Tbilisi's Luxurious Biltmore Hotel Opens in Former Soviet Institute
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
DOM Magazine No
2020 DOM magazine 04 December The Art of Books and Buildings The Cities of Tomorrow Streets were suddenly empty, and people began to flee to the countryside. The corona virus pandemic has forced us to re- think urban design, which is at the heart of this issue. From the hotly debated subject of density to London’s innovative social housing through to Berlin’s creative spaces: what will the cities of the future look like? See pages 14 to 27 PORTRAIT The setting was as elegant as one would expect from a dig- Jean-Philippe Hugron, nified French institution. In late September, the Académie Architecture Critic d’Architecture – founded in 1841, though its roots go back to pre- revolutionary France – presented its awards for this year. The Frenchman has loved buildings since The ceremony took place in the institution’s rooms next to the childhood – the taller, the better. Which Place des Vosges, the oldest of the five ‘royal squares’ of Paris, is why he lives in Paris’s skyscraper dis- situated in the heart of the French capital. The award winners trict and is intrigued by Monaco. Now he included DOM publishers-author Jean-Philippe Hugron, who has received an award from the Académie was honoured for his publications. The 38-year-old critic writes d’Architecture for his writing. for prestigious French magazines such as Architecture d’au jourd’hui and Exé as well as the German Baumeister. Text: Björn Rosen Hugron lives ten kilometres west of the Place des Vosges – and architecturally in a completely different world. -
View. Theories and Practices Ofvisual Culture
9 View. Theories and Practices of Visual Culture. title: tMitolen:umentality ephemerated author: aNuintahoSro(s:na source: Vsoieuwrc. eT:heories and Practices ofVisual Culture 9 (2015) URL: hURttLp: ://pismowidok.org/index.php/one/article/view/275/533/ publisher: Ipnusbtiltiushteero:f Literary Research of the Polish Academy of Sciences Institute of Polish Culture, University of Warsaw View. Foundation for Visual Culture Nina Sosna Monumentality ephemerated Monuments, which are generally considered visual, become the object of visual research much less frequently than any other art form. However, closer investigation shows that monuments are an interesting model or even frame of analysis. They are quite peculiar, and paradoxical objects, as they controversially combine many different kinds of things: the immaterial traits of collective imaginaries and the heavy materiality of stone or bronze, fluctuations of memory and the conservation of ideology, object and remnant, arrested past and an attempt to change the future. 1. Russia is currently going through a period of instability that is caused, not only by today's situation of an almost uncontrolled globalized world economy, but also by the transitional form of (post)socialism. There is a temporal factor that affects the very structure of the status quo. What is undergoing a noticeable change are not only the From: Yevgeniya Gershkovich, Yevgeny external conditions of existence, but also the sense of Korneev, eds., Stalin’s Imperial Style time. The “dashing 1990s” were a time to move forward - (Moscow: Trefoil Press, 2006), photo: at least, such was the general feeling. In the 2000s there Krzysztof Pijarski was a kind of break; for some, it was a moment of “looking around” and even backwards. -
For a Brighter Future: Innovation in Education Kakha Shengelia
INAUGURAL ADDRESS For a Brighter Future: Innovation in Education Kakha Shengelia ——————— Delivered on the occasion of the General Assembly of the IAUP 18th Triennial Conference, held in Vienna, Austria, on 8 July 2017 In June of 1965, our illustrious founders convened the first meeting of the International Association of University Presidents, at Fairleigh Dickinson University’s Wroxton College in Oxfordshire. Led by Peter Sammartino of the United States and Young Seek Choue of South Korea, with the energetic support of Jaime Benítez of Puerto Rico, Rocheforte Weeks of Liberia and Carlos Rómulo of the Philippines, our founders brought together more than 120 higher education leaders from around the world. These leaders reflected the geopolitical