The Structure of Ibibio Death Prevention Names
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A Contrastive Study of the Ibibio and Igbo Sound Systems
A CONTRASTIVE STUDY OF THE IBIBIO AND IGBO SOUND SYSTEMS GOD’SPOWER ETIM Department Of Languages And Communication Abia State Polytechnic P.M.B. 7166, Aba, Abia State, Nigeria. [email protected] ABSTRACT This research strives to contrast the consonant phonemes, vowel phonemes and tones of Ibibio and Igbo in order to describe their similarities and differences. The researcher adopted the descriptive method, and relevant data on the phonology of the two languages were gathered and analyzed within the framework of CA before making predictions and conclusions. Ibibio consists of ten vowels and fourteen consonant phonemes, while Igbo is made up of eight vowels and twenty-eight consonants. The results of contrastive analysis of the two languages showed that there are similarities as well as differences in the sound systems of the languages. There are some sounds in Ibibio which are not present in Igbo. Also many sounds are in Igbo which do not exist in Ibibio. Both languages share the phonemes /e, a, i, o, ɔ, u, p, b, t, d, k, kp, m, n, ɲ, j, ŋ, f, s, j, w/. All the phonemes in Ibibio are present in Igbo except /ɨ/, /ʉ/, and /ʌ/. Igbo has two vowel segments /ɪ/ and /ʊ/ and also fourteen consonant phonemes /g, gb, kw, gw, ŋw, v, z, ʃ, h, ɣ, ʧ, ʤ, l, r/ which Ibibio lacks. Both languages have high, low and downstepped tones but Ibibio further has contour or gliding tones which are not tone types in Igbo. Also, the downstepped tone in Ibibio is conventionally marked with exclamation point, while in Igbo, it is conventionally marked with a raised macron over the segments bearing it. -
Influence of Traditional Art of Africa on Contemporary Art Praxis: the Ibibio Funerary Art Example
International Journal of Art and Art History December 2020, Vol. 8, No. 2, pp. 54-61 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v8n2p5 URL: https://doi.org/10.15640/ijaah.v8n2p5 Influence of Traditional Art of Africa on Contemporary Art Praxis: The Ibibio Funerary Art Example Ime Ukim1, Ph.D Abstract African art, with exception of Egyptian art, has suffered scholastic neglect as only a little scholarship has been done regarding them. This has resulted in the misconception that traditional African art contributes little or nothing to the development of contemporary art. This paper, in an attempt to dispel such misconception, projects an aspect of indigenous Ibibio art praxis - funerary art to reveal Ibibio art culture‟s influence on contemporary art praxis. The objectives are to identify traditional Ibibio funerary art forms; highlight its transformation; and examine its influence on contemporary art praxis. It benefits from analogue and digital library sources, and information sought from interviews of knowledgeable persons in the locality. Findings reveal that traditional Ibibio funerary art forms, which include ekpu carvings, paintings and drawings on ‟Nwommo‟and „Iso Nduongo‟ shrines and ekpo mask carvings, form a bedrock on which a great deal of contemporary art praxis within Ibibio land and its environs rests, as contemporary African art is an extension of traditional African art. The paper, therefore, recommends that more scholastic work be carried out on African art cultures for more revelations of their contributions to the development of contemporary art. -
A Comparative Analysis of the Availability of Information Resources on Ibibio Culture in the University of Uyo and Akwa Ibom State Public Library
Journal of Education and Practice www.iiste.org ISSN 2222-1735 (Paper) ISSN 2222-288X (Online) Vol.6, No.5, 2015 A Comparative Analysis of the Availability of Information Resources on Ibibio Culture in the University Of Uyo And Akwa Ibom State Public Library HENRY ITOHOWO OKON (Ph.D.), JEHU S. SIMON Department of Educational Technology & Library Science, Faculty of Education, University of Uyo, Uyo [email protected] [email protected] INIOBONG AKAI The Library Department, Akwa Ibom State University, Obio Akpa Campus, Akwa Ibom State. [email protected] ABSTRACT This study reports the results of a survey of the available holdings of information resources on Ibibio culture in the University of Uyo Library and Akwa Ibom State Library. The specific objectives of the study were to determine the different size of information resources on funeral, fattening (Mbobo), taboos, myths as well as dissemination in the University of Uyo and Akwa Ibom State Libraries. Survey research design was used for the study. 3,854 information sources in the University of Uyo and Akwa Ibom State Libraries constituted the population of the study, with all estimated 2,276 (100%) forming the sample size of the study. Checklist was used to obtain data for the study. Chi-square was used for the data analysis. The major research findings based on the postulated objectives of the study revealed that there was a significant difference in the information resources available in the University of Uyo Library and Akwa Ibom State Library. The study concluded that libraries must oversee additional problems and increase the acquisition of information resources on Ibibio culture to further cub the dwindling nature of its collection and possible extinction of this information resources. -
