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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 6/22/2016 Passenger “Somebody’s Love” The first single from Young As The Morning, Old As The Sea, in stores September 23 Playing in Boulder in August Early at WPYA, WCOO, KVNA, WFIV, WBSD, KFMG and KSMF Festivals this summer, full tour coming this fall Passenger has had over 1 billion streams in the US alone and “Let Her Go” has surpassed 1 billion views on YouTube Haley Bonar “Kismet Kill” The first single from Impossible Dream, in stores August 5 Added early at KCMP, WFIV, KCLC, Open Air Lucius dates in July “She’s a remarkable performer, with a terrific ear for detail and a gift for masking melancholy observations with hooks that stick.” - NPR NPR First Watch premiered the video “Bonar creates a whimsical masterclass of indie-pop songwriting.” - Consequence Of Sound Bastille “Good Grief” The first single from their upcoming sophomore album Wild World Playing Lollapalooza #1 Most Added on all AAA charts! First week: KGSR, KBCO, KINK, WXRV, KRVB, CIDR, WTTS, KPND, WNCS, WRNR, WZEW, WPYA, WXPK, Music Choice and more Red Rocks show with Andrew McMahon announced for 10/7 Grammy nominated in 2015 for Best New Artist The Broadcast “On The Edge” The first single from their new album From The Horizon, in stores now New: WNCW, WYCE, KSLU Early: KCLC, KDTR, KVNA, WFIV “The Broadcast are a band destined for big things” - Glide Magazine Produced by Jim Scott (Tedeschi Trucks, Wilco, Grace Potter, Tom Petty) On tour now: 6/23 Wilmington NC, 6/25 Lexington NC, 7/1 Charlotte NC, 7/7 Greenville SC, 7/8 Columbia SC, 7/9 Greensboro NC.. -
International Dinner Celebrates Latin American Culture Come to the Event
VOLUME82, ISSUE9 “EDUCATIONFOR SERVICE” MARCH31,2004 E New members Knitting fad join board hits campus. of trustees. See Page 4. u N I V E K S I T Y 0 F 1 N D I A N A P 0 I, I S See Page 3. 1400 EASTHANNA AVENUE INDIANAPOLIS, IN 46227 H 2004 PRESIDENTIAL CAMPAIGN Woodrow Wilson scholar speaks on presidential campaign “The election will be very close. or Shearer thinks the Democrats will something will happen that will tip it,“ iicknowledgc that there are dangerous Shearer predicted. people, but they will question Bush for Shearer feels that voter turnout among attaching Saddam Hussein and Iraq even college students will increase from though they were not part of the Al- previous elections because many people Qaeda connection. are very concerned with the current state “I alwap hope with a program like of the nation. this that we help them (students and Ayres said he has not seen a high level pub1ic)thinkabotit issuesandmake better ofpolitical interest around the university, judgments.” Anderson said. “The idea is but he feels that will increase during the not to tell the students or public what to few months before the election. be. but just to expose them to ideas. I “In general, I think there’s some hope students m,ould go away thinking There’s not a lot. I about what they heard.” don’t see a lot of knowledge. I see a fair Anderson :ind Ayres hope the amount of knowledge about Indiana and university \+ill continue its connection what’s here,” Ayres said. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Killing Joke Absolute Dissent Deluxe Edition 2010 FLAC
Killing Joke - Absolute Dissent (Deluxe Edition) (2010) FLAC Killing Joke - Absolute Dissent (Deluxe Edition) (2010) FLAC 1 / 2 ... Grace" 2010 (CD) METALLICA "Francais Pour Une Nuit (Limited Edition)" 2009 (DVD+CD-Digi) ... KILLING JOKE "Absolute Dissent" 2010 (CD) ... DARK TRANQUILLITY "The Mind's I (2005 Deluxe Edition)" 1996 (CD-Firm). Absolute Dissent (Deluxe Edition) - Killing Joke MP3 ... Aït Menguellet : Double Best Leak Free Full Album Download, Download Aït Menguellet : Double Best .... Killing Joke - Absolute Dissent (Deluxe Edition) (2010) FLAC.. Absolute Dissent is the thirteenth studio album by English post-punk band Killing Joke, released on 27 September 2010 by Spinefarm Records, distributed .... ... dewa judi stephen chow full movie subtitle indonesia downloadinstmankgolkes Killing Joke - Absolute Dissent (Deluxe Edition) (2010) FLAC.. Abo Скрыть 10 Killing Joke - MMXII FLAC (2012) torrent - Punk torrents ... Не найдено: flac Killing Joke - MMXII (Deluxe Edition) (2012) - скачать ... также Absolute Dissent 2010 Killing Joke 2003 Killing Joke 1980 Laugh?. Descargar Killing Joke - Discography (lossless, 1979-2010) gratis torrent. Download la música mp3 album. Formato: FLAC (tracks/image+.cue) .... Killing Joke es una banda post-punk originaria del Reino Unido ... (2010) Absolute Dissent (Limited Edition) ... (2015) Pylon (Deluxe Edition).. Download flac, wav, mp3. Download zip, rar. farklı farklı senaryoların ortaya çıkacağı eylemdir. aziz yıldırım ile kız istemeye giderseniz, hem düğün masraflarını .... Killing Joke - The Wiltern, Los Angeles - 18.12.2010 (Flac) ... Ghosts of Ladbroke Grove, so be sure to buy the new album Absolute Dissent.. Killing Joke: The Singles Collection 1979-2012 (Box Set) – album review ... are on a Super Deluxe edition via Pledgemusic) as they are some of Killing .. -
Industry Newsletter
