DOCSLIB.ORG

Concert Band

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concert Band Ensemble Concert: 2012-12-03 -- University Band and Concert Band Audio Playlist Access to audio and video playlists restricted to current faculty, staff, and students. If you have questions, please contact the Rita Benton Music Library at [email protected]. Scroll to see Program PDF l fmTHE UNIVERSITI OF lOWA COLLEGE OF LIBERAL ARTS & SCIENCES s£d'/Mfi,5w presents the University Band Steven Riley, conductor Eric Bush, guest conductor I(evin I(essler,guest conductor and Concert Band I(evin I(astens, conductor Eric Bush, guest conductor Ernest Jennings, guest conductor December 3, 2012 Iowa Memorial Union Ballroom ) 7:30 p.m. University Band Program Symphonic Overture (1963) Charles Carter (1926-1999) Voodoo (1984) Daniel Bukvich (b. 1954) Eric Bush, guest conductor Chico De Chiapas (2007) Lal· )' arr. .l\!Ioore Emi!J Roane, Alex Joh11son, Darron Carr, Jodi Connol!J, i\1.ia lvtelm, Sau!)ler Small Coached by Andrew Veit A Tribute to Grainger (1996) Percy Aldridge Grainger 1. Country Gardens (1882-1961) 2. Mo Nighean Dubh arr. Chalon L. Ragsdale 3. The Gypsy's Wedding Day Kevin Kessler, gttest conductor The Old Grumbly Bear (1907) Julius Fucfk (1872-1916) arr. Andrew Glover Kate Wohlman, t11ba The Fairest of the Fair (1908) Tohn Philip Sousd Tonight's program is No. 5194 in a series 2012-2013 (1854-1 932) The University of Iowa School of Music Concert Band Program Festive Overture, Opus 96 (1954) Dmitri Shostakovich (1906-197 5) trans. Donald Hunsberger Symphony on Themes of John Philip Sousa (1991) Ira Hearshen II. after "The Thunderer" (b. 1948) Eric B11Sh, guest cond11ctor An Original Suite (1928) Gordon Jacob I. March (1895-1984) II. Intermezzo III. Finale Ernest Jennings, guest cond11ctor The Wind and the Lion (197 5) Jerry Goldsmith (1929-2004) arr. Michael Davis This program is being presented by Steven Riley, in partial fullfillment of the requirements _) for the Master of ?vlusical Arts in band conducting. l\fr. Riley is a student of Dr. :Mark Heidel. Program Notes Symphonic Overture (1963) Charles Carter Symphonic Overture is a contemporary-sounding overture of medium difficulty so scored that it can be performed with equal success by large and small groups alike. Employing the familiar three­ part form (A-B-A), the opening section has a theme which is robust in character and with considerable rhythmic interest. The second theme, slow and expressive in character, is a free form based on an opening idea introduced by the first flute. At the return of the first section, the first theme is treated as a fugue subject building to great heights as all four entrances are achieved. As the "exposition" concludes, the contrapuntal texture gives way to a homophonic quality which dos(' the piece. The coda, as is characteristic, utilizes material from the fin,_ theme. (Charles Carter) Voodoo (1984) Daniel Bukvich Voodoo was a commission for the Idaho All-State Band in 1984. The piece was written specifically for the setting it would be premiered in- a gymnasium. Mel Shelton, a professor of conducting and com­ position at Boise State University, conducted [the premiere] and was instrumental in [carrying out] the first successful performance of the piece. The educational purpose of the piece was to challenge the per­ formers to listen to each other. "To accomplish this, it occurred to me to turn the lights off." It is as much a theatrical event as a piece of music, calling for the use of flashlights, arm waving, chanting, singing, blowing into brass mutes, surrounding the audience, and playing on parts of wind instruments, such as mouthpieces, trombone slides, and trumpets with tuning slides removed. [The work] is in no way related to the practice of religion. The name of the piece is derived from a conversation Bukvich had with his friend who was a missionary nun living in Guatemala. "She told me that the sounds of the jungle, at night time, reminded her of 'those old Voodo_o movies' they used to watch," he said. Many of these "sounds of tl jungle" are imitated in Voodoo, the band piece. The primary melodic material is loosely based on a favorite Gregorian chant; he simply finds the melody appealing. It is also a smooth, flowing, conjunct melodic line, which works well while singing the word "voodoo." Games P McCrane) Chico De Chiapas (2007) Lalo Chico D e Chiapas was written by NYC based vibist and composer Lalo. The piece was inspired on a trip to Chiapas, Mexico where the composer saw a family marimba band. More specifically a small boy who played with his family was too small to reach the keys, so he stood on a wood box. This piece depicts a playful day in the life of the Chico De Chiapas, and was released on Lalo's CD Urban Myth. (Andrew Veit) A Tribute