Daevid Allen Live at the Roundhouse 1971 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Daevid Allen Live At The Roundhouse 1971 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Live At The Roundhouse 1971 Country: UK Released: 2012 Style: Experimental, Psychedelic Rock, Free Improvisation, Poetry MP3 version RAR size: 1191 mb FLAC version RAR size: 1834 mb WMA version RAR size: 1226 mb Rating: 4.4 Votes: 154 Other Formats: VOC MP4 MP2 MP3 AIFF VOX MPC Tracklist 1 Introduction 0:26 2 What Do You Really Want? 4:16 3 Prostitute Poem: Rational Anthem 3:48 4 Poet For Sale 8:41 5 Love Is A Careless Sea 4:10 6 I Am Your Animal 4:58 7 Capt. Shaw And Mr Gilbert 3:05 8 I Am Your Fantasy 5:04 9 Fred The Fish 2:52 10 Death Of Rock 10:20 Companies, etc. Phonographic Copyright (p) – Gonzo Multimedia Copyright (c) – Gonzo Multimedia Manufactured By – www.keyproduction.co.uk Pressed By – Sony DADC UK Ltd. Credits Bass – Hugh Hopper Drums – Robert Wyatt Guitar, Voice [Spoken Word], Tape [Tape Loops] – Daevid Allen Saxophone [Sax] – Elton Dean Violin [Uncredited] – Gerry Fields Voice [Spoken Word And Vocal Improv (Space Whisper)] – Gilli Smyth Notes Artist credits as from front cover & CD; spine & back sleeve have Daevid Allen & Friends. The violinist is not named on the cover ["Mystery violinist"] but it is well documented that it was Gerry Fields. Barcode and Other Identifiers Barcode: 5060230862682 Mastering SID Code: IFPI LY34 Mould SID Code (Variant 1): IFPI AEW39 Mould SID Code (Variant 2): IFPI AEW04 Matrix / Runout: www.keyproduction.co.uk HST115CD 01 Related Music albums to Live At The Roundhouse 1971 by Daevid Allen Various - Canterbury Tales Daevid Allen & Euterpe - Good Morning Hopper / Dean / Tippett / Gallivan - Cruel But Fair / Mercy Dash Gong Avec Daevid Allen - Continental Circus Goddess T - Electric Shiatsu Daevid Allen's University Of Errors - Jet Propelled Photographs Daevid Allen, Microcosmique - Five Semitones - Tones For Healing And Meditation Gong - The World Of Daevid Allen And Gong Daevid Allen - Banana Moon Daevid Allen - Opium For The People / Alien In New York.

Copy Link

Recommended publications

Time & Motion Press Release
Bio information: RADIO MASSACRE INTERNATIONAL Title: TIME & MOTION (Cuneiform Rune 298-299) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ELECTRONIC / COSMIC MUSIC “RMI's Steve Dinsdale, Duncan Goddard, and Gary Houghton know how to coax all sorts of nuances from their machines, and they function as a live, interactive trio, with each member responding to the others' riffs and musical motifs. In a word, Radio Massacre International nail the vintage electronic music sound, but the band is simply more "nimble" than the first generation models, which greatly enhances the listening pleasure of the suitably attuned listener...if you're a musical novice unacquainted with RMI's sources, this music will serve as a stellar introduction to the form.”– Bill Tilland, All Music Guide “Frankly there isn't anyone out there doing this kind of music better… If you have a yearning for the glory days of the Berlin school, this is where you should be going.” – Spacerock.co.uk Radio Massacre International (RMI) is an electronic improvising trio that is carving out new ground in the genres of electronic space music and space rock. Composed of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, keyboards), the trio improvises with a mixture of vintage and modern analogue and digital equipment to create massive, shifting electronic soundscapes. Instantly recognizable, RMI’s organic, visceral, and at times rough-edged explorations in space music transport the genre popularized by Pink Floyd, Tangerine Dream, Ash Ra Tempel/Manuel Gottsching and Klaus Schulze in the 1970s into the 21st century.
[Show full text]
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime.