On The Radio December 2, 2011 December 23, 2011 Brett Dennen, The Kruger Brothers, (Rebroadcast from March 25, 2011) Red Clay Ramblers, Charlie Worsham, Nikki Lane Cake, The Old 97’s, Hayes Carll, Hot Club of Cowtown December 9, 2011 Dawes, James McMurtry, Blitzen Trapper, December 30, 2011 Jason Isbell & The 400 Unit, Matthew Sweet (Rebroadcast from April 1, 2011) Mavis Staples, Dougie MacLean, Joy Kills Sorrow, December 16, 2011 Mollie O’Brien & Rich Moore, Tim O’Brien The Nighthawks, Chanler Travis Three-O, Milk Carton Kids, Sarah Siskind, Lucy Wainwright Roche Hayes Carll James McMurtry Mountain Stage® from NPR is a production of West Virginia Public Broadcasting December 2011 On The Radio December 2, 2011 December 9, 2011 Nikki Lane Stage Notes Stage Notes Brett Dennen - In the early 2000s, Northern California native Brett Dennen Dawes – The California-based roots rocking Dawes consists of brothers Tay- was a camp counselor who played guitar, wrote songs and performed fireside. lor and Griffin Goldsmith, Wylie Weber and Tay Strathairn. Formed in the Los With a self-made album, he began playing coffee shops along the West Coast Angeles suburb of North Hills, this young group quickly became a favorite of and picked up a devoted following. Dennen has toured with John Mayer, the critics, fans and the veteran musicians who influenced its music. After connect- John Butler Trio, Rodrigo y Gabriela and Ben Folds. On 2007’s “Hope For the ing with producer Jonathan Wilson, the group began informal jam sessions Hopeless,” he was joined by Femi Kuti, Natalie Merchant, and Jason Mraz. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Designing for the Ears As Well As for the Eyes
Inspicio architecture 26 Sushi & Tapas restaurant, Surfside, Florida, 2015. Photo: WSDG Designing for the Ears as Well as for the Eyes By Howard Sherman orris J. Kaplan is a very hands-on businessman. A successful real estate developer and innovative res- M taurateur/entrepreneur, his career track is marked by imaginative ventures. Last year, Kaplan and his wife Sandra began laying the groundwork for a new Miami-area restaurant. A longtime fan of master chef Fernando Chang’s culinary tal- ents, Kaplan was confident there would be a strong demand for Chef Chang’s specialty—Kosher sushi and Peruvian dishes. Kaplan invested considerable time collaborating on the bill of fare and the interior design of his new restaurant. In addition to the menu, one of his primary concerns was acoustics. An avid “foodie,” Kaplan had long avoided dining in restaurants with noise levels so high they intruded on his guests’ ability to enjoy a simple conversation along with their meal. Kaplan made a promise to himself. Diners at his new restaurant would be able to discuss their food (and other topics) without having to shout at the top of their lungs. Coincidentally, as he formulated his plans for what was to be- come “26 Sushi & Tapas” in Surfside, Florida, Kaplan was also involved in building two new Miami area synagogues. During the course of a series of visits to those construction sites, he became aware of an unusually quiet ambience. Building sites are typically noisy environments and neither of these work sites would ever be mistaken for a library, but Kaplan discovered a sound clarity that was unusual enough to spark an investiga- tion. -
21St September 2018 Submission to the House Standing Committee on Communications and the Arts Inquiry Into Factors Contributing
21st September 2018 Submission to the House Standing Committee on Communications and The Arts Inquiry into factors contributing to the growth and sustainability of the Australian Music Industry https://www.aph.gov.au/Parliamentary_Business/Committees/House/Communications/ Australianmusicindustry INTRODUCTION Thank you for considering this submission, which is in collaboration with the Australian Association of Musicians (AM). My name is Andrew Barnum, as a PhD candidate at UTS in the Faculty of Arts and Social Science, my study is investigating the cultural contexts of Identity, Artifact and Change through the lens of Australian Song in the age of digital music. To date I’ve interviewed thirty-five Australian songwriters (genders and music genres) to understand the conditions in which their practice exists in Australia. In consideration of the terms of reference stated for this inquiry, it’s important to start with some unifying statements as drivers of purpose for this submission. WHAT ARE OUR COMMON BELIEFS AS AUSTRALIANS? As a community of Australian artists and citizens, we are informed by the belief that our nation should strive to be a productive nation - empathic, respectful, imaginative, industrious, adaptive, open and successful. (Creative Australia 2013) In this submission we are considering the reasons why our Association should support these beliefs as central to our strategy to re-invigorate The Australian music Industry, which is both a cultural and commercial Australian enterprise, locally and globally. This submission considers the factors that will grow and sustain our uniquely Australian Music Industry, as a proud Cultural and Creative Industry, and in doing so, confirm our sense of self as Australian musical entrepreneurs, our desire to feel we belong here in our birthplace as Australian artists, producers and copyright holders, and can sustain livelihood and opportunity at home, as productive members of the field of cultural production in Australia. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival.