Komplette Ausgabe Als

Total Page:16

File Type:pdf, Size:1020Kb

Komplette Ausgabe Als DCOREMAGAZIN Dezember/Januar 92/93 TRUST NR. 37___________________________________________ _______________________________ 3 .- DM YOU HWEHEKMT TO RENAM »Bll #18/5-89 u.a. Cat-O-Nine-Tails, Life but Hiermit bestelle ich: how to live it?, So Much Hate, L.U.L.L., 0 #7 0 #13 0 #14 0 #15 0 #16 Hubert Selby 0 #17 0 #18 0 #19 0#20 0 #21 BACK #19/9-89 u.a. Uniform Choice, Gwar, Snuff, 0 #23 0 #25 0 #26 0 #27 Nirvana, Sub Pop, Soulside, Bad Religion, 0 #28 0 #29 0 #30 0#31 White Zombie, Victims Family (einige 0 #32 0 #33 0 #34 0 #35 Exemplare noch mit Alien Boys Flexi!) 100 0 #36 0 #37 ISSUES Seiten!! ACHTUNG! Es gibt wieder einige 0 Photomagazin 0US 0D #20/3-90 u.a. Hard Ons, Doughboys, (bitte ankreuzen) Neuerungen aus unserem Lager zu Dickies, Exel, Gorilla Bisquits, Haywire und berichten. Die deutsche Ausgabe der 4-farb Umschlag von Fabi TRUST/MRR Photomagazins ist Name: #21/1-90 u.a. Mudhoney, Bitch Magnet, leider völlig ausverkauft. Wir haben Verbal Abuse, All, Wrecking Crew, Arm, aber weder Kosten noch Mühen Underdog, Kurdistan, Amp Rep Rec. gescheut und haben die Straße: amerikanische Ausgabe in geringer #23/5-90 u.a. D.L, Flower Leperds, Urge, Hell's Kitchen, Trottel, Stengte Dörer, PLZ, Ort Stückzahl besorgt, quasi als US Zodiac (sorry, keine Exemplare mehr mit der Import! Das Ding kann ab sofort be- Haywire/NoNoYesNo 7"!!) stellt werden. Der Preis beträgt nach wie vor nur 5.-DM!( Äh, übrigens #25/11-90 u.a. Jane's Addiction, Do or Die, sind jetzt wieder einige "deutsche" Celebrity Skin, Alice Donut, L 7, Babes in Datum, Unterschrift Ausgaben aufgetaucht, gebt also an Toyland, Evil Horde, Bored was ihr wollt) Einige der älteren #26/2-91 u.a. Oslo Story, BSG, Tech Ahead, TRUST'S sind nur noch in Gespräch mit einer Pornodarstellerin, Didjits, begrenzten Stückzahlen erhältlich, Saftartikel Das Geld habe ich: bitte immer Ersatztitel angeben. #27/4-91 u.a. Poison Idea, Bad Yodelers, Die Hefte 1-12, und 14 sind restlos Citizen Fish, Charley's War, Brötzmann ausverkauft. 0 bar beigelegt (bei #28/6-91 u.a. Geteilte Köpfe, Einschreiben, bitte Folgende Hefte sind (zum Teil in Chumbawamba, Heads Up, Toy Factory Hermannstädter auf den sehr geringen Stückzahlen, deshalb #29/8-91 u.a. Assasins of God, Boxhamsters, Umschlag schreiben!) Ersatztitel angeben) noch zu haben. Sylvia Juncosa, Israelvis, Kapu, Heiland Solo, Theo Berger, Alien Boys (76 Seiten!) 0 per VR-Scheck beigelegt Ein Heft kostet 5.- DM, bitte 0 auf das Konto 0 55 19 03 Marken oder Schein. Ab 3 Heften #30/10-91 u.a. Gray Matter, Kina, Schwarze kostet ein Heft nur noch 4.- DM. Feuer, Jelly Phlegma, Strangemen, Jones der Stadtsparkasse Augsburg Very BLZ 720 50 000 überwiesen TRUST/MRR Photomag (US Import, gleicher Inhalt, anderes Papier. "Deutsche" #31/12-91 u.a. Consolidated, Jeff Dahl, (bearbeitung erst nach Ausgabe besseres Papier). Auf 76 A4 Seiten Skinyard, Holy Rollers, Bastro Eingang des Geldes) Fotos mit praktisch allen wichtigen Euro HC Bands in 1 A Qualität. Erschien 87 in Zu- #32/2-92 u.a. Mother, Schlönk, 0 in Briefmarken beigelegt sammenarbeit mit Maximumrocknroll USA. Fudgetunnel, Morbid Angel, Coffin Break, Wir haben einige Exemplare aus den Staaten Urban Dance Squad, Mohawks, Flex auftreiben können, kostet 5.