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STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
2009–Senior Seminar, Ives, Blues, Porter
James Hepokoski Spring 2009 Music 458: Ives, Blues, Porter Visions of America: Competing concepts of musical style and purpose in the United States in the first half of the twentieth century. We examine some stylistic and cultural bases of both “art” and “popular” music and their often uneasy interrelationships. This is neither a survey course nor one concerned with mastering a body of facts. Nor is it preoccupied with coming to aesthetic value judgments. Instead, it is a course in applying critical thinking and analysis to some familiar musical styles basic to the American experience: asking hard questions of differing early- and mid-twentieth-century repertories. Areas to be examined include: 1) Ives (selected songs, Concord Sonata, Second Symphony); 2) early blues (Bessie Smith, Charley Patton, Robert Johnson, and others), including samples of African-American recorded precedents and related genres; 3) Broadway and popular song—including a brief look at Jerome Kern (selected numbers from Show Boat) followed by a closer study of Cole Porter (Anything Goes). Some main questions to be faced are: What aesthetic/contextual/analytical tools do we need to think more deeply about differing pieces of music that spring from or respond to markedly differing/diverse American subcultures? What are our presuppositions in listening to any of these musics, and to what extent might we profit by examining these presuppositions critically? The course will also make use of resources in Yale’s music collection—most notably the Charles Ives Papers and The Cole Porter Collection. We shall also be concerned with original recordings from the 1920s and 1930s. -
Reissuing the Blues.Qxd (Page 6)
overestimated. By now the reissue market was beginning to take shape and a surprising amount of small, obscure, labels came and went having made productions which in themselves have become rarities - such as the EPs produced by Pirate Records in Sweden and the Natchez label in Argentina. Yet despite the concerns towards the uncertain viability of the reissue market both by the majors and independents, two independent labels began to take form in the late 1960's leading the way and taking a more permanent foothold. One was what began as Belzona which then became Yazoo following the first few titles. Based in New York, this outstanding and imaginative label was headed by the late Nick Perls and is now part of the Shanachie organisation. A more unlikely setting for a successful Blues reissue label was Vienna, Austria. Yet, here was the birthplace of the Roots label established by Johnny and his second wife Evelyn Parth which would also eventually metamorphose into another entity Document Records. In the mid fifties, Jazz enthusiast Johnny Parth (pronounced "Part") created two record labels; Jazz Perspective and Hot CIL De Vienne. Productions on both labels were released in small quantities, sometimes as little as twenty or thirty copies at a time, manufactured with hand printed covers. These were so locally to the budding fans of Jazz. Seventeen LPs were produced on the Jazz Perspective label. There was also an eleven volume box set which illustrated the history of Jazz. "We called it 'The Coffin" Johnny remembered "because it was a huge black box with gold lettering on it." In addition, a three LP box set outlining blues music was produced on Jazz Perspective. -
Donald Trump and the White Stripes
1 Natalie Edwards IMC 452 - POV #2 Rewrite November 1, 2016 Trump and the White Stripes: Is it ethical for people, including presidential candidates, to use content without getting permission from the original artist? According to Kate Feldman from tHe New York Daily News, on Tuesday, October 4, two former band members were reunited after finding out that a video containing one of their songs was released to promote Republican Presidential candidate Donald Trump’s campaign. As a result, controversy arose because these artists did not give Trump permission to use tHeir song, wHicH clearly and unetHically violates tHe artist’s rigHts and may be copyrigHt infringement. Jack and Meg WHite, former band members of tHe WHite