El Chicano Celebration Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

El Chicano Celebration mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Latin / Funk / Soul Album: Celebration Country: Canada Released: 1972 Style: Fusion, Soul, Funk MP3 version RAR size: 1601 mb FLAC version RAR size: 1842 mb WMA version RAR size: 1660 mb Rating: 4.1 Votes: 326 Other Formats: MP4 MMF AC3 RA VQF AUD MPC Tracklist Hide Credits Viva Tirado Otra Vez A1 1:20 Written-By – Gerald Wilson Mas Zacate A2 3:47 Written-By – El Chicano Brown-eyed Girl A3 3:55 Written-By – Van Morrison El Grito A4 5:13 Written-By – El Chicano Satisfy Me Woman A5 5:42 Written-By – Bob Espinosa*, John DeLuna La Cucuracha B1 0:22 Written-By – Trad.* Juntos B2 3:52 Written-By – El Chicano Señor Blues B3 6:45 Written-By – Horace Silver In A Silent Way B4 3:00 Written-By – Joe Zawinul I Feel Free B5 4:19 Written-By – Jack Bruce, Brown* Credits Arranged By – El Chicano Bass – Freddie Sanchez Congas – Andre Baeza*, Max Garduno Drums – John DeLuna Flute – Max Garduno Guitar – Mickey Lespron Keyboards – Bob Espinosa* Photography – Eddie Caballero, Richard Rankin Producer – Don Buday Recorded By – Val Christian Garay* Timbales – Rudy Regalado Vocals – Bobby Espinosa, Fred Sanchez*, John DeLuna, Max Garduno, Rudy Salas, Steve Salas Notes Special thanks to; Archie Sullivan, Fernando Igoshi, Maya, Eddie Mora, Richard Leos, Kabuki Lounge, Dave Hassinger and the staff at The Sound Factory and especially to Val (in and beyond the call of duty) Garay. P © 1972 MCA Records. Manufactured and Distributed by MCA Records (Canada) Other versions Category Artist Title (Format) Label Category Country Year El Celebration (LP, KAPP KS 3663 KS 3663 US 1972 Chicano Album) Records El Celebration (LP, MCA MCALP-600.015 MCALP-600.015 Brazil 1972 Chicano Album) Records El Celebration (LP, MCA MCA-74 MCA-74 US 1972 Chicano Album) Records El Celebration (LP, GOLP 3031 GOLD GOLP 3031 US Unknown Chicano Album) Sami , LPS-061, S-1013, El Celebration (LP, Sami , LPS-061, S-1013, Venezuela 1972 KS-3663 Chicano Album) KAPP KS-3663 Records Related Music albums to Celebration by El Chicano El Chicano - The Best Of Everything El Chicano - Viva! El Chicano Their Very Best El Chicano - Revolución El Chicano - Viva Tirado / Cantaloupe Island El Chicano - Viva Tirado El Chicano - El Chicano Hunk Of Funk - Chicano Brother Chicano Batman - Chicano Batman.

Copy Link

Recommended publications

DOCUMENT RESUME Chicano Studies Bibliography
DOCUMENT RESUME ED 119 923 ric 009 066 AUTHOR Marquez, Benjamin, Ed. TITLE Chicano Studies Bibliography: A Guide to the Resources of the Library at the University of Texas at El Paso, Fourth Edition. INSTITUTION Texas Univ., El Paso. PUB DATE 75 NOTE 138p.; For related document, see ED 081 524 AVAILABLE PROM Chicano Library Services, University of Texas at El Paso, El Paso, Texas 79902 ($3.00; 25% discount on 5 or more copies) EDRS PRICE MF-$0.83 HC-$7.35 Plus Postage DESCRIPTORS Audiovisual Aids; *Bibliographies; Books; Films; *library Collections; *Mexican Americans; Periodicals; *Reference Materials; *University Libraries IDENTIFIERS Chicanos; *University of Texas El Paso ABSTRACT Intended as a guide to select items, this bibliography cites approximately 668 books and periodical articles published between 1925 and 1975. Compiled to facilitate research in the field of Chicano Studies, the entries are part of the Chicano Materials Collection at the University of Texas at El Paso. Arranged alphabetically by the author's or editor's last name or by title when no author or editor is available, the entries include general bibliographic information and the call number for books and volume number and date for periodicals. Some entries also include a short abstract. Subject and title indices are provided. The bibliography also cites 14 Chicano magazines and newspapers, 27 audiovisual materials, 56 tape holdings, 10 researc°1 aids and services, and 22 Chicano bibliographies. (NQ) ******************************************14*************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available.
