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“Bob” Hoover IAC’S 2009 Hall of Fame Inductee
JANUARY 2010 OFFICIALOFFICIAL MAGAZINEMAGAZINE OFOF TTHEHE INTERNATIONALI AEROBATIC CLUB R.A. “Bob” Hoover IAC’s 2009 Hall of Fame Inductee • The IAC turns 40 • The Doug Yost Scholarship PLATINUM SPONSORS Northwest Insurance Group/Berkley Aviation Sherman Chamber of Commerce GOLD SPONSORS Aviat Aircraft Inc. The IAC wishes to thank Denison Chamber of Commerce MT Propeller GmbH the individual and MX Aircraft corporate sponsors Southeast Aero Services/Extra Aircraft of the SILVER SPONSORS David and Martha Martin 2009 National Aerobatic Jim Kimball Enterprises Norm DeWitt Championships. Rhodes Real Estate Vaughn Electric BRONZE SPONSORS ASL Camguard Bill Marcellus Digital Solutions IAC Chapter 3 IAC Chapter 19 IAC Chapter 52 Lake Texoma Jet Center Lee Olmstead Andy Olmstead Joe Rushing Mike Plyler Texoma Living! Magazine Laurie Zaleski JANUARY 2010 • VOLUME 39 • NUMBER 1 • IAC SPORT AEROBATICS CONTENTS FEATURES 6 R.A. “Bob” Hoover IAC’s 2009 Hall of Fame Inductee – Reggie Paulk 14 Training Notes Doug Yost Scholarship – Lise Lemeland 18 40 Years Ago . The IAC comes to life – Phil Norton COLUMNS 6 3 President’s Page – Doug Bartlett 28 Just for Starters – Greg Koontz 32 Safety Corner – Stan Burks DEPARTMENTS 14 2 Letter from the Editor 4 Newsbriefs 30 IAC Merchandise 31 Fly Mart & Classifieds THE COVER IAC Hall of Famer R. A. “Bob” Hoover at the controls of his Shrike Commander. 18 – Photo: EAA Photo Archives LETTER from the EDITOR OFFICIAL MAGAZINE OF THE INTERNATIONAL AEROBATIC CLUB Publisher: Doug Bartlett by Reggie Paulk IAC Manager: Trish Deimer Editor: Reggie Paulk Senior Art Director: Phil Norton Interim Dir. of Publications: Mary Jones Copy Editor: Colleen Walsh Contributing Authors: Doug Bartlett Lise Lemeland Stan Burks Phil Norton Greg Koontz Reggie Paulk IAC Correspondence International Aerobatic Club, P.O. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
Time & Motion Press Release
Bio information: RADIO MASSACRE INTERNATIONAL Title: TIME & MOTION (Cuneiform Rune 298-299) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ELECTRONIC / COSMIC MUSIC “RMI's Steve Dinsdale, Duncan Goddard, and Gary Houghton know how to coax all sorts of nuances from their machines, and they function as a live, interactive trio, with each member responding to the others' riffs and musical motifs. In a word, Radio Massacre International nail the vintage electronic music sound, but the band is simply more "nimble" than the first generation models, which greatly enhances the listening pleasure of the suitably attuned listener...if you're a musical novice unacquainted with RMI's sources, this music will serve as a stellar introduction to the form.”– Bill Tilland, All Music Guide “Frankly there isn't anyone out there doing this kind of music better… If you have a yearning for the glory days of the Berlin school, this is where you should be going.” – Spacerock.co.uk Radio Massacre International (RMI) is an electronic improvising trio that is carving out new ground in the genres of electronic space music and space rock. Composed of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, keyboards), the trio improvises with a mixture of vintage and modern analogue and digital equipment to create massive, shifting electronic soundscapes. Instantly recognizable, RMI’s organic, visceral, and at times rough-edged explorations in space music transport the genre popularized by Pink Floyd, Tangerine Dream, Ash Ra Tempel/Manuel Gottsching and Klaus Schulze in the 1970s into the 21st century. -
Extreme Rock from Japan
