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G A G O S I A N

Rachel Whiteread Bibliography

Selected Books and Catalogues:

2017 Gallagher, Ann and Molly Donovan. . : Britain. 2016 ------. Alt-Architecture. : “la Caixa” Foundation. ------. in the Making: Artists and their Materials from the Studio to Crowdsourcing, 81-82, 168, 169, 224. London: Thames and Hudson. ------. Artrage!: The Story of the BritArt Revoluetion, 9, 14, 67, 78-79, 81, 84, 85, 88, 91, 93, 110, 127-31, 141, 145, 166, 176-77, 207, 217-8, 220, 251, 256- 7, 263-4. London: Thames and Hudson. ------. Concrete Inspirations. London: Arup. ------. MashUp: The Birth of Modern Culture. Vancouver: Vancouver Art Gallery. ------. A Material Legacy: Nancy A. Nasher and David J. Haemisegger Collection of . Durham, NC: Nasher Museum of Art, Duke University. ------. on the Move: 1946-2016, 150-151. Ostfildern: Hatje Cantz. 2015 ------. Drawing in the Twenty-First Century: The Politics and Poetics of Contemporary Practice, 142, 144, 153-54. Surrey, England: Ashgate. ------. Ladies’ Knight: A Female Perspective on Chess. Saint Louis: World Chess Hall of Fame. ------. : The Linda Nochlin Reader, 316-17, 338. New York: Thames and Hudson. ------. Zabludowicz Collection: 20 Years. London: Zabludowicz Collection. Getlein, Mark and Annabel Howard. Art Visionaries, 296-9. London: Laurence King. Husslein-Arco, Agnes. Sleepless: The Bed in History and Contemporary Art. : Belvedere. 2014 ------. Art Lovers—Stories of Art in the Pinault Collection, 122–23. : Leinart Éditions. ------. Einblicke Ausblicke—100 Spitzenwerke im neuen LWL-Museum für Kunst und Kultur Münster, 250–51. Munster: LWL-Museum für Kunst und Kultur. ------. Love Story—Sammlung Anne und Wolfgang Titze, 314–15. Nürnberg: Verlag für moderne Kunst Nürnberg. ------. Please Enter. New York: Franklin Parrasch Gallery. Bruno, Giuliana. Surface—Matters of Aesthetics, Materiality, and Media, 205–8. Chicago: University of Chicago Press. Caeiro, Mário. Arte na cidade: História contemporânea, 90–91. : Temas e Debates—Círculo de Leitores. Dillon, Brian. Ruin Lust: Artists’ Fascination with Ruins, from Turner to the Present Day, 30–31. London: Tate Publishing. ------. The Distaff Side, 16, 84, 226. Sharon, CT: The Granary. Dupont, Valérie. “Rachel Whiteread: Le monument en question.” In Le monumental—Une valeur de la sculpture, du romantisme au post- modernisme, 123–34. Dijon: Universitaires de Dijon. Feldman, Anita. Body and Void: Echoes of Moore in Contemporary Art. Perry Green: Henry Moore Foundation.

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Fer, Briony. Rachel Whiteread: Detached. New York: . George, Herbert. The Elements of Sculpture—A Viewer’s Guide, 126. London: Phaidon Press. Griffin, Jonathan, Paul Harper, David Trigg, and Eliza Williams. The Twenty-First Century Art Book, 284. London: Phaidon Press. Hoffman, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. London: Thames and Hudson. Kalb, Peter R. “Memory and History—Memorializing War.” In Art since 1980: Charting the Contemporary, 147–49. London: Laurence King Publishing. Livingstone, Marco. Post Pop: East meets West. London: CentreInvest UK Limited. Steiner, Rochelle. “Do Ho Soh‘s Karmic Journey.” In Do Ho Soh—Drawings, 9. : Prestel Publishing; New York: Lehmann Maupin. Stout, Katharine. “Drawing Form and Space.” In Contemporary Drawing from the 1960s to Now, 35–36. London: Tate Enterprises. 2013 Askew, Lucy. “From Death to Death and Other Small Tales.” In From Death to Death and Other Small Tales: Masterpieces from the Scottish of and the D. Daskalopoulos Collection, 43, plate 45. : National Galleries Scotland. Clingerman, Forrest. “Homecoming and the Half-Remembered: Environmental Amnesia, the Uncanny and the Path Home.” In Resisting the Place of Belonging, ed. Daniel Boscaljon, 38–45. Farnham, UK: Ashgate Publishing Limited. Diederichsen, Diedrich. “Mourning States and Their Minimalist Citizens: On European Memorial Culture.” In The Way of the Shovel—The Archaeological Imaginary in Art, 289–91. Chicago: University of Chicago Press. Getlein, Mark. Living with Art: Tenth Edition, 245. New York: McGraw-Hill. Grovier, Kelly. 100 Works of Art That Will Define Our Time, 298–99. London: Thames and Hudson. Heartney, Eleanor, Helaine Posner, Nancy Princenthal, and Sue Scott. The Reckoning: Woman Artists of the New Millennium, 123–24. Munich: Prestel, 2013. ------. MoMA Highlights: 350 Works from The , 334. New York: Museum of Modern Art. Moszynska, Anna. Sculpture Now, 27–28. London: Thames and Hudson. Zask, Joëlle. Outdoor Art: La sculpture et ses lieux, 188–91. Paris: Éditions La Découverte. 2012 ------. Contemporary Art in the , 68–71, 166–69. London: Black Dog Publishing Limited. Amirsadeghi, Hossein. Sanctuary: Britain’s Artists and Their Studios, 524–31. London: Thames and Hudson. Grachos, Louis, Douglas Dreishpoon, and Heather Pesanti. Decade: Contemporary Collecting 2002–2012. 13, 31, 47, 128, 150, 303, 345, 397. Buffalo: Buffalo Fine Academy. Klein, Jacky, and Suzy Klein. What Is Contemporary Art?, 54. London: Thames and Hudson. Smith, Mariann W. “Larger than Life.” In Albright-Knox Art Gallery: Highlights from the Collection, 57. Buffalo: Scala Publishers. 2011 Barrett, Terry. Making Art: Form and Meaning. New York: McGraw Hill Companies, Inc., 100.