An Atlas of Nigerian Languages
AN ATLAS OF NIGERIAN LANGUAGES 3rd. Edition Roger Blench Kay Williamson Educational Foundation 8, Guest Road, Cambridge CB1 2AL United Kingdom Voice/Answerphone 00-44-(0)1223-560687 Mobile 00-44-(0)7967-696804 E-mail [email protected] http://rogerblench.info/RBOP.htm Skype 2.0 identity: roger blench i Introduction The present electronic is a fully revised and amended edition of ‘An Index of Nigerian Languages’ by David Crozier and Roger Blench (1992), which replaced Keir Hansford, John Bendor-Samuel and Ron Stanford (1976), a pioneering attempt to synthesize what was known at the time about the languages of Nigeria and their classification. Definition of a Language The preparation of a listing of Nigerian languages inevitably begs the question of the definition of a language. The terms 'language' and 'dialect' have rather different meanings in informal speech from the more rigorous definitions that must be attempted by linguists. Dialect, in particular, is a somewhat pejorative term suggesting it is merely a local variant of a 'central' language. In linguistic terms, however, dialect is merely a regional, social or occupational variant of another speech-form. There is no presupposition about its importance or otherwise. Because of these problems, the more neutral term 'lect' is coming into increasing use to describe any type of distinctive speech-form. However, the Index inevitably must have head entries and this involves selecting some terms from the thousands of names recorded and using them to cover a particular linguistic nucleus. In general, the choice of a particular lect name as a head-entry should ideally be made solely on linguistic grounds. -
The Structure of Idioms in Ibibio
International Journal of Language and Literature December 2017, Vol. 5, No. 2, pp. 185-196 ISSN: 2334-234X (Print), 2334-2358 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijll.v5n2a19 URL: https://doi.org/10.15640/ijll.v5n2a19 The Structure of Idioms in Ibibio Escor Efiong Udosen1, Imeobong John Offong2 & Maria-Helen Ekah3 Abstract Idioms exist in Ibibio, a Lower Cross language spoken in Nigeria. This paper attempts an investigation of the structure of this figurative language arising from the basis that they are constituents beyond the word. It relies on the Continuity Constraint framework proposed by William O‟Grady in 1998 to explain the relationship that exists among the lexical components of idioms such that they must of a necessity occur with one another to convey the meaning they do, otherwise, the meaning changes. Data were gathered from the interactions of Ibibio speakers who reside in large numbers in Calabar, Cross River State. They were extracted by the researchers‟ native speaker knowledge of the language. It is discovered that sentence idioms which are interrogatives, declaratives and imperatives occur in Ibibio. Compound idioms are also a reality in the language as well as Noun Phrase Idioms. It has also been seen that by virtue of usage, infinitive phrase and Negative constructions exist as idioms in the language. Keywords: Ibibio, Idioms, Infinitive, Phrase, Structure 1.0 Introduction Language is structured. It is a system of signs and symbols which communicate information or messages, ideas and emotions among humans. It is made up of levels which can be analysed scientifically. -
Oral Tradition and Ethnicity in the Creation of New States Sn Nigeria: the Case of Akwa Iboh
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. RESEARCH REVIEW (NS) VOL.8, NOS. 1 & 2, 1992 ORAL TRADITION AND ETHNICITY IN THE CREATION OF NEW STATES SN NIGERIA: THE CASE OF AKWA IBOH F.E.K. Amoah INTRODUCTION One of the major values of contemporary African nationalism is equal rights of the individuals and minorities in a country. The feeling of helplessness in the established socio-political set up often motivates such minorities to try and achieve their goals through their own efforts. In the 1950s the advent of internal self-government in Nigeria brought with it the struggle of minority ethnic groups seeking a measure of autonomy. The idea was resisted by the dominant ethnic groups for as long as possible on the pretext of preserving the unity ofNigeria. This was to a large extent the remote cause of the Nigerian Civil War from 1967 to 1970. Some analysts have ironically labelled it as the 'Nigerian War of Unity' in the sense that it represented the tacit acceptance that true unity could come to Nigeria only when most of its constituent ethnic units genuinely felt that they had a voice in its administration and a stake in its continued existence. Furthermore development planning in the form of sectoral planning on a national basis is not understood by the majority of Nigerians. -
Documenting the Significance of the Ibibio Traditional Marriage Gift Items: a Communicative Approach
