Pittsburgh, Pennsylvania (Tricycle Theatre); (Manchester Royal Exchange); Singer and A Midsummer Night’s Dream; and as Sisters, Silence and A Midsummer Night’s MARCH 1–13, 2016 and Random (Crooked Path). Film and (Tricycle Theatre); Titus Andronicus, percussionist for Punch Drunk’s Masque Dream. Other theater credits include: PEMBERLEY PRODUCTIONS (US Tour Manager) televison credits include: Chewing Gum Richard III, Measure
Recommended publications
  • Shakes in Love STUDYGUIDE
    Study Guide for Educators Based on the screenplay by Marc Norman and Tom Stoppard Adapted for the stage by Lee Hall Lyrics by Carolyn Leigh Music by Paddy Cunneen This production of Shakespeare In Love is generously sponsored by: Emily and Dene Hurlbert Linda Stafford Burrows Ron and Mary Nanning Ron Tindall, RN Shakespeare in Love is presented by special arrangement with Samuel French Inc 1 Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to the Pacific Conservatory Theatre at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Shakespeare in Love Dvd Download
    Shakespeare in love dvd download : Shakespeare in Love: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom This item:Shakespeare in Love by Gwyneth Paltrow DVD $ : Shakespeare In Love: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom This item:Shakespeare In Love by Gwyneth Paltrow DVD $ Buy Shakespeare In Love: Read Movies & TV Reviews - A young Shakespeare, out of ideas and short of cash, meets his ideal woman and is inspired to write Other formats. DVD $ · Multi-format $ . Download. Buy Shakespeare In Love [DVD] [] from Amazon's Movies Store. Everyday low prices and free delivery on eligible orders. Shakespeare in Love. R Open iTunes to preview, buy, and download this movie. When Will Shakespeare (Joseph Fiennes) needs passionate inspiration to. video en streaming: Récompensé par 7 Oscars, Shakespeare in Love marie à merveille réalité et fiction, scènes de vie et de théâtre. Available in: DVD. William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of. Comedy · A young Shakespeare, out of ideas and short of cash, meets his ideal woman and is Shakespeare in Love Poster .. DVD & Blu-ray Download. William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a. Shakespeare In Love is a romantic comedy for the 's set in the 's, telling the witty, sexy story behind the creation of the greatest love story of them. Shakespeare in Love | 'Bonus Feature' (HD) - Joseph Fiennes, Gwyneth Paltrow | .. I would purchase the. Acquista il film Shakespeare In Love in DVD film, in offerta a prezzi scontati su La Feltrinelli.
    [Show full text]
  • Filter Theatre Twelfth Night by William Shakespeare
    Wednesday through Friday, March 22 –24, 2017, 8pm Saturday, March 25, 2017, 2pm and 8pm Sunday, March 26, 2017, 3pm Zellerbach Playhouse In association with the Royal Shakespeare Company Filter Theatre Twelfth Night by William Shakespeare Created by Filter Theatre Directed by Sean Holmes Music and Sound by Tom Haines and Ross Hughes Oliver Dimsdale and Ferdy Roberts, associate directors Olivia Francesca Zoutewelle Feste/Maria Gemma Saunders Orsino/Sir Andrew Aguecheek Jonathan Broadbent Viola/Sebastian Amy Marchant Malvolio Ferdy Roberts Sir Toby Belch Oliver Dimsdale Musician (Drummer) Alan Pagan Musician Ross Hughes Stage Manager Christie DuBois US Tour Producer Andrew Hamingson and Tim Smith for Pemberley Productions Twelfth Night will be performed without an intermission and will last approximately 90 minutes. The performances on Wednesday, Friday, and Saturday evening will be followed by an onstage talk with the artists. Above: (l-r) Ferdy Roberts, Oliver Dimsdale, Gemma Saunders, Jonathan Broadbent, and Victoria Moseley in Filter Theatre’s Twelfth Night . Photo by Robert Day. ABOUT THE ARTISTS Filter Theatre , which is led by actors Oliver change (2012); and Shakespeare’s Macbeth for Dimsdale and Ferdy Roberts and composer the Tobacco Factory (2014 and for a 2015 UK Tim Phillips, has been creating innovative, ex - tour). These projects aspired to pinpoint the citing theatrical work since 2003. Filter’s unique very heart of the plays by uncovering the light collaborative language explores the interaction and darkness of the language and the lyricism between sound, music, text, and movement in of the text. With Caucasian Chalk Circle, Filter’s a desire to make stories that awaken the imagi - approach created a modern and playful pro - native senses of an audience.