Stripes, stated immediately that they are “disgusted” by tHe use of tHeir “Seven Nation Army” song in a Donald Trump campaign video (Feldman). On Facebook and Twitter, the White Stripes and Third Man Records, which is Jack White’s current record label, released a statement explaining that they are not affiliated witH Trump, and tHat tHey do not want Trump’s beliefs and actions to reflect tHe band itself. According to Carly Ledbetter from The Huffington Post, at first, it was unclear if the video was an official Trump campaign video. But, a spokesperson from Pitchfork stated that the video was actually a fan-made clip entitled “Trump TriumpHant.” The video was posted on YouTube by a user witH tHe account name of “God-Emperor Trump” (Ledbetter). THe now-deleted fan-video featured a series of Trump rally clips witH tHe song from tHe band’s 2003 “ElepHant” album playing in the background (Feldman). -
“Take a Whiff on Me”: Leadbelly‟S Library of Congress Recordings 1933-1942 — an Assessment
CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE Blues & Rhythm, No. 59, March-April 1991, pp. 16-20; No. 60, May 1991, pp. 18-21 revised with factual corrections, annotations and additions, with details regarding relevant ancillary CDs, and tables identifying germane CD and LP releases of Leadbelly‘s recordings for the Library of Congress; and those for the American Record Corporation in 1935 “Take A Whiff On Me”: Leadbelly‟s Library of Congress Recordings 1933-1942 — An Assessment John Cowley From the mid-1960s, a small trickle of long-playing records appeared featuring black music from the holdings of the Archive of Folk Culture (formerly Archive of Folk Song) at the Library of Congress, in Washington, D.C. A few were produced by the Archive itself but, more often than not, arrangement with record companies was the principal method by which this material became available. One of the earliest collections of this type was a three-album boxed set drawn from the recordings made for the Archive by Huddie Ledbetter — Leadbelly — issued by Elektra in 1966. Edited by Lawrence Cohn, this compilation included a very useful booklet, with transcriptions of the songs and monologues contained in the albums, a résumé of Leadbelly‘s career, and a selection of important historical photographs. The remainder of Leadbelly‘s considerable body of recordings for the Archive, however, was generally unavailable, unless auditioned in Washington, D.C. In the history of vernacular black music in the U.S., Leadbelly‘s controversial role as a leading performer in white ‗folk‘ music circles has, for some, set him aside from other similar performers of his generation. -
The White Stripes De Stijl Mp3, Flac, Wma
The White Stripes De Stijl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: De Stijl Country: US Released: 2000 Style: Indie Rock MP3 version RAR size: 1239 mb FLAC version RAR size: 1550 mb WMA version RAR size: 1823 mb Rating: 4.3 Votes: 978 Other Formats: FLAC WMA AUD DTS AC3 MP2 AU Tracklist Hide Credits 1 You're Pretty Good Looking (For A Girl) 1:50 Hello Operator 2 2:36 Harmonica – John Szymanski 3 Little Bird 3:06 Apple Blossom 4 2:13 Piano – Jack White I'm Bound To Pack It Up 5 Double Bass [Stand Up Bass] – Jack White Tom Tom [Floor Tom], Shaker [Red Egg Shaker] 3:09 – Meg WhiteViolin – Paul Henry Ossy Death Letter 6 4:29 Written-By – Son House 7 Sister, Do You Know My Name? 2:51 Truth Doesn't Make A Noise 8 3:14 Piano – Jack White A Boy's Best Friend 9 4:22 Piano – Jack White Tambourine – Meg White 10 Let's Build A Home 1:58 Jumble, Jumble 11 1:53 Voice [Uncredited] – Dominique Payette Why Can't You Be Nicer To Me? 12 3:22 Violin [Electric] – Paul Henry Ossy Your Southern Can Is Mine 13 2:31 Written-By – Blind Willie McTell Companies, etc. Phonographic Copyright (p) – XL Recordings Ltd. Licensed From – Third Man Records Copyright (c) – XL Recordings Ltd. Licensed From – Third Man Records Recorded At – Third Man Studio Mixed At – Ghetto Recorders Published By – Peppermint Stripe Music Published By – Sondick Music Published By – Columbia Phonograph Co. Pressed By – Sonopress – 50598794 Credits Artwork [Designs, Sculptures And Sketches Of] – Georges Vantongerloo, Gerrit Rietveld, Paul Overy, Theo Van Doesburg, Vilmos Huszár Design Concept [Cover Concept] – The White Stripes Drums – Meg White Layout – Artes Graficos Por CHOLOMITE!* Mixed By – Jack White , Jim Diamond Photography By – E. -
