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PS122's Coil 2017 Festival Brochure

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PS122's Coil 2017 Festival Brochure i t a ge with ideas and community.” — Elisabeth “Creative risk-taking with the possibil y g o n f e p e r e n to trust.” — Ivan “An armory and arsenal for the work ahead.” — Kan o z W e f a “ o p u o t " , n R e e d h i f f g or freedom of expression.” — Jesse “Carving out space s o c C k n e r h e u a e — a l n l n x n " . a e d p g v d h r e r “Reaches out, up and in.” — Michael “Ou e r c e x v . a x ” A e a s o e . l p — s l t e u h e i A o v n e T r e i i n e s r s — m b work is worth doing." — Karl i p " d h c c u . r e o l o i a o s t a a c n , n l e y n t i d d H “ i n i m a j n e B — ” . d e t r a h c n u e h t n i s t o o t r b s " d e i B . e y " e r n u l a n - e u i e l v t s s J d m e a i ø e i t n a h t y t i s o i r u c f o e s n e s A " n a e S — ” . n o i t a v l a s f o n m c e r m i i t g g o t o e c l b v n o r U t t i “ “ n d a I n u a P — ” . t n e m u g r a r o f e c a l p e f a s A . y x o d o h t r o e h t e d i s t u o s a e e d g l e g e r p s e o t v , o i s n D d i o t n e p O “ o s e J — ” . y t i u g i b m a d n a e c n a u n e h t n i g n i l e v e R “ z i b m a K — “ . w a e " e As we look into a challenging future, a challenging future, look into As we Performance believe I unreservedly champion we 122 and the works Space a - not despite - of because succeed Our of difference. glorious cacophony from these meaning and value come celebrate and I want to differences is voice The Artistic Director them. just one amongst many who must feel and heard. and empowered safe of our PS122 team. Here are the voices this right now, on why, Each reflect organisation matters. PS122 remains (as it's always been), yours. Artistic Director Gantner, Vallejo Wallplay, Gallery 151 La MaMa, 132 West 18th Street, Manhattan Ellen Stewart Theatre 66 East 4th Street, Manhattan January 3 5-7pm January 4-7 12-6pm 4 9pm 10-15 12-6pm 6 9pm 7 1pm, 4pm (NYC/LA) $10 / 5-10 minute interactive installation 8 5pm (Australia) Yehuda Duenyas Yehuda CVRTAIN is a virtual reality (VR) $20 / 50 minutes Alisdair Macindoe CVRTAIN experience starring you. Placed center MEETING Antony Hamilton and Antony Hamilton and stage in a beautiful theater, the curtain Two performers share space with 64 parts to reveal an audience of thousands robotic instruments. A relentless stream Virtual Reality teeming with adulation. Do you freeze in of activity unfolds, where the bodies World Premiere the spotlight, or graciously bow? Every Dance enter states of heightened physical PS122 Virtual Commission action produces a different reaction in US Premiere and mental agency, with all actions Presented in partnership your audience: thunderous applause, Co-presented with La MaMa carried by the meditative pulse of the with Wallplay feet stomping, cameras flashing, maybe machine beat. even booing. An entire audience’s emotions are at your virtual command, “MEETING is a quietly rich encounter MEETING reveals a fascination with "The journey left me exhilarated, but only until the curtain closes. between man, machine, motion the articulation of the body and mind and ever so slightly altered.” and sound that rewards your in motion. A choreographic study — Ariel Kaminer, Emmy Award-winning experiential attention with mesmeric human feats stripped to the bare essentials, the work The New York Times director Yehuda Duenyas dives into and meditative sonic patterns.” pairs Hamilton’s compulsive movement his fascination with subverting the — Ian Abbott, with Macindoe’s obsessive machine- audience/performer relationship by Writing about Dance making practice. Audio equipment generously putting you at the center of the CVRTAIN provided by Skullcandy. experience. Using a VR headset, sensors, MEETING composes the body, space and and headphones equipped for haptic robots into a riveting choreographic feedback, Duenyas draws on the tools soundscape flooding your eyes and ears of gaming and immersive theater in with technical mastery at its finest. a personalized, celebratory experience for one. La MaMa, La MaMa, Ellen Stewart Theatre The Downstairs 66 East 4th Street, Manhattan 66 East 4th Street, Manhattan January January 5 6pm 5 8pm 6 3pm 6 5pm 7 9pm 7 5:30pm 8 12pm 8 2pm (NYC) $20 / 80 minutes $20 / 85 minutes (United Kingdom) Caught in a