DOCSLIB.ORG

Linux Essentiel N31 : Montage Audio & Video

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BIENTÔT DISPONIBLE CHEZ VOTRE MARCHAnd DE JOURNAUX ! LE guide complet pour mettre en place et bien configurer votre serveur web ! NOUVEAU FORMAT : ENTRE LE LIVRE ET LE MAGAZINE... DÉCOUVREZ LE 2ÈME MOOK DES ÉDITIONS DIAMOND ! DISPONIBLE DÈS LE 26 AVRIL CHEZ GNU/LINUX MAGAZINE VOTRE MARCHAND DE JOURNAUX ET HORS-SÉRIE N°66 SUR : ed-diamond.com Linux Essentiel est édité par Les Éditions Diamond B.P. 20142 / 67603 Sélestat Cedex Tél. : 03 67 10 00 20 | Fax : 03 67 10 00 21 E-mail : [email protected] ÉDITO [email protected] Service commercial : Linux Essentiel n°31 [email protected] Sites : http://www.linux-essentiel.com http://www.ed-diamond.com ’autre jour, je suis tombée sur un Directeur de publication : Arnaud Metzler reportage qui parlait d’un nouveau Chef des rédactions : Denis Bodor phénomène qui faisait fureur outre- Rédactrice en chef : Aline Hof Atlantique : la diffusion de vidéos Rédacteur : Fred Scali-West personnelles. L’idée n’est non pas Secrétaire de rédaction : Véronique Sittler Lde partager sur la Toile des images de ses Conception graphique : Kathrin Scali dernières vacances, de réunions familiales Responsable publicité : Tél. : 03 67 10 00 27 ou d’événements particuliers avec sa Service abonnement : Tél. : 03 67 10 00 20 famille et ses amis, mais plutôt de Photographie et images : www.fotolia.com partager certains moments de la vie Impression : VPM Druck Rastatt / Allemagne quotidienne ou plutôt certaines situations Distribution France : comiques avec l’ensemble de la planète. (uniquement pour les dépositaires de presse) Alors que la protection de la vie privée MLP Réassort : sur Internet est un sujet qui fait débat, certains n’hésitent pas en Plate-forme de Saint-Barthélemy-d’Anjou Tél. : 02 41 27 53 12 effet à diffuser des vidéos d’eux ou de leurs enfants au plus grand Plate-forme de Saint-Quentin-Fallavier nombre. Le but ? Engranger le maximum de vues. Pour la gloire ? Tél. : 04 74 82 63 04 Pas vraiment, tout cela est davantage motivé par l’argent. YouTube, Service des ventes : la plateforme de partage de vidéos la plus populaire au monde, Distri-médias : Tél. : 05 34 52 34 01 offre en effet la possibilité de financer ses vidéos par le biais de IMPRIMÉ en Allemagne - PRINTED in Germany publicités. Évidemment, pour devenir « partenaire » YouTube*, un Dépôt légal : A parution certain nombre de conditions doivent être remplies (votre contenu N° ISSN : 1969-2463 doit être original pour commencer et doit respecter le règlement Commission Paritaire : K89 421 de la plateforme) et il va de soi qu’il vaut mieux déjà compter un Périodicité : Bimestrielle certain nombre d’abonnés et de vues. Si l’idée est de s’assurer un Prix de vente : 6,50 Euros revenu plus ou moins conséquent tous les mois, il conviendra de La rédaction n’est pas responsable des textes, déterminer sur quel créneau se lancer avec d’un côté du contenu illustrations et photos qui lui sont communiqués façon « Vidéo Gag » (qui a su faire ses preuves : la fameuse vidéo par leurs auteurs. La reproduction totale ou partielle des articles publiés dans Linux Essentiel « Dave after dentist » qui met en scène un petit garçon après son est interdite sans accord écrit de la société Les anesthésie aurait par exemple rapporté plus de 100 000 euros à son auteur avec plusieurs millions Éditions Diamond. Sauf accord particulier, les de vues ) et de l’autre, des chaînes YouTube un peu plus « sérieuses » permettant à tout un manuscrits, photos et dessins adressés à Linux ** Essentiel, publiés ou non, ne sont ni rendus, ni chacun de partager leurs expériences sur diverses thématiques (cuisine, beauté, sciences, etc.). renvoyés. Les indications de prix et d’adresses figurant dans les pages rédactionnelles sont Quoi qu’il en soit, ce que l’on peut retenir de tout cela - que vous soyez amené ou non à conquérir données à titre d’information, sans aucun but la planète avec vos dernières aventures vidéo - c’est que le succès d’une vidéo est dû la plupart publicitaire. Toutes les marques citées dans ce du temps en grande partie à son montage. On vous expliquera comment procéder au mieux dans numéro sont déposées par leur propriétaire res- pectif. Tous les logos représentés dans le maga- le dossier de ce numéro. Savoir capter son auditoire est évidemment fondamental, mais pour cela, zine sont la propriété de leur ayant droit respectif. nous vous laissons faire preuve d’originalité... Les articles non signés contenus dans ce numéro ont été rédigés par les membres de Aline Hof l'équipe rédactionnelle des Éditions Diamond. * Pour en savoir plus sur le sujet : http://support.google.com/youtube/?hl=fr&topic=2676320&rd=1 ** http://www.atlantico.fr/pepitesvideo/video-rapporter-plus-argent-youtube-224012.html Des avis ? Des commentaires ? Des suggestions de sujets ? Ecrivez-nous à : [email protected] Abonnement & achat Abonnez-vous en ligne sur S EDITI NS au format PDF sur E L DIAMOND numerique.ed-diamond.com ed-diamond.com STIMULANT DE matiÈRE GRISE Suivez nos dernières actualités en vous rendant sur : www.linux-essentiel.com Linux Essentiel n°31 3 Linux Essentiel SOMMAIRE n°31 Actualité Système 06 L'essentiel de l'actualité Linux et open source 13 Puppy Linux, le meilleur ami de l'ordinateur (et aussi de son maître) ? 