[Show full text]
The 112Th World Series Chicago Cubs Vs. Cleveland Indians Saturday, October 29, 2016 Game 4 - 7:08 P.M
THE 112TH WORLD SERIES CHICAGO CUBS VS. CLEVELAND INDIANS SATURDAY, OCTOBER 29, 2016 GAME 4 - 7:08 P.M. (CT) FIRST PITCH WRIGLEY FIELD, CHICAGO, ILLINOIS 2016 WORLD SERIES RESULTS GAME (DATE RESULT WINNING PITCHER LOSING PITCHER SAVE ATTENDANCE Gm. 1 - Tues., Oct. 25th CLE 6, CHI 0 Kluber Lester — 38,091 Gm. 2 - Wed., Oct. 26th CHI 5, CLE 1 Arrieta Bauer — 38,172 Gm. 3 - Fri., Oct. 28th CLE 1, CHI 0 Miller Edwards Allen 41,703 2016 WORLD SERIES SCHEDULE GAME DAY/DATE SITE FIRST PITCH TV/RADIO 4 Saturday, October 29th Wrigley Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio 5 Sunday, October 30th Wrigley Field 8:15 p.m. ET/7:15 p.m. CT FOX/ESPN Radio Monday, October 31st OFF DAY 6* Tuesday, November 1st Progressive Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio 7* Wednesday, November 2nd Progressive Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio *If Necessary 2016 WORLD SERIES PROBABLE PITCHERS (Regular Season/Postseason) Game 4 at Chicago: John Lackey (11-8, 3.35/0-0, 5.63) vs. Corey Kluber (18-9, 3.14/3-1, 0.74) Game 5 at Chicago: Jon Lester (19-5, 2.44/2-1, 1.69) vs. Trevor Bauer (12-8, 4.26/0-1, 5.00) SERIES AT 2-1 CUBS AT 1-2 This is the 87th time in World Series history that the Fall Classic has • This is the eighth time that the Cubs trail a best-of-seven stood at 2-1 after three games, and it is the 13th time in the last 17 Postseason series, 2-1.
[Show full text]
The 112Th World Series Chicago Cubs Vs
THE 112TH WORLD SERIES CHICAGO CUBS VS. CLEVELAND INDIANS SUNDAY, OCTOBER 30, 2016 GAME 5 - 7:15 P.M. (CT) FIRST PITCH WRIGLEY FIELD, CHICAGO, ILLINOIS 2016 WORLD SERIES RESULTS GAME (DATE RESULT WINNING PITCHER LOSING PITCHER SAVE ATTENDANCE Gm. 1 - Tues., Oct. 25th CLE 6, CHI 0 Kluber Lester — 38,091 Gm. 2 - Wed., Oct. 26th CHI 5, CLE 1 Arrieta Bauer — 38,172 Gm. 3 - Fri., Oct. 28th CLE 1, CHI 0 Miller Edwards Allen 41,703 Gm. 4 - Sat., Oct. 29th CLE 7, CHI 2 Kluber Lackey — 41,706 2016 WORLD SERIES SCHEDULE GAME DAY/DATE SITE FIRST PITCH TV/RADIO 5 Sunday, October 30th Wrigley Field 8:15 p.m. ET/7:15 p.m. CT FOX/ESPN Radio Monday, October 31st OFF DAY 6* Tuesday, November 1st Progressive Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio 7* Wednesday, November 2nd Progressive Field 8:08 p.m. ET/7:08 p.m. CT FOX/ESPN Radio *If Necessary 2016 WORLD SERIES PROBABLE PITCHERS (Regular Season/Postseason) Game 5 at Chicago: Jon Lester (19-5, 2.44/2-1, 1.69) vs. Trevor Bauer (12-8, 4.26/0-1, 5.00) Game 6 at Cleveland (if necessary): Josh Tomlin (13-9, 4.40/2-0/1.76) vs. Jake Arrieta (18-8, 3.10/1-1, 3.78) SERIES AT 3-1 CUBS AND INDIANS IN GAME 5 This marks the 47th time that the World Series stands at 3-1. Of • The Cubs are 6-7 all-time in Game 5 of a Postseason series, the previous 46 times, the team leading 3-1 has won the series 40 including 5-6 in a best-of-seven, while the Indians are 5-7 times (87.0%), and they have won Game 5 on 26 occasions (56.5%).