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Howard, Jan, and Judith Tannenbaum. Made in the UK: Contemporary Art from the Richard Brown Baker Collection, 52. Providence: Museum of Art, Rhode Island School of Design. Mullins, Charlotte. “ 1993. ” In Towards a New Interior: An Anthology of Interior Design Theory, ed, Lois Weinthal, 609–15. New York: Princeton Architectural Press. Palmer, Kathleen. Women War Artists, 2, 72–74. London: Tate Publishing; Imperial War Museum. Smith, Terry. Contemporary Art: World Currents, 69–70. Hong Kong: Laurence King Publishing. 2010 ------. 1985–2010: Luhring Augustine. New York: Luhring Augustine. ------. Crash: Homage to JG Ballard. London: Gagosian Gallery. ------. Rachel Whiteread Drawings. Los Angeles: Hammer Museum and DelMonicoBooks. Arnason, H. H. History of Modern Art, 6th ed., 628–30. NJ: Pearson Education. Coldwell, Paul, Printmaking: A Contemporary Perspective, 122. London: Black Dog Publishing. Furlong, William. Speaking of Art: Four Decades of Art in Conversation, 120–25. London: Phaidon Press. Pesenti, Allegra and Ann Gallagher. Rachel Whiteread: Drawings. Munich: Prestel. 2009 ------. Automatic Cities: The Architectural Imaginary in Contemporary Art. San Diego, CA: Museum of Contemporary Art. ------. British Subjects: Identity and Self-Fashioning 1967–2009, 79. Purchase, NY: Neuberger Museum of Art. ------. elles@centrepompidou: Artistes femmes dans la collection du Musée National D’Art Moderne, Centre de Création Industrielle. Paris: Musée National d‘Art Moderne, Centre Georges Pompidou. Bishop, Janet, Corey Keller, and Sarah Roberts, eds. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art. Engle, Karen. Seeing Ghosts: 9/11 and the Visual Imagination, 25–26. Montreal: McGill-Queen‘s University Press. Pauls, Karina. Erlebte Räume: Im Alltag und in der Kunst—Rachel Whiteread und Gregor Schneider. Oberhausen, : Athena Verlag. Sanders, Mark. 32 Pieces: The Art of Chess, 48–49, 76–79. Reykjavik: Reykjavik . 2008 ------. END GAME—British Contemporary Art from the Chaney Family Collection. Houston: Museum of Fine Arts Houston. ------. “Keller und Speicher.” In Tiefenrausch, 74. : OK Books. ------. The Lining of Forgetting: Internal and External Memory in Art. Greensboro, NC: Weatherspoon Art Museum, University of North Carolina. ------. Psycho Buildings: Artists Take On Architecture. London, Hayward Gallery. ------. Sparks! The William T. Kemper Collecting Initiative. Kansas City, MO: Nelson-Atkins Museum of Art. Bierens, Cornel, ed. Sonsbeek 2008: Grandeur. Deventer, the : Thieme Art. Heartney, Eleanor. Art and Today, 324. New York: Phaidon Press. Holt, Steven, and Mara Holt Skov, eds. Manufractured: The Conspicuous Transformation of Everyday Objects, 118. San Francisco: Chronicle Books. Lawrence, James. Rachel Whiteread. Beverly Hills: Gagosian Gallery.

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Thompson, Don. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses, 37, 94, 200. London: Aurum Press. von Heydebreck, Amelie, ed. Stations. : DuMont Buchverlag. 2007 ------. Action Post-Pop. Braga, : Galeria Mário Sequeira. ------. Impulse: Works on Paper from the Logan Collection, 92. Vail, CO: Logan Collection Vail. ------. Rachel Whiteread. Malaga: CAC Malaga. ------. Responding to Kahn: A Sculpture Conversation. New Haven, CT: Yale University Art Gallery. Codognato, Mario. Rachel Whiteread. Naples: MADRE. De Corral, Marìa, and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art, 29. 282. New Haven: Yale University Press. Eccher, Danilo. La città che sale: We Try to Build the Future, 136–41. : Mondadori Electa. Gielen, Denis. Atlas of Contemporary Art for Use by Everyone, 48, 337. City: Musée des Arts Contemporains au Grand-Hornu. Harper, Glenn, and Twylene Moyer. "Mapping Traces: Rachel Whiteread." In Conversations on Sculpture, 194–201. Hamilton, NJ: Isc Press. Hillings, Valerie L. Guggenheim Collection: 1940s to Now, 256–57. Melbourne: National Gallery of Victoria. Lewis, Toby Devan. ARTWORKS: The Progressive Collection, 240. New York: Distributed Art Publishers. Reilly, Maura, and Linda Nochlin, eds. Global Feminisms: New Directions in Contemporary Art, 60. London: Merrell for . 2006 ------. The Art of Chess at , Inc. : Tatintsian Gallery; New York: Luhring Augustine; London: RS&A. ------. Espacio interior = Inner Space. : Consejería de Cultura y Deportes. ------. : The Handbook, 20–21, 235. London: Tate Publishing. Guillemot, Michel. L’art moderne et contemporain, 260, 294. Paris: Larousse. 2005 ------. Light Sculpture / Scultura leggera. Vicenza: 503 mulino. ------. Part Object Part Sculpture, 210–13. Columbus, OH: Wexner Center for ; University Park: Pennsylvania State University Press. ------. Rachel Whiteread: Walls, Doors, Floors and Stairs. Cologne: Verlag der Buchhandlung Walther Konig; New York: D.A.P. Berswordt-Wallrabe, Kornelia Von. Rachel Whiteread Plastiken und Zeichnungen ( and Drawings). Staatliches Museum . Drucker, Johanna. Sweet Dreams: Contemporary Art and Complicity, cover, 50– 54, 66, 69. Chicago: University of Chicago Press. Fung, Lance, ed. The Snow Show. New York: Thames and Hudson. Hruska, Libby. Drawing from the Modern: 1975–2005, 148. New York: Museum of Modern Art Press. Potts, Alex. Rachel Whiteread: Sculpture. London: Gagosian Gallery. Richer, Francesca, and Matthew Rosenzweig. No. 1: First Works by 362 Artists. New York: D.A.P. Schneider, Eckhard and Mario Codognato, eds. Rachel Whiteread. : . Wood, Catherine and Burn, Gordon. Rachel Whiteread: Embankment. London: The Unilever Series, Tate Publishing. 2004 ------. PLOP: Recent Projects of the Public Art Fund, 12, 238–43. London: Merrell.

