Colour Management, Freetype 2 and Other Recent Development
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Open Source License Report on the Product
OPEN SOURCE LICENSE REPORT ON THE PRODUCT The software included in this product contains copyrighted software that is licensed under the GPLv2, GPLv3, gSOAP Public License, jQuery, PHP License 3.01, FTL, BSD 3-Clause License, Public Domain, MIT License, OpenSSL Combined License, Apache 2.0 License, zlib/libpng License, , . You may obtain the complete corresponding source code from us for a period of three years after our last shipment of this product by sending email to: [email protected] If you want to obtain the complete corresponding source code with a physical medium such as CD-ROM, the cost of physically performing source distribution might be charged. For more details about Open Source Software, refer to eneo website at www.eneo-security.com, the product CD and manuals. GPLv2: u-Boot 2013.07, Linux Kernel 3.10.55, busybox 1.20.2, ethtool 3.10, e2fsprogs 1.41.14, mtd-utils 1.5.2, lzo 2.05, nfs-utils 1.2.7, cryptsetup 1.6.1, udhcpd 0.9.9 GPLv3: pwstrength 2.0.4 gSOAP Public License: gSOAP 2.8.10 jQuery License: JQuery 2.1.1, JQuery UI 1.10.4 PHP: PHP 5.4.4 FTL (FreeType License): freetype 2.4.10 BSD: libtirpc 0.2.3, rpcbind 0.2.0, lighttpd 1.4.32, hdparm 9,45, hostpad 2, wpa_supplicant 2, jsbn 1.4 Public Domain: sqlite 3.7.17 zlib: zlib 1.2.5 MIT:pwstrength 2.0.4, ezxml 0.8.6, bootstrap 3.3.4, jquery-fullscreen 1.1.5, jeditable 1.7.1, jQuery jqGrid 4.6.0, fullcalendar 2.2.0, datetimepicker 4.17.42, clockpicker 0.0.7, dataTables 1.0.2, dropzone 3.8.7, iCheck 1.0.2, ionRangeSlider 2.0.13, metisMenu 2.0.2, slimscroll 1.3.6, sweetalert 2015.11, Transitionize 0.0.2 , switchery 0.0.2, toastr 2.1.0, animate 3.5.0, font-awesome 4.3.0, Modernizr 2.7.1 pace 1.0.0 OpenSSL Combined: openssl 1.0.1h Apache license 2.0: datepicker 1.4.0, mDNSResponder 379.32.1 wish), that you receive source reflect on the original authors' GNU GENERAL PUBLIC code or can get it if you want it, reputations. -
B.Casselman,Mathematical Illustrations,A Manual Of
1 0 0 setrgbcolor newpath 0 0 1 0 360 arc stroke newpath Preface 1 0 1 0 360 arc stroke This book will show how to use PostScript for producing mathematical graphics, at several levels of sophistication. It includes also some discussion of the mathematics involved in computer graphics as well as a few remarks about good style in mathematical illustration. To explain mathematics well often requires good illustrations, and computers in our age have changed drastically the potential of graphical output for this purpose. There are many aspects to this change. The most apparent is that computers allow one to produce graphics output of sheer volume never before imagined. A less obvious one is that they have made it possible for amateurs to produce their own illustrations of professional quality. Possible, but not easy, and certainly not as easy as it is to produce their own mathematical writing with Donald Knuth’s program TEX. In spite of the advances in technology over the past 50 years, it is still not a trivial matter to come up routinely with figures that show exactly what you want them to show, exactly where you want them to show it. This is to some extent inevitable—pictures at their best contain a lot of information, and almost by definition this means that they are capable of wide variety. It is surely not possible to come up with a really simple tool that will let you create easily all the graphics you want to create—the range of possibilities is just too large. -
4Typesetting, Viewing and Printing