Extreme Rock From Japan Joe Paradiso MIT Media Lab Japan • Populaon = 127 million people (10’th largest) – Greater Tokyo = 30 million people (largest metro in world) – 3’rd largest GDP, 4’th largest exporter/importer • Educated, complex, and hyper mo<vated populace – OCD Paradise… • Many musicians, and the level of musicianship is high! • Japan readily absorbs western influences, but reinterprets them in its own special way… – Creavity bubbles up in crazy ways from restric<ve uniformity – Get Western idioms “wonderfully” wrong! – And does it with gusto! Nipponese Prog • Prog Rock is huge in Japan (comparavely speaking….) – And so is psych, electronica, thrash bands, Japanoise (industrial), metal, etc. • I will concentrate on Early Synth music - Symphonic Prog – Fusion/jazz - RIO (quirky) prog – Psychedelic/Space Rock – by Nature Incomplete • Ian will cover Hip Hop, Miku, etc. Early (70s) Electronics – Isao Tomta 70’s Rock Electronics - YMO • Featuring Ryuichi Sakamoto 70s Berlin-School/Floydish Rock Far East Family band • Parallel World produced by Klaus Schulze – Entering – 6:00, Saying to the Land (4:00) 70’s Progish Jazz – Stomu Yamash'ta • Supergroup “Go” • Freedom is Frightening, 5:00, Go side B Other Early 70’s Psych (Flower Travelin’ band) • Satori, pt. II, middle Early Symphonic Prog - Shingetsu 1979 • Led by Makoto Kitayama (Japanese Peter Gabriel) • Oni Early Symphonic Prog – Outer Limits (1985) 1987 2007 • The Scene Of Pale blue (Part One) – middle • Plas<c Syndrome, Consensus More Early Symphonic Prog – Mr. Sirius 1987 1990 -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
Sparks Indiscreet Mp3, Flac, Wma
Sparks Indiscreet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Indiscreet Country: Europe Released: 2017 Style: Pop Rock MP3 version RAR size: 1498 mb FLAC version RAR size: 1878 mb WMA version RAR size: 1267 mb Rating: 4.3 Votes: 367 Other Formats: AAC ASF XM AU DXD MP3 TTA Tracklist Hide Credits A1 Hospitality On Parade A2 Happy Hunting Ground A3 Without Using Hands A4 Get In The Swing A5 Under The Table With Her A6 How Are You Getting Home? B1 Pineapple B2 Tits It Ain't 1918 B3 Fiddle – Mike Piggot* B4 The Lady Is Lingering B5 In The Future B6 Looks, Looks, Looks B7 Miss The Start, Miss The End Credits Arranged By [Orchestral Arrangements] – Tony Visconti Bass – Ian Hampton Drums – Dinky Diamond Guitar – Trevor White Keyboards – Ron Mael Photography By [Back Cover] – Gered Mankowitz Photography By [Front Cover And Inside Photography] – Richard Creamer Producer – Tony Visconti Vocals – Russell Mael Written-By – Ron Mael (tracks: A1 to A6, B2 to B7), Russell Mael (tracks: B1) Notes Gatefold sleeve. Repress of the LP included in the 2015 box set on 180 gram vinyl. Includes a 'The Sound Of Vinyl' download code card. Barcode and Other Identifiers Barcode: 602547359063 Other versions Category Artist Title (Format) Label Category Country Year Indiscreet (LP, Island ILPS 9345 Sparks ILPS 9345 UK 1975 Album, Gat) Records Indiscreet (CD, Vox Humana ILSP 9345 Sparks Album, Unofficial, ILSP 9345 Russia 2000 Records Car) L 35669 ILPS Indiscreet (LP, Island L 35669 ILPS New Sparks 1975 9345 Album, Gat) Records 9345 Zealand Indiscreet (LP, Island South ILPS 9345 Sparks ILPS 9345 1975 Album, Gat) Records Africa Indiscreet (CD, Island UICY-94100 Sparks Album, Num, RE, UICY-94100 Japan 2009 Records Min) Comments about Indiscreet - Sparks Vushura really nice clear sound on my copy with no noise at all and really nice gatefold packaging - recommended! Related Music albums to Indiscreet by Sparks Sparks - Lil' Beethoven Sparks - The Best Of Sparks Sparks - Propaganda Sparks - Kimono My House Sparks - No. -
CG's Proficiency Trophy Ready for Units, Basic and Advanced
Vol. XX FORT ORD,CRLIFORniaFRIDPVjnnUflRV 15,1960 Do. 16 Dead-Eye Miss Doesn't; CG's Proficiency Trophy Ready Has Trophy to Prove It Don't look now men, but a girl has been acknowledged as For Units, Basic and Advanced the best junior rifle shot at Fort Ord! In ceremonies held recently at Fort Ord's indoor rifle range, The seemingly endless debate as to which of Fort Ord's basic combat training and advanced Maj Gen Carl F. Rritzsche, commanding general of Fort Ord, infantry training companies is best will be settled—at least temporarily—this month. presented Daryl Evans with the Commanding General's Junior Operations section (G-3) is currently reviewing the over-all proficiency scores of 45 com Rifle Trophy for 1959. <f panies of the 1st and 3d Brigades in order to determine the first winner of the Commanding To gain the trophy in the pre- that if you can do it in six matches General's Proficiency Trophy which was established last September. dominently male sport, 11-year- you can also do it in five, Daryl Twenty companies of the 1st Bri old Daryl had to out-shoot 59 walked off with the Fort Ord Rod gade and 25 companies of the 3d Bri boys and three girls of the Fort and Gun Club Trophy for the best Promotions Tight gade vied during the recently com Ord Rod and Gun Club's Junior average score in five registered mat pleted training cycles for the honor Rifle Team. She did so by main ches: this time she averaged 91.43. -