[Show full text]
22Nd International Congress on Acoustics ICA 2016
Page intentionaly left blank 22nd International Congress on Acoustics ICA 2016 PROCEEDINGS Editors: Federico Miyara Ernesto Accolti Vivian Pasch Nilda Vechiatti X Congreso Iberoamericano de Acústica XIV Congreso Argentino de Acústica XXVI Encontro da Sociedade Brasileira de Acústica 22nd International Congress on Acoustics ICA 2016 : Proceedings / Federico Miyara ... [et al.] ; compilado por Federico Miyara ; Ernesto Accolti. - 1a ed . - Gonnet : Asociación de Acústicos Argentinos, 2016. Libro digital, PDF Archivo Digital: descarga y online ISBN 978-987-24713-6-1 1. Acústica. 2. Acústica Arquitectónica. 3. Electroacústica. I. Miyara, Federico II. Miyara, Federico, comp. III. Accolti, Ernesto, comp. CDD 690.22 ISBN 978-987-24713-6-1 © Asociación de Acústicos Argentinos Hecho el depósito que marca la ley 11.723 Disclaimer: The material, information, results, opinions, and/or views in this publication, as well as the claim for authorship and originality, are the sole responsibility of the respective author(s) of each paper, not the International Commission for Acoustics, the Federación Iberoamaricana de Acústica, the Asociación de Acústicos Argentinos or any of their employees, members, authorities, or editors. Except for the cases in which it is expressly stated, the papers have not been subject to peer review. The editors have attempted to accomplish a uniform presentation for all papers and the authors have been given the opportunity to correct detected formatting non-compliances Hecho en Argentina Made in Argentina Asociación de Acústicos Argentinos, AdAA Camino Centenario y 5006, Gonnet, Buenos Aires, Argentina http://www.adaa.org.ar Proceedings of the 22th International Congress on Acoustics ICA 2016 5-9 September 2016 Catholic University of Argentina, Buenos Aires, Argentina ICA 2016 has been organised by the Ibero-american Federation of Acoustics (FIA) and the Argentinian Acousticians Association (AdAA) on behalf of the International Commission for Acoustics.
[Show full text]
Svět Jiné Hudby
Zdeněk K. Slabý, Petr Slabý Kniha vychází s laskavou podporou a za finančního přispění Ministerstva kultury České republiky © Zdeněk K. Slabý, Petr Slabý, 2007 © VOLVOX GLOBATOR, 2007 ISBN 978-80-7511-183-8 Vydalo nakladatelství & vydavatelství Volvox Globator Štítného 17, 130 00 Praha 3 www.volvox.cz jako svou 781. publikaci Obálka a grafická úprava Karel Haloun Odpovědný redaktor Ondřej Sýkora E-knihahttps://purehtml.cz Vydání první, Praha 2007 Adresa knihkupectví Volvox Globator: Štítného 16, 13000 Praha 3-Žižkov Předmluva aneb Alternativní verze doslovu Na počátku mé práce na tomto dílu Světa jiné hudby byla dvě slova. A ta slova byla Sun Ra. O něm jsem místopřísežně v nejrůznějších médiích slíbil, že ve druhém dílu napíšu stěžejní článek, a vrátilo se mi to jako bumerang. Toho jsem tedy dosáhl, i když by si tento zcela zásadní muzikant zasloužil celou knihu o několika tisících stránek. Přesto studium jeho odkazu pro mě znamenalo otevření dalších dimenzí pro další bádání a pochopení zcela nových věcí. Řada textů vznikla díky možnosti navštívit některé věhlasné světové festivaly, které se věnují alternativní hudbě a neberou ji jako okrajovou záležitost, ale šanci pro poznávání současných trendů. Byla to příležitost blíže poznat řadu umělců a v neposlední řadě pochopit fakt, že takzvaná „alternativa“ je otevřena každé vstřícné duši. A věřte, že na tyto akce v Rakousku či Francii chodí číratí punkáči i zasloužilí důchodci v oblecích a vytváří společnou komunitu lidí, kteří v jakémkoliv věku hledají nové impulsy a mají mnoho společného - totiž právě ono hledání. Tímto bych chtěl poděkovat jejich organizátorům. Opět se čtenáři i kritici budou ptát, proč zde to a tohle zrovna chybí, i když je to trendy nebo klasika nos plus ultra, a proč jsou zde zastoupeni relativně marginální muzikanti či soubory a proč zde relativně malý prostor dostala tentokrát domácí scéna.
[Show full text]
Gruppo È Nella Classica Formazione in Quartetto Con Elton Dean, Mike Ratledge, Hugh Hopper E Robert Wyatt
Page 3 of 9 gruppo è nella classica formazione in quartetto con Elton Dean, Mike Ratledge, Hugh Hopper e Robert Wyatt. Era un periodo di tensioni e di riflessioni. Elton Dean cercava di tirare i compagni sempre più verso il jazz e l'avanguardia. Robert Wyatt non voleva abbandonare gli scenari del rock dadaista. Gli altri due partner erano un po' indecisi. I due concerti che si erano tenuti in Olanda nei giorni immediatamente precedenti non erano andati troppo bene, poco pubblico, troppo nervosismo. Ma la magia del pubblico appassionato di Amsterdam riesce a far decollare la macchina morbida. I temi sono affrontati in maniera un po' aspra, secca, senza compiacimenti, ma l'incantesimo riesce per l'ennesima volta e il concerto si sviluppa con intensità, foga e determinazione. Curiosamente Wyatt non è mai impegnato alla voce e il gruppo si esibisce solo sul versante strumentale. Ci sono temi ancora in fase embrionale, come le splendide “Teeth” e “Virtually” che poi verranno presentate nell'album Fourth che i Soft Machine stavano registrando in quei mesi e che verrà completato poche settimane dopo questo mini tour olandese. Con l'album Floating World Live ci spostiamo ad una versione successiva dei Soft Machine. L'album, pubblicato da Moonjune Records, ci propone una registrazione dal vivo effettuata nel gennaio 1975 dalla ormai mitica Radio Bremen, certamente una delle emittenti che più hanno contribuito a mantenere viva un'epoca ormai lontana grazie alle preziose documentazioni dei concerti da loro coraggiosamente organizzati. La band è agli inizi di una nuova fase e l'arrivo di Allan Holdsworth alla chitarra elettrica diventa l'occasione per ristrutturare completamente il repertorio del gruppo.