to Grainger (1996) f halon L. Ragsdale A great deal of Percy Aldridge Grainger's compositional output are settings of English folksongs. The three selections that comprise A Tribute to Grainger are no exception. Country Gardens was music to accompany Morris dance, a traditional English folk dance. Grainger originally set the work for "a few whistlers and a few instruments" in 1908. He wrote a piano arrangement of tl1e piece on the occasion of his mother Rose's birthday in 1918. For years this \Vas his best-selling work. This troubled Grainger deeply, as he felt it obscured his more significant efforts. Grainger discovered Mo Nighean D11bh (My Dark-haired Maid) in a collection entitled Songs of the North, a set of songs and choruses with piano accompaniment. In 1900, Grainger set this tune with his own harmonization, again as a birthday present for his beloved mother. In this nostalgic song, a man reflects with his maiden on their time on Knockgowan's Height, where they fell in love, but can never again stand. Yet, no matter where "fortune's blasts of wintry weather" should take them, as long as they are together, they will have no fear. The Gyp.ry's W'edding Dery was a folksong collected by Grainger himself on one of his trips to Lincolnshire; he would later set it for SATB chorus. , he song tells the story of a handsome man \.vho asks a young gypsy --'girl to tell him his fortune. The girl tells him that "all those pretty lassies you must lay aside, for it is the little gypsy girl that's going to be your bride." Of course, the prophecy comes true, and the girl's wandering days come to an end as she marries the squire. (Kevin Kessler) The Old Grumbly Bear (1907) Julius Fucik Julius Fucik was born in Prague, Czechoslovakia, on July 18, 1872. He studied music at the Prague Conservatory, for a time under the tutelage of Antonin Dvorak. A violinist and bassoonist, Fucik performed with theater orchestras, symphony orchestras, and military bands. For a time he was bassoonist in the band of the 94th Lower Austrian Infan­ try Regiment, under the baton of Josef Franz Wagner, composer of the famous Under the Double Eagle March. In 1897, Fucik commenced a long and successful career as a military band leader, and during this period he was busiest with composing music. His compositions num­ bered well into the hundreds; in addition to military marches, he was beloved as a composer of light symphonic music, including concert overtures, waltzes, and many marches, the most famous of which i Entry of the Gladiators. The Old Grumbly Bear was originally composed for solo bassoon and symphony orchestra. This charming and humourous music de­ picts the lumbering antics of a slow moving, grumbly old bear - until the ending, when the beat gathers some momentum! (Andrew Glover) The Fairest of the Fair (1908) John Philip Sousa The Boston Food Fair was an annual exposition and music jubilee held by the Boston Retail Grocers' Association ... In fairs before 1908, Sousa had been impressed by the beauty and charm of one particular young lady who was the center of attention of the displays in which she was employed. He made a metal note that he would some day transfer his impressions of her into music. When the invitation came for the Sousa Band to play a twenty-day engagement in 1908, he wrote this march. Remembering the comely girl, he entitled the new march The Fairest of the Fair. (Paul E . Bierley) Festive Overture, Opus 96 (1954) Dmitri Shostakovich Festive Overture was composed in 1954, in the period between Symphony No. 10 and the Violin Concerto. Its American premiere was given by Maurice Abravanel and the Utah Symphony Orchestra on November 16, 1955. In 1956, the New York Philharmonic under Dmitri Mitropoulos presented the overture in Carnegie Hall. A Russian band version of the overture was released in 1958 and utilized the standard instrumentation of the Russian military band, i.e., a complete orchestral wind, brass and percussion s<:'.ction plus a full family of saxhorns, ranging from the Bb soprano down through the Bb contrabass saxhorn. This edition was scored for the instrumentation of the American symphonic band. '., he Festive Overture is an excellent curtain raiser and contains one of / Shostakovich's greatest attributes -- the ability write a long sustained melodic line combined with a pulsating rhythmic drive. In addition to the fl.owing melodic passages, there are also examples of staccato rhythmic sections which set off the flowing line and the variant fanfares. It is truly a "festive overture." (Donald Hunsberger) Symphony on Themes of John Philip Sousa (1991) Ira Hearshen Stirred and fascinated by the music of John Philip Sousa since childhood, I still get a chill upon hearing the piccolo obbligato in the trio of The Stars and Stripes Forever.