- DM. Zugreifen Back Issues können nicht per bevor die Restbestände weg sind, die letzte #33/4-92 u.a. Asexuals, Toxoplasma, Sharon Nachnahme oder auf Chance! Tates Children, Blue Männer Haze Rechnung bestellt werden. #7/7-87 Wieder da!! u.a. Blast, Colera, Bad #34/6-92 u.a. Treponem Pal, Godflesh, TRUST - Back Issues, Salz- Brains, Slayer, Woody Allen, Superchunk, Party Diktator, Hijack, Wat Tyler, Tar mannstr. 53 8900 Augsburg Gigveranstalten (Bei Einschreibe Briefen unbedingt #13/6-88 u.a. Verbal Assault, Firehose, #35/8-92 u.a. The Ex & Tom Cora, Wench, Hermannstädter auf den Umschlag Lookout Rec, und Raped Teenagers Flexi Dog Faced Hermans, Girls against Boys, Therapy, Meduza schreiben!) #14/9-88 Wieder da! u.a. Fugazi, Yeastie Girls, NoMeansNo, Adolescents #36/10-92 u.a. Rasende Leichenbeschauer, The Creamers, Silverfish #15/11-88 u.a. The Ex, Jingo De Lunch, Drowning Roses, Prong, No FX #37/12-92 u.a. Steel Pole Bath Tub, Urge Overkill, Pantera, Rage against the Machine, #16/1-89 u.a. S.N.F.U., Acciised, Erosion, Bob Mould, UFO’s Beatnigs, Naked Raygun, Scumrock wie er wirklich war #17/3-89 u.a. Youth of Today, Lethal Aggresion, Sacred Reich, T.O.D., Destination Zero, Herr Bitz (sorry, keine Exemplare mehr mit der Destination Zero flexi!) Leserbriefe ^ \ ' r ^ .iÇt -• ?6ír? u f / Æ s « tw A ‹5' ,5~› ° r y " ‹J?2 /•« ^ D , Erstmal ein grundsätzliches Lob für was von dir in der Art eingeganen ist wäre? Ich meine das nicht vom Konzerten Eintritt bezahlen müßtet. die letzten paar Ausgaben. Einmal - warum sollten wir es auch nicht musikalsichen her, sondern vor allem Fast alle Trust Leser müssen dies stand interessantes zu lesen .drin, drucken? Auch Mitch kann sich nicht in Sachen Aufnahmen, Labelpolitik, aber und haben mit Sicherheit ein zum Anderen waren die Artikel auch an etwas in die Richtung erinnern - Einstellung, usw. Die anderes Verhältnis zur Musik, als größtenteils gut geschrieben. Was sorry. d.s.d.). Wenn Dolf heute die "superkorrekte, politisch 1 .euíe wie Dolf, die sich noch nie im mir immer noch voll auf den Sack Fr???keit und die Langweiligkeit der abgesicherte Grundeinstellung", die lieben Platten gekauft haben (stimmt geht, ist die Art und Weise wie Ihr 86 HC Schule und was aus "uns" ge- von HC-Greisen als Gütesiegel für so nicht, d.s.d.) und über die Ware (im speziellen Dolf & Fritz) generell worden ist beklagt, müßten auch mal das-in-Ordnung-finden von Bands Musik schreiben, als wäre sie die über Musik schreibt. Es scheint, ein paar Selbstzweifel miteinfließen: und Labels dient, ist keine Erfindung Ware unterschiedliche Euch liegt an Musik nicht vom z.B. die Routine die ins Trust und der mittleren achtziger Jahre, Schraubenmuttern. Deswegen bin ich geringsten. Ich kann bei Aussagen die sonstigen Tätigkeiten sondern gab es schon in den 60er froh, daß jetzt auch wieder "Fans" wie "wieder einmal ein Fall von: hat eingeflossen sind. Einerseits ja und 70er Jahren. Neu ist die mitschreiben, wie Matthias, Tom und Spaß gemacht aufzunehmen, aber großartig wie die Maschine so Auto- zunehmende Professionalisierung des Hajo. nicht anzuhören" oder "die sind so nom vor sich