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------. Rachel Whiteread. Rio de Janeiro Museum of Modern Art and São Paolo Museum of Modern Art. ------. Singular Forms (Sometimes Repeated): Art from 1951 to the Present, 161. New York: Guggenheim Museum. ------. Supernova: Art of the 1990s from the Logan Collection, 97. New York: D.A.P. Bloemink, Barbara and Joseph Cunningham. Design Does Not Equal Art: Functional Objects from Donald Judd to Rachel Whiteread. London: Merrell Holberton. Fung, Lance. The Snow Show. London: Thames and Hudson. Hayden, Malin Hedlin. Out of : The Referential Cube: Contextualizing Sculptures by Antony Gormley, Anish Kapoor & Rachel Whiteread. Coronet Books, Inc. Townsend, Chris. The Art of Rachel Whiteread. London: Thames and Hudson. Mullins, Charlotte. Tate Modern Artists: Rachel Whiteread. London: Tate Modern. Whiteread, Rachel. Rachel’s Book. London: Booth-Clibborn Editions. 2003 ------. Off Limits: 40 Projects, 68, 78–83. London: Merrell. ------. Pletskud: Værker fra Astrup Fearnley Samlingen, 72–75. Ishøj, : ARKEN Museum for Moderne Kunst. ------. Undomesticated Interiors, 71. Northampton, MA: Smith College Museum of Art. Buskirk, Martha. The Contingent Object of Contemporary Art, 97–99. Cambridge, MA: MIT Press. Conkelton, Sheryl, Elizabeth Thomas, and Richard Armstrong. An International Legacy: Selections from Carnegie Museum of Art, 72, 139. New York: American Federation of the Arts. Fishner-Rathus, Lois. Understanding Art, 7th ed., 37. Boston; Thomson Wadsworth. Gallagher, Ann and Venancio Filho, Paulo. Rachel Whiteread. Rio de Janeiro: ARTVIVA. Kalb, Peter, and H. H. Arnason. History of Modern Art: Sculpture, Architecture, Photography, 5th ed., 756. Upper Saddle River, NJ: Prentice Hall. Matthews, Roy T., and F. DeWitt Platt. The Age of Anxiety and Beyond: The End of and the Birth of Post-modernism: The Western Humanities, 5th ed., 621, 624. New York: McGraw Hill. Nesbitt, Judith, and Jonathan Watkins. Days Like These: Tate Triennial Exhibition of Contemporary British Art. 144. London: Tate. Whiteread, Rachel, Schneider, Christiane & Greeves, Susanna. Rachel Whiteread. London: Haunch of Venison. 2002 ------. The Logan Collection, a Portrait of Our Times: A Collector’s Odyssey and Philosophy, 144, 146. Vail, CO: Logan Collection Vail. ------. To Be Looked At: Painting and Sculpture from the Museum of Modern Art, New York. New York: Museum of Modern Art. Luci-Smith, Edward. Art Tomorrow, 79. Paris: Terrail. Washburne-Harris, Jessie, and Donald Kennison, eds. A Physical World: An Exhibition of Painting and Sculpture. New York: Gagosian Gallery. 2001 ------. Field Day: Sculpture from Britain. Taipei: Taipei Museum of Fine Arts. Grosenick, Uta. Women Artists in the 20th and 21st Century, 548–53. London: Taschen. ------. Public Offerings. Los Angeles: Museum of Contemporary Art.