Load more

Recommended publications
  • Ensemble Information
    Directors Daniel Bukvich, director of Jazz Spencer Martin joined the Josh Skinner directs the Symphony Choirs and professor of theory, U of I faculty in 2012. He directs the Orchestra and teaches double bass. composition, and percussion Vandal Marching Band, Athletic He holds a D.A. in double bass joined the U of I faculty in 1976. Bands, and teaches instrumental performance from the University of He holds degrees from Montana music education courses. He holds Northern Colorado. State University and the University two degrees from the University of The Lionel Hampton School of of Idaho. Idaho. [email protected] [email protected] [email protected] 208-885-5900 Music is a close-knit community (208)885-4129 (208) 885-7055 of prominent performers, Vern Sielert, director of Jazz Band I and professor of trumpet and jazz teachers, composers, and scholars Mark Thiele directs the Wind David Klement is the director of studies, joined the U of I faculty in Choral Activities and directs all choral Ensemble and teaches the tuba 2006. He holds degrees from the and euphonium studios. He holds ensembles. He holds a D.A. in choral who interact with dedicated and University of North Texas and the conducting from the University of a D.M.A from George Mason University of Illinois. University and spent 21 years Northern Colorado. talented students. performing with “The President’s [email protected] [email protected] Own” United States Marine Band (208)885-4955 (208) 885-7441 in Washington D.C. [email protected] (208) 885-0539 Kate Skinner is director of Jazz Band II.
    [Show full text]
  • The Commissioned Flute Choir Pieces Presented By
    THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document.
    [Show full text]
  • Alumni Newsletter
    Alumni University of New Hampshire Newsletter Department of Music Fall 2013 Greetings from the Chair During the past year the Department of You may recall from my message conclusion of the 2014-15 academic Music remained a vibrant center for the last year that we are in the process year, completing a remarkable career composition, performance, teaching, of reaccreditation from the National of 43 years as a member of the UNH study, and research of music. On Association of Schools of Music (NASM). Department of Music, and 52 years campus, we presented some 14 faculty This past spring, we received the NASM as a college professor. David Seiler’s recitals, 28 large concert ensemble Visitor’s Report, which expressed accomplishments over the years concerts, 8 jazz ensemble concerts, 6 concerns regarding NASM standards have been unparalleled, not only as Traditional Jazz concerts, 17 daytime to which we were required to respond. an educator, but in service to the student potpourri recitals, and 49 junior, We were able to secure many items as Department and University. He was senior, and graduate recitals. The a result: more access to the Johnson responsible for the establishment of Department also hosted 6 guest master Theater for rehearsals and concerts, an both the Dorothy Prescott Endowment classes, and 5 guest recitals. upgrading of audio/visual equipment in and the Terry – Seiler – Verrette our classrooms, and an improvement Endowment. In an extraordinary We continue with 4 weeks of summer of building security for our majors. We demonstration of support from the instruction offered to young musicians now have an up-to-date electronic music University, the Provost’s office has through SYMS (high school age), Jr.
