The Aca-Perfect Concert Experience
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Twyla Tharp Th Anniversary Tour
Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F. -
Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
Barbershop: a Cappella's Martial Art by Deke Sharon You're Young, You
Barbershop: A Cappella’s Martial Art By Deke Sharon You're young, you're scrappy. You want to be the best. You started singing in school, like everyone: choir, maybe a couple musicals. Karaoke with some friends, talent shows. Then some collegiate a cappella. But you don't want to just be fine. That's not enough. You want to be great. You want technique, you want moves. You need to learn karate...except contemporary a cappella doesn't have a traditional refined martial art...does it? It does. It's called Barbershop. And you're about to get the best schooling a young'un can, including: BLEND: There's no blend like a barbershop blend. They don't just match their vowels, they align their diphthongs as they sweep from one vowel to the next. Four guys sounding like one guy. Why does blend matter? Because each vowel has a very specific "fingerprint" — frequencies in the harmonic series— and when the vowels are perfectly aligned, it helps lock down... TUNING: You think four voices can only create four notes? Guess again. When you lock your voices into perfect tune with the same vowels you cannot only create additional notes above yours, you can even create the perception of a bass note below the human vocal range. That's right, that's the vocal equivalent of some kind of dark arts ninja magic. But it works, and it happens every day, along with... DYNAMICS: Pop music on the radio has had the life squashed out of it. Learn how to sing quieter than you thought you could, and make a group sound that's louder than you have, without microphones. -
4XJG R 7'1985 Sheila L
ORGANIZATIONAL CONFLICT: IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell B.S., Guilford College (1982) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements of the Degree of Master in City Planning June 1985 at the Massachusetts Institute of Technology 1985 Signature of Authorc Deparient of Urban Studies and PJanning Certified by Professor Donald Schon Thesis Supervisor Accepted by professor Phillip Clay Vf Head, M.C.P. Committee AF TECHNOLOGY 4XJG r 7'1985 Sheila L. Strain-Bell 1985 ii ORGANIZATIONAL CONFLICT IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell Submitted to the Department of Urban Studies and Planning on May 28, 1985 in partial fulfillment of the requirements for the Degree of Master in City Planning ABSTRACT A qualitative research study was carried out to explore problems of organizational conflict. The conditions and processes of organizational conflict, issues of substantive organizational conflict, and organizational learning or failure to learn were investigated. A variation of intensive interviewing, semi-structured, was used to obtain primary information on organizational events at the Boston Ballet, a nonprofit performing arts organization made up of a ballet school and a ballet company. Six organizational members occupying different positions from the art, teaching, and administrative staffs were interviewed. Five of the six had been interviewed ten months earlier in 1984. There were four telephone interviews, two were follow-up and two were conducted with former organization members. On average, interviews lasted two hours. A tape recorder was used during face-to-face interviews. Thirty-one questions were formulated to focus on substantive issues of organizational conflict. -
Wells Fargo Center for the Arts Welcomes the SING-OFF LIVE! Tour Thursday, April 9, 2015 Featuring Bay Area’S Own Sanfran6
Media Contact: James Smith | Charles Zukow Associates 415.296.0677 or [email protected] Print quality images available: http://wellsfargocenterarts.org/media/ Wells Fargo Center for the Arts welcomes THE SING-OFF LIVE! Tour Thursday, April 9, 2015 Featuring Bay Area’s Own SanFran6 FAN FAVORITES VoicePlay, Street Corner Symphony and The Exchange FROM THE HIT NBC A CAPPELLA MUSIC COMPETITION WILL ALSO APPEAR Tickets on sale now! Santa Rosa, CA (March 12, 2015)— Wells Fargo Center for the Arts (50 Mark Spring Road in Santa Rosa) welcomes a one-night-only performance of The Sing-Off Live! Tour on Thursday April 9, 2015 at 8:00 pm. The Sing-Off, NBC’s number one rated a cappella music competition is on a 55-city national tour. Tickets for The Sing-Off Live! Tour are $45 and $35, and are on sale now. They may be purchased online at wellsfargocenterarts.org, by phone at 707.546.3600, and in person at 50 Mark West Springs Road in Santa Rosa. The Sing-Off Live Tour! will feature The Sing-Off fan favorite groups VoicePlay (season 4) and Street Corner Symphony (season 2), plus this season’s The Exchange, and the Bay Area’s own San Fran6. On tour the groups will perform their a cappella versions of this year’s chart topping hits as well as favorite arrangements from the TV show. The stage performance will offer the ultimate a cappella experience, giving fans of the TV show the rare opportunity to see their favorite groups perform live, and offer a cappella music aficionados (or enthusiasts) an incredible evening of some of the country’s top talent. -
