What the Heck Is a MOO? and What's the Story with All Those Cows?
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Nordic Game Is a Great Way to Do This
2 Igloos inc. / Carcajou Games / Triple Boris 2 Igloos is the result of a joint venture between Carcajou Games and Triple Boris. We decided to use the complementary strengths of both studios to create the best team needed to create this project. Once a Tale reimagines the classic tale Hansel & Gretel, with a twist. As you explore the magical forest you will discover that it is inhabited by many characters from other tales as well. Using real handmade puppets and real miniature terrains which are then 3D scanned to create a palpable, fantastic world, we are making an experience that blurs the line between video game and stop motion animated film. With a great story and stunning visuals, we want to create something truly special. Having just finished our prototype this spring, we have already been finalists for the Ubisoft Indie Serie and the Eidos Innovation Program. We want to validate our concept with the European market and Nordic Game is a great way to do this. We are looking for Publishers that yearn for great stories and games that have a deeper meaning. 2Dogs Games Ltd. Destiny’s Sword is a broad-appeal Living-Narrative Graphic Adventure where every choice matters. Players lead a squad of intergalactic peacekeepers, navigating the fallout of war and life under extreme circumstances, while exploring a breath-taking and immersive world of living, breathing, hand-painted artwork. Destiny’s Sword is filled with endless choices and unlimited possibilities—we’re taking interactive storytelling to new heights with our proprietary Insight Engine AI technology. This intricate psychology simulation provides every character with a diverse personality, backstory and desires, allowing them to respond and develop in an incredibly human fashion—generating remarkable player engagement and emotional investment, while ensuring that every playthrough is unique. -
Understanding Visual Novel As Artwork of Visual Communication Design
MUDRA Journal of Art and Culture Volume 32 Nomor 3, September 2017 292-298 P-ISSN 0854-3461, E-ISSN 2541-0407 Understanding Visual Novel as Artwork of Visual Communication Design DENDI PRATAMA, WINNY GUNARTI W.W, TAUFIQ AKBAR Departement of Visual Communication Design, Fakulty of Language and Art Indraprasta PGRI. University, Jakarta Selatan, Indonesia [email protected] Visual Novel adalah sejenis permainan audiovisual yang menawarkan kekuatan visual melalui narasi dan karakter visual. Data dari komunitas pengembang Visual Novel (VN) Project Indonesia menunjukkan masih terbatasnya pengembang game lokal yang memproduksi Visual Novel Indonesia. Selain itu, produksi Visual Novel Indonesia juga lebih banyak dipengaruhi oleh gaya anime dan manga dari Jepang. Padahal Visual Novel adalah bagian dari produk industri kreatif yang potensial. Studi ini merumuskan masalah, bagaimana memahami Visual Novel sebagai karya seni desain komunikasi visual, khususnya di kalangan mahasiswa? Penelitian ini merupakan studi kasus yang dilakukan terhadap mahasiswa desain komunikasi visual di lingkungan Universitas Indraprasta PGRI Jakarta. Hasil penelitian menunjukkan masih rendahnya tingkat pengetahuan, pemahaman, dan pengalaman terhadap permainan Visual Novel, yaitu di bawah 50%. Metode kombinasi kualitatif dan kuantitatif dengan pendekatan semiotika struktural digunakan untuk menjabarkan elemen desain dan susunan tanda yang terdapat pada Visual Novel. Penelitian ini dapat menjadi referensi ilmiah untuk lebih mengenalkan dan mendorong pemahaman tentang Visual Novel sebagai karya seni Desain Komunikasi Visual. Selain itu, hasil penelitian dapat menambah pengetahuan masyarakat, dan mendorong pengembangan karya seni Visual Novel yang mencerminkan budaya Indonesia. Kata kunci: Visual novel, karya seni, desain komunikasi visual Visual Novel is a kind of audiovisual game that offers visual strength through the narrative and visual characters. -
Using the MMORPG 'Runescape' to Engage Korean
Using the MMORPG ‘RuneScape’ to Engage Korean EFL (English as a Foreign Language) Young Learners in Learning Vocabulary and Reading Skills Kwengnam Kim Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Education October 2015 -I- INTELLECTUAL PROPERTY The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Kwengnam Kim The right of Kwengnam Kim to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. -II- DECLARATION OF AUTHORSHIP The work conducted during the development of this PhD thesis has led to a number of presentations and a guest talk. Papers and extended abstracts from the presentations and a guest talk have been generated and a paper has been published in the BAAL conference' proceedings. A list of the papers arising from this study is presented below. Kim, K. (2012) ‘MMORPG RuneScape and Korean Children’s Vocabulary and Reading Skills’. Paper as Guest Talk is presented at CRELL Seminar in University of Roehampton, London, UK, 31st, October 2012. Kim, K. (2012) ‘Online role-playing game and Korean children’s English vocabulary and reading skills’. Paper is presented in AsiaCALL 2012 (11th International Conference of Computer Assisted Language Learning), in Ho Chi Minh City, Vietnam, 16th-18th, November 2012. -
