Dancenter Dispatch January – February 2016
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Twyla Tharp Th Anniversary Tour
Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F. -
Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
4XJG R 7'1985 Sheila L
ORGANIZATIONAL CONFLICT: IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell B.S., Guilford College (1982) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements of the Degree of Master in City Planning June 1985 at the Massachusetts Institute of Technology 1985 Signature of Authorc Deparient of Urban Studies and PJanning Certified by Professor Donald Schon Thesis Supervisor Accepted by professor Phillip Clay Vf Head, M.C.P. Committee AF TECHNOLOGY 4XJG r 7'1985 Sheila L. Strain-Bell 1985 ii ORGANIZATIONAL CONFLICT IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell Submitted to the Department of Urban Studies and Planning on May 28, 1985 in partial fulfillment of the requirements for the Degree of Master in City Planning ABSTRACT A qualitative research study was carried out to explore problems of organizational conflict. The conditions and processes of organizational conflict, issues of substantive organizational conflict, and organizational learning or failure to learn were investigated. A variation of intensive interviewing, semi-structured, was used to obtain primary information on organizational events at the Boston Ballet, a nonprofit performing arts organization made up of a ballet school and a ballet company. Six organizational members occupying different positions from the art, teaching, and administrative staffs were interviewed. Five of the six had been interviewed ten months earlier in 1984. There were four telephone interviews, two were follow-up and two were conducted with former organization members. On average, interviews lasted two hours. A tape recorder was used during face-to-face interviews. Thirty-one questions were formulated to focus on substantive issues of organizational conflict. -
Tasha Golis Acrobatics, Barre Fitness, Hip Hop, MSEE Lead Faculty, Jr
Tasha Golis Lisa Scott Acrobatics, Barre Fitness, Hip Hop, MSEE Lead Faculty, Fitness Director & Barre Fitness Jr. & Apprentice Company Assistant Choreographer Lisa has always been fitness oriented. Lisa was formerly of the Barre 54 team, the first studio to bring Tasha is an Orlando native who grew up dancing. After graduating from the University of Florida, Barre workouts to the Orlando area. Parlaying her dance training as a child, into a strong she returned to Central Florida to perform at WDW, Universal, and Sea World. She was invited to professional career as an actress, dancer, and stunt performer, she has enjoyed performing on join an international cast onboard Costa Cruise Lines and began an exciting career performing stages throughout the United States, Europe, and as far east as Tokyo, Japan. As a professional around the globe. She was dance captain for numerous cruising companies and saw the world. model and spokesperson, Lisa has endorsed many quality fitness products and realizes the Performance contracts followed in Australia, Guam, and South America. Tasha is back in Florida importance of not only physical fitness, but mental discipline and commitment. As a break from and loving it! You can find her teaching at the barre, performing on stage, or boating and water her demanding schedule, Lisa finds comfort in reading a good book or watching an old classic skiing. movie. Her favorite role is playing mom to her 13 yr. old daughter, Emma. Douglas Horne Ballet & Brain Fitness Robert Scott Douglas Horne danced professionally after studying on full scholarship with American Ballet Theatre (New The Art & Technique of Acting York), Miami City Ballet (Miami, Florida) and Studio Maestro (New York). -
Grew up in New Jersey and Studied Ballet at a Young Age with the New Jersey Ballet School
