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French Cinema and Society from 1990 to the Present | University of Warwick 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick FR417: States of the Nation: French View Online Cinema and Society from 1990 to the present (2015/16) 36 [DVD] [2006]. n.d. http://www.amazon.co.uk/36-DVD-Daniel-Auteuil/dp/B000GE2KNA/ref=sr_1_1?ie=UTF8&qi d=1456845706&sr=8-1&keywords=36+Quai+des+Orf%C3%A8vres. Asibong, Andrew. 2008. Franĉois Ozon. Vol. French film directors. Manchester: Manchester University Press. Austin, Guy. 2003. Stars in Modern French Film. London: Arnold. ———. 2008. Contemporary French Cinema: An Introduction. 2nd ed. Manchester: Manchester University Press. Balasko, Josiane, Claude Berri, Victoria Abril, Alain Chabat, Ticky Holgado, AMLF (Firm), Renn Productions, et al. 1999. ‘Gazon Maudit =: French Twist.’ [U.K.]: Channel 4. Bande de Filles (FSK 12 Jahre) DVD. n.d. http://www.amazon.co.uk/Bande-Filles-FSK-Jahre-DVD/dp/3848870150/ref=sr_1_2?ie=UTF8 &qid=1456844926&sr=8-2&keywords=Bande+de+filles. Bazgan, Nicoleta. 2010. ‘Female Bodies in Paris: Iconic Urban Femininity and Parisian Journeys.’ Studies in French Cinema 10 (2): 95–109. https://doi.org/10.1386/sfc.10.2.95_1. Berri, Claude, Daniel Auteuil, Carole Bouquet, Patrice Chereau, Lucie Aubrac, Renn Productions, and October Films. 2001. ‘Lucie Aubrac.’ [U.K.]: Channel 4. Bienvenue Chez Les Ch’tis. n.d. http://www.amazon.co.uk/Bienvenue-Chez-Les-Chtis/dp/B002GHBTL4/ref=sr_1_3?ie=UTF8 &qid=1456761209&sr=8-3&keywords=Bienvenue+chez+les+Ch+tis. ‘Bon Voyage [DVD] (2003).’ n.d. http://www.amazon.co.uk/Bon-Voyage-DVD-Isabelle-Adjani/dp/B0002HSDVO/ref=sr_1_1?ie =UTF8&qid=1456761833&sr=8-1&keywords=Bon+Voyage+%28Rappeneau+2003%29% 2C+. Bordwell, David, and Kristin Thompson. 2013. Film Art: An Introduction. Tenth edition. New York: McGraw-Hill. Brassart, Alain. n.d. L’homosexualité Dans Le Cinéma Français. Vol. Collection Cinéma. Paris: Nouveau monde. 1/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick Bréhat, Jean, Rachid Bouchareb, Olivier Lorelle, Jamel Debbouze, Samy Naceri, Roschdy Zem, Sami Bouajila, et al. 2006. ‘Days of Glory: Indigènes.’ [New York]: Tessalit Productions, Madman (distributor). Brown, Tom, and Belén Vidal, eds. 2014. The Biopic in Contemporary Film Culture. New York: Routledge. ‘Carrie Tarr with Brigitte Rollet, “Introduction” and “Conclusion,” in Cinema and the Second Sex, Women’s Filmmaking in France in the 1980s and 1990s, London and New York: Continuum, 2001.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/tarr_c_2001.pdf. Chedaleux, Delphine. 2014. ‘Déclinaisons de La Masculinité Dans Les Comédies Françaises : Le Cas Jean Dujardin.’ Mise Au Point, no. 6 (April). https://doi.org/10.4000/map.1741. Chouchou [FRENCH]. n.d. http://www.amazon.co.uk/Chouchou-FRENCH-GadElmaleh/dp/B0001ZF58G/ref=sr_1_1?ie= UTF8&qid=1456763526&sr=8-1&keywords=Chouchou. ‘Christian Bosséno, “The Case of Beur Cinema,” in R. Dyer and G. Vincendeau (eds), Popular European Cinema (1992).’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/bosseno_c_1992.pdf. Comme Une Image (DVD) ~ Agnès Jaoui. n.d. http://www.amazon.co.uk/Comme-une-image-Agn%C3%A8s-Jaoui/dp/B001Q3M3P0/ref=sr_ 1_2?ie=UTF8&qid=1456844998&sr=8-2&keywords=Comme+une+image. Conway, Kelley. 