diversity of that time. They came from wealthy countries and poor countries, from old colonial powers and newly independent nations. They came from both sides of the Iron Curtain, as well as from nations of the non-aligned movement. And the institutions of higher education they represented were themselves extraordinarily diverse: large and small, rich and poor, religious and secular, private and public, old and new. But in spite of these differences, our founders articulated a shared vision for global higher education: This vision, briefly, was that higher education institutions around the world must not merely study global challenges and conflicts dispassionately from the sidelines. Rather, they must get in the game by solving problems through engaged research, purposeful teaching, and mindful outreach. Their vision was both of its time and ahead of its time. It was of its time because it responded to some of the greatest challenges of the second half of the twentieth century: institutional racism, sectarian violence, ideological intransigence, economic uncertainty, environmental degradation on a global scale, and seemingly intractable poverty. -
In This Week's Issue
facebook.com/ georgiatoday Issue no: 998/104 • NOVEMBER 14 - 16, 2017 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Natural Georgian Produce Fair to Go International NEWS PAGE 2 ReforMeter: Tracking Progress, One Reform at a Time ISET PAGE 4 Gov’t to Tighten FOCUS Construction Regulations ON GOV'T RESHUFFLE BUSINESS PAGE 6 Ministries cut, PM welcomes British Trade Envoy to new Finance and Education ministers PAGE 2&14 Georgia & Armenia on Georgia's Potential in PM: Gov’t Supports Entrepreneurship, Business & Innovations Britain BUSINESS PAGE 11 BY THEA MORRISON A he Georgian Prime Minister, Giorgi Kvirikashvili has once again stated that Momentous the promotion of entrepreneurship, business and innovations is one of the Week for main priorities of the government. TKvirikashvili made the statement on November the World 12 at Tech Park Tbilisi at the opening ceremony of Global Entrepreneurship Week. POLITICS PAGE 15 The PM thanked the US Embassy and Ambassa- dor Ian Kelly for the initiation and fi nancing of a program of mentorship that connects experienced Girl of Now: Elie Saab’s mentors with young people and business sector representatives for a year with various activities New Fragrance at Ici that will provide young people with innovative ideas for their businesses. Paris Stores Continued on page 3 SOCIETY PAGE 15 Prepared for Georgia Today Business by Markets Asof10ͲNovͲ2017 STOCKS Price w/w m/m BONDS Price w/w m/m BGEOGroup(BGEOLN) GBP35.57 Ͳ0,9% +8,1% GEOROG04/21 107.29(YTM4.45%) +0,1% +0,9% GHG(GHGLN) GBP3.37 -
TWO REGIMES, TWO UNIVERSITY CITIES Architectonic Language and Ideology in Lithuania and Portugal: 1930-1975
TWO REGIMES, TWO UNIVERSITY CITIES Architectonic language and ideology in Lithuania and Portugal: 1930-1975 Neringa Sobeščukaitė Dissertation of the Integrated Master’s Degree in Architecture supervised by Professor Nuno Alberto Leite Rodrigues Grande Department of Architecture, FCTUC, July 2013 TWO REGIMES, TWO UNIVERSITY CITIES Architectonic language and ideology in Lithuania and Portugal: 1930-1975 The author would like to thank numerous persons for their varied help, advice and encouragement, without whom research on this subject would have been impossible, if not at least much less comfortable or entertain- ing. These persons include but are not limited by colleagues from Kaunas Art Faculty of the Vilnius Academy of Fine Arts and Department of Architecture of the University of Coimbra. In particular, the author would like to thank: Miguel Godinho, Pedro Silva, João Briosa, Theresa Büscher, Monika Intaitė, Joana Orêncio, Lara Maminka Borges, Vânia Simões, Nuno Nina Martins, Magdalena Mozūraitytė, Jautra Bernotaitė, and Andrius Ropolas, for their support, and helpful hints along the way. The specificity of this work would not have been possible without the personal experience and academic for- mation in two institutions: Kaunas Art Faculty of the Vilnius Academy of Fine Arts, the university where the author finished its Bachelor degree, and Department of Architecture of the University of Coimbra, the current place of studies of the author. In this contex, the author would like to express the deepest gratitude to all pro- fessors and colleagues, for their help and support, for their brief discussions to deep, sometimes all night long conversations, that helped to feel at home, even when being half-way across the world. -
