Antique Arms & Armour
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Sample File Miquelet Ferguson Mfg: Greek 1790 to 1850 Mfg: English 1776 to 1778 .65 Cal .60 Cal Muzzle Velocity: 800 Fps Weight: 13 Lb
Recoil Action: Firearm action that uses the force of the recoil to provide energy to cycle the action. Roller-delayed Blowback: A type of fi rearm action where rollers on the sides of the bolt are driven inward against a tapered bolt carrier extension. This forces the bolt carrier rearward at a higher velocity and delays movement of the bolt head. Rolling Block Action: A fi rearm action where the breech is seeled with a specially shaped breechblock able to rotate on a pin. The breechblock is locked in place by the hammer preventing the cartridge from moving backwards when fi red. Cocking the weapon allows the breechblock to be rotated to reload the weapon. Short Recoil Action: Action where the barrel and slide recoil together a short distance before they unlock and separate. The barrel stops quickly, and the slide continues rearward, compressing the recoil spring and performing the automated extraction and feeding process. During the last portion of its forward travel, the slide locks into the barrel and pushes the barrel back into battery. Slide Action: A fi rearm action where the handgrip is moved back and forth along the barrel in order to eject a spent cartridge and chamber a new one. This type of action is most common in shotguns and is also used in some rifl e designs. It is also called pump action. Snaphance: A method of fi ring a gun that uses a fl int set in the hammer that when the trigger is pulled causes the fl int to strike the frizzen to create a shower of sparks to ignite the priming powder. -
Introduction to the Canadian Firearms Safety Course
STUDENT HANDBOOK – 2014 Library and Archives Canada Cataloguing in Publication Canadian Firearms Safety Course Modules: Student Handbook, 5th edition Also available in French under the title: Cours canadien de sécurité dans le maniement des armes à feu, manuel de l'étudiant. (Également disponible en français sous le titre, Cours canadien de sécurité dans le maniement des armes à feu, manuel de l'étudiant, 5e édition.) ISBN 978-0-660-19947-4 Catalogue no.: PS99-2/1-1-2014E Firearms--Canada--Safety measures. Firearms ownership--Canada. Firearms--Safety measures. Gun control--Canada. Royal Canadian Mounted Police (RCMP) / Canadian Firearms Program (CFP) TS532.2.C36 2010 363.330971 © (2014) HER MAJESTY THE QUEEN IN RIGHT OF CANADA as represented by the Royal Canadian Mounted Police (RCMP). The RCMP/CFP will allow reproduction in whole or in part, with appropriate credit, provided no changes have been made to the content and it is intended for non-profit use. A formal request for permission must be sent to the RCMP/CFP. This edition of the Canadian Firearms Safety Course Modules is produced by: RCMP Headquarters Ottawa ON K1A 0R2 Canada Fax: 613-825-0297 2 PREFACE PREFACE Acknowledgements Many organizations with an ongoing interest in firearm safety volunteered their time to review and comment on this Handbook during its review stages. The efforts and assistance of the many people involved (see below) are acknowledged and appreciated. Without their help and that of the following persons, this Handbook would not have been correctly reviewed: Chief Firearms Officers (CFOs) and their Staff Baldwin, Chris; Manager Conservation Services, Stewardship and Education Section Wildlife Division, Newfoundland & Labrador Batten, Shelly; Operations Manager, Firearms Safety Education Service of Ontario (FSESO), Ontario Cooper, A.C. -
Chronologically Lewis Joel D
Chronologically Lewis Joel D. Heck All notes are done in the present tense of the verb for consistency. Start and end dates of term are those officially listed in the Oxford calendar. An email from Robin Darwall-Smith on 11/26/2008 explains the discrepancies between official term dates and the notes of C. S. Lewis in his diary and letters: “Term officially starts on a Thursday, but then 1st Week (out of 8) starts on the following Sunday (some might say Saturday, but it ought to be Sunday). The week in which the start of term falls is known now as „0th Week‟. I don‟t know how far back that name goes, but I‟d be surprised if it wasn‟t known in Lewis‟s day. The system at the start of term which I knew in the 1980s - and which I guess was there in Lewis‟s time too - was that the undergraduates had to be in residence by the Thursday of 0th Week; the Friday was set aside for start of term Collections (like the ones memorably described in Lewis‟s diary at Univ.!), and for meetings with one‟s tutors. Then after the weekend lectures and tutorials started in earnest on the Monday of 1st Week.” Email from Robin Darwall-Smith on 11/27/2008: “The two starts to the Oxford term actually have names. There‟s the start of term, in midweek, and then the start of „Full Term‟, on the Sunday - and is always Sunday. Lectures and tutorials start up on the following day. -
