The TRINITY TRI

Total Page:16

File Type:pdf, Size:1020Kb

The TRINITY TRI The TRINITY TRI Vol.LXXXII, Issue 17 TRINITY COLLEGE, HARTFORD, CONNECTICUT ! February 14, 1984, New Coordinator Plans For Future by Ross Lemmon Zurles a very tentative schedule of Senior Staff Writer programs was proposed includ- ing, for the near future, Women's Judith Zurles, who has an ex- Health, assault prevention and self tensive background in counselling defense, and for around exam and who most recently created a time, programs on study skills, Women's Center and Maohecad time management, stress manage- Community College where she was ment and relaxation techniques. Director of the Lifelong Learning Zurles also plans to continue the Program,, has recently taken over lunchtime series which has been as Coordinator and Counselor at very successful for the Women's the Trinity Women's Center, lo- Center in the past. cated on the third floor of the . For the time being, in addition Mather Campus Center, one flight to her counselling responsibilities, up from the Washington Room. three days a week which she feels With only three day's experi- should. be extended to meet the ence at Trinity, Zurles was under- needs of the student body, Zurles standably not able to be very is occupying her time in getting a specific yet as to what responsibil- feel for the relationship between ities her position entails, but she the Women's Center and the rest was able to make some general of the College community, "tal- comments as to what she would king with a lot of people and find- like to see the Women's Center do ing out what they feel is lacking Photo by Penny Perkins in the future. As coordinator, in what is offered to the College Zurles will be in charge of initiat- community by its organizations, Karen Rodgers in action against Bowdoin last Friday night. Also shown are Robin Black, left and Sis ing programs dealing with wom- and trying to get some idea as to VanCleve, right. en's issues and with developing the what they would like to see the resources and generating the sup- Women's Center do to fill in the port with which to implement gaps." If possible, Zurles would Colby Abolishes Frats; Amherst them. In line with her belief that like to coordinate the activities the Women's Center has "the in- and events sponsored by the terest of everybody, not just Women's Center with those spon- To Make Decision This Month women, in mind," Zurles says she sored by other organizations on by Andrew P. Yurkovsky 90 to 29 recommending the absolu- suidenfs . demonstrated on No- would like to see a "broad spec- campus, particularly the Trinity Senior Staff Writer tion of fraternities by the end of vember 11 i? support of fraterni- trum of programs" implemented Women's Organization and The the academic year. Acting Presi- ties. According to The Amherst covering a wide variety of topics Trinity College Coalition of Black Fraternilies have been abol- dent G. Armour Craig has also Student, the college newspaper, for many people, including the Women. male population as much as pos- ished at Colby College. A com- spoken in favor of banning fra- 85% of those students polled fa- Like many of the other organi- mission appointed by Colby's ternities. vor keeping fraternities. Less than sible, as well as the faculty, staff, and the Hartford community." At zations on campus created for trustees has concluded that fra- half of Amherst's 1,500 students ai'e fraternity members. a recent staff meeting attended by ternities ' 'no longer serve an over- Approximately 250 Amherst continued on page 4 all constructive role." Amherst College will deicide upon the fu- ture of fraternities later this Feature Focus month. Colby's trustees voted unani- mously at the end of January to abolish the school's eight fratern- Jacobson Tries Nautical Experience ities and two sororities. Immedi- ately following the decision, by Gregory O. Davis. voyage aboard the Westward, a curly hair who are either Ph.D's ence of a different instructor. The fraternity and sorority members ' Features Editor 125' schooner he spent more time or fisherman." Jacobson at- nautical science course taught stu- started a large bonfire in protest on land in the Carribbean. His tended classes from 8:30 to 12:00 dents "how to sail a boat," says of fraternity row. A "Coalition Michael A. Jacobson '85. re- • semester is, thus, broken in three with labs in the afternoon. The Jacobson. "We learned how boats for Fraternities" has since been turns to Trinity after spending last sections-land, sea, land. three classes were Introduction to operate from taking apart engines formed at the school, but so far it semester away on Sea Semester, During his six weeks on land in