DOCSLIB.ORG

The Manhattan Transfer Pastiche Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Manhattan Transfer Pastiche Mp3, Flac, Wma The Manhattan Transfer Pastiche mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: Pastiche Country: Germany Released: 1978 Style: Smooth Jazz, Vocal, Swing MP3 version RAR size: 1243 mb FLAC version RAR size: 1472 mb WMA version RAR size: 1811 mb Rating: 4.9 Votes: 887 Other Formats: AUD MP4 MPC WAV XM TTA VOC Tracklist Hide Credits Four Brothers Bass – Andy MusonDrums – Art RodriguezGuitar – Ira NewbornPiano – Jon Mayer A1 Saxophone – Al Cohn, Jimmy Giuffre, Lee Konitz, Lew DelGattoTrombone – David Taylor, 3:47 Hurbie Green*, Wayne AndreTrumpet – Alan Rubin, Marky Markowitz, Marvin Stamm, Randy BreckerWritten-By – Jimmy Giuffre, Jon Hendricks A Gal In Calico Bass – Stu WoodsDrums – Art Rodriguez, Steve GaddElectric Piano [Fender Rhodes] – Don A2 2:41 GrolnickGuitar – Dick Frank, Ira NewbornPercussion – Tommy VigSteel Guitar – Buddy EmmonsVoice [Rodeo Yell] – David Banks Written-By – Arthur Schwartz, Leo Robin Love For Sale Bass – Andy MusonDrums – Jim GordonFiddle – Hubert Hester*, Johnny Gimble, Shorty LavenderGuitar – Ira Newborn, Pete WadeJew's Harp [Mouth Harp] – Charlie McCoyPiano A3 – John BarnesReeds – Don Menza, Jay Migliori, Joe Roccisano, Peter Christleib*, Willie 3:57 Schwartz*Steel Guitar – Buddy EmmonsTrombone – Garnett Brown, Jack Redmond, Vince FanueleTrombone [Solo] – Britt WoodmanTrumpet – Chuck Findley, Don Rader, Gene Goe, Oscar BrashearWritten-By – Cole Porter Je Voulais (Te Dire Que Je T'Attends) Bass – Andy MusonDrums – Jim GordonPercussion [Crash Cymbals] – Larry EmerinePiano, A4 4:20 Harpsichord, Organ [Calliope] – David Wallace Trombone – Britt Woodman, Jack Redmond, Vince FanueleWritten-By – Michel Jonasz, Pierre Grosz On A Little Street In Singapore Bass – Andy MusonDrums – Steven Schaeffer*Electric Piano [Fender Rhodes] – Jon Mayer Guitar – Ira NewbornReeds – Don Menza, Jay Migliori, Joe Roccisano, Peter Christleib*, A5 3:15 Willie Schwartz*Synthesizer [Oberheim] – Mike Boddiker*Trombone – Garnett Brown, Jack Redmond, Vince FanueleTrumpet – Chuck Findley, Don Rader, Gene Goe, Oscar BrashearWritten-By – Billy Hill, Peter De Rose In A Mellow Tone A6 Bass – Andy MusonDrums – Steven Schaeffer*Guitar – Ira NewbornPiano – Dave 3:12 FrishbergWritten-By – Duke Ellington, Milt Gabler Walk In Love Bass – Andy MusonDrums – Steven Schaeffer*Guitar – Ira NewbornHarp – Jeanne B1 3:04 Ashby*Keyboards – Mike MelvoinPercussion – Bobbye HallSynthesizer [Oberheim] – Mike Boddiker*Written-By – David Batteau, John Klemmer Who, What, When, Where, Why Arranged By [Rhythm Tracks] – Jay GraydonArranged By [Strings & Horns] – Ben BenayBass – Scott Edwards Drums – Jeff PorcaroEngineer [Assistant] – Joe Laux, Stephen B2 3:28 MarcussenGuitar – Ben Benay, Jay GraydonPercussion – Victor FeldmanPiano – David FosterRecorded By, Mixed By [Re-mix] – Phil KayeSynthesizer [Oberheim] – Michael OmartianWritten-By – Rupert Holmes It's Not The Spotlight Acoustic Guitar – Ira NewbornBass – Donald "Duck" DunnDrums – Willie HallElectric B3 3:37 Guitar – Steve CropperMixed By [Re-mix] – Larry Emerine, Steve CropperOrgan – Booker T. JonesPiano – Booker T. Jones, Richard TeeWritten-By – Barry Goldberg, Gerry Goffin Pieces Of Dreams Arranged By [Rhythm Tracks] – Jay GraydonArranged By [Strings & Horns] – Ben BenayBass – Scott Edwards Drums – Jeff PorcaroEngineer [Assistant] – Joe Laux, Stephen B4 2:53 MarcussenGuitar – Ben Benay, Jay