hinläuft, da man ja Ablaufs von Touren, Es gäbe da noch einiges mehr zu weiß, die können gar keine auch anerkanntermaßen superkorrekt Schallplattenherstellen und die sagen, das soll erst mal genügen. Tanzmusik machen" usw. nur noch ist. Andererseits aber hat die Verdichtung und Kommunikation des Keineswegs wollt ich von dem mit den Schultern zucken. Das liest zunehmende Proffessionalität jede Netzwerkes. (vg. Ton Steine ablenken, was ich falsch gemacht sich wirklich wie Autotestberichte. Spur von Chaos, Spontanität und Scherben, Grateful Dead). Auf der habe, gerade im Hinblick auf meinen Natürlich ist Musik Produkt, egal ob Spaß genommen. Musik, nicht mehr Strecke geblieben ist der "Flirt" mit der Independen (auch so von kleinst oder von größeren als Spaß, sondern als Strohhalm zum Enthusiasmus. Es macht einfach ein Begriff über den sich streiten Labels. Aber es geht einfach nicht, Überleben und zur Autha???, als keinen Spaß die gleiche Band alle 6 ließe) Welt. Es war eben an der Zeit die 180. HC Platte geil zu finden, kleinstes Übel oder was? Die Monate zu sehen, auch wenn sie sich mal wieder zu melden. Gibt es weil sie von ’nem coolen Typen in Andersartigkeit von HC ist nicht erst noch so nett ist. Leider ist der Musik eigentlich noch alte Punker/innen Kleinstauflage und mit im deutschen Herbst 92 abhanden auch vieles abhanden gekommen: ohne Kinnbart, Cowboyboots oder Sympathiebonus rausgebracht wird. gekommen, Punk/HC als Ausdruck Wenn es Bands nur noch um die ohne Paranoia daß Bands die deutsch Ich will hier aber nicht über meine einer "Gegenkultur" ist schon lange Idee, nicht mehr der um die singen vorsichtig sein müßten, denn Fehler und Fehleinschätzungen zum Wochenendvergnügen Umsetzung der Idee ankommt, beib die deutsche Sprache hätte erst den hinwegtäuschen. Es tut mir im "verkommen". Den Eindruck hab ich ich weg. Will sagen, es nützen keine Faschismus ermöglicht (hat mir Nachhinein sehr leid, daß ich OK'e nicht nur von München. Jetzt krieg Pamphlete gegen dies und das, wenn neulich jemand in Frankfurt Leute wie z.B. X-Mist aus dem ich dann wahrscheinlich den die Musik nicht orginell und gesteckt...)? Gruß Weber Grunde abgeschrieben habe, weil für gepfefferten Zynikerantwortbrief eigenständig ist. Das gilt auch für Frundsbergstr. 1 8000 München 19 mich Ihre Musik auf der Stelle zurück, aber ist mir egal. Ich für Reunion Unternehmen. Nehmen wir getreten ist (noch immer tritt). Ist meinen Teil hab HC nicht nur dazu z.B. Articles of Faith: 2 großartige Hallo Fritz! auch immer ein Fall von Geschmack. benutzt um Spaß zu haben, sondern LPs 1984 und 85, Auflösung. Und Fühle ich mich abgestumpft und Es war 88/89 schon bei mir eine er ist noch immer (wenn auch in im Sommer 92 dann plötzlich zum eingleisig? Abgestumpft in gewisser derartige "HC" Müdigkeit meiner ganz eigenen Definition) Teil 10 jährigen die Tour in Europa. Das Weise schon. Meine politische eingetreten, die mich in andere meines Lebens und der Entwicklung. stinkt zum Himmel. Man kann sich Meinung tritt aktiv nicht zu Tage. In Gefilde getrieben hat. Zusätzlich Wie Konträr sie auch verlaufen sein nicht einfach für 7 Jahre ausklinken meinem Innern mache ich mir schon wurde ich eben frustriert von mag/noch wird..