Mustang Daily, May 10, 1983
Mustang Daily < -i Tncaday, May 10,1983 California Poljrtachnic State Univeraity, San Lnia Obispo Volnine47 .N o .ll9 FFA ‘Blues’ visit campus for 55th year by Marilyn Freeman Staff Wrttar For the 55th successive year. Cal Poly was invaded by bluejackets. No, these aren’t insects—these are the Future Farmers of America. “ Education’s Treasures, .•IN' Discover Yours’’ was the theme of this year’s state con vention which began May 8. Sunday morning’s session of the 900 FFA represen tatives from throughout California included an address I by the frrst female national FFA president, Jan Eberly. Eberly, 20, from Fallbrook, Calif, said she felt a certain warmth in returning to her home state of California. “ I have traveled all over the United States and halfway around the world, but 1 always love returning to the blue and golden state of California,’’ said Eberly, referring to the FFA association’s colors. Cal Poly President Warren Baker welcomied the FFA delegates to Cal Poly by crediting them with immense contributions to agriculture... “ It is a pleasure to have you here,’’ said Baker. “ I hope you en joy your v is it to our classroom s and la b ora tories." Keynote speaker at this year’s convention was Jim Kem from Jelm, Wyoming. Kem gave a humorous talk in which he discussed the realities of life. He covered such topics as how to teach children, giving advice, and living MuMang DaSy— OoaJwIn life to the fuUest. Dwight Barnes, left, and Tony Washington help serve beans at the Future Farmers of America Sea p a g e 5 79-day rainyConvention season barbeque. -
New SAPAC Director Defends Qualifications
New SAPAC Director Defends Qualifications by Tony Ghecea the criticism directed at Cain, the 27-3 directed the activities of Help Against anyway." Cain noted that she is "not The hiring of Debra Cain as the new margin by which MSA passed the resolu Violent Encounters Now (HAVEN) (Oak averse to looking at moving to the Ann director of the University of Michigan's tion concerning Cain indicates that ques land County's version of SAP AC) begged Arbor community. But that [Leach's criti Sexual Assault Prevention and Aware tions about her appointment are fairly to differ. "The com cism] is a valid con ness Center (SAP AC) has sparked con widespread. Add to this the fact that ments about counsel cern, and I think it's siderable controversy on campus during little about the matter has actually been ing were interesting to one we can work the past few weeks. Concerns about heard from Cain herself, and one sees me," remarked Cain, around. And obvi Cain's qualifications as well as her ability how cloudy the issue has become. "because it was quite ously the people who to function as a leader in the University The initial criticism of Cain came in a the opposite. I come hired me felt that we community have prompted the publica September 10,1992, article in the Daily. from a very strong could work around tion of a number of critical articles and an According to Leach, "[Cain] has crisis counseling back that." editorial in the Michigan Daily, as well as intervention experience, but she is cer gro~nd. -
Svět Jiné Hudby
Zdeněk K. Slabý, Petr Slabý Kniha vychází s laskavou podporou a za finančního přispění Ministerstva kultury České republiky © Zdeněk K. Slabý, Petr Slabý, 2007 © VOLVOX GLOBATOR, 2007 ISBN 978-80-7511-183-8 Vydalo nakladatelství & vydavatelství Volvox Globator Štítného 17, 130 00 Praha 3 www.volvox.cz jako svou 781. publikaci Obálka a grafická úprava Karel Haloun Odpovědný redaktor Ondřej Sýkora E-knihahttps://purehtml.cz Vydání první, Praha 2007 Adresa knihkupectví Volvox Globator: Štítného 16, 13000 Praha 3-Žižkov Předmluva aneb Alternativní verze doslovu Na počátku mé práce na tomto dílu Světa jiné hudby byla dvě slova. A ta slova byla Sun Ra. O něm jsem místopřísežně v nejrůznějších médiích slíbil, že ve druhém dílu napíšu stěžejní článek, a vrátilo se mi to jako bumerang. Toho jsem tedy dosáhl, i když by si