Patricia Brown: grew up in New Jersey and studied ballet at a young age with the New Jersey Ballet School. As a teenager, Patricia was awarded full scholarships to the American Ballet Theatre School and the Joffrey Ballet School. Ms. Brown has danced professionally with the New Jersey Ballet Company, Joffrey II Ballet Company, Cleveland Ballet (soloist), the Elliot Feld Ballet, and the Joffrey Ballet Company (soloist). She has worked with many well-known choreographers such as Agnes DeMille, Anthony Tudor, Gerald Arpino, Elliot Feld, Paul Taylor, Laura Dean, and Dennis Nahat. Ms. Brown has served as principal teacher for trainee programs at the Milwaukee Ballet School, Joffrey Ballet School, Harrisburg Ballet School, Nashville Ballet School, The Dance Center, and the Mill Ballet School. She has taught company classes for Joffrey II Ballet, the Elliot Feld Ballet, Nashville Ballet, Harrisburg Ballet, Brandywine Ballet Theatre, the Roxey Ballet, and she has served as Ballet Mistress for the Pennsylvania Ballet. Ms. Brown has choreographed ballets performed at Joffrey Ballet workshop, Milwaukee Ballet workshop, Harrisburg Ballet Company, Brandywine Ballet Theater, the Roxey Ballet and for the international competition at Avery Fisher Hall in New York. Patricia has been asked to join the faculty of the Joffrey School in New York City and commutes weekly to teach class. Val Gontcharov: In 1974 at the age of 11 Val successfully competed against 40 other applicants for the one opening in the Kieu Ballet School. After graduation in 1982, five different companies offered him positions, but he chose the Donetsk Ballet to be closer to his parents' home. -
2019-2020 Course Catalog + Program Policies
2019-2020 Course Catalog + Program Policies Phone: 541-342-4611 Email: [email protected] Web: www.balletfantastique.org Academy of Ballet Fantastique Professional Division Program Guide ACADEMY OF BALLET FANTASTIQUE 1... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide FOR MORE INFORMATION CITY CENTER FOR DANCE ANNEX STUDIO 541.342.4611 960 Oak St. 60 E. 10th Ave [email protected] Eugene, OR 97401 Eugene, OR 97401 www.balletfantastique.org (Oak b/t Broadway & 10th) (10th & Oak Alley) Northeast elevator Southwest elevator ACADEMY OF BALLET FANTASTIQUE 2... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide CORE PROGRAM Official training school of the Ballet Fantastiq ue Company, a Resident Company of the Hult Center for the Performing Arts Academy of Ballet Fantastique students benefit from the association with a professional company, daily mentorship by top professional company dancers and teachers hailing from all over the world. The benefits of this association include work under and alongside top professionals in the industry, exposure to and immersion in a professional standards and atmosphere, and experience watching and participating in professional productions with live musicians. Training Syllabus Our Professional Division follows the eight levels of the internationally renowned Vaganova Syllabus, a notated, progressive -
Press Release the Dance Complex Presents Winter Wonder Dance Festival 2019
PRESS RELEASE 536 Massachusetts Ave. - Cambridge MA 02139 - dancecomplex.org FOR IMMEDIATE RELEASE Kledia Spiro Communications Director [email protected] 617-547-9363 THE DANCE COMPLEX PRESENTS WINTER WONDER DANCE FESTIVAL 2019 Photo: courtesy of 10 Hairy Legs, featured in this year’s Winter Wonder Cambridge, MA- December 6th 2019: The Dance Complex’s annual Winter Wonder Dance Festival features classes, repertory, and performance opportunities with internationally renowned Teaching Artists, both Boston-based and from around the world. Held every December, this festival is an opportunity to kick off the New Year with time dedicated to taking your next deep step in dance and movement. This year’s festival will be held Friday, December 27 to Tuesday, December 31, and will feature world dance classes: Afro Haitian, Senior Flamenco, All Levels Flamenco, Gaga/People, and Gaga/Dancers. Dancers can gain new experiences through Improv Jam and partnering classes as well. We are offering classes for all levels, plus for those who have never danced before and those who may be returning, so everyone can find something they love! - continued- Teaching artists are BOTH Boston based, The Dance Complex regulars, and are ALSO from Broadway and Tel Aviv. The final day of the festival will be a day of movement and reflection, focused on the mind-body connection. Reign in the New Year with a yoga class and become more in tune with your body for a new you in movement, while you sip hot chocolate. Each year during Winter Wonder Dance Festival, we highlight our teaching artists through performance! Two informal performances will be held in our great Studio 7 where the bar is always open and mingling between pop-up performances is encouraged. -
International Exchange in Dance Annual of Contemporary Dance Double Issue 3.50 1963 • 1964