Oceanography, Introduction to to radar plotting and celestial na- has taken no action. The majority sponsored by the Sea Education Woods Hole Mike attend classes Nautical Science, and Introduc- vagation." Oceonography was of Colbay's 1,600 students sup- Association. On sea semester Mike that would prepare him for oper- tion to Maritime Studies. The what Mike calls a "serious science port fraternities and sororities al- spent six weeks in Woods Hole, ating the various facets of a boat. shooling was all held in one class- class." It was this feature that at- though only 20% of the student Massachusetts, preparing for his "Woods Hole is populated by a room, and the personality of the tracted Jacobson who was looking body belongs to organizations. days at sea. After his six. week group of men with beards and oroom was changed by the pres- for a biology program for his Jun- The fraternities and sororities, ior semester abroad. which will be closed down on May The students on the program 20, will be replaced by a "residen- became a close-knit group very tial commons" system, consisting quickly. They spent the first of four self-governing communi- weekend in Woods Hole at Gay- ties. Each community will be amde head Beach enjoying the nude ba- up of four to eight dormitories, thing in the beach's mud baths. each centered around a dining Fifteen to twenty out of the 22 hall. students would socialize together A governing council for each and do their 4-5 hours of of community will be composed of homework after dinner. "You student representatives from every could never blow off your work dormitory unit. There will be at for any one night. You always had least one faculty member in resi- to do some work," claims Jacob- dence in each community which son. will also have eight to fifteen The same group of 22 left "faculty affiliates." Woods Hole after six weeks for In addition, Colby plans to the "at sea".portion of their se- build a large social center that will mester. Each person had a watch accommodate 600 to 800 persons. schedule in which they were as- The trustees of Amherst Col- signed to either deck, lab, engine- lege will meet on February 25 to roomi'.Qr galley.. "Galley duty was decide wheter of not to abolish the worst. You were the 'galley fraternities there. Before his '.slave' cooking for 35 people, wak- death, former president Julian ing up p 5:0J)arn to'sei the.'table Gibbs sent a report to the trustees and spending six hour's''in the that was critical of fraternities. On dish room." As the students be- November 29, Amherst's faculty The 125' Westward is part of the Sea Education Association's Sea Semester program in which Michael adopted a resolution by a vote of Jacobson, '85 took part last semester. continued on page 4 Page 2, THE TRINITY TRIPOD, February 14, 1984 Anno uncem en ts ClNESTUDIO portunity to gain insight into If these times are convenient Career Counseling government contracting. Ability for you, please leave your name, TONIGHT The Hartford Consortium is to work well with public and by box and phone number with Mrs. Mon Oncle 7:30 sponsoring a Summer Camp Jobs phone. 10 hours per week, 3.50 Noonan, (ext. 432) so that an- A film by Jacques Tati. M, Tulot returns , this time he shows a little Fair for area colleges and schools. per hour. Contact Kathy Mills in other time can be arranged. boy who lives in an antiseptic modern house* with his germ-fearing Over 55 summer camps will be Financial Aid. mother how to have fun in the city. Delightful comedy. 120 min. represented. Check out their General Information openings and talk with their direc- Scholarships meetings Shoot the Piano Player 9:45 tors. February, 27, Gengras Stu- The CT Environmental Health Those students interested in dent Center, 11-4:30. University Association offers a $500 schol- studying abroad for Fall Term Director: Francois Truffat. A fast-paced tribute to the American gangs- of Hartford. FREE! arship to CT resident entering the 1984 or for the 1984-85 academic- ter film centers around the former concert pianist, now playing piano in Teaching Internships: Lincoln field of environmental health. year should atend a general infor- a cafe, who becomes involved with criminals. Unpredictable and still School in Providence, RI has Apply between April 1 and Sept. mation meeting. All these meet- fresh and exciting. 84 min. openings for the coming year in 30. ings cover the same information; several areas. Because the Head of Wednesday - Saturday therefore, if a student has at- the school will come to campus on The Lions Club of Hartford of- The Chosen (PG) 7:30 tended ine in the past, he or she March 5 to interview interested fers three scholarships to residents need not attend another.