16 Premiers pas avec le terminal... Écosystème du libre 18 Elementary OS, la distribution à suivre de près... 12 Agenda 22 Les nouveautés de PC-BSD 9.1 24 Dossier : Montage audio & vidéo 1 2 3 4 5 Fabriquer une Produire une Montage Lancez- Création intégrale sonnerie de bande-son vidéo avec vous dans le d'un DVD vidéo téléphone mobile Dolby Digital OpenShot screencasting ! avec DVDstyler et avec Audacity pour une vidéo Video Editor p. 42 Inkscape p. 26 avec Audacity et p. 35 p. 46 Cinelerra p. 30 4 Linux Essentiel n°31 www.linux-essentiel.com 18 Elementary OS, la distribution à suivre de près... 52 Le bureau à découvrir : Mate Logiciels Android Windows/Linux 52 Le bureau à découvrir : Mate 74 Urban Pulse, idées de sorties et 80 Retrouver ses jeux Windows sous GNU/Linux et bons plans bien plus encore... 54 Sushi, l'outil d'aperçu rapide de GNOME 74 Sleep as Android : faites de beaux rêves 55 Minitube, un outil Fiches pratiques incontournable pour profiter de 76 À jour dans votre liste de tâches YouTube depuis votre bureau avec Any.DO 86 Créer son blog sur WordPress.com 56 La sauvegarde et la 76 PlanCourses : n'oubliez plus votre 90 Créer une carte de visite avec gLabels synchronisation de dossiers facile liste de courses 92 Créer un effet parchemin avec GIMP avec FreeFileSync 77 Photo Grid : vos collages 61 Photo : une visionneuse personnalisés en un rien de temps d'images originale pour admirer 77 Retrouvez GnuCash sur votre 95 Cahier des votre photothèque mobile pour gérer vos finances Solutions Open Source 62 Quod Libet : personnelles un player à votre image 78 OpenSignal ou comment tout 59/60/75 Commandes savoir sur sa connexion GSM/3G/WiFi... 63 Comparatif de navigateurs & Abonnements internet sous GNU/Linux 79 Fâchés avec l'orthographe, la 73 Une nouvelle version grammaire ? Améliorez votre français pour le navigateur Opera pour 79 Cool Reader, une visionneuse de Android documents libre et complète 77 Photo Grid : vos 55 Minitube, un outil collages personnalisés en incontournable pour un rien de temps profiter de YouTube 80 Retrouver ses jeux Windows sous GNU/Linux et bien plus encore... depuis votre bureau www.linux-essentiel.com Linux Essentiel n°31 5 Actualité En Bref... LIBREOFFICE 4.0 : une mise à jour majeure pour Si vous suivez de plus ou moins près ce qui se passe du côté des plateformes mobiles, vous la suite bureautique serez sans doute ravis d’apprendre que Tizen 2.0 n ce début d’année, « Magnolia » est disponible. Le SDK ainsi que le The Document code source ont été mis à disposition sur le site Foundation, organi- du projet (voir https://www.tizen.org/). Pour sation soutenant le rappel, Tizen est un projet open source, sou- projet LibreOffice, a tenu par la Fondation Linux, Intel et Samsung. mis à disposition du grand public la D’après les rumeurs, Samsung serait prêt à sortir E version 4.0 de la suite bureautique. un smartphone Tizen courant de l’année. Au menu, une liste assez consé- Wait and see... quente de mises à jour. Côté réseau social, le développement de Source : https://www.libreoffice.org/ Si vous utilisez l’interface de bureau MOVIM (My Open Virtual Identity Manager) Des améliorations sont à signaler du côté Unity, sachez tout d’abord que continue sur sa lancée. Timothée Jaussoin du gestionnaire de modèles. l’intégration de la suite bureautique (fondateur du projet) a annoncé récemment la avec cet environnement a été disponibilité d’une nouvelle version : MOVIM 0.6 améliorée. Ensuite, ceux qui souhaiteraient égayer quelque peu leurs outils de « Cumulus ». Au menu, bon nombre de nouveau- bureautique auront désormais la possibilité d’appliquer un habillage à l’interface, tés comme la possibilité de rendre un billet privé LibreOffice supportant désormais les Personas de Firefox. Un nouveau gestion- ou public, une installation apportant davantage de naire de modèles a été intégré et si vous avez pour habitude d’utiliser des styles, simplicité, un outil WYSIWYG, etc. Pour en savoir sachez que vous pourrez dorénavant profiter d’un aperçu de ces derniers. Enfin, plus, cela se passe du côté de http://movim.eu/. chacun des outils de la suite bureautique a bien entendu fait l’objet d’améliora- KDE SC 4.10 est dans les bacs ! Pour en tions diverses.
Recommended publications
  • Dockerdocker