Role Playing Games Role Playing Computer Games Are a Version Of
Role Playing Games Role Playing computer games are a version of early non-computer games that used the same mechanics as many computer role playing games. The history of Role Playing Games (RPG) comes out of table-top games such as Dungeons and Dragons. These games used basic Role Playing Mechanics to create playable games for multiple players. When computers and computer games became doable one of the first games (along with Adventure games) to be implemented were Role Playing games. The core features of Role Playing games include the following features: • The game character has a set of features/skills/traits that can be changed through Experience Points (xp). • XP values are typically increased by playing the game. As the player does things in the game (killing monsters, completing quests, etc) the player earns XP. • Player progression is defined by Levels in which the player acquires or refines skills/traits. • Game structure is typically open-world or has open-world features. • Narrative and progress is normally done by completing Quests. • Game Narrative is typically presented in a non-linear quests or exploration. Narrative can also be presented as environmental narrative (found tapes, etc), or through other non-linear methods. • In some cases, the initial game character can be defined by the player and the initial mix of skills/traits/classes chosen by the player. • Many RPGs require a number of hours to complete. • Progression in the game is typically done through player quests, which can be done in different order. • In Action RPGs combat is real-time and in turn-based RPGs the combat is turn-based. -
Save T I M Cent!
Q0NTAIN8 MORE HAS THE LARGEST 5*REW8 >i THAK ANT OTflEE PAPEB- :;- Northern New Jersey. :•; *************** VOL. xxni. DOVER, MORRIS COUNTY, NEW JERSEY, FRIDAY, FEBRUARY 10, 1893. NO. 11 Z.ETTEB FBOM B£V- A. O, DILL. A KBW OLD MAOAZINE. DEATH OF JUSTICE B0UDPEH. NATIONAL QUAUD BEOBQAHIZA- There ora no"bluBMomlJiy»"inor "Bboi Tbe pulillnbera of Tha National Uagarlnc Juitlca Edward Wallace Bcuddur, ot TIOIT. fcldi.1 totlio muneo vrtilch adjoins the Pr. have acquired tbd Megaclneof American Hia 8upnm« Court, <Ued euMealy at bUbouie on nib«rs of tlio Nalioiml Uuavd t,r& a.nz- rtnuwp imf nuzuT BT I jUrlan Church and wssiop house an tbetory, whlub was edited liy Mrs. JI«rtha J Grcfiiivood avenue, Tronton, at l().:iO o'clock iousfy waiting to bear of further develop- )ura(iiiugo grounds. Hie mitur uoi Lamb until tei- deatb ouJanusry ltd lost last Priday night. Ue bad atU.-iided the Cir- ments in the reorgttnlzatiuu of the First Bri- SAVE TIM CENT! tbs 1A«U tennis cuurU which (a tfae Hummer Wltb tho February tituo them t cuit Court during tbe J»y, ami was In appir- d IkbMmbld time Is the favorite resort, m tbe etfbt of historical junrusli ara mergml Into on*, mt good bualtb and e^irite wlicn he left tin itln^H and plans for reorganization were RUBBERS. afUrnoon and early evening, of thttladlni and tie name, llagnxlne of Amerlmn Ulitory, lourt roam. Aft«r returning to bis Louie be uued. As tlie brigade is cou»tltuted now, s PEOPaiKTOBg. gentleman f row Uie two ho(*!« nnt hr tveay. -
The Social Geography of Gender-Switching in Virtual
Information, Communication & Society 2:4 1999 521–540 T H E S O C I A L G E O G R A P H Y O F G E N D E R - S W I T C H I N G I N V I R T U A L E N V I R O N M E N T S O N T H E I N T E R N E T Lynne D. Roberts Curtin University of Technology, Western Australia Malcolm R. Parks University of Washington, USA A b s t r a c t The virtual social worlds of the internet give people unparalleled control over the construction and presentation of their identities. Gender-switching is perhaps the most dramatic example of how people exercise this control. It occurs when people present a gender that is different from their biological sex. While gender-switching gures prominently in academic commentaries and popular writings about on-line social life, there is little systematic research on the phenomenon. On-line surveys of two stratied random samples (N’s = 233 and 202) of MOO users were conducted. The majority of participants (60 per cent) in social MOOs (popular text-based internet social venues) had never engaged in gender-switching, while the majority in role-playing MOOs were either gender-switching currently (40 per cent) or had done so in the past (16.7 per cent). More than half of those who currently gender-switched did so for less than 10 per cent of their time on-line. -
Development of Exergaming Simulator for Gym Training, Exercise Testing and Rehabilitation