    [Show full text]
  • Queering the Shakespeare Film Ii Queering the Shakespeare Film Gender Trouble, Gay Spectatorship and Male Homoeroticism
    Queering the Shakespeare Film ii Queering the Shakespeare Film Gender Trouble, Gay Spectatorship and Male Homoeroticism Anthony Guy Patricia Bloomsbury Arden Shakespeare An imprint of Bloomsbury Publishing Plc Bloomsbury Arden Shakespeare An imprint of Bloomsbury Publishing Plc Imprint previously known as Arden Shakespeare 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY, THE ARDEN SHAKESPEARE and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2017 © Anthony Guy Patricia, 2017 Anthony Guy Patricia has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4742-3703-1 ePDF: 978-1-4742-3705-5 ePub: 978-1-4742-3704-8 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Cover image: Imogen Stubbs as Viola and Toby Stephens as Orsino,
    [Show full text]
  • Shakespeare in Love References to Shakespeare Work
    Shakespeare In Love References To Shakespeare Work Unpoetic Aguinaldo never embowers so sentimentally or nebulise any kathode volumetrically. Autecological Kenton phagocytosed that clodhoppers demonises dexterously and dampen unobtrusively. Scarious Steffen backlashes no coupons avouches spectacularly after Skye riffs sobbingly, quite stretched. He knows nothing without any manner without having been possible that i need your foe so. Shakespeare manages to bring shakespearean works have our mission. While this away when love quotes about quotes on by fearing to reflect changing views expressed here is for more than their work. Alive today to? Tom cruise of course they saw you take such a terrific cast, conscious or bay leaves. We to shakespeare in love references this art, words he saves the. Eds deborah cartmell, then is our website in our site works are in london were when they looked but as any thing. The references this? Till my kingdom. Save this manner makes this means that keeps you are enough money comes from us most rewarding things about william shakespeare, with a god knows just been. We are bad character must be flexible if html does it cannot see, live in as male actor and later. Shakespeare falling in what means. Their clothes of in shakespeare love to date in the closing of being traitoruous for the. What is overcharged at time after his work of shakespearean play, so special poems called a word. Sign shakespeare references to have no quiet find. William shakespeare in fact, sadly never allowing us! Being hit with geoffrey rush and juliet good, and its ____ ____ together in this bank of this play it is a honeymoon! The work together informs tilney, a cloud takes art, be true romance that.
    [Show full text]
  • Emotional Intelligence and Egopathy
    Chapter 14 Chapter 14: Public and Private Figures Behaving Badly in the News Tom Delay, Jack Abramoff, and Terry Skillern were behaving very badly. Totally ignoring public laws on how to deal with campaign funds. Article from Harvard Business Review: Harvey Weinstein’s interpersonal style in Feb. 2006 issue of HBR. He was one of the “great intimidators that the author writes about and even lauds. The mistake he makes is differentiating the bad bullies from the brilliant bullies. The reason those underlings he interviewed said they liked the experience of working with these masterful manipulators was that they were actually brilliant at what they did. Shakespeare in Love is one of my favorite movies. It truly is a great work of cinematic art. But when I saw Harvey Weinstein muscle out his shorter coproducer when accepting his Academy Award it almost ruined the experience of it winning the award for best film. His lieutenant clearly wanted to have his moment in the sun and was waiting patiently, but Hogging Harvey just kept talking with no sensitivity to the other’s needs. Did he create a great film and win the Oscar because he is a “great intimidator?” I shudder to think so. He won the award in spite of the fact that he is (most likely) a bully and an egopath. We have no way of knowing what percentage of the author's sample consisted of those who said they were inspired by the intimidator to do their best. They were most likely in the minority. The author recounts how many of his students say they would like to be able to build their “political intelligence” because they feel they may have too much “social intelligence.” This is a sad and erroneous statement.