    Dockerdocker

    X86 Exagear Emulation • Android Gaming • Meta Package Installation Year Two Issue #14 Feb 2015 ODROIDMagazine DockerDocker OS Spotlight: Deploying ready-to-use Ubuntu Studio containers for running complex system environments • Interfacing ODROID-C1 with 16 Channel Relay Play with the Weather Board • ODROID-C1 Minimal Install • Device Configuration for Android Development • Remote Desktop using Guacamole What we stand for. We strive to symbolize the edge of technology, future, youth, humanity, and engineering. Our philosophy is based on Developers. And our efforts to keep close relationships with developers around the world. For that, you can always count on having the quality and sophistication that is the hallmark of our products. Simple, modern and distinctive. So you can have the best to accomplish everything you can dream of. We are now shipping the ODROID U3 devices to EU countries! Come and visit our online store to shop! Address: Max-Pollin-Straße 1 85104 Pförring Germany Telephone & Fax phone : +49 (0) 8403 / 920-920 email : [email protected] Our ODROID products can be found at http://bit.ly/1tXPXwe EDITORIAL ow that ODROID Magazine is in its second year, we’ve ex- panded into several social networks in order to make it Neasier for you to ask questions, suggest topics, send article submissions, and be notified whenever the latest issue has been posted. Check out our Google+ page at http://bit.ly/1D7ds9u, our Reddit forum at http://bit. ly/1DyClsP, and our Hardkernel subforum at http://bit.ly/1E66Tm6. If you’ve been following the recent Docker trends, you’ll be excited to find out about some of the pre-built Docker images available for the ODROID, detailed in the second part of our Docker series that began last month.
  • Working with Digital Video