NEW YORK TIMES BUILDING, 41 Park Row (Aka 39-43 Park Row and 147-151 Nassau Street), Manhattan
Landmarks Preservation Commission March 16, 1999, Designation List 303 LP-2031 (FORMER) NEW YORK TIMES BUILDING, 41 Park Row (aka 39-43 Park Row and 147-151 Nassau Street), Manhattan. Built 1888-89; George B. Post, architect; enlarged 1903-05, Robert Maynicke, architect. Landmark Site: Borough of Manhattan Tax Map Block 101 , Lot 2. On December 15, 1998, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (former) New York Times Bu ilding and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses, representing the New York Landmarks Conservancy, the Municipal Art Society, and the Historic Districts Council , spoke in favor of the designation. The hearing was re-opened on February 23 , 1999 for additional testimony from the owner, Pace University. Two representatives of Pace spoke, indicating that the university was not opposed to designation and looked forward to working with the Commission staff in regard to future plans for the building. The Commission has also received letters from Dr. Sarah Bradford Landau and Robert A.M. Stern in support of designation. This item had previously been heard for designation as an individual Landmark in 1966 (LP-0550) and in 1980 as part of the proposed Civic Center Hi storic District (LP-1125). Summary This sixteen-story office building, constructed as the home of the New York Times , is one of the last survivors of Newspaper Row, the center of newspaper publishing in New York City from the 1830s to the 1920s. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
The Grottesche Part 1. Fragment to Field
CHAPTER 11 The Grottesche Part 1. Fragment to Field We touched on the grottesche as a mode of aggregating decorative fragments into structures which could display the artist’s mastery of design and imagi- native invention.1 The grottesche show the far-reaching transformation which had occurred in the conception and handling of ornament, with the exaltation of antiquity and the growth of ideas of artistic style, fed by a confluence of rhe- torical and Aristotelian thought.2 They exhibit a decorative style which spreads through painted façades, church and palace decoration, frames, furnishings, intermediary spaces and areas of ‘licence’ such as gardens.3 Such proliferation shows the flexibility of candelabra, peopled acanthus or arabesque ornament, which can be readily adapted to various shapes and registers; the grottesche also illustrate the kind of ornament which flourished under printing. With their lack of narrative, end or occasion, they can be used throughout a context, and so achieve a unifying decorative mode. In this ease of application lies a reason for their prolific success as the characteristic form of Renaissance ornament, and their centrality to later historicist readings of ornament as period style. This appears in their success in Neo-Renaissance style and nineteenth century 1 The extant drawings of antique ornament by Giuliano da Sangallo, Amico Aspertini, Jacopo Ripanda, Bambaia and the artists of the Codex Escurialensis are contemporary with—or reflect—the exploration of the Domus Aurea. On the influence of the Domus Aurea in the formation of the grottesche, see Nicole Dacos, La Découverte de la Domus Aurea et la Formation des grotesques à la Renaissance (London: Warburg Institute, Leiden: Brill, 1969); idem, “Ghirlandaio et l’antique”, Bulletin de l’Institut Historique Belge de Rome 39 (1962), 419– 55; idem, Le Logge di Raffaello: Maestro e bottega di fronte all’antica (Rome: Istituto Poligrafico e Zecca dello Stato, 1977, 2nd ed. -
Renaissance Medals by G· F· Hill and G· Pollard Renaissance Medals from the Samuel H· Kress Collection at the National Gallery of Art