[Show full text]
Gonzo Weekly
2 I have been the editor of magazines on tropical fish, exotic pets, UFOs, cryptozoology, and – of course – music, and there is something that I have noticed. Over the years various publishers have tried to get me to publish “thematic” issues, and this is something that I am loathe to do. For example, in a music magazine like this one, if I were to do a themed “punk” issue, it would immediately alienate all the people who like progressive rock. That is one thing that I am particularly proud of in this magazine; we cover anything, and everything, from anarchopunk to prog, and from folk to experimental jazz rock. In this specific issue there is everything from an interview with Barbara Dickson to articles about Rick Wakeman and Hugh Hopper. But, it is one of the more peculiarly Fortean aspects of magazine publishing that no matter how hard one tries, the vagaries of the space time continuum and Dear Friends, the very nature of the universe itself mean that no matter how hard you try to avoid doing themed Welcome to another edition of the Gonzo Weekly. issues, these appear of their own volition and the I have worked in publishing, on and off, since I first universe decides to present you with a theme, come edited my school newspaper at the age of 10, and what may. whilst I do not wish to claim that I am some sort of Citizen Kane-type publishing mogul, I have had a Once again, look at this issue. It was enough of a fair amount of disparate experience over the past 45 shock when earlier in the week, the legendary artist years.
[Show full text]
'Pardon Me, I'm Very Drunk': Alcohol, Creativity and Performance Anxiety
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Middlesex University Research Repository ‘Pardon me, I’m very drunk’: alcohol, creativity and performance anxiety in the case of Robert Wyatt Marcus O’Dair School of Media & Performing Arts Room TG53, Town Hall Annexe Middlesex University The Burroughs Hendon London NW4 4BT 0208 411 3717 m.o’[email protected] Abstract Robert Wyatt’s relationship with alcohol is multifaceted. He acknowledges its deleterious effect on aspects of his personal life, most notably on his relationship with wife and creative partner Alfreda Benge, and he has been teetotal since attending Alcoholics Anonymous in 2007-8. In professional terms, however, Wyatt continues to view alcohol positively: as a means to overcome anxiety as a performer and recording artist and as an aid to writing. From this perspective, the fact that Wyatt has not released a solo album since sobering up may be more than mere coincidence. This paper aims to answer two questions. Firstly, what is the evidence that alcohol can reduce anxiety for a performer and recording artist, and increase creativity for a songwriter? Secondly, what is the evidence that this is so in Wyatt’s specific case? In answering these questions, I will draw on secondary research, as well as interviews I conducted with Wyatt and various associated musicians and family members between 2008 and 2013. Introduction Born in 1945, Robert Wyatt came to prominence in the 1960s as drummer and vocalist with Soft Machine – contemporaries of Syd Barrett-era Pink Floyd who toured America with the Jimi Hendrix Experience and became the first rock act to perform at the BBC Proms in London.
[Show full text]
Tim Blake Interview EXCLUSIVE: Joey Molland Remembers the Glory Days
EXCLUSIVE: Tim Blake Interview EXCLUSIVE: Joey Molland remembers the glory days of Apple EXCLUSIVE: Cyrille Verdeaux and the Amazonian chieftain EXCLUSIVE: Behind the scenes of the Psychedelic Warlords EXCLUSIVE: The naked performance artist takes on Paypal. Will she win? We certainly hope so. 2 magazine, which would cover the music and culture (and the attendant lifestyle and politics) that interested me, and I realised then that now I was being given the chance. As I have always admitted, I am growing up in public and that I have no real long term plan with any of the things that I do, except to seize the opportunities that I can, and basically make it up as I go along, going in whatever direction the Fates send me. Which is basically how I live my life. So this new advancement is allowing me to produce something that is far more like a magazine than it was before. I am very much an old fashioned sort of fellow, and don’t really like many new fangled things. E-books are a particular gripe of mine—I have an e-book reader (mainly because they were incredibly cheap at Asda) and I use it mostly for reading pdfs of technical journals in bed, or reading So welcome to the first issue of the new look Gonzo P.G. Wodehouse novels whilst I am travelling Weekly. somewhere, but for me at least the e-book has only a very limited appeal. I am always amazed at how fast technology advances and how we can all do things now that E-magazines, however, are an entirely different would have been unthinkable even five years ago.
