French Cinema and Society from 1990 to the Present | University of Warwick

French Cinema and Society from 1990 to the Present | University of Warwick

09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick FR417: States of the Nation: French View Online Cinema and Society from 1990 to the present (2015/16) 36 [DVD] [2006]. n.d. http://www.amazon.co.uk/36-DVD-Daniel-Auteuil/dp/B000GE2KNA/ref=sr_1_1?ie=UTF8&qi d=1456845706&sr=8-1&keywords=36+Quai+des+Orf%C3%A8vres. Asibong, Andrew. 2008. Franĉois Ozon. Vol. French film directors. Manchester: Manchester University Press. Austin, Guy. 2003. Stars in Modern French Film. London: Arnold. ———. 2008. Contemporary French Cinema: An Introduction. 2nd ed. Manchester: Manchester University Press. Balasko, Josiane, Claude Berri, Victoria Abril, Alain Chabat, Ticky Holgado, AMLF (Firm), Renn Productions, et al. 1999. ‘Gazon Maudit =: French Twist.’ [U.K.]: Channel 4. Bande de Filles (FSK 12 Jahre) DVD. n.d. http://www.amazon.co.uk/Bande-Filles-FSK-Jahre-DVD/dp/3848870150/ref=sr_1_2?ie=UTF8 &qid=1456844926&sr=8-2&keywords=Bande+de+filles. Bazgan, Nicoleta. 2010. ‘Female Bodies in Paris: Iconic Urban Femininity and Parisian Journeys.’ Studies in French Cinema 10 (2): 95–109. https://doi.org/10.1386/sfc.10.2.95_1. Berri, Claude, Daniel Auteuil, Carole Bouquet, Patrice Chereau, Lucie Aubrac, Renn Productions, and October Films. 2001. ‘Lucie Aubrac.’ [U.K.]: Channel 4. Bienvenue Chez Les Ch’tis. n.d. http://www.amazon.co.uk/Bienvenue-Chez-Les-Chtis/dp/B002GHBTL4/ref=sr_1_3?ie=UTF8 &qid=1456761209&sr=8-3&keywords=Bienvenue+chez+les+Ch+tis. ‘Bon Voyage [DVD] (2003).’ n.d. http://www.amazon.co.uk/Bon-Voyage-DVD-Isabelle-Adjani/dp/B0002HSDVO/ref=sr_1_1?ie =UTF8&qid=1456761833&sr=8-1&keywords=Bon+Voyage+%28Rappeneau+2003%29% 2C+. Bordwell, David, and Kristin Thompson. 2013. Film Art: An Introduction. Tenth edition. New York: McGraw-Hill. Brassart, Alain. n.d. L’homosexualité Dans Le Cinéma Français. Vol. Collection Cinéma. Paris: Nouveau monde. 1/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick Bréhat, Jean, Rachid Bouchareb, Olivier Lorelle, Jamel Debbouze, Samy Naceri, Roschdy Zem, Sami Bouajila, et al. 2006. ‘Days of Glory: Indigènes.’ [New York]: Tessalit Productions, Madman (distributor). Brown, Tom, and Belén Vidal, eds. 2014. The Biopic in Contemporary Film Culture. New York: Routledge. ‘Carrie Tarr with Brigitte Rollet, “Introduction” and “Conclusion,” in Cinema and the Second Sex, Women’s Filmmaking in France in the 1980s and 1990s, London and New York: Continuum, 2001.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/tarr_c_2001.pdf. Chedaleux, Delphine. 2014. ‘Déclinaisons de La Masculinité Dans Les Comédies Françaises : Le Cas Jean Dujardin.’ Mise Au Point, no. 6 (April). https://doi.org/10.4000/map.1741. Chouchou [FRENCH]. n.d. http://www.amazon.co.uk/Chouchou-FRENCH-GadElmaleh/dp/B0001ZF58G/ref=sr_1_1?ie= UTF8&qid=1456763526&sr=8-1&keywords=Chouchou. ‘Christian Bosséno, “The Case of Beur Cinema,” in R. Dyer and G. Vincendeau (eds), Popular European Cinema (1992).’