Jack White Buying Albums,” He Says
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United States Air Force and Its Antecedents Published and Printed Unit Histories
UNITED STATES AIR FORCE AND ITS ANTECEDENTS PUBLISHED AND PRINTED UNIT HISTORIES A BIBLIOGRAPHY EXPANDED & REVISED EDITION compiled by James T. Controvich January 2001 TABLE OF CONTENTS CHAPTERS User's Guide................................................................................................................................1 I. Named Commands .......................................................................................................................4 II. Numbered Air Forces ................................................................................................................ 20 III. Numbered Commands .............................................................................................................. 41 IV. Air Divisions ............................................................................................................................. 45 V. Wings ........................................................................................................................................ 49 VI. Groups ..................................................................................................................................... 69 VII. Squadrons..............................................................................................................................122 VIII. Aviation Engineers................................................................................................................ 179 IX. Womens Army Corps............................................................................................................ -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Donald Trump and the White Stripes
1 Natalie Edwards IMC 452 - POV #2 Rewrite November 1, 2016 Trump and the White Stripes: Is it ethical for people, including presidential candidates, to use content without getting permission from the original artist? According to Kate Feldman from tHe New York Daily News, on Tuesday, October 4, two former band members were reunited after finding out that a video containing one of their songs was released to promote Republican Presidential candidate Donald Trump’s campaign. As a result, controversy arose because these artists did not give Trump permission to use tHeir song, wHicH clearly and unetHically violates tHe artist’s rigHts and may be copyrigHt infringement. Jack and Meg WHite, former band members of tHe WHite Stripes, stated immediately that they are “disgusted” by tHe use of tHeir “Seven Nation Army” song in a Donald Trump campaign video (Feldman). On Facebook and Twitter, the White Stripes and Third Man Records, which is Jack White’s current record label, released a statement explaining that they are not affiliated witH Trump, and tHat tHey do not want Trump’s beliefs and actions to reflect tHe band itself. According to Carly Ledbetter from The Huffington Post, at first, it was unclear if the video was an official Trump campaign video. But, a spokesperson from Pitchfork stated that the video was actually a fan-made clip entitled “Trump TriumpHant.” The video was posted on YouTube by a user witH tHe account name of “God-Emperor Trump” (Ledbetter). THe now-deleted fan-video featured a series of Trump rally clips witH tHe song from tHe band’s 2003 “ElepHant” album playing in the background (Feldman). -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
The White Stripes De Stijl Mp3, Flac, Wma
The White Stripes De Stijl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: De Stijl Country: US Released: 2000 Style: Indie Rock MP3 version RAR size: 1239 mb FLAC version RAR size: 1550 mb WMA version RAR size: 1823 mb Rating: 4.3 Votes: 978 Other Formats: FLAC WMA AUD DTS AC3 MP2 AU Tracklist Hide Credits 1 You're Pretty Good Looking (For A Girl) 1:50 Hello Operator 2 2:36 Harmonica – John Szymanski 3 Little Bird 3:06 Apple Blossom 4 2:13 Piano – Jack White I'm Bound To Pack It Up 5 Double Bass [Stand Up Bass] – Jack White Tom Tom [Floor Tom], Shaker [Red Egg Shaker] 3:09 – Meg WhiteViolin – Paul Henry Ossy Death Letter 6 4:29 Written-By – Son House 7 Sister, Do You Know My Name? 2:51 Truth Doesn't Make A Noise 8 3:14 Piano – Jack White A Boy's Best Friend 9 4:22 Piano – Jack White Tambourine – Meg White 10 Let's Build A Home 1:58 Jumble, Jumble 11 1:53 Voice [Uncredited] – Dominique Payette Why Can't You Be Nicer To Me? 12 3:22 Violin [Electric] – Paul Henry Ossy Your Southern Can Is Mine 13 2:31 Written-By – Blind Willie McTell Companies, etc. Phonographic Copyright (p) – XL Recordings Ltd. Licensed From – Third Man Records Copyright (c) – XL Recordings Ltd. Licensed From – Third Man Records Recorded At – Third Man Studio Mixed At – Ghetto Recorders Published By – Peppermint Stripe Music Published By – Sondick Music Published By – Columbia Phonograph Co. Pressed By – Sonopress – 50598794 Credits Artwork [Designs, Sculptures And Sketches Of] – Georges Vantongerloo, Gerrit Rietveld, Paul Overy, Theo Van Doesburg, Vilmos Huszár Design Concept [Cover Concept] – The White Stripes Drums – Meg White Layout – Artes Graficos Por CHOLOMITE!* Mixed By – Jack White , Jim Diamond Photography By – E. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
