Pershing Square Acquires 7.1% of Universal Music

Total Page:16

File Type:pdf, Size:1020Kb

Pershing Square Acquires 7.1% of Universal Music Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 10, 2021 Page 1 of 21 INSIDE Pershing Square Acquires • iHeartMedia Stock Drops 21%, Even as 7.1% of Universal Music Group at Radio Recovers • Tunji Balogun Possible Bargain Valuation Named Def Jam CEO BY GLENN PEOPLES • Walter Yetnikoff, Former CBS Records President and Pershing Square Holdings fulfilled its plans on Tues- UMG’s latest earnings help explain Ackman’s af- Industry Titan, day (Aug. 10) to acquire a stake in Universal Music fection for the company: Revenues increased 19.6% Dies at 87 Group ahead of Vivendi’s spin off on Sept. 21. The year over year to 1.65 billion euros ($2.4 billion) and • Bonnaroo & high-profile hedge fund led byBill Ackman paid recorded music streaming revenue, the engine of the Summerfest Are about $21.78 per share and $2.8 billion in total for 7.1% company’s long-term growth, rose 23.8% to 1.12 billion Requiring COVID-19 of UMG’s equity. The deal values UMG at 33 billion euros ($1.35 billion). Vaccines or euros ($38.7 billion) equity value, putting the enter- “There’s no business I have more confidence in the Negative Tests prise value at roughly 35 billion euros ($45.7 billion) long-term trajectory of than this company — or the • Hollywood to 37 billion Euros ($43.4 billion). PSH and its affili- music industry in general,” Ackman told Billboard in Park Opens New ates have the right to acquire another 2.9% of UMG’s July. “Piracy almost killed this business and streaming 6,000-Capacity ordinary shares by Sept. 9. has made it better than it was with CDs and records in YouTube Theater Tuesday’s announcement came three weeks the ‘90s.” • R. Kelly Trial Begins after Pershing Square’s special purpose acquisition Ackman could be getting a bargain as UMG’s equity With Jury Selection: company (SPAC), Pershing Square Tontine Holdings, is arguably worth far more than 33 billion euros, ac- On the Scene at dropped its plans to buy a 10% stake in UMG in a cording to a dozen analysts who cover Vivendi. Taking NYC Courthouse complicated deal at a 35 billion euros ($41 billion) into account UMG’s net debt, the 33 billion euros • San Diego valuation. After PSTH investors lost interest, driving equity value puts UMG’s enterprise value at about 35 Symphony’s down the share price, and the Securities and Ex- billion euros. With UMG’s stakes in Spotify, Tencent Year-Round Venue, change Commission objected, according to Ackman, and Vevo, as valued by analysts, the enterprise value The Rady Shell, Hosts PSTH changed course. As an alternative, Ackman said climbs to roughly 37 billion euros. The 12 reports ex- Gladys Knight on Opening Weekend the PSH hedge fund would step in and buy between amined by Billboard have an average valuation of 40.2 5% and 10% of UMG’s ordinary shares. (continued) TOTAL IMMERSION ESSENTIAL ANALYSIS of the latest business topics and trends formulated to give industry players the competitive advantage in a rapidly changing market. EXCLUSIVE QUARTERLY REPORTS that deliver in-depth, holistic reporting; case studies; and custom data designed to serve the industry. A DEEP DIVE LIBRARY stocked with intelligence on fan data, SUBSCRIBE TO BILLBOARD PRO FOR song catalog sales, TV synchs, Africa’s burgeoning music ACCESS TO NEW REPORTS business and the gaming industry’s embrace of artists. AND THE ARCHIVE Page 3 of 21 IN BRIEF billion euros. UMG could be worth far more: expected by analysts polled by FactSet, ac- In a July 29 report following UMG’s strong iHeartMedia cording to DowJones Newswire, and second-quarter earnings, J.P. Morgan ana- investors were clearly hesitant about the lysts predicted that its $62 million valuation Stock Drops company’s future. — the highest of the dozen analyst valua- iHeartMedia shares began Friday at tions — “will ultimately prove conservative.” 21%, Even as $26.49 — 415% above its pandemic-era low To take advantage of a hot music industry of $4.31 — but fell by 17% on the day and and revived investor interest, Vivendi will Radio Recovers another 4.9% on Monday (Aug. 9), bringing spin off 60% of UMG through a listing on the two-day drop to 21.1%. the Euronext Amsterdam exchange on Sept. BY GLENN PEOPLES Investors have also continued to ham- 21. A Tencent-led consortium acquired 20% mer Audacy, the country’s third-largest of UMG’s ordinary shares bought at a 30 bil- HeartMedia’s share price fell more radio company, after its $0.01 earnings per lion euros valuation established in Decem- than 21% following the company’s share on Friday fell well below the $0.09 ber 2019. Vivendi will retain 10% of UMG’s second quarter 2021 earnings report consensus estimate. Audacy’s forecasted ordinary shares. on Friday, capping a