Good Kill Screenwriter and Director Andrew Niccol Joins Reel Talk
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First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
GATTACA Written and Directed by Andrew Niccol ABOUT THE
Article on Gattaca by Mark Freeman Area of Study 1 & 2 Theme: Future worlds GATTACA Written and directed by Andrew Niccol Article by Mark Freeman ABOUT THE DIRECTOR Andrew Niccol, a screenwriter and director, was born in New Zealand and moved to England at the age of 21 to direct commercials. He has written and directed Gattaca, Simone and Lord of War as well as earning an Academy Award nomination for his screenplay for The Truman Show. OVERVIEW In recent years, scientific research has unearthed a greater understanding of our genetic make-up – the lottery that determines our appearance and physical capabilities. The means by which we inherit specific traits from our parents, our genes are like a blueprint of our future, determining our predisposition for specific talents or particular illnesses. Concurrent with this understanding of genetics have come successful attempts in cloning, and, more recently, the ethical debate over stem cell research to combat a range of physical maladies. Identification and eradication of rogue genes (those that could ultimately cause malfunction at birth or later in a person’s life) is a very real possibility with the developing exploration in genetic research. In your own DNA, you already carry the genetic code which will cause your physical development in your teens, your predisposition to weight gain in your twenties, your hair loss in your thirties, early menopause in your forties, the arthritis you develop in your fifties, your death from cancer in your seventies. It’s an imposing thought to consider the map of our histories, our futures, in terms of our genetic code. -
Programación Semanal Del 7 Junio Al 13 Junio 2019
PROGRAMACIÓN SEMANAL DEL 7 JUNIO AL 13 JUNIO 2019 Estrenos Cine Familiar Dolby Atmos 7.1 Dolby Digital 7.1 Proyección en calidad 4K Proyección en 70mm VOSE: Versión original subtitulada en español VIERNES 15:20h LOS SIETE MAGNÍFICOS The Magnificent Seven VOSE · 128’ SINOPSIS 7 JUNIO 17:45h ROCKETMAN Rocketman VOSE · 121’ 20:10h JOHN WICK: CAPÍTULO 3 - PARABELLUM ALADDÍN Aladdin / Guy Ritchie, 2019. Int: Naomi Scott, Will Smith, Mena Massoud. John Wick: Chapter 3 - Parabellum VOSE · 130’ USA · VOSE · · 128’ 22:45h EL EXORCISTA (DIRECTOR’S CUT) The Exorcist (Director’s Cut) VOSE · 132’ Disney sigue apostando por las adaptaciones reales de sus clásicos animados, poniendo siempre el proyecto en manos de directores consolidados como Kenneth Branagh, que dirigió la nueva versión de La Cenicienta, o Bill Condon, responsable de La Bella y la Bestia estrenada en 2017. En esta ocasión, ha sido el realizador Guy Ritchie SÁBADO 12:00h VENGADORES: ENDGAME Avengers: Endgame VOSE · 182’ el responsable de darle nueva vida a uno de los grandes títulos de la animación: Aladdin. Un joven ladronzuelo de buen corazón descubrirá una lámpara mágica con un genio que le concederá tres deseos, lo que le permitirá hacerse 8 JUNIO 15:20h SU NOMBRE ES CRAIG, DANIEL CRAIG pasar por príncipe ante la chica a la que ama, la princesa Jasmine. Will Smith desbancó a Jim Carrey como nuevo CASINO ROYALE Casino Royale VOSE · 144’ genio, un personaje que en la versión de dibujos cobró magia gracias a la voz y el humor de Robin Williams. 18:00h VIVIR Y MORIR EN LOS ANGELES To Live and Die in L.A. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Download Production Notes