GraydonPercussion – Victor FeldmanPiano – Tom HensleyRecorded By, Mixed By [Re-mix] – Phil KayeSynthesizer [Oberheim] – Michael OmartianWritten-By – Dick Addrisi, Don Addrisi Where Did Our Love Go Arranged By [Strings], Conductor – Gene PageBaritone Saxophone – Don RobertsBass – B5 2:45 Michael SchnoebelenDrums – Peter Johnson Guitar – Wayne Johnson Piano – David Wallace Written-By – Eddie Holland, Lamont Dozier & Brian Holland* Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Made By – WEA Musik GmbH Published By – Edwin H. Morris & Co. Published By – Warner Bros. Inc. Published By – Heen Publishing Published By – Marouani Music Published By – Shapiro, Bernstein & Co., Inc. Published By – Robbins Music Corp. Published By – Almo Music Corp. Published By – Shiver & I Music Ltd. Published By – Widescreen Publishing, Inc. Published By – Wb Music Corp. Published By – Screen Gems-EMI Music Inc. Published By – Musicways, Inc. Published By – Flying Addrisi Music Published By – Stone Agate Music Division Recorded At – Studio 55, Los Angeles Recorded At – Atlantic Studios Recorded At – A&R Studios Recorded At – Clover Recorders Recorded At – EMI Studios 301 Recorded At – Kendun Recorders Recorded At – The Sound Lab, Nashville Remixed At – Studio 55, Los Angeles Lacquer Cut At – Tonstudio Pfanz Credits Art Direction, Design, Photography By – Fayette Co-producer – Janis Siegel Concertmaster – Gerry Vinci*, Paul Shure, Sid Sharp* Conductor, Arranged By [Music] – Ira Newborn Contractor – Jules Chaikin, Olivia Page Engineer [Atlantic Recording Studios, A&r Recording Studios] – Gene Paul Engineer [Chief Recording & Re-mix Engineer] – Larry Emerine Engineer [Clover Recording Studios] – Toby Scott Engineer [Emi Recording Studios] – Gerry Nixon Engineer [Kendun Recorders] – Phil Kaye Engineer [Recording, Re-mix] – Larry Emerine Engineer [Recording] – Howard Steele Engineer [Second, Re-mix Assistant] – Stephen Marcussen Engineer [Second] – Tim Kramer Engineer [The Sound Lab] – Larry Emerine Lacquer Cut By – G. F. Pfanz Management – Brian Avnet Management [Assistant] – Joanna Fitzpatrick Mastered By – Alan Zentz* Performer [The Manhattan Transfer Is] – Alan Paul, Janis Siegel, Laurel Massé, Tim Hauser Photography By – Gai Terrell, Gary Merrin, Roger Sandler Producer – Steve Barri (tracks: B2), Tim Hauser (tracks: A1 to B1, B3 to B5) Producer [Associate], Arranged By [Vocals] – Janis Siegel Notes Additional notes on track A6: "To Ella, with love - Janis" Recording was done between December, 1976 and September, 1977. The majority of recording and re-mixing was done at Studio 55, Los Angeles, California. Additional recordingwas done at the following studios: Atlantic Studios, New York, N.Y.; A&R Recording Studios, N.Y.; Clover Recording Studios, Los Angeles; EMI Recording Studios, Sidney, Australia; Kendun Recorders, Burbank; The Sound Lab, Nashville This album was mixed using the Aphex Aural Exciter. Randy Brecker appears through the courtesy of Arista Records. Al Cohn appears through the courtesy of Xanadu Records Ltd. Richard Tee & Steve Gadd appear through the courtesy of Warner Bros. Records Inc. "Four Brothers" published by Edwin H. Morris & Co., ASCAP. "A Gal In Calico" published by Warner Bros. Inc., ASCAP. "Love For Sale" published by Warner Bros. Inc., ASCAP. "Je Voulais (Te Dire Que Je T'Attends" published by Heen Publishing/Marouani Music, ASCAP. "One Little Street In Singapore" published by Shapiro Bernstein & Co., Inc., ASCAP. "In A Mellow Tone" published