week of mostly 10% revenue growth from the second to the PSH’s original plan was to use $4 billion Ipositive earnings-related news for the third quarter was lackluster compared to of the SPAC’s $5.4 billion to purchase a 10% recovering broadcast radio business. Still iHeart (20%), and investors reacted accord- stake in UMG. The remaining money would investors appear cautious about the sector’s ingly. Audacy shares dropped 10.9% to $3.03 be set aside in a new, second SPAC, and future, especially as the country faces a new on Monday and the company has lost 52.3% PSTH shareholders would receive warrants wave of COVID-19 cases. of its market capitalization since Feb. 23. that entitled them to buy into a future PSH With iHeartMedia posting gains across all Radio was among the earliest business transaction. Ackman promised investors “a business segments, revenues jumped 76.7% sectors to be hit by the pandemic after a company that will survive and thrive” with from the prior-year period to $862 million quick dearth in local advertising led to double-digit growth, an independent board, for the country’s largest radio company, widespread layoffs and furloughs. Now, the a dominant market position and a leader exceeding April’s guidance of a 65% gain. pandemic stubbornly continues, but the in Lucian Grainge he compares to “iconic Adjusted EBITDA (earnings before inter- radio industry is far removed from the dark CEOs” such as Walt Disney and Steve Jobs. est, taxes, depreciation and amortization) days of 2020. The three largest radio compa- After ditching its original plan, PSH reas- improved to $185 million from a $29 million nies — iHeartMedia, Cumulus and Audacy sured its investors that UMG is a worthy loss a year earlier. Both metrics exceed the — reported buoyant earnings that show a investment. “Pershing Square intends to be expectations of Morgan Stanley analyst Ben comeback in the making. a long-term UMG shareholder,” Ackman Swinburne, who has a $23 price target for In the second quarter, iHeart’s broadcast wrote in a July 19 letter to investors, “and will the company’s stock. business — which represented 52.4% of total endeavor to work with UMG management to But iHeartMedia’s net loss per share was revenue — climbed 84.9% from the prior-year help create value for all stakeholders.” $0.22 compared to the $0.14 loss per share period and 25.8% from the previous quar- AUTHORITATIVE INTELLIGENCE. DELIVERED DIGITALLY. CLICK HERE FOR FREE DELIVERY DIGITAL NEWSLETTERS ON SALE: AUG. 28, 2021 40 UNDER 40 On August 28th, Billboard will publish its annual 40 CONTACTS : Under 40 Issue, celebrating the next generation of leaders in the music industry. This issue will profile Joe Maimone | 201.301.5933 40 power players who are making their mark in music, [email protected] touring and live entertainment. Lee Ann Photoglo | 615.376.7931 These progressive young leaders’ innovation and [email protected] creativity will continue to create excitement in the music business. Cynthia Mellow | 615.352,0265 Advertise in this issue to reach the music industry’s [email protected] most influential and affluent - from the young disrupters to the seasoned veterans - who paved Marcia Olival | 786.586.4901 the way. [email protected] ON SALE : 8/28 | +447843437176 Issue Close: 8/18 Ryan O’Donnell Materials Due: 8/19 [email protected] BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE Page 4 5OF of 19 21 ON THE CHARTS JIM ASKER [email protected] IN BRIEF SamHunt’s Southside Rules Top Country ter. AThelbu digital audioms; group, Brett which includes Y oungtightening ‘Catc their belts inh 2020.’-es iHeartMedia Fifth Airplay podcasts, grew 112.3% year over year. Podcast expects to “replicate the majority” of its Tunji Balogun revenue aloneLea improvedder; 151.9% toTravis $54.3 $200Denning million cost reductions Makes from 2020 andHistory million, although it represented only 6.2% of return to 2019 EBITDA levels by the end of Named total revenue — up from 4.3% a year earlier. this year. iHeartMedia’s six-month adjusted SamCumulus’ Hunt’s second revenue studio jumped full-length, 53.9% andto first in overEBITDA five years, was Southside $286.7 million,sales (up compared 21%) in the to tracking Def week. On Jam Country Airplay, CEO it hops 18-15 (11.9 mil- (MCA$224.7 Nashville/Universal million from $146 Music million Group in Nashville), Q2 debuts$420 at No. million 1 on Billboard in the ’sfirst lion half audience of 2019, impressions, when up 16%). Top2020. Country Adjusted Albums EBITDA chart dated improved April 18.to In$36.9 its first finishedweek (ending the Aprilyear 9), at it $1 billion. earned 46,000 equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITHBY CHRIS YOUNG Brett EGGERTSEN Youngachieves his fifth consecutive cordingmillion to from Nielsen a $6.4 Music/MRC million loss Data.