VOLTAGE PICTURES PRESENTS A VOLTAGE/SOBINI FILMS PRODUCTION A FILM BY ANDREW NICCOL GOOD KILL ETHAN HAWKE BRUCE GREENWOOD ZOE KRAVITZ JAKE ABEL AND JANUARY JONES CASTING BY AVY KAUFMAN, C.S.A. COSTUME DESIGNER LISA JENSEN PRODUCTION DESIGNER GUY BARNES MUSIC SUPERVISORS DANA SANO AND LIBBY UMSTEAD MUSIC BY CHRISTOPHE BECK EDITOR ZACH STAENBERG, A.C.E. DIRECTOR OF PHOTOGRAPHY AMIR MOKRI EXECUTIVE PRODUCERS PATRICK NEWALL, TED GIDLOW, CAMI WINIKOFF PRODUCED BY NICOLAS CHARTIER, ZEV FOREMAN, MARK AMIN WRITTEN, PRODUCED AND DIRECTED BY ANDREW NICCOL ©2014 CLEAR SKIES NEVADA, LLC ALL RIGHTS RESERVED. 2 GOOD KILL Logline The film tells the story of a Las Vegas fighter-pilot turned drone-pilot (Ethan Hawke), who fights the Taliban via remote Control for half of his day, then goes home to his wife (January Jones) and kids in the suburbs for the other half. But the pilot is starting to question the mission. Is he Creating more terrorists than he’s killing? Is he fighting a war without end? One soldier’s tale with epiC impliCations. Director’s Statement This is the story of fighter pilot, Major Tommy Egan, who has been flying F-16’s in Iraq and Afghanistan. He is still flying missions in that part of the world but now he is doing it from the inside of a very different Cockpit. He is a drone pilot, fighting the war by remote Control from an air-conditioned cubicle 7,000 miles away on a base near Las Vegas. It’s about the new schizophrenia of war. After fighting the Taliban for 12 hours a day, Tommy goes home to the suburbs to feud with his wife and kids for the other 12. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
The Premise Is Damnably Intriguing. Written and Directed by Andrew Niccol, Maker of Such Original Sci-Fi Movies As "Gattaca
The premise is damnably intriguing. Written and directed by Andrew Niccol, maker of such original sci-fi movies as "Gattaca" (1997) and "S1mOne" (2002), it involves once again people whose lives depend on an overarching technology. In this case, they can buy, sell and gamble with the remaining years they have to live. The market in time is everywhere. On this imaginary Earth, humans have a Day-Glo digital clock on their forearms, clicking off the years, months, days and hours. It's like a population clock, except that it always grows smaller. By grasping hands and interfacing, I can upload and download time with you. ADVERTISEMENT Justin Timberlake stars as Will Salas, a citizen of some unexplained future or parallel world (the settings and costumes are relatively contemporary), who finds himself on the run from the law. In this world, genetic engineering has been used to switch off everyone's body clock at age 25. At that point, they have one more year to live, but can work or make deals for more — or commit crimes. The 25-year limit had the curious effect of making everyone more or less the same age, which explains the sexy Olivia Wilde as Will's mother. One day, Will has a conversation with a morose man named Henry Hamilton (Matt Bomer), who explains he is 100 years old and has another century in the bank. He's tired of living. Their conversation drags on into philosophical depths, until both fall asleep. Will awakens with an extra century on his clock and looks out the window to see Henry preparing to jump from a bridge. -
African Warrior Culture
African Warrior Culture: The Symbolism and Integration of the Avtomat Kalashnikova throughout Continental Africa By Kevin Andrew Laurell Senior Thesis in History California State Polytechnic University, Pomona June 10, 2014 Grade: Advisor: Dr. Amanda Podany Laurell 1 "I'm proud of my invention, but I'm sad that it is used by terrorists… I would prefer to have invented a machine that people could use and that would help farmers with their work - for example a lawnmower."- Mikhail Kalashnikov The Automatic Kalashnikov is undoubtedly the most recognizable and iconic of all weapon systems over the past sixty-seven years. Commonly referred to as the AK or AK-47, the rifle is a symbol of both oppression and revolution in war-torn parts of the world today. Most major conflicts over the past forty years throughout Africa, Asia, the Middle East, and South America have been fought with Kalashnikov rifles. The global saturation of Kalashnikov weaponry finds its roots in the Cold War mentalities of both the Soviet Union and Western powers vying for ideological footholds and powerful spheres of influence. Oftentimes the fiercest Cold War conflicts took place in continental Africa, with both Moscow and Washington interfering with local politics and providing assistance to one group or another. While Communist-Socialist and Western Capitalist ideologies proved unsuccessful in many regions in Africa, the AK-47 remained the surviving victor. From what we know of the Cold War, millions of Automatic Kalashnikovs (as well as the patents to the weapons) were sent to countries that were willing to discourage the threat of Western influence. -