Typesetting, viewing 4and printing We’ve now got far enough to typeset what you’ve entered. I’m assuming at this stage that you have typed some sample text in the format specified in the previous chapter, and you’ve saved it in a plain•text file with a filetype of .tex and a name of your own choosing. Picking suitable filenames Never, ever use directories (folders) or file names which contain spaces. Although your op• erating system probably supports them, some don’t, and they will only cause grief and tears with TEX. Make filenames as short or as long as you wish, but strictly avoid spaces. Stick to upper• and lower•case letters without accents (A–Z and a–z), the digits 0–9, the hyphen (-), and the full point or period (.), (similar to the conventions for a Web URI): it will let you refer to TEX files over the Web more easily and make your files more portable. Formatting information ✄ 63 ✂ ✁ CHAPTER 4. TYPESETTING, VIEWING AND PRINTING Exercise 4.1: Saving your file If you haven’t already saved your file, do so now (some editors and interfaces let you type• set the document without saving it!). Pick a sensible filename in a sensible directory. Names should be short enough to display and search for, but descriptive enough to make sense. See the panel ‘Picking suitable file• names’ above for more details. 4.1 Typesetting Typesetting your document is usually done by clicking on a button in a toolbar or an entry in a menu. Which one you click on depends on what output you want — there are two formats available: A f The standard (default) LTEX program produces a device•independent (DVI) file which can be used with any TEX previewer or printer driver on any make or model of computer. -
Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
Opentype Postscript Fonts with Unusual Units-Per-Em Values
Luigi Scarso VOORJAAR 2010 73 OpenType PostScript fonts with unusual units-per-em values Abstract Symbola is an example of OpenType font with TrueType OpenType fonts with Postscript outline are usually defined outlines which has been designed to match the style of in a dimensionless workspace of 1000×1000 units per em Computer Modern font. (upm). Adobe Reader exhibits a strange behaviour with pdf documents that embed an OpenType PostScript font with A brief note about bitmap fonts: among others, Adobe unusual upm: this paper describes a solution implemented has published a “Glyph Bitmap Distribution Format by LuaTEX that resolves this problem. (BDF)” [2] and with fontforge it’s easy to convert a bdf font into an opentype one without outlines. A fairly Keywords complete bdf font is http://unifoundry.com/unifont-5.1 LuaTeX, ConTeXt Mark IV, OpenType, FontMatrix. .20080820.bdf.gz: this Vle can be converted to an Open- type format unifontmedium.otf with fontforge and it Introduction can inspected with showttf, a C program from [3]. Here is an example of glyph U+26A5 MALE AND FEMALE Opentype is a font format that encompasses three kinds SIGN: of widely used fonts: 1. outline fonts with cubic Bézier curves, sometimes Glyph 9887 ( uni26A5) starts at 492 length=17 referred to CFF fonts or PostScript fonts; height=12 width=8 sbX=4 sbY=10 advance=16 2. outline fonts with quadratic Bézier curve, sometimes Bit aligned referred to TrueType fonts; .....*** 3. bitmap fonts. ......** .....*.* Nowadays in digital typography an outline font is almost ..***... the only choice and no longer there is a relevant diUer- .*...*. -
Ghostscript and Mupdf Status Openprinting Summit April 2016
Ghostscript and MuPDF Status OpenPrinting Summit April 2016 Michael Vrhel, Ph.D. Artifex Software Inc. San Rafael CA Outline Ghostscript overview What is new with Ghostscript MuPDF overview What is new with MuPDF MuPDF vs Ghostscript MuJS, GSView The Basics Ghostscript is a document conversion and rendering engine. Written in C ANSI 1989 standard (ANS X3.159-1989) Essential component of the Linux printing pipeline. Dual AGPL/Proprietary licensed. Artifex owns the copyright. Source and documentation available at www.ghostscript.com Graphical Overview PostScript PCL5e/c with PDF 1.7 XPS Level 3 GL/2 and RTL PCLXL Ghostscript Graphics Library High level Printer drivers: Raster output API: Output drivers: Inkjet TIFF PSwrite PDFwrite Laser JPEG XPSwrite Custom etc. CUPS Devices Understanding devices is a major key to understanding Ghostscript. Devices can have high-level functionality. e.g. pdfwrite can handle text, images, patterns, shading, fills, strokes and transparency directly. Graphics library has “default” operations. e.g. text turns into bitmaps, images decomposed into rectangles. In embedded environments, calls into hardware can be made. Raster devices require the graphics library to do all the rendering. Relevant Changes to GS since last meeting…. A substantial revision of the build system and GhostPDL directory structure (9.18) GhostPCL and GhostXPS "products" are now built by the Ghostscript build system "proper" rather than having their own builds (9.18) New method of internally inserting devices into the device chain developed. Allows easier implementation of “filter” devices (9.18) Implementation of "-dFirstPage"/"-dLastPage" with all input languages (9.18) Relevant Changes to GS since last meeting…. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