    Working with Digital Video

    Working with digital video By admin Published: 10/04/2007 - 08:35 Peter Westenberg , October 2007 Working with digital video is part of many artistic disciplines. Besides single screen narratives, video productions can range from animation, multiple screen installation to interactive work. Still, many aspects of digital video can be traced back to the history of film. The interface of a timeline editing software such as Cinelerra [1] shows a multitrack timeline, a viewing monitor, a bin for clips; echoing the setup of a flatbed table for editing celluloid. A dual head set up Cinelerra work station The physical materiality of film and video are fundamentaly different: celluloid versus pixels, chemicals versus algorhytms, but the relationship between film and video has mutually matured. As outlined by Matt Hanson [1b] , video expands cinematographic traditions in new directions, filmmakers can benefit from digitisation by reclaiming the central position of creativity in the film process, as pointed out by Samira Makhmalbaf. [1c] 1 / 28 An 'Old Delft Cinemonta' 16mm editing table in use at the Filmwerkplaats in Rotterdam Digital video also roots in artistic practices of the sixties and seventies. [1a] Artists started using video to capture temporary performances (Joan Jonas [2] , Vito Acconci [3] ), they integrated video monitors in installations (Nam June Paik [4] ), experimented with filters and mixing in video paintings (Peter Campus [5] ). Compared to film cameras, video cameras had a strong feature: it became possible connect a monitor and view directly what the camera recorded. Today, artists can use softwares such as Lives [5] , Jahshaka [6] , Zone Minder [7] or Pure Data [8] and Linux distributions aimed at audio and visual creation such as Dyne:bolic [9] Apodio [10] and Ubuntu Studio [11] to further explore the possibilities of real time video, multiple camera input and live interaction.
  • 18 Free Ways to Download Any Video Off the Internet Posted on October 2, 2007 by Aseem Kishore Ads by Google

    18 Free Ways to Download Any Video Off the Internet Posted on October 2, 2007 by Aseem Kishore Ads by Google

    http://www.makeuseof.com/tag/18-free-ways-to-download-any-video-off-the-internet/ 18 Free Ways To Download Any Video off the Internet posted on October 2, 2007 by Aseem Kishore Ads by Google Download Videos Now download.cnet.com Get RealPlayer® & Download Videos from the web. 100% Secure Download. Full Movies For Free www.YouTube.com/BoxOffice Watch Full Length Movies on YouTube Box Office. Absolutely Free! HD Video Players from US www.20north.com/ Coby, TV, WD live, TiVo and more. Shipped from US to India Video Downloading www.VideoScavenger.com 100s of Video Clips with 1 Toolbar. Download Video Scavenger Today! It seems like everyone these days is downloading, watching, and sharing videos from video-sharing sites like YouTube, Google Video, MetaCafe, DailyMotion, Veoh, Break, and a ton of other similar sites. Whether you want to watch the video on your iPod while working out, insert it into a PowerPoint presentation to add some spice, or simply download a video before it’s removed, it’s quite essential to know how to download, convert, and play these videos. There are basically two ways to download videos off the Internet and that’s how I’ll split up this post: either via a web app or via a desktop application. Personally, I like the web applications better simply because you don’t have to clutter up and slow down your computer with all kinds of software! UPDATE: MakeUseOf put together an excellent list of the best websites for watching movies, TV shows, documentaries and standups online.
  • “Laboratório” De T V Digital Usando Softw Are Open Source