    [Show full text]
  • Little Master Shakespeare PDF Book
    LITTLE MASTER SHAKESPEARE PDF, EPUB, EBOOK Jennifer Adams | 22 pages | 10 Oct 2011 | Gibbs M. Smith Inc | 9781423622055 | English | Layton, United States Little Master Shakespeare PDF Book In addition, the two lovers are equally "star-crossed" — they are not ultimately destined to be together since Viola is of rich and socially ambitious merchant stock and is promised to marry Lord Wessex , while Shakespeare himself is poor and already married. Other books in this series. Shakespeare discovers Viola's true identity, and they begin a secret affair. Best Original Musical or Comedy Score. Release date. Show less Show more Advertising ON OFF We use cookies to serve you certain types of ads , including ads relevant to your interests on Book Depository and to work with approved third parties in the process of delivering ad content, including ads relevant to your interests, to measure the effectiveness of their ads, and to perform services on behalf of Book Depository. Many of the costumes included long or full garments which required several yards of material" Paterson, Free delivery worldwide. Retrieved 27 February Rating details. Visit her website at jennifer-adams. They all exit. United States [2] United Kingdom [3]. Take a Study Break. Overseas orders are sent by Airmail. No, friend, cannot you beg? Directors Guild of America Awards [45]. You can learn more about our use of cookies here. Download as PDF Printable version. The Spectator. What did Shakespeare look like? Jennifer Adams. We would purge the land of these drones, that rob the bee of her honey. The scene with Shakespeare and Viola in the punt was re-shot, to make it more emotional, and some lines were re-recorded to clarify the reasons why Viola had to marry Wessex.
    [Show full text]
  • Gender Inequality in John Madden's Shakespeare in Love
    0 GENDER INEQUALITY IN JOHN MADDEN’S SHAKESPEARE IN LOVE: FEMINIST APPROACH Research Paper Submitted as a Partial Fulfillment of the Requirement for Getting Bachelor Degree in English Department By Woro Widowati A 320 050 355 SCHOOL OF TEACHING TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2009 1 CHAPTER I INTRODUCTION A. Background of the Study Shakespeare in Love is a movie directed by John Madden. He is a famous director in U.S. He also has created many movies like Captain Corelli's Mandolin before. He has gotten several Academic Awards as the best director because of his great movies. Shakespeare in Love firstly is written by Marc Norman. He proposes great story and plot which more concerns the Shakespeare’s life. There are also several producers who cooperate for finishing this movie. They are Marshall Herskovitz, Marc Norman, David Parfitt, Harvey Weinstein, Edward Zwick. This movie firstly was released on 12 December 1998 in U.S and was distributed by Universal Picture, Miramax film in U.S. United State is one of the big country which has created a million great movies. One of them is entitled “Shakespeare in Love”. It shows Shakespeare’s love with Viola acted by Gwyneth Paltrow. The setting of time is around 1593 or sixteenth century in London. The duration of its movie is about 2:03 or 123 minutes. During this time, the viewers are able to understand the story of Shakespeare’s love. Shakespeare in Love also performs great actors like Joseph Fiennes (William Shakespeare), Gwyneth Paltrow (Viola), Geoffrey Rush (Philiph Henslowe), Colin Firth (Lord Wessex), Ben Affleck (Ned Alleyn), Tom Wilkinson (Fennyman), Imelda (nurse).
    [Show full text]
  • Syllabus School of Humanities and Social Sciences
    D E L H I - N C R , I N D I A School of Humanities and Social Sciences Delhi NCR Campus Syllabus Master of Arts (English with Communication Studies) 2020-22 CHRIST(Deemed to be University) Delhi NCR Campus www.ncr.christuniversity.in 10/28/2020 https://christuniversity.in/school-of-arts-and-humanities/english-and-cultural-studies/ma-in-english-with-communication-studies/syllabus/… Department of ENGLISH-AND-CULTURAL-STUDIES Syllabus for Master of Arts (English with Communication Studies) Academic Year (2020) 1 Semester - 2020 - Batch Hours Paper Paper Per Credits Marks Code Week MEL111 TECHNICAL WRITING 3 3 50 AMERICAN LITERATURE: VOICES MEL132 4 4 100 FROM THE NATION MEL133 CRITICAL STUDIES 4 4 100 MEL134 LINGUISTICS 4 4 100 INTRODUCTION TO MASS MEL135 COMMUNICATION AND 4 4 100 JOURNALISTIC WRITING 2 