    [Show full text]
  • Scholarly Publishing Services — UW Libraries
    The School of Music presents the 89th concert of the 1988-89 season The University of Washington Wind Ensemble ~ ~'fl and I qtl'l _______-Iii Symphonic Band $-l.'f Tim Salzman Musical Director with Guest Soloist FelixSkowronek, flute --+-­ featuring works by Antonin Dvorak John Corigliano Daniel Bukvich May 24. 1989 8:00 PM, Meany Theater Free Admission :p,o;"T iL4Cf2- c~s II,LfC("3 Program notes Program Dvorak composed his Serenade in 0 minor, Op. 44 in two weeks, the first movement being written in one day. It was written in 1878 and THE WIND ENSEMBLE was premiered that same year in Prague with the composer conduct­ ing. With its instrumentation of ten winds and two strings and the serenade In d minor, Op. 44 .. ( !~:. Z. ,,~} ....... ANTONIN DVORAK charm of its melodies, it is reminiscent of the Mozart serenades written Moderato quasi marcia a century earlier. The minuet is an example of the native influence on Minuetto Dvorak's compositions. Its trio, a "furiant" - a Czech dance in quick Finale triple time with syncopation, provides a marked contrast to the sur­ rounding minuet sections of the movement. Also noteworthy is the THE SYMPHONIC BAND return of the opening first movement theme toward the end of the final movement, leading into a grand conclusion of the piece. This opus is A Festival Prelude .. (4.. :.'2-.2:') .................ALFRED REED truly one of the masterpieces for wind ensemble. - Tim Salzman ArIa and Roulade ....( ~.: :z.:1')' ...........NORMAN DELLO JOIO Aria and Roulade was composed in November, 1984 for the Salem Concert Band, Salem, Oregon, and premeired on its Vetrans Day David Holmes, conductor#' concert of the same year.
    [Show full text]
  • Acknowledgments
    ACKNOWLEDGMENTS I would like to acknowledge and express my sincerest thanks to the many people without whom the completion ofthis document would have been impossible: My wife, Amy, whose patience, support, and encouragement was unending, and whose proofreading, word processing, and taping skills were invaluable. My children, Charlie, Will, and Mary Emma, for willingly giving up many, many hours of "quality time" with their dad, which rightfully belonged to them. Professor Richard Blatti of The Ohio State University for his priceless knowledge of the wind-band repertoire, and for the guidance, suggestions, and time (of which he has very little) he was willing to give me and this project. Dr. James L. Moore, for his kindness, support, and willingness to proofread parts of this document, and for donating valuable materials from his own research which concerned this topic. Dr. A Peter Costanza, for his willingness to proofread parts of this document during a time in which he could have devoted all available time and energy into overseeing the 1995 OMEA State Convention. Craig Young, for the many times he helped me find what I needed in the OSU Band Music Library. Professor H. Robert Reynolds of the University of Michigan, for making that university's band music library available to me, and to Ms. Maggie St. Clair and Mr. Bill Kellerman for their wonderful hospitality and professionalism in assisting me while on campus. The many percussionists and conductors who responded to my surveys, submitting valuable suggestions ofpieces which represented the core ofmy research. My father-in-law, Dr. L. R.
    [Show full text]
  • Beneath a Canvas of Green a Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds B
    i BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS BY TONYA PATRICE MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ____________________________________ Chairperson Paul W. Popiel ____________________________________ Matthew O. Smith ____________________________________ Sharon Toulouse ____________________________________ Forest Pierce ____________________________________ Martin Bergee Date Defended: April 18, 2018 ii The Lecture Recital Committee for TONYA P. MITCHELL certifies that this is the approved version of the following document: BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS ____________________________________ Chairperson Paul W. Popiel Date Approved: April 18, 2018 iii ABSTRACT This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. iv ACKNOWLEDGEMENTS I would like to thank Aaron Perrine for collaborating with me on the production of this beautiful composition. I’d also like to thank Michael Compitello for assisting with the percussion design and set-up. I thank the members of the University of Kansas Wind Ensemble for enacting our vision.