Soviet Architecture in Central Asia, 1920S-1930S
“Soviet Architecture and its National Faces ”: Soviet Architecture in Central Asia, 1920s-1930s By Anna Pronina Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts in Comparative History Supervisor: Professor Charles Shaw Second Reader: Professor Marsha Siefert CEU eTD Collection Budapest, Hungary 2020 Copyright Notice Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection ii Abstract The thesis “Soviet Architecture and its National Faces”: Soviet Architecture in Central Asia, 1920s-1930s is devoted to the various ways Soviet Central Asian architecture was imagined during the 1920s and the 1930s. Focusing on the discourses produced by different actors: architects, Soviet officials, and restorers, it examines their perception of Central Asia and the goals of Soviet architecture in the region. By taking into account the interdependence of national and architectural history, it shows a shift in perception from the united cultural region to a set of national republics with their own histories and traditions. The thesis proves that national architecture of the Soviet Union, and in Central Asia in particular, was a visible issue in public architectural discussions. Therefore, architecture played a significant role in forging national cultures in Soviet Central Asia. -
Building the Revolution. Soviet Art and Architecture, 1915
Press Dossier ”la Caixa” Social Outreach Programmes discovers at CaixaForum Madrid the art and architecture from the 1920s and 30s Building the Revolution. Soviet Art and Architecture 1915-1935 The Soviet State that emerged from the 1917 Russian Revolution fostered a new visual language aimed at building a new society based on the socialist ideal. The decade and a half that followed the Revolution was a period of intense activity and innovation in the field of the arts, particularly amongst architects, marked by the use of pure geometric forms. The new State required new types of building, from commune houses, clubs and sports facilities for the victorious proletariat, factories and power stations in order to bring ambitious plans for industrialisation to fruition, and operations centres from which to implement State policy and to broadcast propaganda, as well as such outstanding monuments as Lenin’s Mausoleum. Building the Revolution. Soviet Art and Architecture 1915-1935 illustrates one of the most exceptional periods in the history of architecture and the visual arts, one that is reflected in the engagement of such constructivist artists as Lyubov Popova and Alexander Rodchenko and and Russian architects like Konstantin Melnikov, Moisei Ginzburg and Alexander Vesnin, as well as the European architects Le Corbusier and Mendelsohn. The exhibition features some 230 works, including models, artworks (paintings and drawings) and photographs, featuring both vintage prints from the 1920s and 30s and contemporary images by the British photographer Richard Pare. Building the Revolution. Soviet Art and Architecture 1915-1935 , is organised by the Royal Academy of Arts of London in cooperation with ”la Caixa” Social Outreach Programmes and the SMCA-Costakis Collection of Thessaloniki. -
Kyiv, Ukraine: the City of Domes and Demons from the Collapse Of
Roman Adrian Roman Cybriwsky Kyiv, Ukraine is a pioneering case study of urban change from socialism to the hard edge of a market economy after the Soviet collapse. It looks in detail at the changing social geography of the city, and on critical problems such as corruption, social inequality, sex tourism, and destruction of historical ambience by greedy developers. The book is based on fieldwork and an insider’s knowledge of the city, and is engagingly written. Roman Adrian Cybriwsky is Professor of Geography and Urban Studies at Temple University in Philadelphia, USA, and former Ukraine Kyiv, Fulbright Scholar at the National University of Kyiv Mohyla Academy. He divides his time between Philadelphia, Kyiv, and Tokyo, about which he