[Show full text]
Actividades Y Recursos ¿Qué Es Latin Music USA? Es Carlos Santana, Gloria Estefan, Tito Puente, Selena, Shakira, Marc Anthony, Los Lobos
¡Escucha! ¡Explora! ¡Descubre! Actividades y recursos ¿Qué es Latin Music USA? Es Carlos Santana, Gloria Estefan, Tito Puente, Selena, Shakira, Marc Anthony, Los Lobos. Ritmos irresistibles, la cadencia del conguero y las alegres melodías del acordeón tejano. Es todo eso y mucho, mucho más. Descubre las fascinantes fusiones de música, idioma y cultura que han elevado la música latina a la cúspide de los mayores éxitos de acogida y venta en Estados Unidos. Te invitamos a ver Latin Music USA el lunes, 12 de octubre y el lunes, 19 de octubre 9pm (hora del este) u 8pm (hora central) por PBS confírmalo en tu horario local pbs.org/latinmusicusa Aquí hallarás Los sonidos y las voces de Latin Music USA página 3 Actividades para hacer con los amigos y la familia página 7 Te invitamos a ver Latin Music USA el lunes, 12 de Libros y música para los niños octubre y el lunes, 19 de octubre a las at 9pm (hora página 8 del este) u 8pm hora central por PBS confírmalo en tu horario local Selección de sitios web, pbs.org/latinmusicusa Acude al sitio de Latin Music USA películas y libros en Internet para escuchar la música, ver los videos y aprender página 9 más sobre la música y los artistas que se destacan en la serie. Latin Music USA se podrá ver en Internet a partir del 19 de octubre de 2009. Miniexamen sobre Latin Music USA Nota: En algunos episodios se tratan temas que quizás no sean aptos para todos los públicos. página 11 Podrás adquirir Latin Music USA en DVD en ShopPBS.org a partir del otoño.
[Show full text]
HALE's Meibbor of Tho Aodit Ami a Mue Womay
V ■ ' ^ ' >' ','! TUESDAY, AUGUST 31, 1964 -------------- SIXTEEN Averua Daily Net Press Boo r rw the Week Badod U s m m d h m m Of U. ■- Aogoot 28. 1854 ■1 1 I T i' ,V., Delta Chapter No. 61, Royal Outing Planned Ornmnlly Sfibk Arch Masons, will hold a regular Nurse Graduates' Second Offender 1 0 ,9 7 8 iFrciiii About Town meeting tomorrow eveniw at 7 :S0 TlUauiilFBiFF IwUFuXUU J ■IghL L ott fSOB. in the Masonic Temple. 1 m i« will Skywatch Schedule HALE'S MeiBbor of tho Aodit aMI a mue womaY. Jailed, Fined $100 By Zipser Club Bomob of ClroBlattoa S(»niBa Lodge No.' 23 Order of be no degree work, but th^ busi Mancheiler— A City of ViUage Charm Vas* wdU resume lU monthly ness meeting will be followed by Headquarters meetings Thursday at 8 p.m. at the usual refreshments and socild Frank Naumec, 36, of 9 Dr. G, Wedaeoday, Sept. 1 The Zipser CHub wrill hold its an hour. High Priest Walter S. Broad- was fined $100 .and given a 60-day Midnight—2 a. m ....................Volunteers Needed nual outing Sunday, Sept. 5, ati FOR the Orange Hall. All past chair VOL. LXX ni, NO. 289 (ClaMflM AivertMng an Paga IS) MANCHESTER, CONN„ WEDNESDAY, SEPTEMBER 1, 1954 (’TWENTY PAGES) P R IC E F I V * men of the Lodge are urged to at- well would like to welcome a large term in the cotuity Jail last night 2 a. m.—4 a. m. , ............ ...... Volunteeie Needed the Garden Grove.' The commit number of members at this first in Ellington Justice Court.