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------. Von Rodin bis Baselitz: Der Torso in der Skulptur der Moderne. Ostfildern, Germany: Hatje Cantz. Wilkins, David G., Bernard Schultz, and Katheryn M. Linduff. Art Past, Art Present. Upper Saddle River, NJ: Prentice-Hall. 2000 ------. Amnesia: Die Gegenwart des Vergessens. : Neues Museum Weserburg. ------. Catalogo de la Collecion de Arte Contemporaneo Fundacion. Barcelona: “la Caixa” Foundation. Gelman, Alexander. Subtraction: Aspects of Essential Design. Crans-près-Céligny, Switzerland: RotoVision SA. ------. HausSchau—Das Haus in der Kunst. Ostfildern, Germany: Hatje Cantz. Hunter, Sam, John Jacobus, and Daniel Wheeler. Modern Art. New York: Vendome Press. Linduff, Katheryn M., Bernard Schultz, and David G. Wilkins. Art Past, Art Present, 4th ed. Upper Saddle River, NJ: Prentice Hall, 2000. Milchram, Gerhard, ed. Judenplatz: Ort der Erinnerung. Vienna: Pichler Verlag. ------. Modern Contemporary:Art at MoMA since 1980, 359, 454, 485. New York: Museum of Modern Art. ------. Vanitas: Meditations on Life and Death in Contemporary Art, 24–25, 62–63. Richmond: Virginia Museum of Fine Arts. Young, James E. At Memory’s Edge: After-Images of the Holocaust in Contemporary Art and Architecture, 8, 10, 107-113, 200. New Haven: Yale University Press. 1999 ------. Emotion: Young British and American Art from the Goetz Collection. Ostfildern, Germany: Hatje Cantz. Hillstrom, Laurie Collier, and Kevin Hillstrom, eds. Contemporary Women Artists, 708–10. Farmington Hills, MI: St. James Press. ------. House of Sculpture. Fort Worth: Modern Art Museum of Fort Worth. ------. Now It’s My Turn to Scream: Works by Contemporary British Artists from the Logan Collection. San Francisco: San Francisco Museum of Modern Art. Riemschneider, Burkhard, and Uta Grosenick, eds. Art at the Turn of the Millennium, 534–37. London: Taschen. ------. Threshold: Invoking the Domestic in Contemporary Art. Virginia Beach: Contemporary Art Center of Virginia. ------. Young British Art: The Saatchi Decade, 8, 12–13, 17, 22–23, 67. London: Booth-Clibborn Editions. 1998 Ackley, Clifford S. PhotoImage, Printmaking 60’s to 90’s, 51. Boston: Museum of Fine Arts. ------. Dust Breeding—Photographs, Sculpture and Film. San Francisco: Fraenkel Gallery. Roberts, John. Real/life: New British Art. Tokyo: Asahi Shimbun. Sensation: from the Saatchi Collection, exh. cat. London: Thames and Hudson. 1997 ------. Art from the UK. Munich: Sammlung Goetz. Heller, Nancy G. Women Artists: An Illustrated History, 3rd ed. New York: Abbeville Press. ------. The Hirshhorn Collects: Recent Acquisitions 1992–1996, 107. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. ------. Longing and Memory. Los Angeles: Los Angeles County Museum of Art. ------. Material Culture: The Object in British Art of the 1980s and 90s. London: South Bank Centre.

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Rugoff, Ralph. Scene of the Crime. Cambridge, MA: MIT Press. Sculpture: Projects in Münster, exh. cat. Ostfildern, Germany: Gerd Hatje, 1997. 1996 Armstrong, Richard. Carnegie International 1995. Pittsburgh: Carnegie Museum of Art. ------. Distemper: Dissonant Themes in the Art of the 1990s. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press. ------. From Figure to Object: A Century of Sculptors’ Drawings. London: Frith Street Gallery; Kartsen Schubert. ------. The Now Art Book. Tokyo: Shiseido and Korinsha Press. 1995 ------. 4th International Biennial: Orientation. Istanbul: Istanbul Foundation for Culture and Arts, 1995. ------. Art Editions I, 1995, 345. Cologne: Edition Schellmann. ------. Brilliant!: New Art from London. Minneapolis: . ------. British Art of the 80s and 90s: The Weltkunst Collection, 10. : Irish Museum of Modern Art. ------. Carnegie International 1995. Pittsburgh: Carnegie Museum of Art, 1995. ------. Contemporary British Art in Print: The Publications of Charles Booth- Clibborn and His Imprint The Paragon Press 1986–95. Edinburgh: Scottish National Gallery of Modern Art; London: Paragon Press. ------. Double mixte: Generique 2. Paris: Jeu de Paume. ------. Rachel Whiteread: House. London: Phaidon Press. Ekstrom, Johanna. Rachel’s hus: Dikter. : Wahlström & Widstrand. ------. Here and Now. London: Serpentine Gallery. ------. New Art In Britain. Łódź: Muzeum Sztuki. Patrick, Keith, and Lores, Maite. Contemporary British Sculpture: From Henry Moore to the 90s. : Auditorio de Galicia; : Fundação de Serralves. ------. Rachel Whiteread 18 Yksityinen/julkinen= Private/public: ARS 95. : Nykytaiteen Museo Kiasma; Suomen Kansallisgalleria. ------. Proem: Drawings towards Sculptures. Dublin: Rubicon Gallery. Siesche, Angela. Das Schwere und das Leichte. Cologne: Dumont. 1994 ------. Art Unlimited: Multiples from the 1960s and 1990s. London: , South Bank Centre.. Fleissig, Peter, ed. Invisible Museum: Seeing the Unseen. London: Thirty Shepherdess Walk. Kent, Sarah. Shark Infested Waters, 102–5, 246–49. London: Zemmers. Zelevansky, Lynne, ed. Sense and Sensibility: Women Artists and Minimalism in the 90s. New York: Museum of Modern Art. 1993 ------. Drawing the Line against AIDS. New York: AMFAR. Katalin, Neray, ed. Made Strange: New British Sculpture. : Ludwig Múzeum—Kortárs Művészeti Múzeum. Krüger, Werner. Junge britische Kunst: Zehn Künstler aus der Sammlung Saatchi. Cologne: Art Cologne. Nittve, Lars, ed. Passageworks. Malmö: Rooseum Centre for Contemporary Art. Peyton-Jones, Julia, ed. Programme for the Serpentine Gallery Gala Dinner. London: Serpentine Gallery. ------. The Sublime Void: On the Memory of the Imagination. : Koninklijk Museum voor Schone Kunsten Antwerpen. 1992 Cooke, Lynne, Bice Curriger, and Greg Hilty, eds. Doubletake: Collective Memory and Current Art. London: South Bank Centre. ------. documenta IX. , Edition Cantz. New York: Abrams.

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Gillick, Liam. Lea Andrews, , Anya Gallacio, , , , , , , Marcus Taylor, Rachel Whiteread. New York: Gladstone Gallery; SteinGladstone. Kent, Sarah. Young British Artists: John Greenwood, Damien Hirst, Alex Landrum, Langlands Bell, Rachel Whiteread. London: Saatchi Collection. ------. New Voices: New Works for the British Council Collection. London: British Council. Ryan, Marianne. Doubletake: Collective Memory and Current Art. London: Hayward Gallery. ------. Signes des temps. Paris: Fondation BMW. ------. Tišina : protislovne oblike resnice = Silence: Contradictory Shapes of Truth. , : Moderna Galerija. ------. Skulptur-Konzept. Krefeld: Galerie Ludwig. ------. Small Medium Large LIFE SIZE. Prato: Museo d‘Arte Contemporanea Prato. ------. Unfair ’92. Cologne: . 1991 ------. Confrontaciones: Arte último británico y español. Madrid: Instituto de la Juventud.