Oct. 2016 Newsletter
October 15, 2016 The State of Creative NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on 4 Label Reps: What They’re Signing In 2016 The President’s Corner by Bernard Baur | Music Connection Thank you for joining us as the CCC examines The music industry has evolved beyond the simple concept of selling a song or an album. Today, A&R reps and label execs face a multitude of 'The State Of Crea8ve'. We have assembled an challenges that, if mishandled, could cost them their jobs. Consequently, esteemed panel of execu8ves whose exper8se savvy industry pros adopt methods that suit their label’s culture, and that is responsible for some of the ar8sts and music affects the way they evaluate talent and make decisions. To give you occupying the airwaves and content streams some insight into the process each person uses to evaluate and sign an act to a label contract, we contacted A&R reps and executives at four record today. Learn how the A&R community has labels. You’ll learn about what makes their companies unique and what learned to adapt as well as 'adopt' new factors they consider before inking a deal. We think you’ll find the techniques, strategies and philosophies to stay information they disclose both eye-opening and useful to your career. abreast of new developing talent as well as emerging trends that dictate the stars of EPIC RECORDS - Eesean Bolden, VP A&R tomorrow. -
Cover Bk2sch.P65
Families l Schools l Communities Learning Together Connecting Families to the Classroom Wisconsin Department of Public Instruction Families l Schools l Communities Learning Together Connecting Families to the Classroom Ruth Anne Landsverk Wisconsin Department of Public Instruction Madison, Wisconsin This publication is available from the Families in Education Program Wisconsin Department of Public Instruction 125 South Webster Street P.O. Box 7841 Madison, Wisconsin 53707-7841 608-266-9757 or 800-441-4563 Bulletin No. 03117 © 2003 Wisconsin Department of Public Instruction The Wisconsin Department of Public Instruction does not discriminate on the basis of sex, race, religion, age, national origin, ancestry, creed, pregnancy, marital or parental status, sexual orientation, or physical, mental, emotional or learning disability. Printed on Recycled Paper ii Connecting Families to the Classroom Table of Contents Foreword ..................................................................................................................................................... v Acknowledgements .................................................................................................................................... vii Introduction Using the Partnership Action Team to Pull it All Together............................................................................. 3 Useful Websites .......................................................................................................................................... 5 Part 1: Classroom -
D E S I G N , L L C
puSHd e s i g n , l l c PUSH Design, LLC is a Detroit-based architecture and design firm specializing in universal design. We are an experienced architecture firm with a distinct focus on adaptive reuse projects in urban centers, and provide the quality design and professional services. SERVICES •Building and Zoning Code Analysis •Architectural Design •Interior Design •Historic Preservation and Tax Credits •Accessibility Consulting CLIENT LIST Third Man Records Shinola Bedrock Manufacturing Founders Brewing Company Midtown Detroit Inc. New Center Eatery Optima Michigan, LLC Frita Batidos Clark Park Coalition Filson, Inc. Jonna Realty Ventures Lowell Construction PRINCIPAL ARCHITECT Nicole Rittenour is the principal architect at PUSH Design, licensed in Michigan and North Carolina. Having practiced in five states, she has extensive experience in almost all aspectes of architectural services. Nicole has 20 years of architectural experience including work at award-winning firms such as Poster Frost Mirto (Tucson, AZ), Kieran Timberlake (Philadelphia, PA) and Goshow Architects (New York, New York). Operating in private solo practice for the past 6 years, she has build solid knowledge leading projects from conception to completion. Residing in the Corktown Detroit neighborhood, Nicole is a graduate of Drexel University in Philadelphia, and University of Arizona in Tucson. In addition to architecture work, Nicole is an award-winning universal designer specializing in tactile work for the visually impaired. puSHd e s i g n , l l c NICOLE RITTENOUR SELECTED PROJECTS Principal Architect Michigan License #1301062110 Founders Brewery & Taproom, 456 Charlotte Street, Detroit, MI North Carolina License #11242 • Renovation of existing 2-story former industrial building for new retail, restaurant & LEED Accredited Professional brewing operation.