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University of Texas Press new books in drama and performing arts Two Prospectors featured panel The Letters of Sam Shepard and Johnny Dark edited by chad hammett discussion A compelling portrait of a complex, decades-long friend- Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest ship, these deeply honest letters by paul a. scolieri and candid family photographs offer the most intimate glimpse Analyzing the extensive ac- we may ever get into the life, counts of Aztec dance practices personal philosophy, and in colonial-era European creative process of America’s chronicles, histories, letters, leading dramatist. and travel books, this volume reveals the surprising and 46 color photos and facsimiles crucial role that dance played $35.00 hardcover | $35.00 e-book in the European conquest and The Panza Monologues colonization of the Americas. Second Edition 11 color and 40 b&w photos written compiled, and collected by $55.00 hardcover | $55.00 e-book virginia grise and irma mayorga 16 With the full performance script and a wealth of materials Acting Up and Getting Down Plays by African American Texans for producing, teaching, and edited and with introductions by using the play to build com- sandra m. mayo and elvin holt munity, The Panza Monologues A collection of seven compel- reveals important truths about ling plays from award-winning women and body image, as well Texas writers, spanning turning as Chicana cultural production points in history, intergenera- and its material realities. tional struggles, and cultural $24.95 paperback | $24.95 e-book triumphs while exploring the complexity of African American Jean-Claude Grumberg life from a dazzling array of Three Plays translated and introduced perspectives. by seth l. wolitz 12 b&w photos Introducing the English- $24.95 hardcover | $24.95 e-book language audience to the Ordering and further information about work of one of France’s leading these books can be found online. contemporary dramatists, these plays offer vivid insights into French Jewish university of life in post-Holocaust Europe. texas press $19.95 paperback | $19.95 e-book 800.252.3206 | www.utexaspress.com ATHE ANNUAL AWARDS CEREMONY Thursday, July 24, 2014 – 5:00 PM – 6:00 PM Princess D-G ATHE proudly salutes its nine award winners in this plenary, followed by the Keynote presentation. Vice President for Awards, Dani Snyder-Young and her 2014 Awards Committee members will present the award recipients to the conference attendees. Ellen Stewart Career Achievement Award for Professional Theatre Luis Valdez is the 2014 recipient of the Ellen Stewart ATHE Career Achievement Award for Professional Theatre. 2014 Luis Valdez is regarded as one of the most important and influential American playwrights living today. His internationally renowned, and Obie award winning theater company, El Teatro Campesino (The Farm Workers’ Theater) was founded by Luis in 1965 – in the heat of the United Farm Workers (UFW) struggle and the Great Delano Grape Strike in California’s Central Valley. His involvement with Cesar Chavez, the UFW and the early Chicano Movement left an indelible mark that remained embodied in all his work even after he left the UFW in 1967: his early actos Las Dos Caras del Patroncito and Quinta Temporada, (short plays written to encourage 17 campesinos to leave the fields and join the UFW), his mitos (mythic plays) Bernabe and La Carpa de los Rasquachis that gave Chicanos their own contemporary mythology, his examinations of Chicano urban life in I Mr. Valdez has written numerous plays and authored Don’t Have To Show You No Stinkin’ Badges, his Chicano numerous articles and books. His latest anthology, re-visioning of classic Mexican folktales Corridos, his Mummified Deer and Other Plays, was recently published exploration of his Indigenous Yaqui roots in Mummified by Arte Publico Press. He has taught at the University of Deer, and – of course – the play that re-exams the “Sleepy California, Berkeley, the University of California, Santa Lagoon Trial of 1942” and the “Zoot Suit Riots of 1943”, Cruz, Fresno State University and was one of the founding two of the darkest moments in L.A. urban history – Zoot professors of California State University, Monterey Bay. Suit – considered a masterpiece of the American Theater He is the recipient of honorary doctorates from, among as well as the first Chicano play on Broadway and the first others, the University of Rhode Island, the University of Chicano major feature film. South Florida, Cal Arts, the University of Santa Clara, Luis’ numerous feature film and television credits and his alma mater, San Jose State University. Mr. Valdez include, among others, the box office hit filmLa Bamba was inducted into the College of Fellows of the American JULY starring Lou Diamonds Phillips, Cisco Kid starring Jimmy Theatre at the Kennedy Center for the Performing Arts in 24-27 Smits and Cheech Marin and Corridos: Tales of Passion Washington D.C. In 2007 he was awarded a Rockefeller and Revolution starring Linda Ronstadt. fellowship as one of fifty