    “Laboratório” De T V Digital Usando Softw Are Open Source

    “Laboratório” de TV digital usando software open source Objectivos Realizar uma pesquisa de software Open Source, nomeadamente o que está disponível em Sourceforge.net relacionado com a implementação de operações de processamento de sinais audiovisuais que tipicamente existem em sistemas de produção de TV digital. Devem ser identificadas aplicações para: • aquisição de vídeo, som e imagem • codificação com diferentes formatos (MPEG-2, MPEG-4, JPEG, etc.) • conversão entre formatos • pré e pós processamento (tal como filtragens) • edição • anotação Instalação dos programas e teste das suas funcionalidades. Linux Aquisição Filtros Codificação :: VLC :: Xine :: Ffmpeg :: Kino (DV) :: VLC :: Transcode :: Tvtime Television Viewer (TV) :: Video4Linux Grab Edição :: Mpeg4IP :: Kino (DV) Conversão :: Jashaka :: Kino :: Cinelerra :: VLC Playback :: Freej :: VLC :: FFMpeg :: Effectv :: MJPEG Tools :: PlayerYUV :: Lives :: Videometer :: MPlayer Anotação :: Xmovie :: Agtoolkit :: Video Squirrel VLC (VideoLan Client) VLC - the cross-platform media player and streaming server. VLC media player is a highly portable multimedia player for various audio and video formats (MPEG-1, MPEG-2, MPEG-4, DivX, mp3, ogg, ...) as well as DVDs, VCDs, and various streaming protocols. It can also be used as a server to stream in unicast or multicast in IPv4 or IPv6 on a high-bandwidth network. http://www.videolan.org/ Kino (DV) Kino is a non-linear DV editor for GNU/Linux. It features excellent integration with IEEE-1394 for capture, VTR control, and recording back to the camera. It captures video to disk in Raw DV and AVI format, in both type-1 DV and type-2 DV (separate audio stream) encodings. http://www.kinodv.org/ Tvtime Television Viewer (TV) Tvtime is a high quality television application for use with video capture cards on Linux systems.
  • Release 3.5.3

    Release 3.5.3

    Ex Falso / Quod Libet Release 3.5.3 February 02, 2016 Contents 1 Table of Contents 3 i ii Ex Falso / Quod Libet, Release 3.5.3 Note: There exists a newer version of this page and the content below may be outdated. See https://quodlibet.readthedocs.org/en/latest for the latest documentation. Quod Libet is a GTK+-based audio player written in Python, using the Mutagen tagging library. It’s designed around the idea that you know how to organize your music better than we do. It lets you make playlists based on regular expressions (don’t worry, regular searches work too). It lets you display and edit any tags you want in the file, for all the file formats it supports. Unlike some, Quod Libet will scale to libraries with tens of thousands of songs. It also supports most of the features you’d expect from a modern media player: Unicode support, advanced tag editing, Replay Gain, podcasts & Internet radio, album art support and all major audio formats - see the screenshots. Ex Falso is a program that uses the same tag editing back-end as Quod Libet, but isn’t connected to an audio player. If you’re perfectly happy with your favorite player and just want something that can handle tagging, Ex Falso is for you. Contents 1 Ex Falso / Quod Libet, Release 3.5.3 2 Contents CHAPTER 1 Table of Contents Note: There exists a newer version of this page and the content below may be outdated. See https://quodlibet.readthedocs.org/en/latest for the latest documentation.
  • Multimedia Systems DCAP303

    Multimedia Systems DCAP303

    Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards.
  • Colker, Marvin L./ Analecta Dublinensia: Three Mediaeval Latin

    Colker, Marvin L./ Analecta Dublinensia: Three Mediaeval Latin

    THE MEDIAEVAL ACADEMY OF AMERICA PUBLICATION NO. 82 ANALECTA DVBLINENSIA ANALECTA DVBLINENSIA THREE MEDIEVAL LATIN TEXTS IN THE LIBRARY OF TRINITY COLLEGE DUBLIN edited by MARVIN L. COLKER The University of Virginia THE MEDIAEVAL ACADEMY OF AMERICA CAMBRIDGE, MASSACHUSETTS 1975 The publication of this book was made possible by grants of funds to the Mediaeval Academy from the Carnegie Corporation of New York Copyright ©1975 By The Mediaeval Academy of America Library of Congress Catalog Card Number: 75-1954 ISBN 910956-56-1 Printed in the United States of America To Philip Ian Colker This Book Is Dedicated Contents Preface 1 1. CONTRA RELIGIONIS SIMVLATORES Introduction 5 Summary 9 Text 17 Notes 52 Index Nominum 59 Index Rerum Memorabilium 60 Index Auctorum et Operum Romanorum ac Medii Aeui Citatorum 62 2. EPISTOLAE AD AMICVM AND THREE POEMS Introduction 65 Summary 75 Text 91 Appendices 161 & 162 Notes 164 Index Nominum 173 Index Rerum Memorabilium 174 Index Verborum uel Significationum Inusitatiorum 177 Index Auctorum et Operum Romanorum ac Medii Aeui Citatorum 178 CONTENTS 3. A COLLECTION OF STORIES AND SKETCHES: PETRONIVS REDIVIVVS Introduction 181 Summary 189 Text 195 Notes 236 Index Nominum 253 Index Rerum Memorabilium 254 Index Verborum uel Significationum Inusitatiorum 256 Index Auctorum et Operum Romanorum ac Medii Aeui Citatorum 257 Preface OVER the past decade I have been privileged to work on the re-cataloging of the medieval Latin manuscripts at Trinity College Dublin. In the course of this effort, I came upon three unpublished
  • Songfeeds Decentralized Music Distribution with Easy Donations