Recommended publications
  • Vernon Haley Appointed New Dean of Students
    B4NDDR4SBCK Vol. XXXI No. 7 York College of the City University of New York Jamaica, Queens April 29,1988 JacksonNo Show Causes Disappointment And Conflict By Lisa Toppin Feature Editor Jesse Jackson, Democratic presi- dential candidate, was scheduled to speak in York College's central mall on Friday, April 15. Instead of an inspiring speech, the students and faculty gathered in the mall received the disappointing news that the Reverend Jackson would not be coming. The day before, there were rumors that Jackson might cancel his visit. The mall was decorated with Jackson banners, posters and red, white, and blue balloons. There was an electricity in the air. All students seemed to talk Brenda White, Jackson's Queens Manager. about was Jackson's imminent visit. Jackson at York," said Katherine Lake, "He is the hope for minorities," said a student leader. "We put a lot of money Zak Hasan, president of the Business and effort into this event to make it Club. "He is the hope for our future happen." and our kid's future." Lake and other event organizers felt At about 11:30 a.m., when it was that the administration would not allow apparent that Jackson was not going a black political figure to speak at to arrive, Brenda White, Queens YSG President Donald Vernon vents anger after cancellation announced. York. They said that Bassin is one Manager in the Jesse Jackson campaign, of the "Mayor's boys" and he wouldn't formally announced that the visit was There was an overwhelming sense one dejected student. "I've been looking "go against" Mayor Koch and support cancelled.
    [Show full text]
  • Greenwich Village Society for Historic Preservation East Village Oral History Project
    GREENWICH VILLAGE SOCIETY FOR HISTORIC PRESERVATION EAST VILLAGE ORAL HISTORY PROJECT Oral History Interview VIRLANA TKACZ By Rosamund Johnston New York, NY March 17, 2014 Oral History Interview with Virlana Tkacz, March 17, 2014 Narrator Virlana Tkacz Birthdate 6/23/1952 Birthplace Newark, NJ Narrator Age 61 Interviewer Rosamund Johnston Place of Interview Virlana Tkacz’s Apartment on East 11th Street Date of Interview 3/17/2014 Duration of Interview 1h 15mins Number of Sessions 1 Waiver Signed/copy given Yes Photo (y/n) n/a Format Recorded .Wav, 48 Khz, 16 Bit Archival File Names MZ000007-11 Virlana Tkacz 1.mp3, Virlana Tkacz 2.mp3, Virlana Tkacz 3,mp3, Virlana Tkacz 4.mp3, MP3 File Name Virlana Tkacz 5.mp3 Order in Oral Histories RJ 2 Tkacz-ii Virlana Tkacz in rehearsals in Bishkek, Kyrgyzstan, 2010. Photograph by V. Voronin. Tkacz-iii Quotes from Oral History Interview with Virlana Tkacz “In the Sixties, there was a neighborhood with two worlds that walked past each other, that didn’t see each other—totally didn’t see each other. I remember coming to visit when I was young. My grandfather’s sister lived on St. Mark’s. And we were all dressed up, Easter clothes, all this kind of stuff, patent leather shoes. My mother was herding all of us in. And the neighbors across the hall opened the door, and there’s a bunch of kids living there, obviously, like hippies. I had never seen hippies before. They had a mattress on the floor, and there was like nothing else in the house.