List of Surveillance Feature Films
Surveillance Feature Films compiled by Dietmar Kammerer, Berlin Sources of plot descriptions and details: allmovie.com; imdb.com 1984 (Nineteen Eighty-Four) UK 1956 dir: Michael Anderson. George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-104070 http://www.imdb.com/title/tt0048918/ 1984 (Nineteen Eighty-Four) UK 1984 dir: Michael Radford Second adaptation of George Orwell's novel. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-91 http://www.imdb.com/title/tt0087803/ 23 [23 – Nichts ist wie es scheint] Germany 1998 dir: Hans-Christian Schmid The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. http://www.imdb.com/title/tt0126765/ http://www.allmovie.com/work/23-168222 keywords: conspiracy; internet; true story The Anderson Tapes USA 1971 dir: Sidney Lumet This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. -
Lectures Recommandées Pour Débuter La Philosophie En Terminale Generale
LECTURES RECOMMANDÉES POUR DÉBUTER LA PHILOSOPHIE EN TERMINALE GENERALE Les œuvres suivies d'un astérisque sont à lire en priorité. Tous les textes sont disponibles en livre de poche ou consultables sur l'internet. Quelques films en lien avec les notions au programme sont proposés pour accompagner la lecture. L’existence humaine et la culture Spinoza, Traité Théologico-politique, Préface*. -François Truffaut, L’enfant sauvage [la nature] Baudelaire, Le peintre de la vie moderne, chapitres -John Huston, Freud, passions secrètes [L’inconscient, la science] I-V et XI. -Stanley Kubrick, 2001 : l’Odyssée de l’espace [la technique] Freud, Introduction à la psychanalyse, chapitres I-II. -Sean Penn, Into the wild [la nature] Hannah Arendt, La Crise de la Culture. -Spike Jonze, Her [la conscience, la technique] Lévi-Strauss, Nous sommes tous des cannibales. -Denis Villeneuve, Premier contact [le langage, le temps] -Andrew Niccol, Bienvenue à Gattaca [la technique, la liberté] -Ridley Scott, Blade Runner [La technique, le travail] La morale et la politique Épicure, La Lettre à Ménécée*. -Sophocle, Antigone [la justice] Hobbes, Du Citoyen. -Alfred Hitchcock, La corde, [le devoir] Pascal, Trois discours sur la condition des grands. -Sidney Lumet, Douze hommes en colère [la vérité, la Rousseau, Du Contrat Social, livre I*. justice] Kant, Qu’est-ce que les Lumières ? -Bertrand Tavernier, Le juge et l’assassin [la politique, la justice, la raison] Nietzsche, Généalogie de la Morale. -Costa-Gavras, Z [l’État] Marx, Salaire, prix et profit -Peter Weir, The Truman show [la vérité, le bonheur] La connaissance Platon, La République, livre VII. -Flaubert, Bouvard et Pécuchet (adaptation Platon, Gorgias. -
Good Kill Ennui Et Colère À Las Vegas Maxime Labrecque
Document généré le 28 sept. 2021 09:37 Séquences : la revue de cinéma Good Kill Ennui et colère à Las Vegas Maxime Labrecque Jimmy's Hall Numéro 297, juillet 2015 URI : https://id.erudit.org/iderudit/78761ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Labrecque, M. (2015). Compte rendu de [Good Kill : ennui et colère à Las Vegas]. Séquences : la revue de cinéma, (297), 15–15. Tous droits réservés © La revue Séquences Inc., 2015 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ CRITIQUES ANDREW NICCOL Good Kill Ennui et colère à Las Vegas Lever le voile sur une pratique guerrière singulière Il y a près de 30 ans, Tony Scott réalisait Top Gun et exposait l’utilisation de drones. En soi, ce n’est pas bien problématique : au monde le sentiment grisant de piloter un jet. Andrew Niccol ce n’est certes pas la première fois qu’un long métrage met de s’inscrit en faux contre cette vision en présentant des pilotes qui l’avant un message peu subtil.