by Robbins Music Corporation, ASCAP. "Walk In Love" published by Almo Music Corp./Shiver & I Music, Ltd., ASCAP - Remoh. "Who, What, When, Where, Why" published by Widescreen Publishing, Inc./W B Music Corp., ASCAP. "It's Not The Spotlight" published by Screen Gems-EMI Music Inc., BMI. "Pieces Of Dreams" published by Musicways Inc./Flying Adrisi Music, BMI. "Where Did Our Love Go" published by Stone Agate Music Div., BMI. "Pastiche is dedicated to our manager Brian Anvet and his assistant, Joanna Fitzpatrick." ℗ © 1978 Atlantic Recording Corporation Made in Germany by WEA Musik GmbH Printed in Germany Barcode and Other Identifiers Matrix / Runout (Label Side A): ST-A-774003 Matrix / Runout (Label Side B): ST-A-774004 Matrix / Runout (Runout Side A): WEA ST-A-774003 PF. Matrix / Runout (Runout Side B): WEA ST-A-774004 PF. Rights Society: GEMA Label Code: LC 0121 Other (On Back Cover): Ⓤ Other versions Category Artist Title (Format) Label Category Country Year The Manhattan Pastiche (LP, SD 19 163 Atlantic SD 19 163 Scandinavia 1978 Transfer Album) The Manhattan Pastiche (LP, KSD 19163 Atlantic KSD 19163 Canada 1978 Transfer Album) The Manhattan Pastiche (CD, Rhino R2 71809 R2 71809 US Unknown Transfer Album, RE) Records The Manhattan Pastiche (LP, KSD 19163 Atlantic KSD 19163 Canada 1978 Transfer Album) The Manhattan Pastiche (LP, SD 19 163 Atlantic SD 19 163 Philippines 1978 Transfer Album) Related Music albums to Pastiche by The Manhattan Transfer Lee Konitz / Arrangements By Jimmy Giuffre - You And Lee Boyd Raeburn - Jewells Bob Brookmeyer / Jimmy Giuffre - Portrait Of The Artist / Four Brothers Sound Buddy Rich - Buddy Rich Marvin Stamm - Machinations Jimmy Giuffre Trio - Jimmy Giuffre Trio Live In Europe 1961 Bob James - The Very Best Of Bob James The Jimmy Giuffre 3 - The Jimmy Giuffre 3 Jimmy Giuffre - Tangents In Jazz Jimmy Giuffre - Four Brothers Marvin Gaye - Midnight Love The Manhattan Transfer - Coming Out.
Load more

Recommended publications
  • Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II Randy Aldcroft 1
    These duets were written for the intermediate and advanced student interested in playing jazz. The range of notes gets higher and the duets get harder with each volume. The chord changes are included to help learn the structure and chord progressions, and so the duets may be played with a rhythm section if desired. Learn a little piano so you may visualize and hear the chord structures and follow their patterns. “Roll” those 8th notes. Keep the duets “swinging”. - Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II randy aldcroft 1. q=128 > ° œ ˙ œ > œ œ œ > ? b3 Œ Œ œ bœ Œ Œ Œ nœ œ bœ Œ Œ Trombone b 4 F7 B¨7 F7 B¨7 - 3 j 3 3 j 3 ? b3 ‰‰ œ ‰‰ œ Œ Bass Trombone ¢ b 4 œ œ œ œ ˙ ™ œ œ œ œ œ ˙ ™ œ œ 5 > > ™ > nœ> ™ - > ™ bœ> ™ > ™ ° nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ œ œ ˙ ? bb Œ ‰ F7 B¨7 EØ7 A7(b9) D‹7 BØ7 E7(b9) AØ7 > D7(b9) > > > œ> ™ b-œ > ™ œ ™ > ™ ? b ™ œ #˙ ™ nœ œ ˙ ‰ œ #˙ ¢ b ˙ ™ œ œ ™ nœ œ > > ° 13 nœ> ™ œ ™ #œ> ™ nœ> ™ b˙ ™ ˙ ™ œ œ ˙ œ bœ> ? bb Œ Œ A¨Ø7 > ™ D¨7(b9) G¨Œ„Š7 C7(b9) F7 B¨7 bœ> ™ bœ > > j 3 3 j 3 ? b œ ™ œ ™ b˙ ™ nœ œ œ ‰ ‰ ¢ b œ œ œ œ ˙ ™ œ œ œ œ œ 3 19 > > ™ > ° nœ œ œ œ œ bœ> nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ ? bb Œ Œ Œ Œ F7 B¨7 - F7 B¨7 EØ7 A7(b9) D‹7 > > > ? b œ Œ œ ™ œ #˙ ™ nœ œ ˙ ¢ b ˙ ™ œ ˙ ™ œ œ ™ nœ œ Copyright © 2015 Randy Aldcroft - All Rights Reserved Published and Distributed by Cherry Classics Music www.CherryClassics.com 14 Aldcroft - Jazz Duets Vol.