    Songfeeds Decentralized Music Distribution with Easy Donations

    songfeeds decentralized music distribution with easy donations Caleb Malchik 4/18/2018 par t i over viewofcopyr ight copyr ight law the right of an author to publish their wor k, exclusiveofall other persons. •includes control overder ivativewor ks,and the right to attribution •authors usually sell their rights to a publisher •copyr ight ter ms over the years: 1790: 14 years (+ possible 14 year extension) 1976: life+50years 1998: life+70years (incl. existing wor ks) arguments for strong copyr ight •provides a business model for record companies •"youwouldn’t download a car" we’ll focus on the music business arguments for weaker copyr ight •freedom of speech •artists makemost of their moneythrough concer t ticketsales •tradeoffs have changed: in the digital age,the right to copyand share is wor th something to ordinar y people •excesses! copyr ight or iginally applied to books,and originated in the age of the printing press,atatime when the cost of making a single copywas high, but the cost of making manycopies was ver y lowper copy. in this situation, copyr ight allowedpublishers to receivearetur n on their initial investment in an artist, similar to howpatents wor k today. when copyr ight came about, the public gave uptheir freedom to distribute copies of books in exchange for the creation of more books until recently,this tradeoff was wor thwhile because it was impractical for the public to copy books anyways. now,making single copies is easier,i.e.aright that the public can easily exercise.somanypeople feel that the tradeoff is no longer wor th it music copyr ight in action •in2006, the On-line Guitar Archive, a collection of user-contributed guitar tabs,was ser ved at takedown notice bythe National Music Publishers’ Association •in2013 (after 6 years of trials), Jammie Thomas-Rasset was fined $220,000 for downloading and distributing 24 songs OLGA case shows that copyr ight holders can prevent the distr ibution of tabs/transcr iptions,because theyare derivativewor ks.
  • Beets Documentation Release 1.5.1

    Beets Documentation Release 1.5.1

    beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box.
  • 60 Rogue Screen Resolution KNOW$HOW 60

    60 Rogue Screen Resolution KNOW$HOW 60

    BEFN$?FN Ask Klaus! 8JB BC8LJ 1152x864, 1024x768, 832x624, 800x600, driver and is thus staying with the text- 720x400, and 640x480). mode resolution on the console. However, in System | Preferences | The default and setup resolutions de- Screen Resolution Klaus Knopper is the creator of , the monitor is shown pend on your version of Xorg. I’m not as UNKNOWN despite the name in xorg. sure which version of Xorg is used with Knoppix and co-founder of the conf being PLE1900 (for the iiyama your distribution, but if it is not older E1900S LCD monitor), and the list of res- than about half a year, it should be using LinuxTag expo. He currently olutions now reads 1280x1024, the randr extension, which means: works as a teacher, program- 1280x960, 1280x800, 1280x768, ฀ ฀฀฀฀฀฀฀฀ 1024x768, 800x600, and 640x480, own choice for the best resolution for mer, and consultant. If you have though when things went wrong, your card/ monitor combination, 1280x1024 disappeared. The refresh rate ฀ ฀Modes settings in /etc/X11/xorg. a configuration problem, or if is 60Hz. conf will probably be ignored, and you just want to learn more Where is the system picking up these ฀ ฀฀฀฀฀฀ resolutions, and how can I eliminate the desktop tools (usually running in the about how Linux works, send 1280x768? desktop panel), such as kandrtray or I used sudo displayconfig-gtk and was lxandr, which remember your last set- your questions to: able to select 1280x1024, and now two ting (hence the difference between dif- of my three users are OK, but although ferent user logins). klaus@linux-magazine.
  • The Power of Digital Storytelling to Support Teaching and Learning