    [Show full text]
  • Landmarks Preservation Commission November 17, 2009, Designation List 423 LP-2328
    Landmarks Preservation Commission November 17, 2009, Designation List 423 LP-2328 ASCHENBROEDEL VEREIN (later GESANGVEREIN SCHILLERBUND/ now LA MAMA EXPERIMENTAL THEATRE CLUB) BUILDING, 74 East 4th Street, Manhattan Built 1873, August H. Blankenstein, architect; facade altered 1892, [Frederick William] Kurtzer & [Richard O.L.] Rohl, architects Landmark Site: Borough of Manhattan Tax Map Block 459, Lot 23 On March 24, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Aschenbroedel Verein (later Gesangverein Schillerbund/ now La Mama Experimental Theatre Club) Building and the proposed designation of the related Landmark Site (Item No. 11). The hearing had been duly advertised in accordance with the provisions of law. Four people spoke in favor of designation, including representatives of the Municipal Art Society of New York, Greenwich Village Society for Historic Preservation, and Historic Districts Council. In addition, the Commission received a communication in support of designation from the Metropolitan Chapter of the Victorian Society in America. Summary The four-story, red brick-clad Aschenbroedel Verein Building, in today’s East Village neighborhood of Manhattan, was constructed in 1873 to the design of German-born architect August H. Blankenstein for this German-American professional orchestral musicians’ social and benevolent association. Founded informally in 1860, it had grown large enough by 1866 for the society to purchase this site and eventually construct the purpose-built structure. The Aschenbroedel Verein became one of the leading German organizations in Kleindeutschland on the Lower East Side. It counted as members many of the most important musicians in the city, at a time when German-Americans dominated the orchestral scene.
    [Show full text]
  • THE REST I MAKE up a Film by Michelle Memran
    Documentary Feature US, 2018, 79 minutes, Color, English www.wmm.com THE REST I MAKE UP A film by Michelle Memran The visionary Cuban-American dramatist and educator Maria Irene Fornes spent her career constructing astonishing worlds onstage and teaching countless students how to connect with their imaginations. When she gradually stops writing due to dementia, an unexpected friendship with filmmaker Michelle Memran reignites her spontaneous creative spirit and triggers a decade-long collaboration that picks up where the pen left off. The duo travels from New York to Havana, Miami to Seattle, exploring the playwright's remembered past and their shared present. Theater luminaries such as Edward Albee, Ellen Stewart, Lanford Wilson, and others weigh in on Fornes’s important contributions. What began as an accidental collaboration becomes a story of love, creativity, and connection that persists even in the face of forgetting. WINNER! Audience Award, Best Documentary: Frameline Film Festival 2018 WINNER! Jury Award for Best Documentary, Reeling: Chicago LGBTQ+ Int’l Film Festival WINNER! AARP Silver Image Award, Reeling: Chicago LGBTQ+ Int’l Film Festival WINNER! Jury Award for Best Documentary, OUTshine Film Festival Special Mention, Queer Porto 4 - International Queer Film Festival One of the “Best Movies of 2018” Richard Brody, THE NEW YORKER "A lyrical and lovingly made documentary." THE NEW YORK TIMES "Intimate and exhilarating...Fornes exerts a hypnotic force of stardom, while her offhanded yet urgent remarks resound with life-tested literary authority. " THE NEW YORKER "A story of spontaneity, creativity, genius and madness. It showcases the life, inspiration and virtuosity of Fornes." MIAMI HERALD "A tender exploration of Fornes’ life and the meaning of memory." CONDÉ NAST’S THEM "Fabulous.