Recommended publications
  • Downloadable Fires Within Fires
    NEUROT RECORDINGS 2900 North Government Way PMB 271 Coeur d'Alene, ID, 83815 United States tel/fax: 208.623.6402 email: [email protected] Neurosis www.neurotrecordings.com Fires within Fires NR102 Of all that humankind has inherited through our ancestry, no single language has transcended every age as powerfully as music. For those few who channel that inheritance of sound today, none have wielded its command and authority like Neurosis. Showing their discontent with convention from the very beginning, Neurosis revealed what would become an instinct for transformation in sound and scope. With each release, the sound became interchangeable with vision. A vision of the conscious and unconscious coexisting in an audial spectrum that challenged not only the constraints of what listeners expected but of the listeners themselves as beings. Over the collective’s past ten albums, Neurosis have invited listeners to join them on the path their music carved. Going beyond the remarkable, Neurosis became unforgettable. Throughout the last 30 years, the journey of their music has found the band relishing the unpredictable and embracing the unknown possibility of where the music was capable of taking them. This year finds Neurosis taking their most dominant step yet with their eleventh full-length, Fires Within Fires. Three decades in the making, Fires Within Fires is a testament both to the history and future of Neurosis. Striking the band's signature balance between light and dark, beauty and repulsion, Fires Within Fires gives due to its predecessors while progressing forward into the unfamiliar and formidable. Featuring exquisite album artwork from the renowned Thomas Hooper and the stellar recording work of the group's longstanding engineer Steve Albini, Fires Within Fires is at once a beautiful and forbidding work of mastery.
    [Show full text]
  • Beginner's Puzzle Book
    CRASS JOURNAL: A record of letters, articles, postings and e-mails, February 2009 – September 2010 concerning Penny, Gee and Allison’s ‘Crassical Collection’. 1 Mark Hodkinson Pete Wright POMONA 22nd March, 2004 Dear Mark, I was sent a copy of your book, ‘Crass - Love Songs’ by Gee recently. Having read your introduction, and the preface by Penny, I felt moved to write to you. Crass was a group functioning on consensus with the occasional veto thrown in for good measure, so I thought you might be interested in a slightly different view of the proceedings. From the nature of your introduction, I’d say that you have a pretty thorough grounding in certain aspects of the band. I’d like to broaden the context. Things were fine when we started gigging, before we had any status or influence. The main discomfort I felt and still feel about what the band promoted, started when I realised that Thatcher’s sordid right-wing laissez-faire was little different from what we were pushing. It was an unpleasant shock. Neither Thatcher nor we considered the damage done. We concentrated on the ‘plus’ side always. To say that everyone can ‘do it’, and counting it a justification when the talented, the motivated, or the plain privileged responded, while ignoring the majority who couldn’t ‘do it’, and those who got damaged trying, is a poor measure of success. Just as Putin has become the new Tzar of Russia, Crass used the well worn paths to success and influence. We had friends, people with whom we worked and cooperated.