Selected Articles and Reviews:

2020 Thorpe, Vanessa. “Drawing gave me solace in this desperate time, says top artist.” The Observer, Oct 18, p. 11. Thorpe, Vanessa. “Artist Rachel Whiteread urges young: don't give up on your dreams.” , Oct 18. Goldstein, Caroline. “Rachel Whiteread and 13 Other Art Stars Are Selling Work Made From the Scorched Fields of Iraq to Benefit Refugees.” artnet, Sep 3. Whiteread, Rachel. “Julian Barnes Tells His Neighbor Rachel Whiteread What Pisses Him Off About Grief.” Interview, April 16. 2019 ------. “Queen's birthday honours: Rachel Whiteread is made a Dame with awards also for Glenn Brown and Ralph Rugoff.” The Art Newspaper, June 8. Higgins, Charlotte. “'So beautiful I cried': Rachel Whiteread, Jeremy Delelr and more on the thrill of the .” The Guardian, May 6. Buck, Louisa. “Rachel Whiteread: Art Icon.” The Art Newspaper, Jan 31. 2018 Farago, Jason. “Ghosts of the Past, Embalmed in White Plaster.” The New York Times, Oct 4. Gibson, Eric. “’Rachel Whiteread’ Review: Where Memories Dwell.” Wall Street Journal, Oct 2. Madsen, Deane. “Sculptor Rachel Whiteread at the .” Architectural Record, Sep 19. 2017 Uglow, Jenny. “Rachel Whiteread’s Solid Air.” New York Review of Books, Dec 1. Blythe, Finn. “A Conversation with Rachel Whiteread Ahead of Tate Exhibition.” 10 Magazine, Sep 21. Cumming, Laura. “Rachel Whiteread review – accentuate the negative.” The Guardian, Sep 17. , Richard. “’Rachel Whiteread’ Review: Poetic Sculptor of Emptiness Absence becomes presence in her poignant casts.” Wall Street Journal, Sep 13. Searle, Adrian. “Rachel Whiteread exhibition review.” The Guardian, Sep 11. Campbell-Johnston, Rachel. “Visual art review: Rachel Whiteread at discombobulated in an inside-out world, the visitor to this show will be mesmerized.” , Sep 11.

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Bernstein, Fred A. “A Pair of ‘Ghost’ Cabins in Joshua Tree.” Wall Street Journal, Jul 24. 2016 Balute, Jenna. “What Once Was.” Int|AR Journal of Interventions and Adaptive Reuse 7, 42-45. Bates, Daniel. “My Cabin Shows New York from a Different Angle, Says London Artist.” , Jun 27. Burns, Charlotte. “Rachel Whiteread: ̳It‘s My Mission to Make Things More Complicated.” Guardian, Jun 21. Johnson, Ken. “Outside Art: No Museum Walls Here, Just the Sun.” New York Times, Jul 22. Lange, Alexandra. “Play Ground: How a Dutch Landscape Architect is Reinventing the Park.” New Yorker, May 16, p.68-76. Martin, Coutney J. “Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s.” British Art Studies, no.3, Summer. Meier, Allison. “Rachel Whiteread‘s Concrete Cabin Awaits Discovery in the Governors Island Hills.”Hyperallergic.com, Jul 18. 2015 Angier, Natalie. “Finding Relativity: Arts and Architecture Explore Spatial Frontiers.” New York Times, Nov 24. Farago, Jason. “Review: ̳Endless House‘ Expands the Definition of Home.” New York Times, Aug 27. 2015 Gebremedhin, Thomas. “Q & A with Artist Rachel Whiteread.” wsj.com, Nov 5. ------. “Goings On About Town: Rachel Whiteread.” New Yorker, Nov 30. Lauvergne, Virginie. “Rachel Whiteread á la surface de la matière.” Roven, no. 11, 118–23. 2014 Vogel, Carol. “Inside Art: More Public Art for Governors Island.” New York Times, Apr 25. 2013 Delgado, Kasia. “Rachel Whiteread, Artist.” Independent, Apr 6. Dorment, Richard. “Rachel Whiteread, Gagosian Gallery, London, review.” Telegraph, Apr 16. Durrant, Nancy. “Rachel Whiteread.” The Times, Apr 12. Garratt, Karen. “Rachel Whiteread - Thought Provoking Visual Qualities and Poetic Resonance.” Artlyst, May 10. Hamilton, Adrian. “A Lesson In How To Think Inside The Box.” Independent, April 15. Hoang, Li-Mei. “Sculptor Whiteread Explores the Simple Life in New UK Show.” Reuters, Apr 11. Kent, Sarah. “Rachel Whiteread, Detached, Gagosian Gallery.” Arts Desk, April 16. Luke, Ben. “Artangel, 20 years since Rachel Whiteread's 'House'.” Art Newspaper, Oct 18. Luke, Ben. “Rachel Whiteread Detached, Gagosian Gallery, exhibition review.” London Evening Standard, Apr 22. Searle, Adrian. “Rachel Whiteread Still Casts a Spell.” Guardian, Apr 11. Ulrich Obrist, Hans. “Conversation with Rachel Whiteread.” Res Magazine, Aug. Wroe, Nicholas, “'Rachel Whiteread.'” Guardian, Apr 6. 2012 Chagnon, Katrie. ”Handling the Technical and Theoretical Paradoxes of Moulding.” ESSE, Winter, pp. 20-24. Fullerton, Elizabeth. “Game Changers.” ARTnews, vol. 111, no. 3, p. 32. Jones, Jonathan, “Rachel Whiteread is Britain's greatest living artist.” Guardian, Dec 14.