    [Show full text]
  • Ellen Stewart La Mama of Us
    MTDR190_11311_ch02 4/26/06 3:24 PM Page 12 Ellen Stewart La Mama of Us All Downloaded from http://direct.mit.edu/dram/article-pdf/50/2 (190)/12/1821778/dram.2006.50.2.12.pdf by guest on 26 September 2021 1. Ellen Stewart with playwrights Leonard Melfi, Paul Foster, Tom O’Horgan, and Kevin O’Connor at Brandeis University, 1967. (Courtesy of Ellen Stewart/The La Mama Archive) Cindy Rosenthal Cindy Rosenthal is Associate Professor at Hofstra University where she teaches theatre, performance, and women’s studies. She is coeditor, with James Harding, of Restaging the Sixties: Radical Theatres and Their Legacies (University of Michigan Press, 2006). She has contributed two articles on NYC community gardeners’ activist performances to TDR; her work is also published in Women and Performance, Theatre Journal, and Radical Street Performance (Routledge, 1998). 12 MTDR190_11311_ch02 4/26/06 3:24 PM Page 13 You let yourself become one of them and you use whatever skills you have to enhance what they have, what they do. This is my philosophy. Nobody tells me anything. —Ellen Stewart, 30 June 2003 Where to Begin? 30 September 2004, City University of New York Ellen Stewart, “La Mama,” founder/director of the La Mama Experimental Theatre Club, was honored at a symposium celebrating Off and Off-Off Broadway at the Elebash Recital Hall, CUNY. Stewart was accom- panied by La Mama “baby” performer/director/playwright Paul Zimet, who first worked at La Mama when the Open Theater performed there in 1967. Zimet begins by ringing the bell (laughter in the auditorium).
    [Show full text]
  • <I>Ellen Stewart Presents: Fifty Years of La Mama Experimental Theatre</I>
    The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Ellen Stewart Presents: Fifty Years of La MaMa Experimental Theatre Ellen Stewart Presents: Fifty Years of La MaMa Experimental Theatre. Cindy Rosenthal. Ann Arbor: University of Michigan Press, 2017; Pp. 198. Ellen Stewart Presents: Fifty Years of La MaMa Experimental Theatre is the first book-length study to chronicle Ellen Stewart’s exceptional contributions to twentieth and twenty-first century theatre. Written by expert in U.S. theatre Cindy Rosenthal, the book is ambitious in scope and stays true to the idiosyncratic tenets of avant-garde theatre that made Ellen Stewart famous. Rosenthal began research for the project in 2006 when TDR commissioned her to write a comprehensive article about La MaMa. Until this point, Ellen Stewart had been fiercely guarded about her privacy and determined that no book would be written about her or La MaMa. However, Rosenthal’s article pleased Stewart, so she agreed to a manuscript with the caveat that Rosenthal approach the book through the lens of La MaMa’s vast poster collection and through the words of the artists who had passed through La MaMa’s doors since its inception in 1961. The result is a historical narrative of colorful anecdotes, archival photographs, and rare posters that examine La MaMa’s longevity as the foremost Off-Off-Broadway venue. Ellen Stewart Presents is primarily an archival and ethnographic study that is organized into five chronological chapters beginning with the 1960s and ending in 2011, shortly after Stewart’s death at the age of ninety-one.
    [Show full text]
  • Alaska CARES a Clinic Providing Sexual and Physical Abuse Evaluations for Children up to Age 18
    FROM THE ARTISTIC DIRECTOR Welcome, Tonight we celebrate the world premiere of Vera Starbard’s beautiful play, Our Voices Will Be Heard. What you will see in Vera’s debut work is a play about a terribly difficult subject: sexual abuse. It’s also about a mother’s and daughter’s strength in the face of limited options. It is a “ It is a play that took great courage to write. One of my earliest theatre memories at Perseverance was a production play that of Paula Vogel’s play about AIDS called The Baltimore Waltz. The AIDS epidemic was at its height, and Paula’s play was the first artful work took great on this tragic and important subject that I had seen. I thought of Paula when meeting Vera Starbard a few years ago because Vera’s story about a girl coming of age while dealing with a sexually abusive uncle courage to brought up Paula’s 1998 Pulitzer Prize-winning play, How I Learned to Drive. write. Over time, I’ve become aware of an interesting resonance with the ” younger Paula Vogel’s earlier work. Both are very theatrical, deeply personal, and written to build understanding of an ongoing tragedy. Stigma, victim blaming, and challenges in empathizing with the human beings caught up in abusive situations are common threads in both writers’ work. The plays are starkly different, but on a deeper level there is a connection in their approaches: both writers are writing what they know. Both writers draw on personal experience and create a theatricalized version of lived reality in order to examine it with their audience.