2010. ‘Varda at Work’: Studies in French Cinema 10 (2): 125–39. https://doi.org/10.1386/sfc.10.2.125_1. Corrigan, Timothy, and Patricia White. 2015. The Film Experience: An Introduction. Fourth edition. Boston: Bedford/St. Martins. De Battre, Mon Coeur S’est Arrêté [Import Belge]. n.d. http://www.amazon.co.uk/battre-coeur-sest-arr%C3%AAt%C3%A9-belge/dp/B000JCF6QM/r ef=sr_1_3?ie=UTF8&qid=1456845747&sr=8-3&keywords=De+battre+mon+coeur+s%E2 %80%99est+arr%C3%AAt%C3%A9. Delbosc, Olivier, Marc Missonnier, Marina de Van, François Ozon, Robert Thomas, Danielle Darrieux, Catherine Deneuve, et al. n.d. ‘8 Femmes: 8 Women.’ ‘Dina Sherzer, “Gender and Sexuality in New New Wave Cinema,” in A. Hughes & J. S. Williams (eds), Gender and French Cinema, Oxford and New York: Berg, 2001’. n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/sherzer_d_2001.pdf. Dubois, Régis. 2012. Les Noirs Dans Le Cinéma Français: Images et Imaginaires D’hier et D'aujourd'hui. Vol. Collection "le sens des images". [France]: Régis Dubois. Dufour, Éric. 2014. Qu’est-Ce Que Le Mal, Monsieur Haneke? Vol. Philosophie et Cinéma. Paris: Vrin. 2/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick Durmelat, Sylvie, and Vinay Swamy. 2011. Screening Integration: Recasting Maghrebi Immigration in Contemporary France. Lincoln: University of Nebraska Press. Elgie, Robert. 1996. Electing the French President: The 1995 Presidential Election. Basingstoke: Macmillan. ‘Elizabeth Ezra & Terry Rowden, “What Is Transnational Cinema?” in Ezra and Rowden, Transnational Cinema: The Film Reader (New York: Routledge, 2006), Pp. 1-10.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/ezra_e_2006.pdf. Esposito, Claudia. 2011. ‘Ronsard in the Metro: Abdellatif Kechiche and the Poetics of Space.’ Studies in French Cinema 11 (3): 223–34. https://doi.org/10.1386/sfc.11.3.223_1. Everett, Wendy E. 1996. European Identity in Cinema. Vol. Intellect European studies series. Exeter: Intellect. Everett, Wendy E., and Axel Goodbody. 2005. Revisiting Space: Space and Place in European Cinema. Vol. New studies in European cinema. Oxford: P. Lang. Ezra, E., and J. Sillars. 2007. ‘Introduction.’ Screen 48 (2): 211–13. https://doi.org/10.1093/screen/hjm016. Flitterman-Lewis, Sandy. n.d. ‘Sarah’s Key/La Rafle.’ Cineaste 36 (4): 51–54. http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/892609703?accountid=1 4888. Forth, Christopher E., and Bertrand Taithe. 2007. French Masculinities: History, Culture, and Politics. Basingstoke [England]: Palgrave Macmillan. Fox, Alistair. 2014. A Companion to Contemporary French Cinema. Edited by Raphaëlle Moine, Hilary Radner, and Michel Marie. Vol. Wiley-Blackwell companions to national cinemas. Chichester, West Sussex [England]: John Wiley & Sons. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118585405. Frédéric Bonnaud. 2001. ‘Wannabe Auteur Makes Good.’ Film Comment 37 (4): 52–55. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/43577654. Frey, Hugo. 2014. Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995. New York: Berghahn Books. Gender Meets Genre in Postwar Cinemas eBook: Christine Gledhill: Amazon.co.uk: Kindle Store. 