7 INTERNATIONAL EXCHANGE IN DANCE ANNUAL OF CONTEMPORARY DANCE DOUBLE ISSUE 3.50 1963 • 1964 • • WW * Copyright 1963 by Impulse Publications, Inc. l^yyKA' \s<s y Inde x S. I. Hayakawa THE UNACKNOWLEDGED LEGISLATORS 5 Rhoda Kellogg THE BIOLOGY OF ESTHETICS 9 Adele Wenig "IMPORTS AND EXPORTS" —1700-1940 16 Walter Sorell SOL THE MAGNIFICENT 29 Arthur Todd DANCE AS UNITED STATES CULTURAL AMBASSADOR 33 Walter Sorell A FAREWELL AND WELCOME 44 RECENT "EXPORTS" 46 as told to Rhoda Slanger Jean Erdman Meg Gordeau Paul Taylor as told to Joanna Gewertz Merce Cunningham Ann Halprin Jerry Mander THE UNKNOWN GUEST 56 Isadora Bennett SECOND THOUGHTS 63 Letter from Thomas R. Skelton STAGING ETHNIC DANCE 64 Thomas R. Skelton BALLET FOLKLORICO 71 Antonio Truyol NOTES FROM THE ARGENTINE 73 Ester Timbancaya DANCE IN THE PHILIPPINES^ 76 Joanna Gewertz THE BACCHAE 80 Ann Hutchinson NOTATION — A Means of International Communication 82 in Movement and Dance QLA Margaret Erlanger DANCE JOURNEYS 84 SPONSORSHIP AND SUPPORT 88 t> Editor: Marian Van Tuyl Editorial Board: Doris Dennison, Eleanor Lauer, Dorothy Harroun, Ann Glashagel, Joanna Gewertz; Elizabeth Harris Greenbie, Rhoda Kellogg, David Lauer, Bernice Peterson, Judy Foster, Adele Wenig, Rhoda Slanger, Ann Halprin, Dorrill Shadwell, Rebecca Fuller. Production Supervision: Lilly Weil Jaffe ACKNOWLEDGMENTS: Cover design by David Lauer Photographs by courtesy of: San Francisco Chronicle 15 Harvard Theatre Collection 18, 19, 22, 23 Dance Collection: New York Public Library 21, 25, 26 Hurok Attractions, New York 29, 30, 31 Studio Roger Bedard, Quebec 31 Fay Foto Service, Inc., Boston 32 U.S. Information Service, Press Section, Photo Laboratory, Saigon, Vietnam 33 U.S. -
Make the Most of Your Dance Experience
Make the most of your New York City Dance Experience 2020 PREVIEW PERFORMANCE TOURS WORKSHOPS & MASTER CLASSES SPECIAL EVENT PLANNING & PRODUCTION PERFORMANCE EXCHANGE PROGRAM ONCE IN A LIFETIME EXPERIENCES • CUSTOMIZED WORKSHOPS & MASTER CLASSES • OPEN & PRIVATE CLASSES • PERFORMANCE EXCHANGE PROGRAM • PERFORMANCE OPPORTUNITIES • LEGACY 2020 EVENT TOUR UNIQUE & EXCITING OPPORTUNITIES • 9/11 Memorial & Museum • The Freedom Tower’s One World Observatory • Empire State Building Observatory • Broadway Show • Intrepid Air, Sea & Space Museum • Museum of Natural History • Statue of Liberty & Ellis Island Cruise • New York City Ballet Performance • United Nations • Radio City Music Hall Backstage Tour • Rockefeller Center • Top of the Rock • St. Patrick’s Cathedral • Lincoln Center • ABC’s Good Morning America • NBC Studio Tour THE POSSIBILITIES ARE ENDLESS! NEW YORK NEW YORK A CITY SO GREAT THEY NAMED IT TWICE! If New York is your destination, we are here for you LITERALLY it’s our home! Located just minutes from the heart of New York City, Educational Performance Tours is proud to offer a wide range of programs enabling your students to take full advantage of this great city! Our unique philosophy, “it’s not just about competition, but also opportunity” sets us apart from the standard “dance competition and convention” experience and has allowed us to inspire and educate young dancers. Our customized workshops and master classes offer dance groups the rare opportunity to interact and dance with prominent members of the NYC performing arts -
Summer Dance Plus Exploring Possibilities Opal, Aqua & Pearl Level Dancers
Summer Dance Plus Exploring Possibilities Opal, Aqua & Pearl Level Dancers Register Now at Gabriel Chajnik and 5 Guest Artists/Educators bring the artistic energy of NYC to Gotta Dance! Gotta-Dance.com Dancers will receive enriching technical instruction 877-23DANCE & experience rapid development over two weeks this summer. Andrew Notarile: Musical Theater & Jazz Andrew studied at the prestigious School of American Ballet in NYC. He performed professionally with American Repertory Ballet Basking Ridge and BalletMet, among others. Mr. Notarile’s penchant for jazz has been noted during charismatic performances in Jazz Moves’ High July 27th to July 31st C; the Stevie Wonder segment of American Legends (both choreo- 1:30pm-6:00pm graphed by Maurice Hines), and as Mr. Mistoffelees in the Ocean City Theatre Company’s production of CATS. & August 3rd to August 7th Dylan Pearce: Jazz Dylan Pearce studied at the Joffrey Ballet School in NYC. He has 1:30pm-6:00pm performed in Radio City’s Christmas Spectacular