    [Show full text]
  • Spring Concert
    ANCHOR BAY BAND BOOSTERS EXECUTIVE BOARD The Anchor Bay High School Instrumental Music Department Tom Stanton, President Chris Worton, Vice President - Fundraising proudly presents the Patti Dillon, Vice President - Bingo Paula Eckert, Treasurer Dean Larson, Student Accounts CONCERT BAND Joan Kowalski, Secretary P. David Visnaw II, Instrumental Music Director SYMPHONIC BAND WIND ENSEMBLE ANCHOR BAY HIGH SCHOOL ADMINISTRATION and the Mr. Ken Krause, Principal Mr. Hank Anderson, Assistant Principal JAZZ ENSEMBLE Mr. Vic Balaj, Assistant Principal in a SPRING CON- UPCOMING INSTRUMENTAL MUSIC EVENTS 5/16 - 5/19/02 — Mackinaw Trip! 5/23 — New Marcher Orientation (6:00 pm - 8:00 pm) 5/27/02 — New Baltimore Memorial Day Parade (10:00 am) 5/28/02 — Instrumental Music Banquet (6:30 pm) 6/2/02 — Graduation @ McMorran Auditorium (2:00 pm) CERT 6/13, 6/14, & 6/17/02 — Marching Band Pre-Camp (9:00 - 3:00) 6/23/02 — Jazz Ensemble @ NB Tastefest (4:00 pm) Wednesday, May 15, 2002 6/30/02 — Bay Rama Parade (1:00 pm) 7:30 P.M. 7/29 - 8/3/02 — Marching Band Camp @ CMU PROGRAM SYMPHONIC BAND PICCOLO OBOE FRENCH HORN Monica Lucas Jessica Roy Chris Budnick Mike Cooks CONCERT BAND FLUTE BASSOON Doug Jakubowski* Katie Collica Dan Ruhlman Mark Wallace A Bayside Trilogy..............….………………..............D. Black Katie Hartner Megan Leitzel* ALTO SAXOPHONE TROMBONE Tori Steerzer Cristine Cluney Ashley Ellerbe I. Sunrise Over the Golden Gate Suzy Sweeney Richard Hackler Vince Randazzo Kellie Kunkel Chris Swisher* II. Midafternoon in Chinatown Michael Loschiavo III. Mountain View (A Majestic Celebration) CLARINET Josh Rotarius EUPHONIUM Vicki Adamek Melissa Schanta* Jessica Bannasch* René Borkowski Max Daley John Williams in Concert..……...J.
    [Show full text]
  • Osu Flute Troupe
    CONCERTS AT OHIO STATE STUDENT ENSEMBLE SERIES PRESENTS OSU FLUTE TROUPE KATHERINE BORST JONES DIRECTOR Monday, February 13, 2012 8 PM WEIGEL AUDITORIUM 1866 College Road, Columbus, OH 43210 OSU FLUTE TROUPE Katherine Borst Jones Director February 13, 2012 PROGRAM Streaming Green Nancy Galbraith (b. 1951) Ave Maria César Carillo (b. 1957) Trans. K. B. Jones Fuvolatrió (1984) Zempléni László Allegro – Adagio – Vivace (b. 1947) Flight of the Bumblebee Nikolai Rimsky-Korsakov (1844-1908) Firebird Trio - Kari Boyer, Erin Steele, Chelsea Tanner Within…for seven flutes Ian Clarke (b. 1977) Hearts Upon the High Road Chris Norman (b. 1963) Three tunes of the Old Scots Gypsies Johnny Faa My Wife Has Scolded Me Clout the Cauldron Farandole Georges Bizet (1838-1875) from L'Arlésienne, Suite No. 2 (1838-1875) Arr. Ervin Monroe INTERMISSION In Dulci Jubilo in eight parts Michael Praetorius (1571-1621) Trans. A. Guitry Songs of the Ocean Ryohei Hirose I. There Was No Ocean (1930-2008) II. The Tufted Puffin Arr. Cameron Pearce III. Lullaby of the Ocean Synapses Thomas Duffy from I Sing the Body Eclectic (b. 1955) Londonderry Air Traditional Arr. Percy Aldridge Grainger (1882-1961) Trans. Robert Webb Calliope Capers Ladd McIntosh (b. 1941) FLUTE TROUPE PERSONNEL Patrick Barrett Senior, Flute Performance & Music Education, Boardman, OH Jaz Bluhm Freshman, Music Education, Sandusky, OH Kari Boyer Junior, Flute Performance & French, Blanchester, OH Rachel Haug MM, Flute Performance, Winona, MN Yoonee Kim DMA, Flute Performance, KOREA Erica Kodramaz Sophomore, Flute Perfrmc. & Physical Therapy, Concord, OH Katie Kuvin Senior, Flute Performance & Choral Music Ed., Loveland, OH Robert Shane Paul MM, Flute Performance, Arcadia, FL Stefanie Schneider Sophomore, Music Education, Dayton, OH Jennifer Shanks Freshman, Music Education, Biochemistry, Hudson, OH Luke Shultz Sophomore, Flute Perfmc.