has also written books. “Roman Cybriwsky knows this city and its people, speaks their language, feels their frustrations with its opportunist and corrupt post-Soviet public figures Roman Adrian Cybriwsky who have bankrupted this land morally and economically. He has produced a rich urban ethnography stoked by embers of authorial rage.” — John Charles Western, Professor of Geography, Syracuse University, USA “Kyiv, Ukraine is an interdisciplinary tour de force: a scholarly book that is Kyiv, Ukraine also an anthropological and sociological study of Kyivites, a guide to Kyiv and its society, politics, and culture, and a journalistic investigation of the city’s darkest secrets. At this time of crisis in Ukraine, the book is indispensable.” — Alexander Motyl, Professor of Political Science, Rutgers University, USA The City of Domes and Demons “Filled with personal observations by a highly trained and intelligent urbanist, Kyiv, Ukraine is a beautiful and powerful work that reveals from the Collapse of Socialism profound truths about a city we all need to know better.” — Blair A. -
Russian Architecture
МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РОССИЙСКОЙ ФЕДЕРАЦИИ КАЗАНСКИЙ ГОСУДАРСТВЕННЫЙ АРХИТЕКТУРНО-СТРОИТЕЛЬНЫЙ УНИВЕРСИТЕТ Кафедра иностранных языков RUSSIAN ARCHITECTURE Методические указания для студентов направлений подготовки 270100.62 «Архитектура», 270200.62 «Реставрация и реконструкция архитектурного наследия», 270300.62 «Дизайн архитектурной среды» Казань 2015 УДК 72.04:802 ББК 81.2 Англ. К64 К64 Russian architecture=Русская архитектура: Методические указания дляРусская архитектура:Методическиеуказаниядля студентов направлений подготовки 270100.62, 270200.62, 270300.62 («Архитектура», «Реставрация и реконструкция архитектурного наследия», «Дизайн архитектурной среды») / Сост. Е.Н.Коновалова- Казань:Изд-во Казанск. гос. архитект.-строит. ун-та, 2015.-22 с. Печатается по решению Редакционно-издательского совета Казанского государственного архитектурно-строительного университета Методические указания предназначены для студентов дневного отделения Института архитектуры и дизайна. Основная цель методических указаний - развить навыки самостоятельной работы над текстом по специальности. Рецензент кандидат архитектуры, доцент кафедры Проектирования зданий КГАСУ Ф.Д. Мубаракшина УДК 72.04:802 ББК 81.2 Англ. © Казанский государственный архитектурно-строительный университет © Коновалова Е.Н., 2015 2 Read the text and make the headline to each paragraph: KIEVAN’ RUS (988–1230) The medieval state of Kievan Rus'was the predecessor of Russia, Belarus and Ukraine and their respective cultures (including architecture). The great churches of Kievan Rus', built after the adoption of christianity in 988, were the first examples of monumental architecture in the East Slavic region. The architectural style of the Kievan state, which quickly established itself, was strongly influenced by Byzantine architecture. Early Eastern Orthodox churches were mainly built from wood, with their simplest form known as a cell church. Major cathedrals often featured many small domes, which has led some art historians to infer how the pagan Slavic temples may have appeared. -
4 ESTAÇÕES DE METRÔ EM MOSCOU: O Plano Nacional De Stalin
4 ESTAÇÕES DE METRÔ EM MOSCOU: o plano nacional de Stalin AUH0154 - HISTÓRIA E TEORIASO DA PLANO ARQUITETURA III VITOR T. TACAMI SHIMODA Estação Komsomolskaya. Alexey Shchusev, Alexey Dushkin, Vladimir Gelfreich. 1952. Clube dos Trabalhadores Zuev. Ilya Gosolov. 1927-1929. Estação Krasnye Vorota, primeira linha. Ivan Fomin e N. Andrikanis. 1935. Biblioteca de Likhachev. Irmãos Vesnin. 1933-1937. A RÚSSIA IMPERIAL PRÉ-REVOLUCIONÁRIA O PLANO Praça Vermelha com o Kremlin à direita, 1905. Casarão do industrialista Gustav Tarasov, Ivan Zholtovsky. 1909-1912. Casarão de Stepan Riabushinsky. Fedor Shekhtel. 1900-1902. A ATIVIDADE DE VANGUARDA A ESCOLA SUPERIOR DE ARTEO E TÉCNICA PLANO (VKHUTEMAS) Capa do catálogo de trabalhos realizados na Vkhutemas, de autoria de El Lissitzky, de 1927. A Escola Superior de Arte e Técnica (Vkhutemas) surge da união da Escola de Pintura, Arquitetura e Escultura de Moscou e da Escola Stragonov de Artes Aplicadas. Relevo de canto, seleção de materiais, ferro, alumínio. Vladimir Tatlin, 1921. Avião voando, Kazimir Malevich. 