    [Show full text]
  • The IGNORANT TOUR
    The IGNORANT TOUR Steve Ignorant – Full band performing CRASS songs Once more Steve will go on tour to perform CRASS songs 1977-1984 and Ignorant Classics with his band: Carol Hodge (vocals & keys), Pete Wilson (lead guitar), Pete Rawlinson (bass guitar) and Jay Bagnall (drums). Steve Ignorant is a singer/songwriter and artist. He co-founded the anarcho-punk band CRASS with Penny Rimbaud in 1977. When CRASS finished he played in various bands and is currently performing with his own band Steve Ignorant’s Slice Of Life. After the huge success of performing CRASS songs & Anarcho Classics at The Last Supper Tour in 2010-11 and high profile gigs with Paranoid Visions (Rockfest, Quebec 2016; Rebellion Fest, UK 2017; Japan 2018; Punk Rock Bowling, USA 2018; Montreal ’77, Canada 2018), Steve will once more go on a World Tour. The political and lyrical ideas of CRASS are even more relevant today as they were then and will be performed with the same intensity of those days. All shows will have visuals (where venues have the facilities) and samples. The entire CRASS Catalogue has been remastered and reissued through One Little Indian this April, which has intensified the interest in CRASS and what it stands for. Steve will be starting his Tour in April/May 2020 in the UK & IRELAND and will then take it to the Continent and the rest of the world. Steve Ignorant will be performing CRASS songs 1977-1984 with some Ignorant Classics with his band: Carol Hodge (vocals and keys) & Pete Wilson (Lead guitar) both played at The Last Supper Tour.
    [Show full text]
  • Shot to Death at the Loft
    SATURDAY • JUNE 12, 2004 Including The Bensonhurst Paper Brooklyn’s REAL newspapers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 16 pages • Vol. 27, No. 24 BRZ • Saturday, June 19, 2004 • FREE Shot to death at The Loft By Jotham Sederstrom Police say the June 12 shooting happened in a basement bathroom The Brooklyn Papers about an hour before the bar was to close. Around 3 am, an unidentified man pumped at least four shots into A man was shot to death early Saturday morning in the bath- Valdes, who served five years in prison after an arrest for robbery in room of the Loft nightclub on Third Avenue in Bay Ridge. 1989, according to Kings County court records. The gunman, who has Mango / Greg Residents within earshot of the club at 91st Street expressed concern thus far eluded police, may have slipped out the front door after climb- but not surprise at the 3 am murder of Luis Valdes, a Sunset Park ex- ing the stairs from the basement, say police. convict. Following the murder, Councilman Vincent Gentile voiced renewed “That stinkin’ place on the corner,” said Ray Rodland, who has lived support for legislation that would allow off-duty police officers to moon- on 91st Street between Second and Third avenues for 20 years. “Even light as bouncers — in uniform — at bars and restaurants. The bill is Papers The Brooklyn if you’re farther away, at 4 in the morning that boom-boom music currently stalled in a City Council subcommittee for public housing.
    [Show full text]
  • Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple Ov Psychick Youth)
    This is an un-peer reviewed and un-copy edited draft of an article submitted to Parasol. Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth) Simon O’Sullivan, Goldsmiths College, London Days were spent in fumes from the copying machine, from the aerosols and inks of the ‘banner production department’ – bed sheets vanished – banners appeared, from the soldering of audio, video, and lighting leads. The place stank. The garden was strewn with the custom made cabinets of the group’s equipment, the black silk- emulsion paint drying on the hessian surfaces. Everything matched. The band logo shone silver from the bullet-proof Crimpeline of the speaker front. Very neat. Very fetching. Peter Wright (quoted in George Berger, The Story of Crass) One thing was central to TOPY, apart from all the tactics and vivid aspects, and that was that beyond all else we desperately wanted to discover and develop a system of practices that would finally enable us and like minded individuals to consciously change our behaviours, erase our negative loops and become focussed and unencumbered with psychological baggage. Genesis P-Orridge, Thee Psychick Bible In this brief article I want to explore two scenes from the late 1970s/1980s: the groups Crass (1977-84) and Thee Temple ov Psychick Youth (1981-). Both of these ‘performance fictions’ (as I will call them) had a mythopoetic character (they produced – or fictioned – their own world), perhaps most evident in the emphasis on performance and collective participation. They also involved a focus on self- determination, and, with that, presented a challenge to more dominant fictions and consensual reality more generally.1 1.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • New SAPAC Director Defends Qualifications
    New SAPAC Director Defends Qualifications by Tony Ghecea the criticism directed at Cain, the 27-3 directed the activities of Help Against anyway." Cain noted that she is "not The hiring of Debra Cain as the new margin by which MSA passed the resolu­ Violent Encounters Now (HAVEN) (Oak­ averse to looking at moving to the Ann director of the University of Michigan's tion concerning Cain indicates that ques­ land County's version of SAP AC) begged Arbor community. But that [Leach's criti­ Sexual Assault Prevention and Aware­ tions about her appointment are fairly to differ. "The com­ cism] is a valid con­ ness Center (SAP AC) has sparked con­ widespread. Add to this the fact that ments about counsel­ cern, and I think it's siderable controversy on campus during little about the matter has actually been ing were interesting to one we can work the past few weeks. Concerns about heard from Cain herself, and one sees me," remarked Cain, around. And obvi­ Cain's qualifications as well as her ability how cloudy the issue has become. "because it was quite ously the people who to function as a leader in the University The initial criticism of Cain came in a the opposite. I come hired me felt that we community have prompted the publica­ September 10,1992, article in the Daily. from a very strong could work around tion of a number of critical articles and an According to Leach, "[Cain] has crisis counseling back­ that." editorial in the Michigan Daily, as well as intervention experience, but she is cer­ gro~nd.