Gutenprint 5.0 User's Manual and Release Notes
Gutenprint 5.0 User's Manual Robert Krawitz March 4, 2007 Gutenprint 5.0 User's Manual Copyright © 2000-2007 Robert Krawitz Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation with no invariant sections, no Front-Cover texts, and no Back-Cover texts. Gutenprint 5.0 is licensed in its entirety under the terms of the GNU General Public License. The CUPS code (in src/cups) is licensed under the terms of the GNU General Public License version 2; the balance of the code is licensed under the terms of the GNU General Public License version 2 or any later version published by the Free Software Foundation. EPSON, ESC/P, and Stylus are registered trademarks of Seiko Epson Corp. ESC/P2 is a trademark of Seiko Epson Corp. All other product names are trademarks and/or registered trademarks of their vendors. 2 Gutenprint 5.0 User's Manual 03/04/2007 Table of Contents 1) Introduction............................................................................................................................................5 1.1) What is Gutenprint?.......................................................................................................................5 1.2) History of Gutenprint.....................................................................................................................5 1.2.1) The early years: Gimp-Print 3.x and 4.0................................................................................5 -
The Journal of AUUG Inc. Volume 21 ¯ Number 1 March 2000
The Journal of AUUG Inc. Volume 21 ¯ Number 1 March 2000 Features: Linux under Sail 8 Aegis and Distributed Development 18 News: It’s Election,Time 11 Sponsorship Opportunities AUUG2K 33 Regulars: Meet the Exec 29 My Home Network 31 Book Reviews 36 The Open Source Lucky Dip 39 Unix Traps and Tricks 45 ISSN 1035-7521 Print post approved by Australia Post - PP2391500002 AUUG Membership and General Correspondence Editorial The AUUG Secretary G~nther Feuereisen PO Box 366 [email protected] Kensington NSW 2033 Telephone: 02 8824 9511 or 1800 625 655 (Toll-Free) Facsimile: 02 8824 9522 Welcome to Y2K. I hope all of you who were involved in the general Emaih [email protected] paranoia that gripped the world, got through unscathed. I spent my New Year watching things tick over - and for the first time at New AUUG Management Committee Year’s, I was glad to NOT see fireworks :-) Emaih [email protected] President: With the start of the year, we start to look to the Elections for the David Purdue AUUG Management Committee. [email protected] Tattersall’s 787 Dandenong Road The AUUG Management Committee (or AUUG Exec) is responsible for East Malvern VIC 3145 looking after your member interests. How AUUG serves you is Its’ primary function. This includes such things as organising the Winter Vice-President: Conference, Symposia around the country, coordinating efforts with Mark White Mark,[email protected] the Chapters, making sure we have enough money to do all these Red Hat Asia-Pacific things, and importantly, making sure that we give you, our Members, Suite 141/45 Cribb Street the best possible value for your Membership dollar. -
Optimization of Fontconfig Library Optimization of Fontconfig Library