    [Show full text]
  • Staging Lesbian and Gay New York
    Staging Lesbian and Gay New York The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Bernstein, Robin. 2010. Staging lesbian and gay New York. In The Cambridge Companion to the Literature of New York, ed. B. Waterman and C. R. K. Patell, 202-217. Cambridge University Press. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:3659696 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 14 ROBIN BERNSTEIN Staging lesbian and gay New York New York, more than any other city, unapologetically names its center for theater and drama: Broadway is the axis surrounded by concentric rings of off-Broadway and off-off-Broadway – marking, respectively, mainstream, margin, and fringe. Anything beyond the shores of Manhattan is designated, sometimes with condescension, “regional theater.” Lesbian and gay drama maps onto this topography. The history of scripted live performances by or about lesbian, gay, bisexual, transgender, and queer people in New York City is the history of a vexed relationship with Broadway, the mainstream visibility it offers, and the politics and aesthetics it polices. Broadway is an object of desire, a longed-for sign of success that can seduce theater practitioners toward conservative aesthetics and poli- tics, away from radical experimentation and social engagement. Broadway spotlights a few extraordinarily talented queer playwrights – often but not always white gay men – while routinely eclipsing equally brilliant people of color, white lesbians, and feminists of all stripes.
    [Show full text]
  • Caffe Cino Multiple Property Listing: No Other Names/Site Number  2
    NPS Form 10-900 OMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials and areas of significance, enter only categories and subcategories listed in the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Caffe Cino multiple property listing: no other names/site number 2. Location street & number 31 Cornelia St not for publication city or town New York vicinity state New York code NY county New York code 061 zip code 10014 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I certify that this x nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property x meets does not meet the National Register criteria. I recommend that this property be considered significant nationally statewide x locally.
    [Show full text]
  • Interview with Ellen Stewart of Lamama Experimental Theatre Club, December 9, 1989
    FALL 1991 99 Interview with Ellen Stewart of LaMama Experimental Theatre Club, December 9, 1989 Bev Ostroska Ellen Stewart is the founder and artistic director of LaMama Experimen­ tal Theatre Club in lower Manhattan's East Village. The theatre is nationally recognized as one of the prime centers of off-off-Broadway's emergence in the 1960s, and has grown from a one-room basement cafe to include three stages, an art gallery, rehearsal and workshop studios and its own archival space. Such talents as Lanford Wilson, Tom O'Horgan, Sam Shepard, Harvey Fierstein, Liz Swados, Andrei Serban and Tom Eyen all had early beginnings at LaMama. LaMama has also been the American host to such notable international experimentalists as Tadeusz Kantor, Jerzy Grotowski, Tadashi Suzuki and Peter Brook. To speak of LaMama is to speak synonymously of Ellen Stewart, who continues to guide almost every aspect of the theatre, even today, some twenty-nine years after the theatre's opening. During the past fifteen years, Stewart has followed an artistic credo which many, if not most, productions at LaMama exemplify. Committed to a theatre that goes beyond the limits of national culture towards a universally communicative exchange, Stewart has sought to produce theatre at LaMama whose meaning is conveyed viscerally through images, gestures, music, sound and emotional content. In December, 1989, I met with Ellen Stewart and she discussed LaMama's early beginnings and long-standing commitment to internationalism. She also talked about the theatre's move from "playwright's theatre" to "playmaker's theatre," and of her interest in supporting a visually-centered, rather than verbally-centered, theatre.