for four sea- sons. Dylan has performed in televised and staged productions Join NYC including Off Broadway in Shea Sullivan’s ‘Dancing on a Dream’, WNBA All-Star Halftime Show, Miss New Jersey, Miss New York and The Miss Florida pageants, The Michael Awards, Trump Professional Plaza, Knicks City Dancers as well as the International Dance Festival in NYC. Instructors for Samantha Zuidema-Wilhelm:Contemporary Samantha comes to Gotta Dance with extensive performance and 2 weeks of dance leadership experience. Samantha has served as the dance captain of the Rockettes for eight years. During this time, she was Dedicated a swing for the Radio City Christmas Spectacular. -
Ballet Makers, Inc., American Airlines and Covington Travel, Inc
^^^t^vT-^n^ Regional Dance America/MidStates Festival May 17-21, 1995 • Fort Wayne, Indiana Sponsored in part by: Capezio/Ballet Makers, Inc., American Airlines and Covington Travel, Inc. mix, IP VETO AM021OX Regional Dance America was founded in 1988 to promote the artistic development of dance companies throughout the United States and to continue the important work of the National Association for Regional Ballet. Built on the legacy of visionaries Dorothy Alexander and Anatole Chujoy, the NARB contributed to the decentralization of dance as regional companies grew in stature and quality nationwide. Under the leadership of Doris Hering, and with the encouragement of Ben Sommers, its membership grew to five geographical areas and over two hundred companies including more than two dozen nationally recognized professional groups. As we enter a new decade, RDA is dedicated to fostering quality, promoting education and nurturing the talents of dancers and choreographers while exploring new horizons. 35 Performance Advisory Committee Maria Crandy Robert Barnett Edward Villella Choreography Alfred Terlizzi Dennis Nahat jane Cifford Muriel Topaz Saeko Ichinohe Mel Tomlinson CONFERENCE: July 21-Aug. 2,1995 David Howard Robert Lindgren Florence Warren at The University of Iowa in Iowa City, Iowa Lyle Cashion Jon Rodriguez Rochelle Zide-Booth Sally Bliss Ben Stevenson Maria Vegh 1 vJrl Dancers, Composers, Choreographers, Teachers. Artistic Directors rnvULl T Leslie Jane Pessemier, Director of Choreography; Rob Kaplan, Director of Music; Alumni Professional Companies: Frcncoise Martinet, Ballet; Mid States: Madco, Harbinger Dance Company, Minnesota Dance Armando Duarte, Modern Theatre, Indianapolis Ballet Theatre, Ft. Wayne Ballet. Northeast: Berkshire Ballet, Ballet Metropolitan, Boston Ballet, Dayton Contemporary Dance Co., Dayton Ballet, Philadanco, Princeton Ballet. -
Today Is Your Day
Today is your day { become the dancer you dream to be } FORT WAYNE, INDIANA USA Auer Academy of Fort Wayne Ballet Dancers thrive here . our mission: Fort Wayne Ballet feeds the spirit and sparks the imagination through the highest caliber dance education, performance experiences, and community engagement. our academy: We are the region’s only dance training academy affiliated with a professional ballet company. At Fort Wayne Ballet we provide a balanced, health-focused atmosphere that allows children and adults to develop strong dance technique, as well as a strong body, poise, confidence, and a sense of music, creativity, and artistry. All students are assured safe, quality-focused dance training with the option for vocational training for a professional career of dance or dance for recreation. We offer classes for three- year olds through adults. our philosophy: The foremost goal of Auer Academy of Fort Wayne Ballet is to help students develop a firm foundation of quality dance, regardless of their aspirations for dance in the future. Our students range from very young children simply exploring movement to pre- professional students driven to dance as a career. For more We offer than 60 years, we have provided a safe yet aggressive syllabus, • 60+ years of dance training for girls and boys by experienced professional strategically and personally created, with the physical, cognitive, teaching staff. and social development of each student at heart. • A safe, secure environment to learn: studios equipped with sprung Marley dance our community engagement: floors for a better dance surface, appropriately sized dance barres for development You never know where you might find a Fort Wayne Ballet assistance, and mirrored studio walls to promote proper technique.