Michal Srb OPTIMIZATION OF FONTCONFIG LIBRARY OPTIMIZATION OF FONTCONFIG LIBRARY Michal Srb Bachelor's Thesis Spring 2017 Information Technology Oulu University of Applied Sciences ABSTRACT Oulu University of Applied Sciences Degree Programme in Information Technology, Internet Services Author: Michal Srb Title of the bachelor’s thesis: Optimization of Fontconfig Library Supervisor: Teemu Korpela Term and year of completion: Spring 2017 Number of pages: 39 + 1 appendix Fontconfig is a library that manages a database of fonts on Linux systems. The aim of this Bachelor's thesis was to explore options for making it respond faster to application's queries. The library was identified as a bottleneck during the startup of graphical applications. The typical usage of the library by applications was analyzed and a set of standalone benchmarks were created. The library was profiled to identify hot spots and multiple optimizations were applied to it. It was determined that to achieve an optimal performance, a complete rewrite would be necessary. However, that could not be done while staying backward compatible. Nevertheless, the optimizations applied to the existing fontconfig yielded significant performance improvements, up to 98% speedups in benchmarks based on the real-world usage. Keywords: fontconfig, optimization, benchmarking, profiling 3 CONTENTS 1 INTRODUCTION 6 2 BACKGROUND 7 1.1 Motivation 7 1.2 Fontconfig 8 1.2.1 Function 9 1.2.2 Configuration 11 2 ANALYSIS 12 2.1 Main entry functions 12 2.1.1 FcFontMatch 12 2.1.2 FcFontSort 14 2.1.3 -
Chapter 13, Using Fonts with X
13 Using Fonts With X Most X clients let you specify the font used to display text in the window, in menus and labels, or in other text fields. For example, you can choose the font used for the text in fvwm menus or in xterm windows. This chapter gives you the information you need to be able to do that. It describes what you need to know to select display fonts for use with X client applications. Some of the topics the chapter covers are: The basic characteristics of a font. The font-naming conventions and the logical font description. The use of wildcards and aliases for simplifying font specification The font search path. The use of a font server for accessing fonts resident on other systems on the network. The utilities available for managing fonts. The use of international fonts and character sets. The use of TrueType fonts. Font technology suffers from a tension between what printers want and what display monitors want. For example, printers have enough intelligence built in these days to know how best to handle outline fonts. Sending a printer a bitmap font bypasses this intelligence and generally produces a lower quality printed page. With a monitor, on the other hand, anything more than bitmapped information is wasted. Also, printers produce more attractive print with variable-width fonts. While this is true for monitors as well, the utility of monospaced fonts usually overrides the aesthetic of variable width for most contexts in which we’re looking at text on a monitor. This chapter is primarily concerned with the use of fonts on the screen. -
Cups-Filters-Ippusbxd-2018.Pdf
cups-filters The non-Apple part of CUPS, maintained by OpenPrinting ippusbxd Standards-conforming support for IPP-over-USB printers Till Kamppeter, OpenPrinting Introduction • cups-filters takes up everything from CUPS which Mac OS X does not need (CUPS 1.6.x) Started end of 2011 by OpenPrinting, overtaking most of CUPS’ filters Switched filters over from PostScript-centric to PDF-centric workflow cups-browsed introduced end of 2012, to introduce browsing of DNS- SD-advertised remote CUPS queues, as CUPS dropped its own broadcasting/browsing • In 7 years of development cups-filters improved a lot Auto-create print queues for IPP network and IPP-over-USB printers, especially driverless printing, not competing with CUPS’ own temporary queues. Mobile printing support: No printer setup tool needed, auto-setup of printers, driverless, cups-browsed auto-shutdown Load-balanced printer clusters, with client-side or server-side queueing of jobs Do legacy CUPS broadcasting/browsing to work with old CUPS on remote machines Filters support Ghostscript, Poppler, and MuPDF as PDF interpreter Filters support all PDLs for driverless printing: PDF, Apple Raster, PWG Raster, and PCLm 2 Role of cups-browsed • CUPS auto-generates its own temporary queues to point to remote IPP/CUPS printers, why continue cups-browsed? Printer clustering (like the former Implicit Classes) . Configurable: Automatic (by equal remote queue names) and manual (by cups-browsed.conf) . Load balancing of clustered queues . Auto-selection of destination printer by job and job settings (planned) Fine-grained filtering of which remote printers are available . Not only servers/IP addresses, but also service names.