Oct. 2016 Newsletter
October 15, 2016 The State of Creative NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on 4 Label Reps: What They’re Signing In 2016 The President’s Corner by Bernard Baur | Music Connection Thank you for joining us as the CCC examines The music industry has evolved beyond the simple concept of selling a song or an album. Today, A&R reps and label execs face a multitude of 'The State Of Crea8ve'. We have assembled an challenges that, if mishandled, could cost them their jobs. Consequently, esteemed panel of execu8ves whose exper8se savvy industry pros adopt methods that suit their label’s culture, and that is responsible for some of the ar8sts and music affects the way they evaluate talent and make decisions. To give you occupying the airwaves and content streams some insight into the process each person uses to evaluate and sign an act to a label contract, we contacted A&R reps and executives at four record today. Learn how the A&R community has labels. You’ll learn about what makes their companies unique and what learned to adapt as well as 'adopt' new factors they consider before inking a deal. We think you’ll find the techniques, strategies and philosophies to stay information they disclose both eye-opening and useful to your career. abreast of new developing talent as well as emerging trends that dictate the stars of EPIC RECORDS - Eesean Bolden, VP A&R tomorrow. -
D E S I G N , L L C
puSHd e s i g n , l l c PUSH Design, LLC is a Detroit-based architecture and design firm specializing in universal design. We are an experienced architecture firm with a distinct focus on adaptive reuse projects in urban centers, and provide the quality design and professional services. SERVICES •Building and Zoning Code Analysis •Architectural Design •Interior Design •Historic Preservation and Tax Credits •Accessibility Consulting CLIENT LIST Third Man Records Shinola Bedrock Manufacturing Founders Brewing Company Midtown Detroit Inc. New Center Eatery Optima Michigan, LLC Frita Batidos Clark Park Coalition Filson, Inc. Jonna Realty Ventures Lowell Construction PRINCIPAL ARCHITECT Nicole Rittenour is the principal architect at PUSH Design, licensed in Michigan and North Carolina. Having practiced in five states, she has extensive experience in almost all aspectes of architectural services. Nicole has 20 years of architectural experience including work at award-winning firms such as Poster Frost Mirto (Tucson, AZ), Kieran Timberlake (Philadelphia, PA) and Goshow Architects (New York, New York). Operating in private solo practice for the past 6 years, she has build solid knowledge leading projects from conception to completion. Residing in the Corktown Detroit neighborhood, Nicole is a graduate of Drexel University in Philadelphia, and University of Arizona in Tucson. In addition to architecture work, Nicole is an award-winning universal designer specializing in tactile work for the visually impaired. puSHd e s i g n , l l c NICOLE RITTENOUR SELECTED PROJECTS Principal Architect Michigan License #1301062110 Founders Brewery & Taproom, 456 Charlotte Street, Detroit, MI North Carolina License #11242 • Renovation of existing 2-story former industrial building for new retail, restaurant & LEED Accredited Professional brewing operation. -
Joe Chiccarelli Selected Producer, Engineer & Mixer Credits
JOE CHICCARELLI SELECTED PRODUCER, ENGINEER & MIXER CREDITS: The Wonder Years Sister Cities (Hopeless) P E M Cherry Glazerr Apocalipstick (Secretly Canadian) P E Jamie Lawson Fall Into Me (Gingerbread Man) P E Broken Social Scene Hug of Thunder (Arts & Crafts) P Flogging Molly Life Is Good (Caroline) P E Morrissey Low In High School (BMG) P Night Riots Love Gloom (Sumerian) P M Arkells Morning Report (Last Gang Records) P E M Augustines This Is Your Life (Caroline) P Bleached Welcome the Worms (Dead Oceans) P M Jeff The Brotherhood Wasted on the Dream (Infinity Cat) P NeedtoBreathe Rivers in the Wasteland (Atlantic) P E M Spoon They Want My Soul (Loma Vista) P E Morrissey World Peace is None of Your Business (Harvest) P M Doug Seegers In Tandem (Capitol) P M Plain White T's