09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick

FR417: States of the Nation: French View Online Cinema and Society from 1990 to the present (2015/16)

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‘Ginette Vincendeau, “Noir Is Also a French Word,” in I. Cameron (ed.) The Movie Book of Film Noir.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_1992.pd f.

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Higbee, Will. 2005. ‘The Return of the Political, or Designer Visions of Exclusion? The Case for ?s ? Fracture Sociale? Trilogy.’ Studies in French Cinema 5 (2): 123–36. https://doi.org/10.1386/sfci.5.2.123/1.

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La Rafle. n.d. http://www.amazon.co.uk/Rafle-collector-2-DVD/dp/B003BNY1WG/ref=sr_1_2?ie=UTF8&qid =1456761895&sr=8-2&keywords=La+Rafle.

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‘La Ville Est Tranquille [DVD] [2001].’ n.d. http://www.amazon.co.uk/Ville-Est-Tranquille-DVD/dp/B000065BZA/ref=sr_1_1?ie=UTF8&qi d=1456764801&sr=8-1&keywords=La+Ville+est+tranquille.

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‘Les Femmes de l’Ombre Coll-DVD.’ n.d. http://www.amazon.co.uk/Femmes-lOmbre-Coll-DVD-Sophie-Marceau/dp/B001BA1QPG/ref =sr_1_2?ie=UTF8&qid=1456761860&sr=8-2&keywords=Les+Femmes+de+l%E2%80%99 ombre.

‘LES GLANEURS ET LA GLANEUSE [ DVD ] (2000) En VF - Un Film d’Agnès Varda Avec Agnès Varda, François Wertheimer...’ n.d. http://www.amazon.co.uk/GLANEURS-GLANEUSE-DVD-VF-Wertheimer/dp/B004EMLSSS/ref =sr_1_1?ie=UTF8&qid=1456763952&sr=8-1&keywords=Les+Glaneurs+et+la+glaneuse.

‘LOL.’ n.d. http://www.amazon.co.uk/LOL-Douglas-Booth/dp/B00FYNX3QQ/ref=sr_1_1?ie=UTF8& qid=1456845042&sr=8-1&keywords=LOL+azuelos.

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‘Martine Danan, “From a ”Prenational” to a “Postnational” French Cinema,” in C. Fowler (ed.), The European Cinema Reader, London and New York: Routledge, 2002.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/danan_m_2002.pdf.

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‘Raphaëlle Moine, “Reconfigurations Génériques de La Comédie Dans Le Cinéma Français Contemporain,” in Le Cinéma Français Face Aux Genres, Paris: Association Française de Recherche Sur Le Cinéma, 2005, Pp. 214-223.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/moine_r_2005.pdf.

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‘Rick Clifton Moore, “Ambivalence to Technology in Jeunet”s Le Fabuleux Destin d’Amélie Poulain,’ Bulletin of Science, Technology & Society, 26:1 (Feb. 2006).’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/moore_r_2006.pdf.

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———. 2001. ‘Agnés Varda’s Les Glaneurs et La Glaneuse : Portrait of the Artist as an Old Lady.’ Studies in French Cinema 1 (1): 29–36. https://doi.org/10.1386/sfci.1.1.29.

———. 2002a. ‘Auto-Portraits Glanés et Plaisirs Partagés: Les Glaneurs et La Glaneuse et Le Fabuleux Destin d’Amélie Poulain’. L’Esprit Créateur 42 (3): 3–16. https://doi.org/10.1353/esp.2010.0409.

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———. 2011. ‘Dissident or Conformist Passing: Merzak Allouache’s Chouchou’. South Central Review 28 (1): 2–17. https://doi.org/10.1353/scr.2011.0003.

‘Sarah Cooper, “Auto-Allo-Portraits in Les Glaneurs et La Glaneuse,” in Selfless Cinema? Ethics and French Documentary, Cambridge: Legenda, 2006, Pp. 84-90.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/cooper_s_2006.pdf.

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Schilt, Thibaut. 2011. François Ozon. Vol. Contemporary film directors. Urbana: University of Illinois Press.

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