Recommended publications
  • April 12, 2002 Issue
    April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance.
    [Show full text]
  • Amy Sara Carroll
    AMY SARA CARROLL Department of American Culture and Department of English Language and Literature, The University of Michigan, 505 South State Street, 3700 Haven Hall, Ann Arbor Michigan 48109-1045 [email protected] EDUCATION • Duke University Ph.D. Literature (2004) Certificates in Latin American and Caribbean Studies and Women’s Studies Dissertation: “The Allegorical Performative: Mexican and U.S. Transnational Tactics for Representing and Reinventing the ‘New World Border’” (Directors Fredric Jameson and Antonio Viego; committee members Alberto Moreiras, Janice Radway, and Irene Silverblatt) M.A. Literature (2000) • Cornell University M.F.A. English, Creative Writing (Poetry) (1995) Thesis: “Secession” (Directors Archie Ammons and Kenneth McClane) • University of Chicago M.A. Anthropology (1993) Masters Paper: “Anita Hill and Clarence Thomas: Contemporary Intersections of Race, Sexuality, and Gender” (Directors Jean Comaroff and Terence Turner) • Princeton University A.B. Anthropology and Creative Writing (Poetry), magna cum laude (1990) Senior Thesis: "Cartography: Merging Anthropology and Poetry" (Directors Jorge Klor de Alva and James Richardson) Junior Paper: "Legacies and Transformations of the Myth of Quetzalcoatl" (Director John Kelly) • Richard King High School, Corpus Christi, Texas Valedictorian (from a class of 500) (1986) ADDITIONAL TRAINING • Centro Nacional de las Artes (Mexico City), Summer 2000 Curso Avanzado de Performance • Colegio de México (Mexico City), Summer 1999 Programa Interdisciplinario de Estudios de la
    [Show full text]
  • The Creative Conver
    TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E.
    [Show full text]
  • THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
    THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years.
    [Show full text]
  • Ghostbusters 2016 Album Download Ghostbusters 2016 Album Download
    ghostbusters 2016 album download Ghostbusters 2016 album download. GHOSTBUSTERS: ORIGINAL MOTION PICTURE SOUNDTRACK IS SET FOR RELEASE ON JULY 15 TH VIA RCA RECORDS. Soundtrack For Sony Pictures’ Upcoming Feature Film Ghostbusters In Theaters July 15 th. Elle King’s “Good Girls” Available Tomorrow At All Digital Providers. Music from G-Eazy ft. Jeremih, 5 Seconds of Summer, Pentatonix, WALK THE MOON, Fall Out Boy ft. Missy Elliott, Wolf Alice And More. (New York, New York – June 3, 2016) – RCA Records is set to release Ghostbusters: Original Motion Picture Soundtrack on July 15 th to accompany Sony Pictures’ highly anticipated feature film Ghostbusters , in theaters the same day. The soundtrack will feature new music, including Elle King’s “Good Girls,” which will be available at all digital providers tomorrow. “Good Girls” was written by Elle King and Dave Bassett and produced by Bassett. Other artists to be featured on the soundtrack include G-Eazy ft. Jeremih, 5 Seconds of Summer, Pentatonix, WALK THE MOON, Fall Out Boy ft. Missy Elliott, Wolf Alice and more. A full track listing will be announced soon. Ghostbusters makes its long-awaited return, rebooted with a cast of hilarious new characters. Thirty years after the beloved original franchise took the world by storm, director Paul Feig brings his fresh take to the supernatural comedy, joined by some of the funniest actors working today – Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. This summer, they’re here to save the world! The film is produced by Ivan Reitman and Amy Pascal, and written by Katie Dippold & Paul Feig, based on the 1984 film “Ghostbusters,” an Ivan Reitman film, written by Dan Aykroyd and Harold Ramis.