COMPLETE CATALOGUE OF THE SAMUEL H· KRESS COLLECTION RENAISSANCE MEDALS BY G· F· HILL AND G· POLLARD RENAISSANCE MEDALS FROM THE SAMUEL H· KRESS COLLECTION AT THE NATIONAL GALLERY OF ART BASED ON THE CATALOGUE OF RENAISSANCE MEDALS IN THE GUSTAVE DREYFUS COLLECTION BY G·F·HILL REVISED AND ENLARGED BY GRAHAM POLLARD PUBLISHED BY THE PHAIDON PRESS FOR THE SAMUEL H·KRESS FOUNDATION THE REPRODUCTIONS IN THIS VOLUME ARE FROM NBW PHOTOGRAPHS TAKEN BY BULLATY-LOMBO PHOTOGRAPHERS' NBW YORK CITY ALL RIGHTS RESERVED BY PHAIDON PRESS LTD' LONDON SW 7 PRINTED IN GREAT BRITAIN I967 BY ROBERT MACLEIIOSE & CO. LTD A GLASGOW CONTENTS PREFACE page V11 INTRODUCTORY NOTE page IX CATALOGUE page 3 ILLUSTRATIONS page 133 CONCORDANCES page 273 INDEX OF INSCRIPTIONS page 278 GENERAL INDEX page 293 . INDEX OF PERSONS page 300 INDEX OF ARTISTS page 306 PREFACE HE first and only catalogue of the collection of medals formed by Gustave Dreyfus appeared in I93 I. Its author was Sir George Hill, who had studied the collection in depth when it was still T in Dreyfus' hands in the Boulevard Malesherbes in Paris. In a prefatory note, Hill observed that 'keenly as Gustave Dreyfus appreciated all his beautiful things, he had a particularly soft place in his heart for the Italian medals, and ... he would have agreed with the German critic who declared that the medallic art was par excellence the art of the Renaissance, the expression of the quintessence of the spirit of that age.' The preface continues with the tribute: 'His was perhaps the finest collection that has ever been in the hands of a private collector - the "perhaps" might be omitted, but that it is difficult to range the great collections in a true perspective.' Thanks to the Kress Foundation, the Dreyfus collection of medals was not dispersed, like so many other medallic collections, but is preserved intact in the National Gallery of Art in Washington, where it bears out Hill's claim to be regarded as the finest private collection of medals ever to have been formed. -
Rhode Island Breastfeeding Resource Directory 2009-2010 Acknowledgments
THE RHODE ISLAND BREASTFEEDING COALITION & THE RHODE ISLAND DEPARTMENT OF HEALTH RHODE ISLAND BREASTFEEDING RESOURCE DIRECTORY 2009-2010 ACKNOWLEDGMENTS The Rhode Island Breastfeeding Coalition would like to thank the Rhode Island Department of Health Special Supplemental Nutrition Program for Women, Infants and Children and the Initiative for a Healthy Weight for updating and printing this latest edition of the Rhode Island Breastfeeding Resource Directory. We would also like to acknowledge the work and efforts of the members of the coalition, without whose help this project would not have been possible. This resource directory and updated information are available at www.health.ri.gov/topics/breastfeeding.pdf 1 T TABLE OF CONTENTS A B L E O INTRODUCTION F C O N T Introductory Statements ............................................................................................................ 2 E N T The WHO/UNICEF Baby Friendly Hospital Initiative .................................................................... 4 S PRENATAL & POSTPARTUM SUPPORT Women, Infants, and Children (WIC) Program .......................................................................... 6 Prenatal Breastfeeding Classes .................................................................................................. 8 Breastfeeding Warm-Lines ........................................................................................................ 9 Outpatient Lactation Support ................................................................................................. -
Space Weapons Earth Wars
CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that EDUCATION AND THE ARTS helps improve policy and decisionmaking through ENERGY AND ENVIRONMENT research and analysis. HEALTH AND HEALTH CARE This electronic document was made available from INFRASTRUCTURE AND www.rand.org as a public service of the RAND TRANSPORTATION Corporation. INTERNATIONAL AFFAIRS LAW AND BUSINESS NATIONAL SECURITY Skip all front matter: Jump to Page 16 POPULATION AND AGING PUBLIC SAFETY SCIENCE AND TECHNOLOGY Support RAND Purchase this document TERRORISM AND HOMELAND SECURITY Browse Reports & Bookstore Make a charitable contribution For More Information Visit RAND at www.rand.org Explore RAND Project AIR FORCE View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. The monograph/report was a product of the RAND Corporation from 1993 to 2003. RAND monograph/reports presented major research findings that addressed the challenges facing the public and private sectors. They included executive summaries, technical documentation, and synthesis pieces. SpaceSpace WeaponsWeapons EarthEarth WarsWars Bob Preston | Dana J. Johnson | Sean J.A. Edwards Michael Miller | Calvin Shipbaugh Project AIR FORCE R Prepared for the United States Air Force Approved for public release; distribution unlimited The research reported here was sponsored by the United States Air Force under Contract F49642-01-C-0003. -
The Monopteros in the Athenian Agora