    [Show full text]
  • Campus Band Concert Band
    COMpacr dJ's~ ~ 311W SCHOOL OF MUSIC J0 } 7 UNIVERSITY of WASHINGTON J-)~ CAMPUS BAND Doug Morin and Sarah Bost, conductors CONCERT BAND Mark Tse and Shayna Stahl, conductors 7:30 PM February 28, 2017 Meany Theater UW MUSIC 2016-17 SEASON PROGRAM C!. p"4F (7, b g 2. CAMPUS BAND 1 Rollo Takes aWalk (1980) .................................?.': .....f?. ................................................. David Maslanka (b. 1943) 2 f~j<:..",( Go!:>, -.3 Symphony No.1: In Memoriam, Dresden 1945 ..................1:;..}:i.:.............................. Daniel Bukvich (b. 1954) I. Prologue II. Seeds in the Wind III. Ave Maria IV. Fire Storm 1- ~M1<-SI AI\()'rIV\ .:; Hold This Boy and Listen (2008) .........................1.;.J.L.........................................................Carter Pann (b. 1972) o From Every Horizon (1965) .................................2:~QL. .......................................Norman Delio Joio (1913-2008) I. Andante II. Adagio III. Allegro con spirito CONCERT BAND Beyond the Horizon (2009)....................?::~~.1............................................................ Rossano Galente (b. 1967) C!Ch1(J CfCl7:Ff - 5 r-tvh I 1::>,'°7 <6 Tears of St. Lawrence (2014)....................................................................................~._Aar~~U7ne (b. 1979) 9 Caccia and Chorale (1976) .....................~.;..~.?....................................................... Clifton Williams (1923-1976) eond J5~ 10 Emperata Overture (1964) .....................!:.:..'"?J......................................................
    [Show full text]
  • Winter Concert
    WWindind OOrchestrarchestra wwindind eensemblensemble AANDREWNDREW MMCMAHANCMAHAN AANDND CCHRISTOPHERHRISTOPHER J. WWOODRUFFOODRUFF, CCONDUCTORSONDUCTORS WWITHITH SSPECIALPECIAL GGUESTUEST TTROMBONISTROMBONIST KKo-ichiroo-ichiro YYamamotoamamoto The Santa Monica High School (SAMOHI) Band was established in 1915 under the direc on of Arnold Wagner. The band program is one of the oldest high school band programs in California, and has a rich heritage due to outstanding music instruc on that is required of all 3rd-5th grade students district-wide, a PPLUSLUS: long history of community support, and its close proximity to the entertainment industry. Alumni of the SAMOHI band program have DDOUGOUG GGALLATINALLATIN, FFLUTELUTE SSOLOISTOLOIST gone on to study at pres gious conservatories, universi es, and schools of music. The band SSANTAANTA MMONICAONICA HHIGHIGH SSCHOOLCHOOL WWINDIND SSYMPHONYYMPHONY fl ourished in the 1950s under the direc on of Dick Wagnon, and con nues to grow under the direc on of Kevin McKeown and Terry KKEVINEVIN MMCKEOWNCKEOWN, GGUESTUEST CCONDUCTORONDUCTOR Sakow. Currently the program consists of four concert bands, two jazz bands, and the Samohi “Viking” Marching Band. The 2014-15 school year marks the centennial of this historic band program. MMaarrchch 99,, 22014014 SSundayunday aatt 3 pp.m..m. PPERFORMINGERFORMING ARTSARTS CCENTERENTER Sponsored by Cal Poly’s College of Liberal Arts, Music Department & IRA Program. Program Program notes WWindind eensemblensemble FFirstirst SSuiteuite iinn EE--fl aatt fforor MMilitaryilitary BBandand Piccolo Horn Key SSantaanta MMonicaonica HHighigh SSchoolchool WWindind SSymphonyymphony Written over 100 years ago, the First Suite in E-fl at by Gustav Holst Emily O’Hanlon, San Ramon, LAES Andrew Arensman, Castaic, MU ◆ Guest is now considered one of the masterworks and cornerstones of Steven Warnert, Clovis, ME • Principal/Sec on Leader band literature.