[Show full text]
PST LA LA Exhibition Descriptions Images 1.22.2018 SPANISH
DESCRIPCIONES DE LAS EXPOSICIONES PARTICIPANTES * Programación de artes escénicas 18th Street Arts Center A Universal History of Infamy: Virtues of Disparity Como parte de su colaboración con el LACMA en A Universal History of Infamy , una exposición enfocada en prácticas artísticas alternativas en Latinoamérica y los Estados Unidos, 18th Street Arts Center presentará A Universal History of Infamy: Virtues of Disparity , una exposición complementaria que presentará trabajos de menor escala que ofrecen distintas perspectivas sobre el arte contemporáneo globalizado actual. Virtues of Disparity se basa en temas de reproducción y engaño. Las obras presentadas investigarán los defectos de diferentes sistemas de escritura y transcripciones y su controvertida relación con la autenticidad. 18th Street Arts Center también presentará una serie de residencias para artistas y colectivos, entre las cuales se incluyen Dolores Zinny y Juan Maidagan, Mapa Teatro, Naufus Ramírez-Figueroa, y NuMu, las cuales servirán como base para el proyecto A Universal History of Infamy en su totalidad. Los artistas y las cooperativas presentes interactuarán con artistas, escuelas, museos y organizaciones comunitarias locales y, en algunos casos, darán lugar a nuevos trabajos de sitio específico. 9 de septiembre de 2017 – 15 de diciembre de 2017 Caption: Mariana Castillo Deball, El dónde estoy va desapareciendo (fragment), 2011. Indian ink on cotton paper. 10 m x 30 cm. Courtesy of the artist The Academy of Motion Picture Arts and Sciences From Latin America to Hollywood: Latino Film Culture in Los Angeles 1967–2017 The Academy of Motion Picture Arts and Sciences presentará una serie de proyecciones cinematográficas, conversaciones con cineastas y contenido en línea que explora las influencias compartidas de cineastas latinoamericanos e hispanos y la obra que han creado o presentado en Los Ángeles durante el último medio siglo.
[Show full text]
The Battle of Los Angeles: the Cultural Politics of Chicana/O Music in the Greater Eastside
Battle of Los Angeles | 719 The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside Victor Hugo Viesca Chicanos are, when you call yourself that, you know your history, you know where you came from, you know where you need to go. —Yoatl, Aztlán Underground1 I try to find my own Chicana sensibility in the dance. —Martha Gonzales, Quetzal2 ast Los Angeles is the center of a flourishing musical cultural scene with a renewed “Chicana/o” sensibility.3 This scene is being led by a E collective of socially conscious and politically active Latin-fusion bands that emerged in the 1990s, including Aztlán Underground, Blues Experiment, Lysa Flores, Ozomatli, Ollin, Quetzal, Quinto Sol, Slowrider, and Yeska. These groups compose original songs that weave together the sounds of the Ameri- cas, from soul, samba, and the son jarocho to reggae, rumba, and rap. Multilin- gual lyrics in Spanish, English, Cálo, or Nahuatl that speak to themes of urban exile, indigenous identity, and multiracial unity are layered over the music to produce a sonic Chicana/o imaginary of the global city in the twenty-first century.4 Several of the bands within the scene have released full-length al- bums on their own independent record labels such as Xicano Records and Film (Aztlán Underground and Quinto Sol), De Volada Records (Slowrider and Blues Experiment), and Lysa Flores’s Bring Your Love Records (see dis- cography). The bands often collaborate with one another, producing or play- ing on each other’s records and touring on the same bill.