    [Show full text]
  • June 2018 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-On-Hudson and Ardsley-On-Hudson Vol
    6 » Fake News Forum 14 » Local Lacrosse Star 17 » New Area Eateries Your Most Trusted Source for Local News and Events June 2018 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-on-Hudson and Ardsley-on-Hudson Vol. XIII No. 6 Cuomo Reasserts New Bridge is On Track Student Hosts for 2018 Completion Forum on Gun Violence by Barrett Seaman by Anna Young He said it again—in early May: “We’re on time and on budget.” With mass shootings a recurring incident He’d said it before several times, notably at the nationwide, an Irvington High School stu- grand opening of the northern span of the new dent hosted a special gathering at the Ir- Mario M. Cuomo Bridge to two-way traffic last vington Town Hall Theater on May 23 to August. But that was before several news organi- discuss measures that would put an end to zations reported that overruns and labor disputes the rash of gun violence and mass shootings threatened to send its overall cost, officially still in schools. $3.9 billion, over the $4 billion mark and further Sophomore Sam Roth organized the ac- delay the grand opening of the southern, eastbound tion-fueled symposium after he was awarded span, currently projected to occur before year’s end. a grant from the Irvington Education Foun- Both The Journal News and POLITICO New York A mammoth chunk of the Tappan Zee’s center span is carted away by barge to dation’s Innovation Fund. The organization serve as a fish habitat off Long Island. ran stories in March saying that TZ Constructors, encourages students to submit ideas for cre- the main contractor for both the construction of of the contingencies and that some of them will be adjusted down- ative, entrepreneurial or enrichment initia- the new bridge and the demolition of the old one, was filing for ward.
    [Show full text]
  • Bob Guertin Sworn in As^Police Chief
    Page 18 CRANFORD (N.J.) CHRONICLE Thursday, June21,1979 Apples Gets Gar wood Controversial 'Close^On License Renewal PBAContract Page TJ Page 14 Serving Cranford, Kenilworth and Garwood VOL. 86 No. 26 Published E very Thursday . Thursday, June-28,1979 USPS 136800 Second Class Postage Paid Cranford, N. J. 20 CENTS STOP PAYING RENT There's More Than Bob Guertin Sworn -Hlfeets The Eye In As^Police Chief ^he roster, of service station hours published in last week's paper remains in By STUART AWjBKEY- of something bad." The audience seemed to Guertin himself called the assemblage effect but is highly vulnerable to change: Amid a rare confluence of private and "agree. Guertin. was sworn in as acting chief "unbelievable." the key, 6f course, is the^as supply. Klh "public" emotions, Bobby Guertin formally for 35 days until his predecessor, Matthew : hld h i l Everybody repaired to th* Coachman Inn gas holds up, the stationsThTve-^tbld.- the look the Tielm of the Cranford Police T. Haney, formally leaves the department, for a party. As it came to a close in the wee police,-the hours will hold up* One correc- Department this week. but the celebrants viewed that as ahours yesterday, the chief's mother-in-law, tion: The Cranford Gulf Station will pump An enthusiastic crowd of well wishers technicality. Among them were firefighting gas.7 to 9 a.m. Saturday if it has fuel. It was Nettie Kuster exulted: "I'm so happy for An Immaculate centrally alr-condltloned split level situated at packed the Township Committee chambers relatives including brother Ronald and Bobby I could scream." And she screamed.