world of second-chances Bessie Award–winning choreographer/ Forced Entertainment and second-guesses, variations and of Beauty director Pavel Zuštiak and his Palissimo Custodians Real Magic changes, distortions and transformations, Pavel Zuštiak / Palissimo Company examine beauty and its Real Magic takes you on a hallucinatory intrinsic relationship with art through journey, creating a compelling minimalist movement, sensuous performance about optimism, individual abstraction, and potent stage imagery. Theater agency and the desire for change. Dance, Performance Drawn from a dark Eastern European US Premiere Presented by La MaMa in dance-theater aesthetic, this richly PS122 Spalding Gray In Real Magic, Forced Entertainment partnership with PS122 postmodern dance/live music event casts Award Commission create a world of absurd disconnection, the human body as a sculptural form, an Co-presented with La MaMa struggle, and comical repetition. To the emotional trigger, or a political symbol. sound of looped applause and canned “Plunges headlong into questions laughter, a group of performers take about what is ‘beautiful’ by In an age when humanity, disenchanted “Beckett meets trash TV.” part in an impossible illusion — part interrogating sources like with itself, seems to have rejected — Sascha Westphal mind-reading feat, part cabaret act, part Plato, Pope Benedict XVI, and the necessity of beauty, Custodians of Nachtkritik (DE) chaotic game show — in which they of course, the dancing body.” Beauty asks us to look again, beyond are endlessly replaying the moment — Time Out New York the surface, to see differently. of defeat and the moment of hope. Profound and unpredictable live experiences. The Invisible Dog Art Center Baryshnikov Arts Center 51 Bergen Street, Brooklyn Howard Gilman Performance Space 450 West 37th Street, Manhattan January 5-7 12-8pm January 8 11-7pm 7 7pm 9 12-8pm 8 4pm, 7pm 9 4pm $20 / Approx. 45 minutes 10 7pm (Belgium) Worktable is a live installation that (NYC) $20 / 60 minutes contemplates and completes acts of creation and destruction using Basketball reinvents past shames Kate McIntosh / SPIN Worktable everyday, domestic objects. as colorful, sculptural, and textural expressions. Engulfing one another Basketball Sign up to enter and stay as long as with fully embodied presence, Live Installation you like. Once inside Worktable, you Lieber and Smith move backward and Molly Lieber and Eleanor Smith US Premiere are given instructions, equipment forward through time and space in Co-presented with and safety goggles. It's up to you to a dreamlike reimagining of personal The Invisible Dog Art Center decide how things come apart. histories. Improvisation empowers Dance their physicality and emotionality World Premiere viscerally felt as you observe the “The object becomes a totem to the PS122 Commission intimate, raw nature of their bodies potential that we all hold to continue Co-presented with in space. the cycle of destruction and renewal Baryshnikov Arts Center of ideas and objects, with all the Molly Lieber and Eleanor Smith have pathos and hope that entails.” been making experimental dances — James Smith, “These women are tied together. together in New York since 2006. This is Tomorrow (UK) One would carry the other Their work is unique in that it is an across a desert, it seems, if they equal collaboration between the two didn’t kill each other first.” choreographers, always within the — Brian Seibert, duet form, always performed by Molly The New York Times and Eleanor. SVA Theatre La MaMa, 333 West 23rd Street, Manhattan Ellen Stewart Theatre 66 East 4th Street, Manhattan January 9-12 5:30pm January 11 8:30pm $20 / 40 minutes 12 8:30pm 13 7:30pm In the darkness of a cinema space, 14 5pm you sit blindfolded. A child seated Britt Hatzius behind you describes, in hushed $20 / 70 minutes and fragile tones, a film that only they will see, and only this once. Piece for Person and Ghetto Blaster is the (Australia) story of a man, a woman and a duck. Nicola Gunn (United Kingdom/Belgium) Blind Cinema is an experience where Blind Cinema the act of watching a film becomes a The work is disarmingly simple — shared investment: a collaborative and exploring in depth the moral conundrum Film, Performance imaginative act between seeing children of what one should do if one comes NY Premiere and blindfolded adults.
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