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Jay Graydon Discography (Valid July 10, 2008)
    Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL.
    [Show full text]
  • NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
    NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing.
    [Show full text]
  • Frank Rosolino
    FRANK ROSOLINO s far as really being here, weeks has been a complete ball. have. Those I've met and heard in- this was my first visit to Also, on a few nights John Taylor clude John Marshall, Wally Smith, Britain. I was here in 1953 was committed elsewhere; so Bobby Lamb, Don Lusher, George Awith Stan Kenton, which Gordon Beck come in to take his Chisholm. I liked George's playing was just an overnight thing; so place. He's another really excellent very much; he has a nice conception twenty years have elapsed in be- player. You've got some great play- and feel, good soul, and he plays tween. I've been having an abso- ers round here! with an extremely good melodic lutely beautiful time here, and en- They're equal to musicians I sense. joying London. work with in the States. I mean, it As for my beginnings—I was Playing at Ronnie Scott's with doesn't matter where you are; once born and raised in Detroit, Michigan, me I had John Taylor on piano, Ron you've captured the feeling for jazz, until I was old enough to be drafted Mathewson on bass and Martin and you've been playing it practi- into the Service, which was the latter Drew on drums. Absolutely great cally all your life, you're a pro at it. part of '44. I started playing guitar players, every one of 'em. I can't tell I've heard so much about when I was nine or ten. My father you how much I enjoyed myself, and trombonist Chris Pyne that when I played parties and weddings on it just came out that way.
    [Show full text]
  • Title Arranger / Composer Arranger / Composer
    Title Arranger / Composer Arranger / Composer (Back Home Again In) Indiana FULL Big Band Barduhn+ (I Got You) Under My Skin FULL Big Band Vocal (I Love You) For Sentimental Reasons FULL Big Band Osser (Shes) Sexy + 17 FULL Big Band Lowden Stray Cats (Up A) Lazy River FULL Big Band Sy Zentner (Up A) Lazy River FULL Big Band (Vocal) Wess Bobby Darin 1237 On A Saturday Afternoon FULL Big Band Persons 2 At A Time FULL Big Band Persons 2 Bone BBQ FULL Big Band Cobine 20 Nickles FULL Big Band Beach 21st Century Schizoid Man FULL Big Band 23 Chuckles FULL Big Band Paul Clark 23 Red FULL Big Band Bill Chase Woody Herman Orchestra 23o N 82oW Full Big Band 25 Or 6 To 4 FULL Big Band Blair Chicago+ 25 Or 6 To 4 FULL Big Band Lamm Chicago 42nd Street Medley FULL Big Band Lowden 5 Foot 2 FULL Big Band (Trombone Feature) Amy 50's Medley FULL Big Band Unk 61st & Rich' It FULL Big Band Thad Jones+ 7 Come 11 FULL Big Band Henderson Benny Goodman 720 In The Books FULL Big Band Wolpe 720 In The Books FULL Big Band (Vocal) Mason 88 Basie Street Sammy Nestico 88 Basie Street Full Big Band Nestico 920 Special FULL Big Band Bunton 920 Special FULL Big Band Collins Count Basie+ 920 Special FULL Big Band Murphy A That's Freedom FULL Big Band Thad Jones A Beautiful Friendship FULL Big Band Nestico A Big Band Christmas FULL Big Band Strommen A Big Band Christmas II FULL Big Band Strommen A Brazilian Affair FULL Big Band Mintzer A Change Of Pace FULL Big Band Unk A Child Is Born FULL Big Band Thad Jones A Childrens Song FULL Big Band Mintzer A Cool Shade Of Blue