tento zcela zásadní muzikant zasloužil celou knihu o několika tisících stránek. Přesto studium jeho odkazu pro mě znamenalo otevření dalších dimenzí pro další bádání a pochopení zcela nových věcí. Řada textů vznikla díky možnosti navštívit některé věhlasné světové festivaly, které se věnují alternativní hudbě a neberou ji jako okrajovou záležitost, ale šanci pro poznávání současných trendů. Byla to příležitost blíže poznat řadu umělců a v neposlední řadě pochopit fakt, že takzvaná „alternativa“ je otevřena každé vstřícné duši. A věřte, že na tyto akce v Rakousku či Francii chodí číratí punkáči i zasloužilí důchodci v oblecích a vytváří společnou komunitu lidí, kteří v jakémkoliv věku hledají nové impulsy a mají mnoho společného - totiž právě ono hledání. Tímto bych chtěl poděkovat jejich organizátorům. Opět se čtenáři i kritici budou ptát, proč zde to a tohle zrovna chybí, i když je to trendy nebo klasika nos plus ultra, a proč jsou zde zastoupeni relativně marginální muzikanti či soubory a proč zde relativně malý prostor dostala tentokrát domácí scéna. -
Bob Guertin Sworn in As^Police Chief
Page 18 CRANFORD (N.J.) CHRONICLE Thursday, June21,1979 Apples Gets Gar wood Controversial 'Close^On License Renewal PBAContract Page TJ Page 14 Serving Cranford, Kenilworth and Garwood VOL. 86 No. 26 Published E very Thursday . Thursday, June-28,1979 USPS 136800 Second Class Postage Paid Cranford, N. J. 20 CENTS STOP PAYING RENT There's More Than Bob Guertin Sworn -Hlfeets The Eye In As^Police Chief ^he roster, of service station hours published in last week's paper remains in By STUART AWjBKEY- of something bad." The audience seemed to Guertin himself called the assemblage effect but is highly vulnerable to change: Amid a rare confluence of private and "agree. Guertin. was sworn in as acting chief "unbelievable." the key, 6f course, is the^as supply. Klh "public" emotions, Bobby Guertin formally for 35 days until his predecessor, Matthew : hld h i l Everybody repaired to th* Coachman Inn gas holds up, the stationsThTve-^tbld.- the look the Tielm of the Cranford Police T. Haney, formally leaves the department, for a party. As it came to a close in the wee police,-the hours will hold up* One correc- Department this week. but the celebrants viewed that as ahours yesterday, the chief's mother-in-law, tion: The Cranford Gulf Station will pump An enthusiastic crowd of well wishers technicality. Among them were firefighting gas.7 to 9 a.m. Saturday if it has fuel. It was Nettie Kuster exulted: "I'm so happy for An Immaculate centrally alr-condltloned split level situated at packed the Township Committee chambers relatives including brother Ronald and Bobby I could scream." And she screamed. -
Gonzo Weekly
2 I have been the editor of magazines on tropical fish, exotic pets, UFOs, cryptozoology, and – of course – music, and there is something that I have noticed. Over the years various publishers have tried to get me to publish “thematic” issues, and this is something that I am loathe to do. For example, in a music magazine like this one, if I were to do a themed “punk” issue, it would immediately alienate all the people who like progressive rock. That is one thing that I am particularly proud of in this magazine; we cover anything, and everything, from anarchopunk to prog, and from folk to experimental jazz rock. In this specific issue there is everything from an interview with Barbara Dickson to articles about Rick Wakeman and Hugh Hopper. But, it is one of the more peculiarly Fortean aspects of magazine publishing that no matter how hard one tries, the vagaries of the space time continuum and Dear Friends, the very nature of the universe itself mean that no matter how hard you try to avoid doing themed Welcome to another edition of the Gonzo Weekly. issues, these appear of their own volition and the I have worked in publishing, on and off, since I first universe decides to present you with a theme, come edited my school newspaper at the age of 10, and what may. whilst I do not wish to claim that I am some sort of Citizen Kane-type publishing mogul, I have had a Once again, look at this issue. It was enough of a fair amount of disparate experience over the past 45 shock when earlier in the week, the legendary artist years.