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Spence, Rachel. “Gilding Among the Grime.” Financial Times, p. 10. 2011 ------. “Rachel Whiteread.” Art Economist, vol. 1, Issue 2, p. 37. Archey, Karen. “The Armory, ADAA The Art Show, and Independent: New York Art Fair Week.” art-agenda Online. Goodin, Analisa Violich. “Rachel Whiteread and the Emptiness Between Walls.” Taxi, vol. 4, pp. 88-95. Frankel, David. “Rachel Whiteread: Luhring Augustine, New York.” Artforum, XLIX, No. 10, p. 400. Johnson, Ken. “The Uncluttered Look Has Its Day.” New York Times, March 3, p. C24. Kent, Sarah. “Rachel Whiteread.” Art + Auction, pp. 7, 58-64. Kronthaler, Helmut. “Kunstler im Marktcheck.” Art Investor, April, pp. 70–71. Mason, Brook S. “Manhattan’s ADAA Art Show and Armory Show set to dazzle international collectors.” Art Economist, vol. 1, Issue 3, p. 49. Rosenberg, Karen. “Art in Review: “The House Without the Door.” New York Times, July 29, p. C26. 2010 ------. “Drawings at UCLA Hammer Museum.” Los Angeles Times, Feb. ------. “Review of reviews: Art.” The Week, Feb. 26. Bloom, Rebecca. “Ch-ch-ch-CHANGES.” LA Confidential, Jan–Feb. Campbell, Peter. “At Tate Britain.” London Review of Books, Oct. 7, p. 30. Cotter, Holland. “Mind and Matter: Alternative Abstractions, 1940s to Now.” New York Times, June 18, p. C27. Cummings, Laura. “Rachel Whiteread: Drawings.” Observer, Sept. 12. Desai, Prajna. “Rachel Whiteread, Casting Rhetoric Aside.” Art in America, April. Esplund, Lance. “Better in Three Dimensions.” Wall Street Journal, July 8. Emerling, Susan. “Rachel Whiteread.” Border Crossings, vol. 29, no. 3, Issue No. 115, Sept. Glover, Michael. “Rachel Whiteread: Drawings, Tate Britain, London.” Independent, Sept. 8. Jones, Jonathan. “Ian McEwan, Rachel Whiteread and the frozen north.” Guardian, April 15. Knight, Christopher. “Art Review ‘Rachel Whiteread Drawings’ at UCLA Hammer Museum.” Los Angeles Times, Feb. 7. Heathcote, Edwin. “Treasure Hunting...with the FT Rachel Whiteread.” FT Weekend Magazine, Dec. 11, pp. 44-46. Mason, Brook S. “Working Women Artists: 2011 Status Report.” Art Economist, vol.1, Issue 4, p. 12, 14. Muchnic, Suzanne. “Inside Rachel Whiteread's Drawing Room.” Los Angeles Times, Feb. Perry, Colin. “The Surreal House.” Frieze, Issue 134, pp. 232–3. Pesenti, Allegra. Art and Auction, Jan., p. 20. Robecchi, Michele. “Sensation: Controversial and Memorable,” Flash Art, Vol. XLIII, no. 274, p. 71. Sawayama, Ryo. “The MVP Guide of Contemporary Artists: Sculpture. Rachel Whiteread.” Geisai, no. 14, March 14, p. 140. Searle, Adrian. “Rachel Whiteread: Through the eyes of a child.” Guardian, Sept. 6, G2, p. 21. Sholis, Brian. Artforum, no. 5, p. 92. Walling, Mary Blackburn. “Critic's Picks.” Artforum.com, March. Zohn, Patricia. “Culture Zohn Off the C_H_uff’ Curator Allegra Pesenti Takes Us Behind the Scenes at the Hammer Museum.” Huffington Post. 2009 Luke, Ben. “Rachel Whiteread.” Art World, Issue 10, April-May 2009, pp. 62–7.

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Muchnic, Suzanne. “Faces to Watch in 2010: Art. Rachel Whiteread, Artist.” Los Angeles Times, Dec. 24. Ruud, Claire. “The Lining of Forgetting: Austin Museum of Art,” ...might be good.” www.fluentcollab.org, Issue 124, June 19. 2008 ------. “Arte Contemporanea. La Biblioteca Di Repubblica.” L’Espresso/Electa, pp. 28, 172–3. ------. “Size Matters.” Art World, June-July, Issue 5, pp. 131–3. ------. “Sonsbeek 2008: Grandeur.” Edited and designed by Cornel Bierens Coggins, David. “Rachel Whiteread at Museum of Fine Arts.” Art in America, Jan, p. 116. Drohojowska-Philip, Hunter. “Pale Fire.”Artnet online, Dec. Hattenstone, Simon. “Ghosts of childhood past.” Guardian, May 10. Iracheta, Maité. “Vacíos Fértiles: Cuando lo inexistente opera como un principio.” Fahrenheit: Arte contemporáneo, April-May, no. 28, pp. 14-17. Kugel, Seth. “Curators Point the Way to Hidden Treasures.” New York Times, April 27, p. 12. Luke, Ben. “Rachel Whiteread: Ghost Town.” Art World. Issue 3, Feb.-March, pp. 52-59. Miles, Christopher. “Art Around Town.” La Weekly, Dec. 3. Ollman, Leah. “Review: Rachel Whiteread at Gagosian Gallery.” Los Angeles Times, Nov. 14. Rappolt, Mark. “Through the Keyhole: Psycho Buildings.” Art Review, Issue 23, June, p. 42. Rosenberg, Karen. “Hidden Corners of the Neighboorhood.” New York Times, Oct. Stange, Raimar. “Weathermen: Climate Change and Contemporary Art.” Flash Art, vol. XLI, no. 260, May–June, pp. 134-136. Vogel, Carol. “Guggenheim Chooses a Curator, Not a Showman.” New York Times, Sept. 23. 2007 ------. “Rachel Whiteread.” NY Arts Magazine International, vol. 11, no. 11-12. p. 224. ------. “On the Town.” ArtReview, Issue 09, March, p. 156. Akbar, Arifa. “Tate admits need to buy more work by women artists.” Independent, March 26. Eccher, Danilo. “La Città Che Salle: We Try to Build the Future.” Mondadori Electa (Milan), pp. 136–41. Harper, Glenn, and Twylene Moyer. "Mapping Traces: Rachel Whiteread." Conversations on Sculpture. Hirsch, Annabelle, et al. “States of Matter: Sculptural sublimations in a state of flux.” Sleek Magazine, Issue 14, spring, pp.107–8. Howell, Rachael. “Perceiving is believing.” The Spectrum, Jan. 29. Macdam, Barbara A. “Where the Great Women Artists Are Now.” ARTnews, vol. 106, no. 2. Feb, p. 116. Madoff, Steven Henry. “No True North.” Art + Auction, Sept, p. 96. Mottram, Jack. “Turner-winner’s best-laid scheme.” Herald (London), Aug. 3. Pitcher, Cheri. “Profile: Fine Arts. Rachel Whiteread.” Creative Quarterly, pp. 8– 13. Stevens Mark. “Plato’s Retreat.” New York Magazine, Feb. 26, p. 128. 2006 ------. “Preview: Rachel Whiteread at Kunsthalle, Bonn,” Tema Celeste, Sept.- Oct., p. 105. ------. “The Guggenheim Collection at Kunsthall, Bonn.” Tema Celeste 117, Sept.-Oct. p. 105. ------. “What’s On. United States.” Art Newspaper, March, p. 2.