Journal of Communication and Computer 11(2014) 403-411 D doi: 10.17265/1548-7709/2014.05 001 DAVID PUBLISHING Development of Exergaming Simulator for Gym Training, Exercise Testing and Rehabilitation Veli-Matti Nurkkala, Jonna Kalermo and Timo Jarvilehto Kajaani University of Applied Sciences, Information Systems, Kajaani 87100, Finland Abstract: “Video games that require physical activity in order to play” is a common definition of exergames. Products, such as Wii Fit and dance pads, are well-known exergame products targeted to home use. Also exergaming products for professional use are gradually becoming more common in gyms, fitness centers, rehabilitation centers, as well as in activity and amusement parks. A lot of research has been carried out on the benefits that the exergaming products can provide for people of different ages, for example. The results have been promising, and the possibilities of exergaming in the fight against obesity and inactivity have been recognized. New exergaming products are coming to markets in increasing speed. However, the field is still very young, and there is space and demand for new innovations. During the last two years, we have been developing a new exergaming simulator for gym training, exercise testing and rehabilitation. As a next generation exergaming device, the simulator combines various gym and rehabilitation equipment (treadmill, exercise bike, etc.) with virtual environments, games, sports applications, immersive gaming view, and advanced motion controllers. Key words: Exergaming, Athene exergaming, fitness games, games for health, virtual environment. 1. Introduction includes powerpad (pressure-sensors embedded between two layers of flexible plastic) with games [3]. The term exergaming (also exergaming, A year later, Exus released Foot Craz running pad portmanteau from words exercising and gaming) has which was compatible with Video Jogger and Video become widely used. -
GENDER SWAPPING on the INTERNET Amy S. Bruckman Presented at the Internet Society, San Fransisco, CA, August 1993
GENDER SWAPPING ON THE INTERNET Amy S. Bruckman Presented at The Internet Society, San Fransisco, CA, August 1993. ABSTRACT In text-based virtual reality environments on the Internet called MUDs, it is possible to pretend to be the opposite gender. In these virtual worlds, the way gender structures basic human interaction is often noticed and reflected upon. This paper introduces MUDs, and then presents a community discussion about gender issues that MUDs inspired. Gender swapping is one example of ways in which network technology can impact not just work practice but also culture and values. I. GENDER SWAPPING ON THE INTERNET On the television show Saturday Night Live, a series of skits concerned a character named Pat, who has no apparent gender. The audience is tempted with the promise of clues. In one episode, Pat gets his or her hair cut. A sign in the salon says that men's haircuts are $7, and women's haircuts are $9. The audience waits in suspense: when Pat goes to pay, his or her true gender will be revealed. The humor of the series lies in the fact that those hopes are constantly foiled; in this instance, Pat leaves $10 and says to keep the change. Gender is so fundamental to human interactions, that the idea of a person without gender is absurd. The audience thinks that surely some clue must reveal Pat's gender, but none ever does. Many who have never seen Saturday Night Live know about Pat.(2) The character has become a kind of cultural icon. Pat's popularity is revealing. -
Smart Avatars in Jackmoo
University of Pennsylvania ScholarlyCommons Center for Human Modeling and Simulation Department of Computer & Information Science March 1999 Smart Avatars in JackMOO Norman I. Badler University of Pennsylvania, [email protected] Jianping Shi University of Pennsylvania Thomas J. Smith University of Pennsylvania John P. Granieri University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hms Recommended Citation Badler, N. I., Shi, J., Smith, T. J., & Granieri, J. P. (1999). Smart Avatars in JackMOO. Retrieved from https://repository.upenn.edu/hms/8 Postprint version. Published in IEEE Proceedings of Virtual Reality 1999, March 1999, pages 156-163. Publisher URL: http://dx.doi.org/10.1109/VR.1999.756946 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hms/8 For more information, please contact [email protected]. Smart Avatars in JackMOO Abstract Creation of compelling 3-dimensional, multi-user virtual worlds for education and training applications requires a high degree of realism in the appearance, interaction, and behavior of avatars within the scene. Our goal is to develop and/or adapt existing 3-dimensional technologies to provide training scenarios across the Internet in a form as close as possible to the appearance and interaction expected of live situations with human participants. We have produced a prototype system, JackMOO, which combines Jack, a virtual human system, and LambdaMOO, a multiuser, network-accessible, programmable, interactive server. Jack provides the visual realization of avatars and other objects. LambdaMOO provides the web-accessible communication, programability, and persistent object database. The combined JackMOO allows us to store the richer semantic information necessitated by the scope and range of human actions that an avatar must portray, and to express those actions in the form of imperative sentences. -