Tasha Golis Acrobatics, Barre Fitness, Hip Hop, MSEE Lead Faculty, Jr
Tasha Golis Lisa Scott Acrobatics, Barre Fitness, Hip Hop, MSEE Lead Faculty, Fitness Director & Barre Fitness Jr. & Apprentice Company Assistant Choreographer Lisa has always been fitness oriented. Lisa was formerly of the Barre 54 team, the first studio to bring Tasha is an Orlando native who grew up dancing. After graduating from the University of Florida, Barre workouts to the Orlando area. Parlaying her dance training as a child, into a strong she returned to Central Florida to perform at WDW, Universal, and Sea World. She was invited to professional career as an actress, dancer, and stunt performer, she has enjoyed performing on join an international cast onboard Costa Cruise Lines and began an exciting career performing stages throughout the United States, Europe, and as far east as Tokyo, Japan. As a professional around the globe. She was dance captain for numerous cruising companies and saw the world. model and spokesperson, Lisa has endorsed many quality fitness products and realizes the Performance contracts followed in Australia, Guam, and South America. Tasha is back in Florida importance of not only physical fitness, but mental discipline and commitment. As a break from and loving it! You can find her teaching at the barre, performing on stage, or boating and water her demanding schedule, Lisa finds comfort in reading a good book or watching an old classic skiing. movie. Her favorite role is playing mom to her 13 yr. old daughter, Emma. Douglas Horne Ballet & Brain Fitness Robert Scott Douglas Horne danced professionally after studying on full scholarship with American Ballet Theatre (New The Art & Technique of Acting York), Miami City Ballet (Miami, Florida) and Studio Maestro (New York). -
Abstract Phd a Cappella Arraning English
Abstract: „Contemporary A Cappella - Arranging and Producing“ My PhD-thesis gives an insight into contemporary a cappella arranging. It focuses on two a cappella groups of the United States who emerged from the a cappella boom since the foundation of Contemporary A Cappella Society by Deke Sharon in the year 1991. Both Groups, each won the a cappella casting show The Sing off - Pentatonix in 2011 and Home Free in 2012 - and started/continued their career as professional a cappella singers. I will mainly focus on the arrangements of Pentatonix and Home Free in terms of writing- and production process and in what way the Music is released as media (CD, Spotify, iTunes, music video and sheet music). By using music analysis I am trying to understand how the arrangements of the above mentioned groups are processed and what techniques they use. With this knowledge I plan to explore these ideas via qualitativ empirical methods in the field of contemporary a cappella: interviews with arrangers, producers and a cappella singers, participating observation through camps, rehearsals and concerts, and being part of production-, mixing- and mastering sessions with the a cappella groups, arrangers and audio engineers. After gathering these informations I’m planing to transform them into a (german) „how to…“-guide for music teachers and conductors to create their own arrangement „in the style of …“. My central aim is to combine popular music research with music pedagogy to feed back knowledge I achieved to the actors in the field. Keywords: a cappella, arrangement, contemporary, popular music, Pentatonix, Home Free Max Stadler is a professional a cappella arranger, singer and conductor. -
Grew up in New Jersey and Studied Ballet at a Young Age with the New Jersey Ballet School
Patricia Brown: grew up in New Jersey and studied ballet at a young age with the New Jersey Ballet School. As a teenager, Patricia was awarded full scholarships to the American Ballet Theatre School and the Joffrey Ballet School. Ms. Brown has danced professionally with the New Jersey Ballet Company, Joffrey II Ballet Company, Cleveland Ballet (soloist), the Elliot Feld Ballet, and the Joffrey Ballet Company (soloist). She has worked with many well-known choreographers such as Agnes DeMille, Anthony Tudor, Gerald Arpino, Elliot Feld, Paul Taylor, Laura Dean, and Dennis Nahat. Ms. Brown has served as principal teacher for trainee programs at the Milwaukee Ballet School, Joffrey Ballet School, Harrisburg Ballet School, Nashville Ballet School, The Dance Center, and the Mill Ballet School. She has taught company classes for Joffrey II Ballet, the Elliot Feld Ballet, Nashville Ballet, Harrisburg Ballet, Brandywine Ballet Theatre, the Roxey Ballet, and she has served as Ballet Mistress for the Pennsylvania Ballet. Ms. Brown has choreographed ballets performed at Joffrey Ballet workshop, Milwaukee Ballet workshop, Harrisburg Ballet Company, Brandywine Ballet Theater, the Roxey Ballet and for the international competition at Avery Fisher Hall in New York. Patricia has been asked to join the faculty of the Joffrey School in New York City and commutes weekly to teach class. Val Gontcharov: In 1974 at the age of 11 Val successfully competed against 40 other applicants for the one opening in the Kieu Ballet School. After graduation in 1982, five different companies offered him positions, but he chose the Donetsk Ballet to be closer to his parents' home. -