[Show full text]
Seattle, Washington This Book Is Published in Conjunction with the Exhibitionamerican Sabor: Curatorial Team Latinos in U.S
seattle, washington This book is published in conjunction with the exhibitionAmerican Sabor: curatorial team Latinos in U.S. Popular Music, Experience Music Project|Science Fiction Jasen Emmons Museum and Hall of Fame, Seattle, Washington, October 13, 2007– Director of Curatorial Affairs September 7, 2008. Experience Music Project ©2007 Experience Music Project|Science Fiction Museum and Hall of Fame guest curators Marisol Berríos-Miranda, Ph.D. All rights reserved. No part of this publication may be reproduced, Ethnomusicology stored in a retrieval system, or transmitted, in any form or by any Shannon Dudley means: electronic, mechanical, including photocopy, digital recording, Associate Professor, Ethnomusicology or any other information storage and retrieval system, without the University of Washington prior written permission of Experience Music Project|Science Fiction Museum and Hall of Fame. Michelle Habell-Pallán Associate Professor, Women’s Studies University of Washington first edition associate curators Robert Carroll, Ph.C. Design by Jacob McMurray Coordinator of the Seattle Partnership Printed by The Boeing Company in the United States of America for American Popular Music (SPAPM) University of Washington ISBN 10: 0-9779094-1-7 Francisco Orozco, M.A. Ethnomusicology University of Washington back cover image credits Album jacket for Tito Puente King of the Mambo and His Orchestra. curatorial consultants Tico Recording Company, Inc. Leon Gast, Filmmaker 2007.73.31 courtesy of henry medina archives and services Johan Kugelberg, Author and Collector Henry Medina, Henry Medina Archives Hohner two-row, Vienna style accordion, circa 1940s. Rubin Molina, Author 2007.68.1 courtesy of c. l. landin Pablo Yglesias, Author and Deejay Flier for Latin Carnival, featuring Tito Puente, Eddie Palmieri, Ricardo Ray, Willie Bobo, Johnny Colon, Joe Bataan, LeBron brothers, and Mongo experience music project|science fiction musuem and hall of Santamaria at the Manhattan Center, February 9.
[Show full text]
Latino/A Pop Music in the Cultural Mainstream
Seattle University School of Law Digital Commons Faculty Scholarship 1-1-2001 Will the Wolf Survive?: Latino/a Pop Music in the Cultural Mainstream Steven W. Bender Follow this and additional works at: https://digitalcommons.law.seattleu.edu/faculty Part of the Law and Society Commons Recommended Citation Steven W. Bender, Will the Wolf Survive?: Latino/a Pop Music in the Cultural Mainstream, 78 DENV. U. L. REV. 719 (2001). https://digitalcommons.law.seattleu.edu/faculty/357 This Article is brought to you for free and open access by Seattle University School of Law Digital Commons. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Seattle University School of Law Digital Commons. For more information, please contact [email protected]. WILL THE WOLF SURVIVE?:* LATINO/A POP MUSIC IN THE CULTURAL MAINSTREAM STEVEN W. BENDER* 2 The American' news media dubbed 1999 as the year of the Latino based almost entirely on the runaway sales success3 and appeal4 of La- *. Titled after track number 11 of the same name from Los Lobos' debut album in 1984 How Will the Wolf Survive? Los LOBos, How WILL THE WOLF SURVIVE (Wea/Warner Bros. 1984). That track is an anthem of hope for cultural and spiritual survival in a challenging and changing America, as is the less hopeful Los Lobos tune One Time, One Night [In America] from 1987. Los LOBOS, One Time, One Night, on BY THE LIGHT OF THE MOON (Wea/Warner Bros. 1987). **. Associate Professor of Law, University of Oregon School of Law. Thanks to the partici- pants at LatCrit V where I presented this paper as part of the plenary Multi/Cultural Artistic Re/Presentations in Mass Media: Capitalism, Power, Privilege and Cultural Production.