    [Show full text]
  • From Fred Mcdarrah, Greenwich Village (1963), P
    "Washington Square on a summer's afternoon," from Fred McDarrah, Greenwich Village (1963), p. 25. By permission of Fred W. McDarrah. Downloaded from http://read.dukeupress.edu/books/book/chapter-pdf/662535/9780822396901-gallery1-1.pdf by guest on 29 September 2021 "Bleecker Street pushcarts," from Fred McDarrah, Greenwich Village (I963), P.59. By permission of Fred W. McDarrah. Map of Greenwich Village, I963. Downloaded from http://read.dukeupress.edu/books/book/chapter-pdf/662535/9780822396901-gallery1-1.pdf by guest on 29 September 2021 San Gennaro Festival. By permission of Fred W. McDarrah. Downloaded from http://read.dukeupress.edu/books/book/chapter-pdf/662535/9780822396901-gallery1-1.pdf by guest on 29 September 2021 Jazz Gallery, St. Mark's Place, from Fred McDarrah, Greenwich Village (I963), p. 85. By permission of Fred W. McDarrah. Sandwich board for The Connection, from Fred McDarrah, Greenwich Village (I963), p. 87. By permission of Fred W. McDarrah. Facing page: "Mac­ Dougal Street at night, a perpetual street fair," from Fred McDarrah, Greenwich Village (I963), p. 57. By per­ mission of Fred W. McDarrah. Downloaded from http://read.dukeupress.edu/books/book/chapter-pdf/662535/9780822396901-gallery1-1.pdf by guest on 29 September 2021 Downloaded from http://read.dukeupress.edu/books/book/chapter-pdf/662535/9780822396901-gallery1-1.pdf by guest on 29 September 2021 Judson Poets' Theater: What Happened by Gertrude Stein, directed by Lawrence Kornfeld. AI Carmines is at the piano, Arlene Rothlein sits on the piano, and Lucinda Childs is carried aloft. Photo © 1963 Peter Moore. By permission of Peter Moore.
    [Show full text]
  • Coffeehouse Chronicles #155 Ellen Stewart
    Coffeehouse Chronicles #155 Ellen Stewart image by Oana Maria Cajal Ellen Stewart Theatre 66 East 4th Street, NYC, 10003 November 2, 2019 Coffeehouse Chronicles #155 Ellen Stewart Personal Ellen stories will be presented in the lobby and in the theatre as the audience enters the space. Video Clip - Ellen ringing the bell (1969) Audience Welcome by Michal Gamily Animation by Tom Lee “Ellen’s early days in NYC” Live performance by Cathy Shaw - “Ellen at Saks 5th Avenue” Live Performance - The Satin Dolls “Cotton Club” Performed by Rod Rodgers Dance company A reading by Mia Yoo from Adrienne Kennedy Live performance - “Mythos Oedipus” by Elizabeth Swados Performed by Great Jones Repertory Company Live marionette performance by CAMT Vít Hořejš “Ellen’s early days and the fire in the Annex” Live performance - a song from “Antigone” by Ellen Stewart Performed by Cary Gant Live performance - a song from “Perseus” by Ellen Stewart Performed By Rafael Alfonso Quiñones, AKA Benjamin Marcantoni Live performance - from “Hercules” by Ellen Stewart Performed by Federico Restrepo & eugene the poogene with Benjamin Marcantoni Short animation film by Naama Zarfaty “Ellen in Umbria” Video Clip - Ellen & Liz Swados with Great Jones Rep. Company 2009 “Asclepius” Preshow with Great Jones Repertory Company - Video by Marybeth Ward Live perforance - a song from “Asclepius ” by Ellen Stewart Performed by Cary Gant Video Clip - Ellen ringing the bell for the last time in 2009 Video by Marybeth Ward Live performance - a song from “Asclepius” by Ellen Stewart Performed by Rafael Alfonso Quiñones, AKA Benjamin Marcantoni Video Clip - Great Jones Repertory Company curtain call “Asclepius” Video by Marybeth Ward Live - Great Jones Rep.
    [Show full text]