Wasted Catch: Unsolved Problems in U.S. Fisheries
© Brian Skerry WASTED CATCH: UNSOLVED PROBLEMS IN U.S. FISHERIES Authors: Amanda Keledjian, Gib Brogan, Beth Lowell, Jon Warrenchuk, Ben Enticknap, Geoff Shester, Michael Hirshfield and Dominique Cano-Stocco CORRECTION: This report referenced a bycatch rate of 40% as determined by Davies et al. 2009, however that calculation used a broader definition of bycatch than is standard. According to bycatch as defined in this report and elsewhere, the most recent analyses show a rate of approximately 10% (Zeller et al. 2017; FAO 2018). © Brian Skerry ACCORDING TO SOME ESTIMATES, GLOBAL BYCATCH MAY AMOUNT TO 40 PERCENT OF THE WORLD’S CATCH, TOTALING 63 BILLION POUNDS PER YEAR CORRECTION: This report referenced a bycatch rate of 40% as determined by Davies et al. 2009, however that calculation used a broader definition of bycatch than is standard. According to bycatch as defined in this report and elsewhere, the most recent analyses show a rate of approximately 10% (Zeller et al. 2017; FAO 2018). CONTENTS 05 Executive Summary 06 Quick Facts 06 What Is Bycatch? 08 Bycatch Is An Undocumented Problem 10 Bycatch Occurs Every Day In The U.S. 15 Notable Progress, But No Solution 26 Nine Dirty Fisheries 37 National Policies To Minimize Bycatch 39 Recommendations 39 Conclusion 40 Oceana Reducing Bycatch: A Timeline 42 References ACKNOWLEDGEMENTS The authors would like to thank Jennifer Hueting and In-House Creative for graphic design and the following individuals for their contributions during the development and review of this report: Eric Bilsky, Dustin Cranor, Mike LeVine, Susan Murray, Jackie Savitz, Amelia Vorpahl, Sara Young and Beckie Zisser. -
COLLEGIATE a CAPPELLA NEWSLETTER L October, 1990 "How Can You Guys Make Music Without Any Instruments?" VOZIHYIB 1, Number 1 |
COLLEGIATE A CAPPELLA NEWSLETTER l October, 1990 "How can you guys make music without any instruments?" VOZIHYIB 1, Number 1 | Welcome. are more adventuresome at resembling a brochure-type You now have in your hands heart, we will be offering 1/6, "press release." We all have a the One artifact 0f Westem 1/3,1/2, and full page ads for pretty good idea of how great Civilization that is even close $10, $15, $20, and $30, re- we all are..- to being as ubiquitous among spectively. Albums and con- We 11180 have 8 00111918 a cappella circles as a Nylons certs aren't the only things of "open columns": Road Trip album. you can advertise. If you're Tales, Arranger's Corner. Inside you'll nd con- planning a tour in another Anyone can contribute, and if tributions, from a number of part of the country and want you can think up any other different groups, in the form people to know about it, take interestingtopics, let us know. of articles,notices, editorials, outanad. Ifyou area supplier If you're so inclined to columns, personals, adver- or demander of a cappella editorialize, there's always tisements, and letters to the arrangements, an ad in the "Kick the Can", our letters to editor. Eventually, as every- CAN will surely prove to be continued on page 15 one becomes more involved, worthwhile. The deadline for the newsletter will serve as a advertising in our next issue Contents; forum for inter-group dia- (December lst) is November ' logue. 15th. Call the CAN, or send Pg_2 KICK THE CAN your ad (doesn't have to be letters to the editors The. -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
TOTAL VOCAL with Deke Sharon
03-25 DCINY.qxp_GP 3/15/18 4:15 PM Page 1 Sunday Afternoon, March 25, 2018, at 2:00 Celebrating DCINY’s 10th Anniversary Season! Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents TOTAL VOCAL with Deke Sharon Deke Sharon , Guest Conductor, Arranger, & Creative Director Shelley Regner , Guest Soloist Matthew Sallee , Guest Soloist VoicePlay , Special Guests Shemesh Quartet (Mexico) , Special Guests Distinguished Concerts Singers International All arrangements by Deke Sharon unless otherwise noted TOBIAS BOSHELL I’ve Got The Music in Me (from The Sing-Off ) Distinguished Concerts International Soloists: LYDIA BROWELL, GABRIELLA DERKE, ALEXIS DILUCIA, KAT HAMMOCK, MARY LASTER, CHLOE MESOGITIS, SARA PARKER, ALEXANDRA PRODANUK, CARSON RICHMOND, HANNAH SALLEY BOBBY TROUP Route 66 (from Groove 66 ) CATHY DENNIS, HENRIK JONBACK, PONTUS WINNBERG, CHRISTIAN KARLSSON Toxic (from Pitch Perfect 3 ) JESSE HARRIS, NORAH JONES Don’t Know Why ROOM 100, PETERS TOWNSHIP HIGH SCHOOL, Featured Ensemble JOHN FOGERTY Proud Mary TONY VELONA Lollipops And Roses ITTAI MAZOR, BRUNO CISNEROS, SARA GONZALES, RUBÉN BLADES, GILBERTO SANTA ROSA Latin Medley SHEMESH QUARTET, Featured Ensemble David Geffen Hall Please make certain your cellular phone, pager, or watch alarm is switched off. 03-25 DCINY.qxp_GP 3/15/18 4:15 PM Page 2 RANDY NEWMAN When She Loved Me (from D Cappella ) DUFFY, STEVE BOOKER Mercy EVOLVE, CHESAPEAKE HIGH SCHOOL, Featured Ensemble LOUIS PRIMA Sing, Sing, Sing LIONEL RICHIE All Night Long (from