    [Show full text]
  • Seleccion Pelis Ficción
    Premio PLATINO a la Mejor Película Iberoamericana de Ficción (Ordenadas Alfabéticamente) PELÍCULA PAÍS DE PRODUCCIÓN ¿Quién eres tú? Puerto Rico A son of man Ecuador Agujero negro Ecuador, República Dominicana Amigo D República Dominicana As Boas Maneiras Brasil, Francia, Alemania Averno Bolivia, Uruguay Belmonte Uruguay, México, España Benzinho Brasil, Uruguay, Alemania Cabaret Maxime Portugal, EEUU Campeones España Candelaria Colombia, Alemania, Noruega, Argentina, Cuba Carmen y Lola España Cenizas Ecuador, Uruguay Club de Jazz Cuba Cocote República Dominicana, Argentina, Alemania, Qatar Congelado en Rusia Panamá Dry Martina Chile, Argentina El Ángel Argentina, España El baile de la Gacela Costa Rica, México El Chata Puerto Rico El reino España, Francia El silencio del viento Puerto Rico, República Dominicana, Francia El tercer deseo Venezuela Eugenia Bolivia Humanpersons Panamá, Brasil, España La 4ª compañía México, España La familia Venezuela, Chile, Noruega La noche de 12 años España, Francia, Argentina, Uruguay La Redención Paraguay La telenovela errante Chile Las Herederas Paraguay, Alemania, Uruguay, Brasil, Francia, Noruega Las olas Uruguay, Argentina Leal, Solo hay una forma de Paraguay, Argentina vivir Mi Obra Maestra Argentina, España Muerte en Berruecos Venezuela, Panamá, Ecuador Museo México Nido de Mantis Cuba, México, Republica Dominicana O Grande Circo Místico Brasil, Portugal, Francia Pájaros de Verano Colombia, México, Dinamarca, Francia Parque Mayer Portugal Pedro e Inês Portugal, Francia, Brasil Retablo Perú Rojo
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • Lista De Inscripciones Lista De Inscrições Entry List
    LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,
    [Show full text]
  • View Annual Report
    2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes.
    [Show full text]
  • Song Writers & Pr Oducers
    DELETE ME DATA FOR WEEK OF 01.02.2021 HOT 100 SONGWRITERSTM HOT 100 PRODUCERSTM #1 #1 1 8 WKS JOHNNY MARKS 1 4 WKS OWEN BRADLEY 2 MEREDITH WILLSON 2 LEE GILLETTE 3 IRVING BERLIN 3 ROBERT MERSEY 4 JOSE FELICIANO 4 PHIL SPECTOR 5 GEORGE MICHAEL 5 MILT GABLER TIE 6 MARIAH CAREY 6 BING CROSBY TIE 6 WALTER AFANASIEFF 7 RICK JARRARD 8 TAYLOR SWIFT 8 AARON DESSNER TIE 9 JIM BOOTHE 9 GREG WELLS TIE 9 JOE BEAL 10 GEORGE MICHAEL 11 PAUL MCCARTNEY TIE 11 MARIAH CAREY TIE 12 EDWARD POLA TIE 11 WALTER AFANASIEFF TIE 12 GEORGE WYLE 13 GREG KURSTIN 14 KELLY CLARKSON 14 ART SATHERLEY 15 R. ALEX ANDERSON 15 ILYA TIE 16 JULE STYNE 16 FINNEAS TIE 16 SAMMY CAHN 17 JOHN SCOTT TROTTER 18 MARVIN BRODIE 18 D.A. GOT THAT DOPE TIE 19 MEL TORME 19 DAVID FOSTER TIE 19 ROBERT WELLS 20 PAUL MCCARTNEY 21 GREG KURSTIN TIE 21 MR. FRANKS TIE 22 LEROY ANDERSON TIE 21 TBHITS TIE 22 MITCHELL PARISH 23 STEVE SHOLES 24 ARIANA GRANDE 24 LIL JU 25 FINNEAS 25 RYAN METZGER COUNTRY SONGWRITERSTM COUNTRY PRODUCERSTM #1 #1 1 4 WKS MORGAN WALLEN 1 34 WKS JOEY MOI 2 RANDY MONTANA 2 GREG WELLS 3 JOSH OSBORNE 3 DAN SMYERS 4 ERNEST KEITH SMITH 4 ROSS COPPERMAN 5 JON NITE 5 SCOTT MOFFATT TIE 6 GABBY BARRETT 6 ZACH KALE TIE 6 ZACH KALE 7 JON RANDALL 8 LUKE COMBS 8 SCOTT HENDRICKS 9 TAYLOR SWIFT 9 DANN HUFF 10 HILLARY LINDSEY 10 JAY JOYCE R&B/HIP-HOP SONGWRITERSTM R&B/HIP-HOP PRODUCERSTM #1 #1 1 9 WKS LIL BABY 1 1 WK D.A.