[Show full text]
Latino/A Pop Music in the Cultural Mainstream
Denver Law Review Volume 78 Issue 4 Latcrit V Symposium - Class in LatCrit: Theory and Praxis in a World of Economic Article 12 Inequality December 2020 Will the World Survive: Latino/a Pop Music in the Cultural Mainstream Steven W. Bender Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation Steven W. Bender, Will the World Survive: Latino/a Pop Music in the Cultural Mainstream, 78 Denv. U. L. Rev. 719 (2001). This Article is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WILL THE WOLF SURVIVE?:* LATINO/A POP MUSIC IN THE CULTURAL MAINSTREAM STEVEN W. BENDER* 2 The American' news media dubbed 1999 as the year of the Latino based almost entirely on the runaway sales success3 and appeal4 of La- *. Titled after track number 11 of the same name from Los Lobos' debut album in 1984 How Will the Wolf Survive? Los LOBos, How WILL THE WOLF SURVIVE (Wea/Warner Bros. 1984). That track is an anthem of hope for cultural and spiritual survival in a challenging and changing America, as is the less hopeful Los Lobos tune One Time, One Night [In America] from 1987. Los LOBOS, One Time, One Night, on BY THE LIGHT OF THE MOON (Wea/Warner Bros. 1987). **. Associate Professor of Law, University of Oregon School of Law. Thanks to the partici- pants at LatCrit V where I presented this paper as part of the plenary Multi/Cultural Artistic Re/Presentations in Mass Media: Capitalism, Power, Privilege and Cultural Production.
[Show full text]
The Chicano Theatre Movement and Actor Training in the United States
FROM LA CARPA TO THE CLASSROOM: THE CHICANO THEATRE MOVEMENT AND ACTOR TRAINING IN THE UNITED STATES Dennis Sloan A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2020 Committee: Jonathan Chambers, Advisor Tim Brackenbury Graduate Faculty Representative Angela K. Ahlgren Cynthia Baron © 2020 Dennis Sloan All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor The historical narrative of actor training has thus far been limited to the history of Eurocentric actor training. Put another way, it has been predominantly white. While the history of actor training has been understudied in general, the history of training for actors of color has been almost non-existent. Yet scholars including Alison Hodge and Mark Evans have made direct links between actor training and both the evolution of theatre and the development of personal, artistic, and socio-political worldviews. Since the recorded history of actor training focuses almost exclusively on white practitioners, however, this history privileges the experiences and perspectives of white practitioners over those of color. Rooted in the argument that a history of actor training based so exclusively on whiteness is incomplete and inaccurate, this dissertation explores the history of actor training for Latinx actors, especially those who participated in and came out of the Chicanx Theatre Movement of the 1960s and 1970s, and who went on to engage in other training programs afterwards. Relying primarily on original archival research, I document multifaceted attempts to train Latinx actors in the United States in the mid- to late twentieth century.
[Show full text]
Oral History Interview with Willie Herrón, 2000 Feb. 5-Mar. 17
Oral history interview with Willie HerroÌn, 2000 Feb. 5-Mar. 17 The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Willie Herron on February 5, 2000. The interview took place in Los Angeles, CA, and was conducted by Jeffery Rangel for the Archives of American Art, Smithsonian Institution. Interview SESSION 1, TAPE 1, SIDE A (30-minute tape sides) JEFFREY RANGEL: Okay, this is an interview with Willie Herrón. Today is February 5th, the year 2000. And we're in City Terrace. The interviewer is Jeff Rangel. And let's get going. Let's start at the beginning. I know we were kind of going through the Folsom project in a moment but we'll get to that phenomenon. Why don't you give us a little background about where you were born, where your family is from, things of that nature, the basics. WILLIE HERRON: Well, basically, I was born in East Los Angeles, there right around Floral and what's the cross street? Humphries. There was a small church there that was also a hospital. And it's still there. Santa Marta. But it has since been remodeled. But I was born originally in the small hospital that was I guess there since the forties or so. JEFFREY RANGEL: When was that? WILLIE HERRON: That was in 1951.
[Show full text]