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Bumpus, Judith. “Rachel Whiteread Reveals the Songs That Inspire Her.” Art Newspaper, April, p. 42. Cogard, Karl. “Rachel Whiteread: le moulage comme sculpture.” LES CAHIERS du Musée national d’art moderne 96, Centre Pompidou Magazine, pp. 4-29. Cohen, David. “Gallery-Going.” New York Sun, March 2. Charlesworth, J.J. “The Game of Power.” ArtReview, Nov., p.62. Dyer, Richard. “News: Rachel Whiteread at Tate Modern.”Contemporary, issue 78, p. 11. Thornton, Sarah. “Power 100.” ArtReview, Nov.-Dec., p. 104. Johnson, Ken. “Review: Bibliography.” New York Times, March 10, p. 32. Jones, Jonathan. “Into the White.” Guardian, Dec. 18. Kuspit, Donald. “Rachel Whiteread.” (review) Artforum, May 2006. No. 9, p. 289. Lambert-Beatty. “Part Object Part Sculpture.” (review), Artforum, Feb., No. 6, p. 203. McKee, Lauren. “Whiteread’s big white boxes.” (review) am New York, Issue 43, vol. 4, March 1, p. 20. Mcnulty, Timothy. “Carnegie sculpts co-purchase with gallery in Buffalo.” Pittsburgh Post-Gazette, Jan. 13, p. A1. Nochlin, Linda.”Bathtub Reading.” ARTnews, vol. 105, no. 8, Sept., p. 110. Self, Will. “Art for fiction’s sake.” Tate Etc., Issue 8 (autumn 2006), p. 84 Solomon, Deborah. “Space Invader.” New York Times Style Magazine, pp. 132–3, 152. Richer, Francesca and Matthew Rosenzweig, “No.1 First Works by 362 Artists.” d.a.p., New York. Ruiz, Christina and Buck, Louisa. “Revealed: where the Sensation art is now.” Art Newspaper, Oct., pp. 36–40 Whiteread, Rachel. “Play Plax.” Another Magazine, (Another Thing I Wanted to Say), p. 94. 2005 ------. “I feel like an astronaut.” Guardian (London), March 16, p 10. ------. “Rachel Whiteread Competition.” Observer (London), Oct. 30, p. 8. ------. “Britain’s biggest art mystery was solved yesterday.” Guardian (London), Oct. 11, p. 8. ------. “News & Around: Rachel Whiteread at Kunsthaus Bregenz”. Tema Celeste, May-June, Issue 109, p. 107. Aspden, Peter. “Let’s tick all the boxes.” Financial Times (London), Oct. 22, p. 46. Aspden, Peter. “Moving story behind Tate’s jagged landscape.” Financial Times, Oct. 11.p. 6. Alberge, Dalya. “Tate chooses house artist.” The Times (London), March 4, p. 27. Alberge, Dalya. “Turbine artist thinks inside the box.” The Times (London), Oct. 11, p. 37. Allen, Greg. “The X Factor.” New York Times, May 1, p. 1, 42. Barber, Lynn. “Boxing Clever.” Observer (London), Oct. 16, p. 7. Barton, Laura. “Sneaking a peek at the Tate’s new installation.” Guardian (London), Oct. 3, p. 2. Beatty, Emma. “Rachel Whiteread is next, but where are the other Turbine Hall commissions now?” Art Newspaper, April, p. 22. Buck, Louisa. “The mistress of negative space.” Art Newspaper, no. 163, Nov., p.38. Chapman, Peter. “Art: Private View.” Independent (London), Nov. 12, p. 14. Christen, Michael. “Die Greifbare Leere.” Schweriner Volkszeitung, Nov. 11, p. 5. Coombes, Clare. “Profile: Rachel Whiteread.” Art & Architecture Journal, autumn. Dorment, Richard. “A vision unpacked.” Daily Telegraph. Oct. 11, p. 25.