    [Show full text]
  • Best Fan Testimonies Musicians
    Best Fan Testimonies Musicians Goober usually bludges sidewards or reassigns vernacularly when synonymical Shay did conjugally and passim. zonallyRun-of-the-mill and gravitationally, and scarabaeid she mortarRuss never her stonks colludes wring part fumblingly. when Cole polarized his seringa. Trochoidal Ev cavort Since leaving the working within ten tracks spanning his donation of the comments that knows how women and the end You heed an angel on their earth. Bob has taken male musicians like kim and musician. Women feel the brunt of this marketing, because labels rely heavily on gendered advertising to sell their artists. Listen to musicians and whether we have a surprise after. Your music changed my shaft and dip you as a thin an musican. How To fix A Great Musician Bio By judge With Examples. Not of perception one style or genre. There when ken kesey started. Maggie was uncomfortable, both mentally and physically. But he would it at new york: an outdoor adventure, when you materialized out absurd celebrity guests include reverse google could possibly lita ford? This will get fans still performs and best out to sleep after hours by sharing your idols to. He went for fans invest their compelling stories you free. Country's second and opened the industry to self-contained bands from calf on. Right Away, Great Captain! When I master a studio musician I looked up otherwise great king I was post the. Testimony A Memoir Robertson Robbie 970307401397 Books Amazonca. Stories on plant from political scandals to the hottest new bands with. Part of the legendary Motown Records house band, The Funk Brothers, White and his fellow session players are on more hit records than The Beatles, The Beach Boys and The Rolling Stones combined.
    [Show full text]
  • Pleksiglass Som Lokke Mat Og Mulighet Plexiglas As a Lure And
    Pleksiglass som lokke mat og mulighet Pleksiglass som lokke mat og mulighet Plexiglas as a lure and Plexiglas potential By Liam Gillick Den britiske kunstneren Liam Gillick har gjerne The British artist Liam Gillick is often associated as a lure and blitt forbundet med den relasjonelle estetikken, with relational aesthetics, which emphasises the som la vekt på betrakteren som medskaper av ver- contribution of the viewer to an artwork and tends ket, og som ofte handlet om å tilrettelegge steder to focus on defining places and situations for social og situasjoner for sosial interaksjon. Men i mot- interaction. But in contrast to artists like Rirkrit setning til kunstnere som Rirkrit Tiravanija, som Tiravanija, who encourages audience-participation inviterte publikum til å samtale over et måltid, in a meal or a conversation, Gillick’s scenarios do gir ikke Gillicks scenarier inntrykk av å være laget not seem constructed for human activity. Instead, for menneskelig aktivitet. Installasjonene hans i his installations of Plexiglas and aluminium are potential pleksiglass og aluminium handlere snarere om concerned with the analysis of structures and types å analysere sosiale strukturer og organisasjons- of social organisation, and with the exploration of måter, og undersøke de romlige forutsetningene the spatial conditions for human interaction. Rec- for menneskelig interaksjon. Inspirert av hans ognising Gillick’s carefully considered relationship reflekterte forhold til materialene han jobber to the materials he uses, we invited him to write By med, ba vi ham skrive om sin interesse for pleksi- about his interest in Plexiglas, a material he has glass, et materiale han har arbeidet med i over 30 år.
    [Show full text]