    [Show full text]
  • WCB WS Oct09 V2.Pmd
    MCC Wind Symphony and Waco Community Band Dr. Brian Harris, music director Halloween Chillers & Thrillers Tuesday, October 27, 2009 7:30 p.m. Wilbur H. Ball Performing Arts Center Halloween Chillers & Thrillers MCC Wind Symphony Abracadabra!.............................................................................................................. Frank Ticheli Selections from The Nightmare Before Christmas................................................... Danny Elfman arranged by Michael Brown Voodoo ................................................................................................................... Daniel Bukvich Waco Community Band Toccata in D Minor .....................................................................................Johann Sebastian Bach arranged by Erik Leidzen Night on Bald Mountain ............................................................................. Modeste Moussorgsky arranged by William Schaefer “La Tregenda” (Witches Dance) from La Villi.....................................................Giacomo Puccini arranged by Robert Foster Guest Conductor: Dr. Donnie Balmos, Dean, MCC Arts and Sciences “March to the Scaffold” from Symphony Fantastique .............................................Hector Berlioz arranged by Erik Leidzen Chillers and Thrillers: Themes of Suspense............................................................. John Williams arranged by John Moss MCC Wind Symphony PICCOLO HORN Lauren Shelton - La Vega HS Michael Golden - Waco HS Jessica Hall - La Vega HS FLUTE Marisa
    [Show full text]
  • 2014 Concert Programs
    2014 Cazadero Music Camp 2014 Cazadero Music Camp Young Musicians Session Concert Young Musicians Session Concert Saturday June 21, 2014 Saturday June 21, 2014 CAZADERO ALL-CAMP CHOIR CAZADERO JAZZ WORKSHOP Stafford Hebert, Conductor Zack Pitt-Smith, Conductor Sheldon High School, Sacramento Edna Brewer Middle School, Oakland Canoe Song Native North American Melody Sonnymoon for Two Sonny Rollins arr. Ruth Morris Gray Song for My Father Horace Silver Laudamus Te, from Gloria Antonio Vivaldi, arr. Becki Slagle Mayo Cantaloupe Island Herbie Hancock The Bird’s Courting Song Appalachian Folk Song, arr. Cristi Cary Miller CAZADERO STRING ORCHESTRA CAZADERO PIANO PROGRAM Tom Douglass, Conductor Danielle DiDonato, Director Spring View Middle School, Rocklin Fullerton College Enter the Heroes Elliott Del Borgo Jig Henry Purcell Canyon Sunset John Caponegro John Conant, trumpet Ryan Yang, piano Nocturne Frédéric Chopin Hey Fiddle Fiddle Brian Balmages Kai Charp Deep Sea Fandango Deborah Baker Monday Wiegenlied Johannes Brahms Dragon Dances Soon Hee Newbold Charlie Herberich, clarinet Alex Heiser, piano Youth Album Maarten Smit I. Prelude Lucy Morris CAZADERO CONCERT BAND II. Serenade Katie Quigley Julie Stephens, Conductor III. Ballade Ruby Jordan Phoenix Ranch School, Simi Valley IV. Dance of the Elves Natalie Sandoval VI. Old Times Matteo Brownlow Swahili Folk Song (Bwana Awabariki) arr. Kevin Mixon IX. Swing March Monique Jonath The Lasses of Lore arr. David A. Myers X. Dance Thomas Hewitt XIX. Swing Sasha Ryu Song Without Words Gustav Holst from Second Suite in F for Military Band arr. Michael Story Das Fohlen Gerd Büntzly Natalie Sandoval, Primo Danielle DiDonato, Secondo Korobushka, Traditional Russian Folk Song arr.
    [Show full text]