International Journal of Language and Linguistics 2014; 2(3): 181-189 Published online April 30, 2014 (http://www.sciencepublishinggroup.com/j/ijll) doi: 10.11648/j.ijll.20140203.17 Documenting the significance of the Ibibio traditional marriage gift items: A communicative approach Bassey Andian Okon 1, Edemekong Lawson Ekpe 1, Stella Asibong Ansa 2 1Department of Linguistics and Communication Studies, University of Calabar, Calabar, Nigeria 2Department of English and Literary Studies, University of Calabar, Calabar, Nigeria Email address: [email protected] (B. A. Okon), [email protected] (E. L. Ekpe), [email protected] (S. A. Ansa) To cite this article: Bassey Andian Okon, Edemekong Lawson Ekpe, Stella Asibong Ansa. Documenting the Significance of the Ibibio Traditional Marriage Gift Items: A Communicative Approach. International Journal of Language and Linguistics. Vol. 2, No. 3, 2014, pp. 181-189. doi: 10.11648/j.ijll.20140203.17 Abstract: Marriage is one of the culture universals being that it is contracted in every society of the world, but its mode of contract varies from one society to the other. This paper unravels the significance and reasons for the traditional marriage gifts in Ibibio traditional marriage. Gifts in general, have meanings attached when given or received but most importantly, they communicate the culture of the people and other forms of emotions. Through this work, the different items given and the significance of the gifts in Ibibio traditional marriage/ culture are shown. The theoretical framework is the semiotic approach which has to do with the science of sign system or signification which is amenable to this paper. -
Print This Article
International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 2 No. 6; November 2013 Copyright © Australian International Academic Centre, Australia Articulatory Analysis of Palatalization in Anaang Mfon Brownson Ekpe English Department, College of Humanities Redeemer’s University, Mowe, Nigeria E-mail: [email protected] Received: 01-08-2013 Accepted: 03-09-2013 Published: 01-11-2013 doi:10.7575/aiac.ijalel.v.2n.6p.155 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.2n.6p.155 Abstract This paper examines the Articulatory features of palatalisation in the phonology of Anaang language. Anaang is a developing language spoken by the Anaang people in Akwa Ibom State of Nigeria. Genetically, Anaang is a Lower Cross Language of the Benue-Congo sub-family of the Niger-Congo Language Phylum. The objectives of the study are to investigate the articulatory features of Anaang and how palatalisation is formed in the language. The population is made of sixteen informants, two from each of the eight local government areas in Anaang speaking areas. Collection of data is based on interviews, participant observation and personal interaction with the informants. In achieving this, fifty items were used from SIL Comparative African Wordlists. Interviews were both formally and informally recorded in a digital midget. Formally, the recordings were done on the knowledge of the informants who were asked to pronounce words in Anaang. Informally, data were recorded unknowingly to the informants in social gatherings. Articulatory Model by Browman & Goldstein (1990) is adopted as the theoretical frame for the analysis. The theory recognizes gestures as abstract, discreet and dynamically defined units which are invariant, but overlap in time due to their internal spatio-temporal organisation. -
The Dynamics of Graphics in Ibibio Traditional Art
International Journal of Art and Art History December 2018, Vol. 6, No. 2, pp. 7-16 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v6n2p2 URL: https://doi.org/10.15640/ijaah.v6n2p2 The Dynamics of Graphics in Ibibio Traditional Art Akaninyene John Sampson1, PhD Abstract From a modernist perspective, it may be difficult to ascribe graphics to any form of traditional African art. This could be due to the embrace of western values by Africans, and of modernity on the one hand, and the overwhelming negative influence of westernization on the diverse African cultural practices, on the other hand. However, many elements of the traditional art forms are imbued with icons and symbols which expressions may be viewed as graphical in nature. This paper looks into the dynamics of graphics in the art of the traditional Ibibio society of Nigeria and attempts to appraise form and content. It is aimed at investigating the various symbolic applications in Ibibio traditional art forms and to establish the degree of graphics inter face with these art forms. The paper expounds the term graphics, identifies, and relates it to, salient properties of graphics in the art products of the traditional Ibibio society. It also examines the manner in which societal norms and social institutions are fundamental to the art forms proportionate to the communicative indices. The methodology for this study includes in situ study, formalism, iconographic studies and library research. The paper concludes that graphics is a crucial index in the arts of the traditional Ibibio society of Nigeria and, indeed, Africa. -
Ibibio Dictionary. Final Report. INSTITUTION Stanford Univ., Calif