17AD. University of Illinois Press; 1st Edition edition. http://www.amazon.co.uk/Gender-Meets-Genre-Postwar-Cinemas-ebook/dp/B0094N1KGM/r ef=sr_1_1?ie=UTF8&qid=1456844801&sr=8-1&keywords=Gender+Meets+Genre+in+Pos twar+Cinemas. ‘Ginette Vincendeau, “Fifty Years of the French New Wave: From Hysteria to Nostalgia,” in P. Graham & G. Vincendeau (eds) The French New Wave: Critical Landmarks, London: BFI (2009), Pp. 1-31.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_2009.pd f. 3/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick ‘Ginette Vincendeau, “Noir Is Also a French Word,” in I. Cameron (ed.) The Movie Book of Film Noir.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_1992.pd f. ‘Ginette Vincendeau , “The New Lower Depths: Paris in French Neo-Noir Cinema”, in Mark Bould, Kathrina Glitre and Greg Tuck (eds), Neo-Noir, London and New York: Wallflower, 2009, Pp. 103–17.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_2009_b. pdf. Gorrara, Claire. 2003. The Roman Noir in Post-War French Culture: Dark Fictions. Vol. Oxford studies in modern European culture. Oxford: Oxford University Press. Grandena, Florian, and Cristina Johnston. 2011. Cinematic Queerness: Gay and Lesbian Hypervisibility in Contemporary Francophone Feature Films. Vol. Modern French identitites. Oxford: Peter Lang. Greene, Naomi. 1999. Landscapes of Loss: The National Past in Postwar French Cinema. Princeton, N.J.: Princeton University Press. Green, Mary Jean. 2011. ‘All In the Family: Abdellatif Kechiche’s La Graine et Le Mulet (The Secret of the Grain)’. South Central Review 28 (1): 109–23. https://doi.org/10.1353/scr.2011.0002. Guédiguian, Robert, Ariane Ascaride, Gérard Meylan, Pascale Roberts, and Jacques Boudet. 2004. ‘Marius et Jeanette.’ [U.K.]: BBC4. Handyside, Fiona, and Kate E. Taylor-Jones, eds. 2015. International Cinema and the Girl: Local Issues, Transnational Contexts. Vol. Global cinema. New York: Palgrave Macmillan. Haneke, Michael, Daniel Auteuil, Juliette Binoche, Maurice Bénichou, Annie Girardot, Bernard Le Coq, Walid Afkir, et al. 2006. ‘Hidden.’ [London]: Artificial Eye. Hayes, Graeme. 2001. ‘Resistancialism Revisited: Masculinity and National Identity in Claude Berri’s (1997).’ Studies in French Cinema 1 (2): 108–17. https://doi.org/10.1386/sfci.1.2.108. Hayward, Susan. 2005a. French National Cinema. 2nd ed. Vol. National cinemas. London: Routledge. ———. 2005b. French National Cinema. 2nd ed. Vol. National cinemas. London: Routledge. Hazanavicius, Michel, Thomas Langmann, Jean Dujardin, Bérénice Bejo, James Cromwell, Penelope Ann Miller, Malcolm McDowell, et al. 2014. ‘The Artist.’ [United Kingdom]: BBC2. ‘Henry Rousso, Le Syndrome de Vichy: 1944 – 198…, Paris: Éditions Du Seuil, 1987.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/rousso_h_1987.pdf. 4/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick Higbee, Will. 2005. ‘The Return of the Political, or Designer Visions of Exclusion? The Case for Mathieu Kassovitz?s ? Fracture Sociale? Trilogy.’ Studies in French Cinema 5 (2): 123–36. https://doi.org/10.1386/sfci.5.2.123/1.
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