Imitation and Limitation
Fake Bit: Imitation and Limitation Brett Camper [email protected] ABSTRACT adventure and role-playing games, which are traditionally less A small but growing trend in video game development uses the action-oriented. Several lesser known NES games contributed to “obsolete” graphics and sound of 1980s-era, 8-bit microcomputers the style early on as well, such as Hudson Soft’s Faxanadu (1989) to create “fake 8-bit” games on today’s hardware platforms. This and Milon’s Secret Castle (1986), as well as Konami’s The paper explores the trend by looking at a specific case study, the Goonies II (1987). In more recent decades, the Castlevania series platform-adventure game La-Mulana, which was inspired by the from Konami has also adopted and advanced the form, from Japanese MSX computer platform. Discussion includes the Symphony of the Night (1997) on PlayStation, through Portrait of specific aesthetic traits the game adopts (as well as ignores), and Ruin (2006) for the Nintendo DS. the 8-bit technological structures that caused them in their original La-Mulana is an extremely well made title that ranks among the 1980s MSX incarnation. The role of technology in shaping finest in this genre, displaying unusual craftsmanship and aesthetics, and the persistence of such effects beyond the lifetime cohesiveness. Its player-protagonist is Professor Lemeza, an of the originating technologies, is considered as a more general archaeologist explorer charting out vast underground ruins in a “retro media” phenomenon. distant, unspecified corner of the globe (Indiana Jones is an obvious pop culture reference, but also earlier examples like H. -
Programming for Fun: Muds As a Context for Collaborative Learning. PUB DATE 94 NOTE 7P.; In: Recreating the Revolution
DOCUMENT RESUME ED 396 675 IR 017 851 LUTHOR Bruckman, Amy TITLE Programming for Fun: MUDs as a Context for Collaborative Learning. PUB DATE 94 NOTE 7p.; In: Recreating the Revolution. Proceedings of the Annual National Educational Computing Conference (15th, Boston, Massachusetts, June 13-15, 1994); see IR 017 841. PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Reports Descriptive (141) Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Adult Education; Case Studies; Community; *Computer Mediated Communication; Computer Networks; Cooperative Learning; *Educational Environment; Electronic Text; Programming; Success IDENTIFIERS Collaborative Learning; Informational Interviews; *M00s; *Virtual Reality ABSTRACT Multi-User Dungeons (MUDs), are text-based virtual reality environments in which participants separated by great physical distances can communicate and collaborate in programming. Most MUDs started out as adventure games but are quickly being adapted for more "serious" endeavors. This paper presents a case study of the experiences of a MUD participant, who, in interviews with the author, explains that MUDs foster creative and technical collaboration, playfulness, the availability of an audience for completed work, and the desire to contribute to the electronic learning community. The author concludes that the success of the MUD as a learning tool for adults points to itspotential as a learning environment for children. (BEW) *AA.******************************************************* -
Text-Based Adventures of the Golovin AI Agent
Text-based Adventures of the Golovin AI Agent Bartosz Kostka, Jarosław Kwiecien,´ Jakub Kowalski, Paweł Rychlikowski Institute of Computer Science University of Wrocław, Poland Email: {bartosz.kostka,jaroslaw.kwiecien}@stud.cs.uni.wroc.pl, {jko,prych}@cs.uni.wroc.pl Abstract—The domain of text-based adventure games has been may be partially-observable), legal moves, and some kind of recently established as a new challenge of creating the agent that scoring function (at least for the endgame states). Even in a is both able to understand natural language, and acts intelligently GGP case, the set of available moves is known to the agent, in text-described environments. In this paper, we present our approach to tackle the problem. and the state is provided using some higher-level structure Our agent, named Golovin, takes advantage of the limited game (logic predicates or state observations). domain. We use genre-related corpora (including fantasy books In contrast, the recently proposed Text-Based Adventure AI and decompiled games) to create language models suitable to Competition, held during the IEEE Conference on Computa- this domain. Moreover, we embed mechanisms that allow us tional Intelligence and Games (CIG) in 2016, provides a new to specify, and separately handle, important tasks as fighting opponents, managing inventory, and navigating on the game map. kind of challenge by putting more emphasis on interaction We validated usefulness of these mechanisms, measuring with the game environment. The agent has access only to the agent’s performance on the set of 50 interactive fiction games. natural language description about his surroundings and effects Finally, we show that our agent plays on a level comparable to the of his actions.