U.S. artists so honored across the United States. AZ Luis’ hard work and long creative career have won him countless awards including numerous LA Drama Critic SELECTION COMMITTEE: Awards, Dramalogue Awards, Bay Area Critics Awards, Dani Snyder-Young, Chair, Illinois Wesleyan University the prestigious George Peabody Award for excellence Jason Bisping, University of Colorado, Boulder in television, the Presidential Medal of the Arts, the Cheryl Black, University of Missouri, Columbia Governor’s Award for the California Arts Council, and Bud Coleman, University of Colorado, Boulder Mexico’s prestigious Aguila Azteca Award given to Anne Fletcher, Southern Illinois University individuals whose work promotes cultural excellence and David Jortner, Baylor University exchange between US and Mexico. Rhona Justice-Malloy, University of Mississippi Maya Roth, Georgetown University ATHE Career Achievement Award for Academic Theatre Harry Elam, Stanford University, is the 2014 recipient of the ATHE Career Achievement Award for Academic Theatre. Harry J. Elam, Jr. is the Olive H. Palmer Professor in the Humanities and the Freeman-Thornton Vice Provost for Undergraduate Education at Stanford University. He is author of Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka; and the Erroll Hill Prize winning The Past as Present in the ATHE Drama of August Wilson; and coeditor of five books, 2014 African American Performance and Theater History: A Critical Reader; Colored Contradictions: An Anthology of Contemporary African American Drama; The Fire This Time: African American Plays for the New Millenium; Black Cultural Traffic: Crossroads in Performance and Popular Culture; and The Methuen Anthology of Postblack Plays. His articles have appeared in American Theater, American Drama, Modern Drama, Theatre Journal, At Stanford he has been awarded six different teaching Text and Performance Quarterly as well as journals in awards: The ASSU Award for Undergraduate Teaching, Belgium, Israel, Poland and Taiwan. He has also written Small Classes (1992); the Humanities and Sciences essays published in several critical anthologies. Professor Deans Distinguished Teaching Award (1993); the Black Elam is the former editor of Theatre Journal and on the Community Service Center Outstanding Teacher 18 editorial boards of Atlantic Studies, Journal of American Award (1994) (2002), The Bing Teaching Fellowship for Drama and Theatre, and Modern Drama. In 2006, Undergraduate Teaching (1994-1997); The Rhodes Prize Professor Elam was the winner of the Betty Jean Jones for Undergraduate Teaching (1998). award for Outstanding Teaching from the American Harry J. Elam, Jr. received his B.A. from Harvard College Theatre and Drama Society, the winner of the Excellence in 1978 and his Ph.D. in Dramatic Arts from the University in Editing Award from the Association of Theatre in of California, Berkeley in 1984. Higher Education and the winner of the Distinguished SELECTION COMMITTEE: Scholar Award from the American Society of Theatre Dani Snyder-Young, Chair, Illinois Wesleyan University Research. He was also inducted into the College of Jason Bisping, University of Colorado, Boulder Fellows of the American Theatre in April 2006. Cheryl Black, University of Missouri, Columbia In addition to his scholarly work, he has directed Bud Coleman, University of Colorado, Boulder professionally for over twenty years: most notably, he Anne Fletcher, Southern Illinois University directed Tod, the Boy Tod by Talvin Wilks for the Oakland David Jortner, Baylor University Ensemble Company, and for TheatreWorks in Palo Alto Rhona Justice-Malloy, University of Mississippi California, he directed Radio Golf by August Wilson, Maya Roth, Georgetown University JULY Jar the Floor by Cheryl West, and Blues for an Alabama 24-27 Sky by Pearl Cleague, which was nominated for nine Bay Area Circle Critics Awards and was the winner of Drama-Logue Awards for Best Production, Best Design, AZ Best Ensemble Cast and Best Direction. He has directed several others of August Wilson’s plays, including Joe Turner’s Come and Gone, Two Trains Running, and Fences, the latter of which won eight Bay Area “Choice” Awards. In February 2010, at the Roble Theatre on Stanford campus, Professor Elam directed Rent by Jonathan Larson. Oscar Brockett Outstanding Teacher of Theatre in Higher Education Award Gretel Geist Rutledge is the 2014 recipient of the Oscar Brockett Outstanding Teacher of Theatre in Higher Education Award. Gretel Geist received her B.A. from the University of Michigan in Japanese language and literature and her M.A. in Theatre at Michigan State University. After one year of Ph.D. work, she joined the Theatre faculty in 1969. She has been the head of costume design ever since. She has designed sets and costumes for well over 100 productions. Her costume designs for Henry V, Richard ATHE III, and MacBeth all involved innovative armor techniques 2014 which were displayed at American Theatre Association, the Kennedy Center American College Theatre festivals among other venues.
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