    The Power of Digital Storytelling to Support Teaching and Learning

    The Power of Digital Storytelling to Support Teaching and Learning Bernard R. Robin [email protected] University of Houston, USA Abstract Although the term “digital storytelling” may not be familiar to all readers, over the last twenty years, an increasing number of educators, students and others around the world have created short movies by combining computer-based images, text, recorded audio narration, video clips and music in order to present information on various topics. For more than twelve years, faculty members and graduate students in the Learning, Design and Technology Program at the University of Houston College of Education have been exploring the use of digital storytelling to support both teaching and learning. In 2004, the author established the Educational Uses of Digital Storytelling website (http://digitalstorytelling.coe.uh.edu) to serve as a helpful resource for those interested in learning how digital storytelling could be integrated into a variety of educational activities. This paper presents an overview of how digital storytelling has and continues to be used to support teaching and learning activities. In addition, recommendations and guidelines are presented for educators who would like to teach students to use digital storytelling as an educational endeavor. Keywords Digital Storytelling, Educational Technology, Teaching, Learning, Multimedia B.R. Robin 17 Digital Education Review - Number 30, December 2016- http://greav.ub.edu/der/ The Power of Digital Storytelling to Support Teaching and Learning I. Introduction This paper deals with the educational uses of digital storytelling and presents an overview of how digital storytelling has and continues to be used to support teaching and learning.
  • Intro to Video Production Meaning Is More Than Dialogue in Videos

    Intro to Video Production Meaning Is More Than Dialogue in Videos

    Intro to Video Production Meaning is more than dialogue in videos 2 Meaning is conveyed in videos through Visual metaphor Audio Editing 3 1 Visual Metaphor 4 Star Wars, 1977, Directed by George Lucas 5 Tools for Visual Metaphor Examples include ◦ Size ◦ Composition ◦ Movement (camera and subjects) ◦ Camera angles ◦ Color ◦ Lighting ◦ Scenery And many more 6 Color The Lord of the Rings: The Fellowship of the Ring, 2001, Directed by Peter Jackson 7 Color The Lord of the Rings: The Return of the King, 2003, Directed by Peter Jackson 8 Lighting Up, 2008, Directed by Pete Docter 9 Lighting Up, 2008, Directed by Pete Docter 10 Scenery Rocky, 1976, Directed by John G. Avildsen 11 Scenery Rocky, 1976, Directed by John G. Avildsen 12 2 Audio 13 The importance of music 14 The importance of music 15 Music can change a scene 16 Sound Effects Make a Difference as Well 17 Sound Effects Make a Difference as Well 18 Creative Commons Resources 19 Creative Commons (creativecommons.org) Attribution Share Alike Must attribute the Derivatives must use author/creator same or compatible license Noncommercial No derivative works Cannot be used for Can only be shared commercial purposes unaltered 20 Music and Sound Effects ◦ Free Music Archive (freemusicarchive.org) ◦ Jamendo (jamendo.com/start) ◦ IMSLP/Petrucci Music Library (imslp.org/wiki/Main_Page) ▫ Example ◦ Freesound (freesound.org) - includes sound effects ◦ Musopen (musopen.org) ◦ ccMixter (ccmixter.org) ◦ Internet Archive (archive.org/details/netlabels) 21 Videos ◦ YouTube search ◦ Archive.org (archive.org/details/stock_footage) ◦ NASA (nasa.gov/multimedia/videogallery/index.html) ◦ Hubble Space telescope (spacetelescope.org/videos/) ◦ Coverr (coverr.co) ◦ Public Domain Movies (publicdomainflix.com) 22 3 Editing 23 Transitioning Scenes with Editing Star Wars, 1977, Directed by George Lucas 24 Editing can change the emotion of a scene 25 Reaction Shot Mrs.