CA DOCUMENT RESUME ED 067 960 AUTHOR Kaufman, Elaine Marlowe TITLE Ibibio Dictionary. Final Report. INSTITUTION Stanford Univ., Calif. SPONS AGENCY Institute of International Studies (DHEW/OE) Washington, D.C. BUREAU NO BR-9-7727 PUB DATE Jun 72 CONTRACT OEC-0-9-097727-2473 NOTE 635p, EDRS PRICE MF-$0.65 HC-$23.03 DESCRIPTORS *African Languages; Definitions; *Dictionaries; *English; Form Classes (Languages); Language Classification; *Lexicography; Lexicology; *Vocabulary IDENTIFIERS *Ibibio; Nigeria ABSTRACT More than 4,500 entries are included in this Ibibio dictionary which' is intended for general use by field workers in the Ibibio (Nigeria) area or by professional linguists and anthropologists. Most noun entries include the following subentries: (1) noun phrases in which the head noun is qualified, resulting in a change or clarification of meaning, and (2) adjectives and adverbs derived from the noun. Most demonstrative, adverb, preposition, or conjunction entries include as subentries sentences or phrases illustrating their use. Verb entries have as subentries: (1) sentences illustrating one or more meanings of the verb, especially ones of a peculiar or idiomatic nature, and (2) verbal derivatives including nouns, adjectives, and adverbs. (RL) r",t,t/e107., tUDirA, U.S. DEPARTMENT OF HEALTH, EDUCATION b WELFARE ,CL.6,6.2 MICE OF EDUCATION 49-77;17 THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. ' FINAL REPORT O Cr% O Contract No. °EC-0-9-097727-2413 IBIBIO DICTIONARY Elaine Marlowe Kaufman Stanford University Palo Alto, California June 1972 The research reported herein was performed puilsuant to a contract with the Office of Education, U.S. -
Musical Instruments and Tools of EBRE Festival As Motif on Fabric for Costumes of Identity
www.ijird.com August, 2016 Vol 5 Issue 9 ISSN 2278 – 0211 (Online) Musical Instruments and Tools of EBRE Festival as Motif on Fabric for Costumes of Identity Dr. Pamela I. Cyril-Egware Senior Lecturer, Textiles and Fashion Design, University of Port Harcourt, Choba, Nigeria Uduak Miller Abassah Teacher, Community Secondary School, Obrikom, ONELG, Rivers State, Nigeria Abstract: This research explores musical instruments and tools of Ebre festival as motif on fabricto be identified with the Ebre women's dance group in Akwa Ibom State of Nigeria as costumes for their festival and beyond. Ebre is an Ibibio name for water yam, which the dance group is named after. Ibibio is a majority tribe in Akwa Ibom state. The Ebre dance group was formed as a result of the maltreatment meted on Ibibio women by their husbands, to teach morals and to celebrate a bountiful harvest of water yam which was cultivated traditionally by women. The Ibibio women belong to other groups that use the same acculturated textiles with similar costumes. Hence, this research was motivated by the desire for a unique textile design to distinguish the Ebre festival dance group from other groups. Four Ibibio communities within Etinan Local Government Area of Akwa Ibom State were chosen for this research. Data was collected from primary sources which consist of dancers, instrumentalists and a random selection of women who were interviewed, and secondary sources which include, archival, library and internet sources. These led to the production of samples from sketches to finished fabrics and costumes .Fabric samples were57cm by 74cm,whichwere titled in Ibibio language and taken to the field for critic and acceptance. -
Lexical Aspect and Lexical Saliency in Acquisition of Past Tense- Aspect Morphology Among Ibibio Esl Learners
LEXICAL ASPECT AND LEXICAL SALIENCY IN ACQUISITION OF PAST TENSE- ASPECT MORPHOLOGY AMONG IBIBIO ESL LEARNERS BY WILLIE UDO WILLIE (Under the Direction of Lioba Moshi) ABSTRACT In the last two decades researchers in L2 acquisition research have tested a number of hypotheses that make well defined predictions about the developmental processes involved in L2 acquisition of tense-aspect morphology. Such hypotheses include the Lexical Aspect Hypothesis and the Cognitive Saliency Hypothesis. Lexical Aspect Hypothesis predicts that the lexical semantics of the verbal predicates determines the pattern of acquisition of verbal morphology at the early stages of interlanguage development (Andersen and Shirai 1995; Ayoun and Salaberry 2008; Bardovi-Harlig 2000) while the Cognitive Saliency Hypothesis predicts that the perceptual saliency of the verbal predicates determines the pattern of acquisition of verbal morphology (Salaberry 2000; Hawkins and Lizska 2003). Our aim was to test the joint effects of these two hypotheses in the interlanguage of Ibibio learners of English as a second language (ESL). Ibibio is a language spoken in the southeastern part of Nigeria by about five million speakers. We argue that two distinct but related cognitive processes are involved in the development of inflectional endings in a second language: the lexical-based learning which is operative at the lower levels of proficiency and the rule-based learning which is operative at the higher levels of proficiency. We elicited written narratives from 171 participants organized into six groups sampled from the primary schools, the secondary schools and the universities using three sets of picture stories with each set for each level of education.