1915. Museu de Arte Moderna, Nova York. Arkhitektoniki, Kazimir Malevich. 1920. Lenin Institute of Librarianship, Ivan Leonidov. 1927. A INFLEXÃO DA PREDILEÇÃO ESTÉTICA OFICIAL O CONCURSO PARA O PROJETOO DO PLANO PALÁCIO DOS SOVIETES (1931) Projeto para a competição do Palácio dos Sovietes. Moisei Ginzburg, Gustav Gassenpflug, Solomon Lisagor. 1932. Projeto para a competição do Palácio dos Sovietes. Le Corbusier. 1931-32. Projeto para a competição para do Palácio dos Sovietes. Vladimir Gelfrelkh, Boris Iofan, Vladimir Shchuko, Sergei Merkurov. 1933. O PLANO NACIONAL DE STALIN AS ESTAÇÕES DO METRÔ DE MOSCOU (PRIMEIRA E SEGUNDA LINHAS) O PLANO Nos países capitalistas, os metrôs são simples, uniformes e austeros. -
Schusev Museum PDF.Pdf
1 MARCH 30TH UNTIL JULY 2ND 2022 CULTURAL ARCHITECTURE THE FUTURE MOSCOW 2022 EUROPEAN CULTURAL CENTRE - WHO WE ARE The European Cultural Centre is a Non-Profit organization founded by the Dutch artist Rene Rietmeyer and originates back to 2002. Today we are an ever-expanding team of diverse individuals who care about humanity, and the role that arts and culture play in the overall impact of our world. With this in mind, doing nothing is not an option. We create exhibitions, publications and organize cultural activities that explore and share in the exchange of global perspectives. With that, the ECC has established an international network of cultural organizations and partners, all with a non-profit objective. So far, the ECC has established offices in: Italy, Spain, France, but also Belgium, USA, South Africa, India, Japan and Russia with our headquarters in The Netherlands. ECC-RUSSIA To date, the European Cultural Centre has organised and hosted over 50 contemporary art, design and architecture exhibitions worldwide, hundreds of meetings, workshops, symposia and other cultural events. In addition, we publish books, catalogues, as well as quality documentational videos and we offer specific educational programs with our ECC-Academy. The ECC is a Non-Profit organization, that aims to heighten, deepen the awareness of philosophical themes in contemporary art, as well as architecture and design. In order to further expand our activities, we have established the ECC-Russia. ECC-Russia organizes large contemporary art and architecture exhibitions. Our first large architecture exhibition in Russia was titled: “Public Architecture - Future for Europe 2020”, also at the Schusev State Museum of Architecture in Moscow 2020 and it was a success. -
Amcham Celebrates Its 18Th Anniversary
HOW DOES THE EU-GEORGIA TBILISI DEPUTY MAYOR DETAILS CONSUMER SPENDING IN ASSOCIATION AGREEMENT PLANS TO TACKLE TRAFFIC GEORGIA: THE POWER OF AFFECT CUSTOMS? CONFIDENCE 2016/17 C.-JAN. E Investor.geA Magazine Of The American Chamber Of Commerce In Georgia ISSUE 54 D AmCham Celebrates its 18th Anniversary DECEMBER-JANUARY/2016-17 • Investor.ge | 3 Investor.ge CONTENT 6 Investment News Investor.ge provides a brief update on investments and changes in government policy that could impact the business environment. 8 Georgia’s New Cabinet 11 Explainer: How Does EU Agreement Affect Customs? Deloitte Georgia’s customs expert Bondo Bolkvadze outlines what those changes mean for day-to-day operations. 14 Tbilisi Set for New Railway Bypass by 2018 A plan to move the central railway line from the middle 8 of Tbilisi has resumed after a three-year suspension. The new route will free 78 hectares of land in central Tbilisi for development. 16 Billions to be invested in Infrastructure: Update The government has pledged to invest billions of lari in new roads, better access to remote areas and improvements for the railway. 18 Construction and Cars: The View from Tbilisi City Hall 19 Consumer Spending in Georgia: The Power of Confidence Investor.ge looks into Georgians’ increased spending and 28 the potential power of consumer confidence. 22 Will Airbnb and Others Bring Disruption to Georgia? Airbnb and similar services have found a niche in Tbilisi, where the number of tourists has challenged the hospitality industry. 25 The Office of the Future: The Rise of Co-Working in Georgia Working at home can be lonely, which is one reason co- working spaces are booming – a trend that is now also gaining foothold in Georgia.