    [Show full text]
  • Al Hixon Photo Courtesy of Carol Loricco
    SARASOTA JAZZ SoundsWinter 2021 Drummer Al Hixon Photo courtesy of Carol LoRicco Inside Al Hixon Retires 330 S. Pineapple Ave, Suite 111 2021 Sarasota Jazz Festival Sarasota, FL 34236 941.284.2176 Ken Franckling’s Jazz Notes www.jazzclubsarasota.org and much more! Sounds Staff SARASOTA JAZZ Sounds Editor Susan Leavis Contributors More ambitiously the Jazz Club recently Carol LoRicco From the President announced preliminary plans to produce an outdoor jazz festival, Swinging Club Photographer Under the Stars, in collaboration with Ken Franckling of The Jazz Club Nathan Benderson Park on May 9th-13th. Ed Linehan The festival will feature The Manhattan Nancy Roucher Transfer and Ken Peplowski will curate a lineup of international stars. Carlos Pagån Dear Members and Friends of The Jazz Club of Sarasota, Yes, we know it might be too soon. That is why a final decision to hold the festival Board of t Last! Our Jazz Club has finally returned to planning will not be made until March 31st. We will Directors and presenting jazz events. On Thursday February have everything in place and organized 11th, exactly eleven months since our last event, Ed Linehan to start selling tickets then, but only if The Bridge Series will be launched with the first President the virus numbers are way down and of four monthly live-streamed concerts. That night if vaccine inoculations are way up. We George McLain will feature two excellent area have engaged expert guidance from groups: ARIELLA with Ariella Vice President the Public Health College at USF and McManus and Nicolaas Kraster; Debbie Silver* from Sarasota health officials.
    [Show full text]
  • Jazz & Tonic Pacific Standard Time
    Ella Scholars are: Ian Brekke, Ashlyn Grover, Rachel St. Marseille, and Melody Tibbits. The EFCF also sponsors the Jazz Studies Program for tours and special performance invitations. We are so grateful for your support! We also extend our heartfelt thanks to KKJZ Radio, Saul Levine and Stephanie Levine-Fried of Global Jazz for their generous support. Four KKJZ scholarships in the amount of $5000 are awarded each year to talented and deserving jazz students. Our 2011-2012 KKJZ Scholars are: Josh Andree (tenor sax), Will Brahm (guitar), Daniel Hutton (alto sax), and Katie Thiroux (bass). We look forward to many years of partnership with KKJZ 88.1. We also extend a heartfelt thanks to Helen Borgers for all her help in promoting and serving as the emcee for our “Jazz at the Beach” events. We love you Helen. SPECIAL THANKS TO OUR 2010-2011 DONORS Founders Circle ($10,000 and above) Patrons ($500 - $999) Regena Cole and the Bob Cole Foundation Richard & Susan Blum The Ella Fitzgerald Charitable Foundation Friends of the Los Angeles Bach Festival PACIFIC Season Sponsors ($5,000 - $9,999) Friends ($100 - $499) Supporters ($20 - $99) CSULB Provost Donald Para Alonzo Bodden Mary Atwood Vice-Provost David Dowell Rozanne & Jim Churchill Helen & Jeffrey Barrad Charles Johnston Roger & Gloria Burk Director’s Circle ($1,000 - $4,999) Robert Swoish Sherry & Leonard Jacobson Mr. Mike Goldberg c/o Gary & Marjorie Toops Elizabeth Nguyen Long Beach Community Concert Association STANDARD TIME Mike & Erin Mugnai (in kind donation) PERSONNEL CHRISTINE GUTER, DIRECTOR JAZZ & TONIC PACIFIC STANDARD TIME Ian Brekke—director Christine Guter—director Marcus Perea # Ian Brekke * Katrina Kochevar Rachel St.