Should've Gone To Bed (Hollywood) P E HellogoodBye Everything is Debatable (Fearless) P M Dropkick Murphys Signed and Sealed in Blood (Born and Bred) M Bernard Fanning Departures (Dew Process) P M Keaton Henson Birthdays (Anti) P M Bajofondo Presente (Masterworks) E M *Grammy Award Winner for Best Latin Alternative Album M Dwight Yoakam 3 Pears (Warner Bros) P E M Café TacvBa El Objeto Antes Llamado (Universal Music Latin) P M *Grammy Nominated for Best Latin Alternative Album 2013 1 M- Mixer E- Engineer P- Producer JOE CHICCARELLI SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Alanis Morissette Havoc and Bright Lights (ThunderBall667) P Jason Mraz Love is a Four Letter Word (Atlantic) P E M *Grammy Nominated for best Engineered Album 2012 Eleni Mandell I Can See the -
Faq: Soundtrack of America, Made in Tennessee Presents: Third Man Records 333Ft Underground
FAQ: SOUNDTRACK OF AMERICA, MADE IN TENNESSEE PRESENTS: THIRD MAN RECORDS 333FT UNDERGROUND GENERAL: • What is the Third Man 333 Feet Underground concert? o The Tennessee Department of Tourist Development is teaming up with Third Man Records for a one-of-a-kind concert experience on Friday, September 29th, as an extension of the state’s Snapchat Concert Series, which launched last year, and their ongoing ‘Soundtrack of America. Made in Tennessee’ brand campaign. It’s a one-of-a-kind concert that’s being held 333’ underground in Cumberland Caverns’ all-natural limestone auditorium in McMinnville, TN. Third Man Records artists Margo Price, Lillie Mae, Craig Brown Band, and Joshua Hedley will perform, billed together for the very first time, and Third Man Record’s founder Jack White will host. We are giving away 333 free tickets to this underground show and they are available exclusively through Tennessee’s Snapchat. Tickets to the concert include transportation from the Music City Center in Nashville (201 5th Ave S, Nashville, TN 37203) or the Creative Discovery Museum (321 Chestnut St) in Chattanooga, TN. Concert goers must pick up their tickets at their designated location by presenting government issued identification when they board the bus for Cumberland Caverns in McMinnville. Tickets are non- transferrable. • What is Snapchat? o Snapchat is a free social media app available on iTunes or Google Play that works on your mobile device. It’s a great way to share picture and video messages— called snaps—with family and friends. Download the app, watch the tutorial and follow the prompts. -
Music That Scared America: the Early Days of Jazz
Cover UNITED STATES HISTORY 1840-1930 Music That Scared America: The Early Days of Jazz Contents Cover Title Page Unit Introduction for Teachers Notes on the PDF California History-Social Science Standards Covered Key Terms PLEASE SEE Bibliography Student Worksheets NOTES ON THE List of Images PDF, PAGE 3. Acknowledgments Back Cover Title Page LESSONS IN US HISTORY By Matthew Mooney, Department of History, The University of California, Irvine Teacher Consultant, Sara Jordan, Segerstrom High, Santa Ana Additional feedback and guidance provided by Humanities Out There teacher partners Maria Castro and Roy Matthews (Santa Ana High School) and Chuck Lawhon (Century High School). Faculty Consultant, Alice Fahs, Associate Professor of History, The University of California, Irvine Managing Editor, Tova Cooper, Ph.D. The publication of this booklet has been made possible largely through funding from GEAR UP Santa Ana. This branch of GEAR UP has made a distinctive contribution to public school education in the U.S. by creating intellectual space within an urban school district for students who otherwise would not have access to the research, scholarship, and teaching represented by this collabora- tion between the University of California, the Santa Ana Partnership, and the Santa Ana Unified School District. Additional external funding in 2005-2006 has been provided to HOT by the Bank of America Foundation, the Wells Fargo Foundation, and the Pacific Life Foundation. THE UCI HISTORY-SOCIAL SCIENCE PROJECT The California History-Social Science Project (CH-SSP) of the University of California, Irvine, is dedicated to working with history teachers in Orange County to develop innovative approaches to engaging students in the study of the past.