[Show full text]
Cuneiform Artist News, Tours & Websites Winter 2010
CUNEIFORM ARTIST NEWS, TOURS & WEBSITES WINTER 2010 ARTIST NEWS: Ahleuchatistas: -Shane Perlowin, guitarist from Ahleuchatistas, has released his debut solo album, "The Vacancy in Every Verse", on his own label Open Letter Records (see www.shaneperlowin.com & www.openletterrecords.com). -Longtime bassist Derek Poteat retired from Ahleuchatistas in November 2009, and has been replaced by master bassist, and longtime Perlowin collaborator, Joseph Burkett. -The band has an Eastcoast tour in February, with a date at the Stone in NYC on Feb 17th. -And starting March 31 through most of April they will tour in Italy, Austria, Czech Republic, Slovenia, and Slovakia. They are currently looking for a few dates to close out the tour in Germany. -Ahleuchatistas is currently composing their most exciting and ambitious album to date, to be titled "Heraclitean"... release date unknown! Beat Circus Boy From Black Mountain has been receiving excellent reviews across the board. The album won the 9th Annual Independent Music Award for Alt/Country Album of the Year. The Boston Phoenix gives the album 3.5/4 stars, raving "Boy From Black Mounain is the prettiest darn dark Americana record in recent memory." PopMatters gave the album 9/10 stars, added it to their Slipped Discs of 1009, writing "For anyone still awed by Neutral Milk Hotel's In The Aeroplane Over the Sea, Boy From Black Mountain was an album that promised a similar journey through innocent speculation and otherworldly magic. Beat Circus has provided one of the highs of the year." And the Boston Herald ranked Boy From Black Mountain in their top 10 of 2009.
[Show full text]
Bio Information: LED BIB Title: SENSIBLE SHOES (Cuneiform Rune 283)
Bio information: LED BIB Title: SENSIBLE SHOES (Cuneiform Rune 283) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ "We need bands like Led Bib to make the world safe for dangerous music." – Observer Music Monthly "Like crossing the road in a reverie and being run over by a passing bus - but in a pleasing way" – Evening Standard “Proof that groovy dirty jazz isn’t just the preserve of downtown New Yorkers” – BBC Radio 3 With a very loud blast of anarchic rock, a surge of euphoric jazz and an irrepressible burst of band laughter, the UK skronk-jazz-rock- punk-whatever quintet Led Bib release their fourth album on the USA label, Cuneiform. A tremendously popular act at home in the UK, where they regularly play large-scale festivals and concert halls (as well as playing the typical club gigs that all musicians play), Sensible Shoes is their first recording to be released outside of the UK. The record will be accompanied by a full UK and European tour throughout the spring and early summer of 2009. Now fun may not be a word you expect to hear in relation to jazz, but it’s the addition of this playfulness that has over years seen Led Bib throw out any preconceptions and play for audiences who don’t consider themselves jazz fans or would not even necessarily know that they like jazz in the least. And would one really expect anything different from a group that originally named itself Lead Bib – which it claimed stood for the shield that dentists use to cover the body and protect their patients when giving them oral x-rays.
[Show full text]
Gonzo Weekly #137
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Princess Diana intensely, and encouraged the (probably apocryphal) story that a friend of mine queued for eleven hours in order to write surreal stoned drivel in the book of condolences in Exeter Cathedral. I also got sacked from my position at the BBC for claiming (on air) that her death had been the result of a conspiracy by Interflora, who seemed to have been the only people to benefit. Five years later when it all happened again I was less cynical, but refused to join in the grief for a lady of 101 to whom I was not related, despite the fact that she had lived an extraordinary life and achieved some extraordinary things. Over the lifespan (so far) of this magazine we have seen the deaths of many luminaries, and tried to celebrate their lives in these pages. Dear Friends, Two in particular Welcome to another issue of the best magazine in spring to the world put together for free by a bunch of social mind: Daevid outcasts, and edited by a fat bloke and his small Allen (earlier kitten. However, I think that last sentence qualifies this year) and it all a bit. Mick Farren (in 2013). I In 1999, and again in 2002, when much loved knew both public figures died, there was a great outpouring personally, of public grief, here in the UK at least, amongst and whilst large sectors of the population.
[Show full text]
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
[Show full text]