THE MONOPTEROS IN THE ATHENIAN AGORA (PLATE 88) O SCAR Broneerhas a monopterosat Ancient Isthmia. So do we at the Athenian Agora.' His is middle Roman in date with few architectural remains. So is ours. He, however, has coins which depict his building and he knows, from Pau- sanias, that it was built for the hero Palaimon.2 We, unfortunately, have no such coins and are not even certain of the function of our building. We must be content merely to label it a monopteros, a term defined by Vitruvius in The Ten Books on Architecture, IV, 8, 1: Fiunt autem aedes rotundae, e quibus caliaemonopteroe sine cella columnatae constituuntur.,aliae peripteroe dicuntur. The round building at the Athenian Agora was unearthed during excavations in 1936 to the west of the northern end of the Stoa of Attalos (Fig. 1). Further excavations were carried on in the campaigns of 1951-1954. The structure has been dated to the Antonine period, mid-second century after Christ,' and was apparently built some twenty years later than the large Hadrianic Basilica which was recently found to its north.4 The lifespan of the building was comparatively short in that it was demolished either during or soon after the Herulian invasion of A.D. 267.5 1 I want to thank Professor Homer A. Thompson for his interest, suggestions and generous help in doing this study and for his permission to publish the material from the Athenian Agora which is used in this article. Anastasia N. Dinsmoor helped greatly in correcting the manuscript and in the library work. -
Standing Committee on Health and Ageing
The Parliament of the Commonwealth of Australia The Best Start Report on the inquiry into the health benefits of breastfeeding House of Representatives Standing Committee on Health and Ageing August 2007 Canberra © Commonwealth of Australia 2007 ISBN 978-0-642-78982-2 (printed version) 978-0-642-78983-9 (HTML version) Printed by CanPrint Communications Pty Ltd, Canberra. Cover design by Lisa McDonald, Department of the House of Representatives, Printing and Publishing Office, Canberra. Cover photographs of Mother kissing yawning baby and Mother breastfeeding baby are courtesy of Jupiterimages Contents 1 Introduction ...........................................................................................................1 Overview.................................................................................................................................... 1 Setting the context.................................................................................................................... 2 Conduct of the inquiry.............................................................................................................. 4 Scope and structure of the report ........................................................................................... 5 2 Breastfeeding in Australia....................................................................................9 Overview.................................................................................................................................... 9 NHMRC’s Dietary Guidelines................................................................................................... -
Egyptian Architecture
EGYPTIAN ARCHITECTURE Character: simplicity, massiveness, monumentality Material: stone and brick System: columnar and trabaeted Comparative analysis: Plans- irregular and asymmetrical Wall- no windows (batter wall) Openings- doors are square headed Roof- flat roof Columns- interior only, 6d - bud & bell, palm, foliated, hatthor head, osiris, polygonal Mouldings- torus and gorge Principal buildings: Egyptian Tombs: Mastaba- stairway, halfshrunk, elaborate structure elements: offering chapel w/ stele (slab) serdab (statue chamber) sarcophagus Pyramid- square in plan, oriented in cardinal sides elements: offering chapel mortuary chapel elevated causeway (passageway)) valley building (embalmment) types: step (zoser) slope blunt (seneferu) Rock-cut- mountain side tombs elements: passages sepultural chamber Egyptian Temples: Cult temple- worship of the gods Mortuary Temple- to honor the pharos elements: pylon (entrance or gateway) hypaethral court (open to the sky court) hypostyle hall (pillard or columnar hall) sanctuary Minor temple- mammisi temple (carved along mountain) obelisk temple (monumental pillars, square in plan) Sphinx: (mythical monsters) Mastaba of Thi, Sakkara- Pyramid of Gizeh- Cheops, Chepren, Mykerinos Tombs of the Kings, Thebes The Great Temple of Arnak (greatest example of Egyptian temple) Great Sphinx at Gizeh (god horus) Egyptian Architects: Senusurets- built the earliest known obelisk at Heliopolis Amenemhat I- founded the great temple at Karnak Thothmes I- began the additions to the temple of Amnon Karnak Amenophis