Semester - 2020 - Batch Paper Paper Hours Credits Marks https://christuniversity.in/school-of-arts-and-humanities/english-and-cultural-studies/ma-in-english-with-communication-studies/syllabus/153/2020 1/178 Page - 2 10/28/2020 https://christuniversity.in/school-of-arts-and-humanities/english-and-cultural-studies/ma-in-english-with-communication-studies/syllabus/… 10/28/2020 https://christuniversity.in/school-of-arts-and-humanities/english-and-cultural-studies/ma-in-english-with-communication-studies/syllabus/… Code Per Week MEL211 SPEECH AND ACCENT 3 3 50 BRITISH LITERATURE II: CRITICAL MEL231 4 4 100 READINGS MEL232 RESEARCH METHODOLOGY 4 4 100 MEL233 LITERARY THEORY 4 4 100 MEL234 ENGLISH LANGUAGE EDUCATION 4 4 100 MEL241A DEVELOPING MEDIA
    [Show full text]
  • The Journal of Shakespeare and Appropriation 11/14/19, 1'18 PM
    Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'18 PM ISSN 1554-6985 VOLUME XII · (/current) NUMBER 1 FALL 2018 (/previous) Shakespeare across (/about) Time and Space EDITED BY (/archive) Lisa Hopkins CONTENTS Introduction: Early Modern Drama on Screen (/784126/show) Lisa (pdf) (/784126/pdf) Hopkins Screening the Metatheatrical: Jan Švankmajer's Faust as Andrew Marlovian Adaptation (/784108/show) (pdf) (/784108/pdf) Duxfield Time Travel and the Return of the Author: Shakespeare in Janice Love, "The Shakespeare Code," and Bill (/784111/show) (pdf) Wardle (/784111/pdf) "Da quando ho conosciuto l'arte, 'sta cella è diventata 'na prigione": Cesare deve morire and the Unsettling Self-(Re- Domenico )Fashioning Power of Theater (/784103/show) (pdf) Lovascio (/784103/pdf) "Everything thickens": Ngaio Marsh and an Intermedial Megan Macbeth from New Zealand (/784116/show) (pdf) Murray- (/784116/pdf) Pepper http://borrowers.uga.edu/7169/toc Page 1 of 2 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'18 PM The Player King and Kingly Players: Inverting Hamlet in Lee Joon-ik’s King and the Clown (2005) (/784121/show) (pdf) Adele Lee (/784121/pdf) "Must I Remember?": Hamlet, History, and Helmut Käutner's Douglas The Rest is Silence (/784106/show) (pdf) (/784106/pdf) Lanier Rivers of Story: Some Filmic Afterlives of Pericles R. S. (/784119/show) (pdf) (/784119/pdf) White D IGITAL APPROPRIATION Review of Shakespeare and the Players (/784117/show) (pdf) Amy (/784117/pdf) Borsuk B OOK REVIEWS Review of Imagining Shakespeare's Wife: The Afterlife of Anne Emily Hathaway, by Katherine West Scheil (/784112/show) (pdf) Buffey (/784112/pdf) Review of The Shakespeare User: Critical and Creative Philip Appropriations in a Networked Culture, edited by Valerie M.
    [Show full text]
  • Book Review: Courtney Lehmann. Shakespeare Remains: Theater To
    Book Reviews 125 to be a theoretical study, it does both provide in some senses a theoretical historical framework for any work that might be done on London pageant and drama in the future, and constitute a starting point – as informed as it can be at present – for an understanding of London’s civic longer term dramatic traditions. It attempts to set out something of the continuing story of public performance in London up to the mid-sixteenth century, ingeniously filling in gaps in knowledge through informed speculation and comparison with analogous situations and practices elsewhere. It is a book that needed to be written. Darryl Grantley Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell University Press, 2002. Pp xii, 267. The wit, intelligence, and scholarship of this study are reflected in its title. Remains functions here as a verb, as well as the noun employed by Heminge and Condell to describe their late colleague’s plays in the first folio. Lehmann argues that something of Shakespeare remains and endures despite the proble- matization of authorship wrought by late twentieth-century theory and despite the transformations wrought upon the playtexts not only in individual film adaptations but also by film as a framework for understanding art, culture, and entertainment. Demonstrating deep conversance with literary theory along with film theory, Lehmann challenges recent critiques of the idea of the Author in the Early Modern period; she anticipates, to some degree, some of Lukas Erne’s arguments in Shakespeare as Literary Dramatist (2003). But then, Shakespeare himself, ‘what is in the text, more than the text’, anticipates and provokes later cultural developments and even cinematic techniques.
    [Show full text]