    [Show full text]
  • Starting a Vocal Jazz Ensemble
    Starting a Vocal Jazz Ensemble By Roger Emerson Congratulations! If you are reading style, infl ections, and harmonies that ments of Darmon, Kim Nazarian, Lauren this article, you have probably already they popularized. This tradition contin- Kinhan, and Peter Eldridge are stunning, considered creating a vocal jazz en- ues today and is the foundation of most natural, and healthy. Take 6, The Real semble in your school. It is my hope that school-based vocal jazz ensembles. Group, Manhattan Transfer, Singers Un- this information will encourage you to limited, Hi-Lo’s, and the Four Freshmen move ahead with just such an endeavor. also provide wonderful style models. The topics are broad but generally ap- The First Step After you listen… listen more to Ella ply to all levels—elementary, middle, Fitzgerald, Sarah Vaughan, Tierney Sutton, high school, or college. But fi rst, a little The most important fi rst step to Mark Murphy, Kurt Elling, Chet Baker, background. starting a vocal jazz ensemble is: listen. and Jamie Cullum, to name a few vocal There is no better teacher than our soloists. Don’t forget instrumentalists ears. So much of our choral tradition is such as Charlie Parker, John Coltrane, A Brief History of aural; we have developed our concept Miles Davis, Joe Pass, and the big bands Vocal Jazz Ensembles of choral tone and style by listening and of Duke Ellington, Stan Kenton, and Gor- imitating and probably by a good deal don Goodwin (his “Phat Band”). The vocal jazz ensemble has its of instruction in college. Unfortunately, roots in professional groups such as with few exceptions we did not get The Mills Brothers, who popularized much training in vocal jazz as part of our Getting Started close-voiced harmony in the 1930s and traditional choral curriculum, so we must 1940s; the more complex harmonies of play catch-up, and the best way to start Consider adding one or two vocal Ward Swingle’s “Double Six of Paris” in is to use our intuitive musical nature and jazz selections to your fall or spring the 1950s; the Four Freshmen and the imitate the archetype.
    [Show full text]
  • The Subdudes the Manhattan Transfer & Take 6 Present
    The Subdudes The Manhattan Transfer & Take 6 present “The Summit” welcome to North Central College recently had one of those days where Speaking of friends (now that was smooth, wasn’t everything seemed to go wrong. The world it?), what about joining Friends of the Arts? I was really out to get me, or so it seemed. You’r tax-deductible donation helps us bring in Everything was bad and just could not get any the great artists you see, while we give back to worse. Then something happened that reminded me you. For example, our Impresario members are that the troubles were really not that important after treated to private receptions prior to three concerts all. I mean, look at what I get to do for a living? I get (and during intermission if the artist has an to bring some of the greatest artists in the business intermission), including the prestigious Impresario right here to North Central College in Naperville. Dinner on March 11—the night Los Lonely Boys I get to rub elbows with some of the icons in performs—and a private gallery reception. It’s our entertainment. I get to greet all of you in either the way of saying ‘thank you’ to those who give so much grande dame of performance spaces in this area, to support the arts. You’ll find more information in Pfeiffer Hall, or the finest concert hall for miles the program about the different membership levels around, the Wentz Concert Hall. I get to see your for Friends of the Arts.
    [Show full text]
  • No Time for Losers
    Dietrich Helms, Thomas Phleps (Hg.) No Time for Losers 2008-08-05 10-26-05 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S. 1 ) T00_01 schmutztitel - 983.p 185826883368 Beiträge zur Popularmusikforschung 36 Herausgegeben von Dietrich Helms und Thomas Phleps Editorial Board: Dr. Martin Cloonan (Glasgow) | Prof. Dr. Ekkehard Jost (Gießen) Prof. Dr. Rajko Mursˇicˇ (Ljubljana) | Prof. Dr. Winfried Pape (Gießen) Prof. Dr. Helmut Rösing (Hamburg) | Prof. Dr. Mechthild von Schoenebeck (Dortmund) | Prof. Dr. Alfred Smudits (Wien) 2008-08-05 10-26-05 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S. 2 ) T00_02 seite 2 - 983.p 185826883376 Dietrich Helms, Thomas Phleps (Hg.) No Time for Losers. Charts, Listen und andere Kanonisierungen in der populären Musik 2008-08-05 10-26-05 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S. 3 ) T00_03 titel - 983.p 185826883392 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung: Kordula Röckenhaus, Bielefeld Umschlagabbildung: Sandra Wendeborn: »GlamGLowGLitter«, © Photocase 2008 Lektorat: Ralf von Appen und André Doehring Satz: Ralf von Appen Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-983-1 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] 2008-08-05 10-26-06 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S.
    [Show full text]