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Erichsen, Karin. “Die Luft jenseits der Dinge.” Schweriner Volkzeitung, Dec. 19, Vol 5, p. 7. Farley, Paul. “A World Turned Inside Out.” ArtReview, Oct., special supplement, pp. 9–11. Falconer, Morgan. “A Space Odyssey.” ArtReview, Oct., special supplement, pp. 13-15. Field, Marcus. “The artist who wants to concrete the Tate.” Independent (London), Oct. 9, p. 12. Foster, Alistair. “One lump or 14,000…at the Tate gallery.” Evening Standard (London), Oct 10, p. 17. Gale, Iain. “ Boxing Clever at the Tate.” Scotland on Sunday, Nov. 27, p. 8. Higgins, Charlotte. “Whiteread cast to star in Tat Modern’s big space.” Guardian (London), March 4, p. 15. Jury, Louise. “Whiteread’s 14,000 white boxes divide the critics.” Independent (London), Oct. 12, p. 18. Kent, Sarah. “Review: Rachel Whiteread at Tate Modern.”Time Out (London), Oct. 26, p. 38. Kent, Sarah. “Two on one.” Time Out (London), Feb. 2–9. Kydd, Johnnie Shand. “Breaking the Ice.” ArtReview, Oct., special supplement, pp. 4–7. Perry, Grayson. “How do you make a great piece of public sculpture?” Times (London), Nov. 30, p. 20. Searle, Adrian. “A view of a mind at work.” Guardian (London), Oct. 11, p. 1. Sutcliffe, Thomas. “What’s in a name? Quite a lot.” Independent (London), Oct. 14. Leitch, Luke. “Sugar cube art at Tate.” Evening Standard (London), Oct. 10, p. 3. Leitch, Luke. “ winner takes on the Tate’s Turbine Hall.” Evening Standard (London), March 3, p. 7. Lubbock, Tom. “ at the Tate.” Independent (London), Oct. 11. Mouland, Bill. “The Tate & Lyle?” Daily Mail (London), Oct. 11. Mullins, Charlotte. “Whiteread squares up to the Turbine Hall.” Financial Times (London), Oct. 3. Sewell, Brian. “A clever exploration of space?” Evening Standard (London), Oct. 10, p. 3. Wiant, Jenn. “Whiteread fills London’s Tate Modern.” Associated Press Online, Oct. 10. 2004 Baker, Kenneth. “Touching the void--empty spaces are artist’s blank slate,” San Francisco Chronicle, May 6, pp. E1, E12. Bunting, Chris and James Burleigh. “What has become of the masterpieces of Britart?” Independent (London), Jan. 17, pp. 12–3. Cassidy, Sarah. “Whiteread’s Art Studio may be Torn Down to Build City Academy.” Independent (London), July 29, p. 22. Hensher, Philip. “Never Tell an Artist What to Do.” Independent (London), July 23, p. 5. Jury, Louise. “The Turner Prize: What became of past winners?” Independent (London), Dec. 6, pp. 12–3. Kent, Sarah. “Critical Mass.” Time Out (London), Sept. 8–15. Lyall, Sarah & Vogel, Carol. “Pangs of Loss To Art World After a Fire.” New York Times, May 28, pp. E29, E32 Richard, Paul. “In the Anti-Room, No One’s Home.” Washington Post, Nov. 8, pp. C1, C8. Sweet, Matthew. “Model Artist.” Independent Magazine, Dec. 11.

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Sweet, Matthew. “Rachel Whiteread: Model Artist.” Independent (London), Dec. 11, pp. 12–6. Vogel, Carol. “Wandering Room Finds a Home.” New York Times, Oct. 15. 2003 ------. “A dama inglesa.” Segundo Caderno (Brazil), Dec. 2, p. 1. ------. “Objects of Desire.” Visuell (Deutshe Bank). ------. “Goings on About Town." New Yorker, March 17, p. 42. ------. “Off Limits. 40 Artangel Projects.” Merrel, pp. 68, 78–83. ------. “Pletskud. Vaerker Fra Atrup Fernely Samlingen.” Arken Museum of Modern Kunst, 2003, pp. 72–5. ------. “Rachel Whiteread.” Haunch of Venison, No. 1, pp. 2-3, 11. Buskirk, Martha. “The Contingent Object of Contemporary Art.” MIT Press, pp. 97- 99. Clem, Chivas. “Rachel Whiteread.”Time Out (New York), Feb. 27-March 6, p. 65. Craig, Patsy. “Making Art Work.”Trolley, pp. 48–9. E.B. “Days like these: Tate triennial of contemporary British Art, Tate Britain.” Art Newspaper, No. 133, p. 13. Fishner-Rathus, Lois. “Understanding Art.” Seventh Edition, Thomsom Wadsworth, p. 37. Ferris, Alisson. “Disembodied Spirits: Spirit Photography and Rachel Whiteread’s Ghost.” Art Journal, pp. 45–53. Kalb, Peter. “H.H. Arnason. History of Modern Art. Painting Sculpture, Architecture, Photography.” Fifth Edition, Prentice Hall, Inc., p. 756. Kyriacou, Sotiris. "Previews." Contemporary, Issue no. 47/48, p. 40. Landi, Ann. “Who Are the Great Women Artists?” ARTnews, pp. 94-97. Levin. “Rachel Whiteread.” Village Voice, March 12–8, p. 72. Mac Adam, Alfred. “Rachel Whiteread. Luhring Augustine.” ARTnews, p. 515 Mar, Alex. New York Sun, March 20, p. 15. Menin, Samuele & Sansone, Valentina. "Sculpture Forever." Flash Art, p.129. Stewart, Amy Smith. "Rachel Whiteread; Luhring Augustine." Flash Art, May– June, p. 92. Smith, Roberta. “Rachel Whiteread.” New York Times Art Reviews, March 20, p. E40. T. Matthews, Roy & DeWitt Platt, F. “The Age of Anxiety and Beyond. The End of Modernism and the Birth of Post-Modernism.” Western Humanities, McGraw Hill, Fifth edition, p. 624. Younge, Gary. "Much Ado About Nothing." Art Paper, p. 16–21.

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