    [Show full text]
  • Komplette Ausgabe Als
    JONES VERY HEISSEN JETZT M L_ L U f UND S/ND IM JUNI / JULI MIT FOLGENDER BESETZUNG AUF TOUR : VIC BOND! ( EX ARTICLES OF FAITH) / COLIN SEARS ( EX DAG NASTY ) / PAT MAHONEY ( EX UNIFORM CHOICE ) UND ROGER MARBURY ( EX DAG NASTY ) INFO GOLIATH 040 382674 AKTUELLE LP: RADIO WAVE LP / CD MAKE IT STOP LP / CD 14 BRANDNEUE HITS DER LEGENDE AUS INDIANAPOLIS MIT TOXIC REASONS / DATURA’S SEEDS MITGLIEDERN - TOUR IM MAI ’92 !! - ARTICLES OF FAITH INFO GOLIATH 040 382674 3 WÖCHIGE TOUR AB 10. MÄRZ IN DER ORIGINALBESETZUNG /// AB 03.1992 ( VIELLEICHT...): ARTICLES OF FAITH CORE C D + 3 BONUSSONGS DAG NASTY BLACK MARKET BABY CD CONTAINS BOTH LP’S " 85 - 86 " BLACK MARKET BABY LP / CD / 7 " BOX SET " BABY ON BOARD " LP - NUR ALS US PRESSUNG ERHÄLTLICH - REFLEX FROM PAIN REEPERBAHN 63 f l 2000 HAMBURG 36 H " BLACK AND W HITE 7" KATALOG G IB T E S FÜ R 1, - D M IN B R IEFM A R K E N JOIMES VERY 7" BITTE NICHT IN 5 PFENNIG STÜCKEN SCHICKEN !! Hi TRUST ! gedacht, hab das ganze aber dann tollen Ersatztermin kriegen. Was einem unabhängigem Jugendzentrum Tut mir mal ’nen Gefallen und fragt doch nicht so gewichtet. dann 3 Monate später mit erwarte. Und nicht wie von einem die zu interviewenden Gruppen Generell sei hier gesagt das es nicht Loudspeaker stattfmden sollte. O.K. reinen Kommerzladen. Ach, sagt er, möglichst am Anfang, des unsere Aufgabe sein kann Wir bemerkten aber drei Wochen vor die Zeit der Ideale sei für ihn vorbei, Interviews, wie ihre Einstellung zu "Probleme" die Y mit Z hat zu dem Termin, daß irgendwer unsere er müsse proffesionell denken.
    [Show full text]
  • Comp Lit News Spring 08.Pub
    New York University Comp Lit News Department of Comparative Literature Spring 2008 Department of Co mpara tive Litera ture Graduate Student Conference: “Age of Comparison?” by Sage Anderson The annual Comparative Literature graduate student conference, jointly hosted this year with the departments of East Asian Studies and Mid- dle Eastern & Islamic Stud- ies, took place March 27-29. From our department, the organizing committee in- cluded Sage Anderson, Linda Bonvini, Ellen Xiang He, Lucy Ives, Daniel Lukes, Tara Mendola, and Pu Wang. After months of behind-the- scenes logistical struggle, the Prof. Xudong Zhang gave opening remarks: “...there is no innocent comparison.” event came off without a hitch. remarks Thursday evening, self-identity and the absolute Kevorkian Center there were The conference – entitled striking the tone for active persistently invade compara- two panels, “Variations on the “Age of Comparison?” – discussion to come. Taking tive thought. He concluded by Other,” and “Opening Eurocen- grew out of a seminar on off from the position that pointing towards Benjamin’s tric Concepts to Comparative Comparison & Comparabil- “there is no innocent com- translation theory as a model Critique.” Paper topics ranged ity, taught last spring by Pro- parison,” he established coor- for actualization of the for- widely, from Levinasian ethics fessor Xudong Zhang. Appro- dinates with passages from eign in more provisional, less to Indonesian modernity, Arabic priately, Professor Zhang was Nietzsche and Hegel, whose totalizing terms.
    [Show full text]