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/bosseno_c_1992.pdf. Comme Une Image (DVD) ~ Agnès Jaoui. n.d. http://www.amazon.co.uk/Comme-une-image-Agn%C3%A8s-Jaoui/dp/B001Q3M3P0/ref=sr_ 1_2?ie=UTF8&qid=1456844998&sr=8-2&keywords=Comme+une+image. Conway, Kelley. 2010. ‘Varda at Work’: Studies in French Cinema 10 (2): 125–39. https://doi.org/10.1386/sfc.10.2.125_1. Corrigan, Timothy, and Patricia White. 2015. The Film Experience: An Introduction. Fourth edition. Boston: Bedford/St. Martins. De Battre, Mon Coeur S’est Arrêté [Import Belge]. n.d. http://www.amazon.co.uk/battre-coeur-sest-arr%C3%AAt%C3%A9-belge/dp/B000JCF6QM/r ef=sr_1_3?ie=UTF8&qid=1456845747&sr=8-3&keywords=De+battre+mon+coeur+s%E2 %80%99est+arr%C3%AAt%C3%A9. Delbosc, Olivier, Marc Missonnier, Marina de Van, François Ozon, Robert Thomas, Danielle Darrieux, Catherine Deneuve, et al. n.d. ‘8 Femmes: 8 Women.’ ‘Dina Sherzer, “Gender and Sexuality in New New Wave Cinema,” in A. Hughes & J. S. Williams (eds), Gender and French Cinema, Oxford and New York: Berg, 2001’. n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/sherzer_d_2001.pdf. Dubois, Régis. 2012. Les Noirs Dans Le Cinéma Français: Images et Imaginaires D’hier et D'aujourd'hui. Vol. Collection "le sens des images". [France]: Régis Dubois. Dufour, Éric. 2014. Qu’est-Ce Que Le Mal, Monsieur Haneke? Vol. Philosophie et Cinéma. Paris: Vrin. 2/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick Durmelat, Sylvie, and Vinay Swamy. 2011. Screening Integration: Recasting Maghrebi Immigration in Contemporary France. Lincoln: University of Nebraska Press. Elgie, Robert. 1996. Electing the French President: The 1995 Presidential Election. Basingstoke: Macmillan. ‘Elizabeth Ezra & Terry Rowden, “What Is Transnational Cinema?” in Ezra and Rowden, Transnational Cinema: The Film Reader (New York: Routledge, 2006), Pp. 1-10.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/ezra_e_2006.pdf. Esposito, Claudia. 2011. ‘Ronsard in the Metro: Abdellatif Kechiche and the Poetics of Space.’ Studies in French Cinema 11 (3): 223–34. https://doi.org/10.1386/sfc.11.3.223_1. Everett, Wendy E. 1996. European Identity in Cinema. Vol. Intellect European studies series. Exeter: Intellect. Everett, Wendy E., and Axel Goodbody. 2005. Revisiting Space: Space and Place in European Cinema. Vol. New studies in European cinema. Oxford: P. Lang. Ezra, E., and J. Sillars. 2007. ‘Introduction.’ Screen 48 (2): 211–13. https://doi.org/10.1093/screen/hjm016. Flitterman-Lewis, Sandy. n.d. ‘Sarah’s Key/La Rafle.’ Cineaste 36 (4): 51–54. http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/892609703?accountid=1 4888. Forth, Christopher E., and Bertrand Taithe. 2007. French Masculinities: History, Culture, and Politics. Basingstoke [England]: Palgrave Macmillan. Fox, Alistair. 2014. A Companion to Contemporary French Cinema. Edited by Raphaëlle Moine, Hilary Radner, and Michel Marie. Vol. Wiley-Blackwell companions to national cinemas. Chichester, West Sussex [England]: John Wiley & Sons. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118585405. Frédéric Bonnaud. 2001. ‘Wannabe Auteur Makes Good.’ Film Comment 37 (4): 52–55. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/43577654. Frey, Hugo. 2014. Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995. New York: Berghahn Books. Gender Meets Genre in Postwar Cinemas eBook: Christine Gledhill: Amazon.co.uk: Kindle Store. 17AD. University of Illinois Press; 1st Edition edition. http://www.amazon.co.uk/Gender-Meets-Genre-Postwar-Cinemas-ebook/dp/B0094N1KGM/r ef=sr_1_1?ie=UTF8&qid=1456844801&sr=8-1&keywords=Gender+Meets+Genre+in+Pos twar+Cinemas. ‘Ginette Vincendeau, “Fifty Years of the French New Wave: From Hysteria to Nostalgia,” in P. Graham & G. Vincendeau (eds) The French New Wave: Critical Landmarks, London: BFI (2009), Pp. 1-31.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_2009.pd f. 3/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick ‘Ginette Vincendeau, “Noir Is Also a French Word,” in I. Cameron (ed.) The Movie Book of Film Noir.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_1992.pd f. ‘Ginette Vincendeau , “The New Lower Depths: Paris in French Neo-Noir Cinema”, in Mark Bould, Kathrina Glitre and Greg Tuck (eds), Neo-Noir, London and New York: Wallflower, 2009, Pp. 103–17.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/vincendeau_g_2009_b. pdf. Gorrara, Claire. 2003. The Roman Noir in Post-War French Culture: Dark Fictions. Vol. Oxford studies in modern European culture. Oxford: Oxford University Press. Grandena, Florian, and Cristina Johnston. 2011. Cinematic Queerness: Gay and Lesbian Hypervisibility in Contemporary Francophone Feature Films. Vol. Modern French identitites. Oxford: Peter Lang. Greene, Naomi. 1999. Landscapes of Loss: The National Past in Postwar French Cinema. Princeton, N.J.: Princeton University Press. Green, Mary Jean. 2011. ‘All In the Family: Abdellatif Kechiche’s La Graine et Le Mulet (The Secret of the Grain)’. South Central Review 28 (1): 109–23. https://doi.org/10.1353/scr.2011.0002. Guédiguian, Robert, Ariane Ascaride, Gérard Meylan, Pascale Roberts, and Jacques Boudet. 2004. ‘Marius et Jeanette.’ [U.K.]: BBC4. Handyside, Fiona, and Kate E. Taylor-Jones, eds. 2015. International Cinema and the Girl: Local Issues, Transnational Contexts. Vol. Global cinema. New York: Palgrave Macmillan. Haneke, Michael, Daniel Auteuil, Juliette Binoche, Maurice Bénichou, Annie Girardot, Bernard Le Coq, Walid Afkir, et al. 2006. ‘Hidden.’ [London]: Artificial Eye. Hayes, Graeme. 2001. ‘Resistancialism Revisited: Masculinity and National Identity in Claude Berri’s (1997).’ Studies in French Cinema 1 (2): 108–17. https://doi.org/10.1386/sfci.1.2.108. Hayward, Susan. 2005a. French National Cinema. 2nd ed. Vol. National cinemas. London: Routledge. ———. 2005b. French National Cinema. 2nd ed. Vol. National cinemas. London: Routledge. Hazanavicius, Michel, Thomas Langmann, Jean Dujardin, Bérénice Bejo, James Cromwell, Penelope Ann Miller, Malcolm McDowell, et al. 2014. ‘The Artist.’ [United Kingdom]: BBC2. ‘Henry Rousso, Le Syndrome de Vichy: 1944 – 198…, Paris: Éditions Du Seuil, 1987.’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/fr/fr417/rousso_h_1987.pdf. 4/11 09/25/21 FR417: States of the Nation: French Cinema and Society from 1990 to the present | University of Warwick Higbee, Will. 2005. ‘The Return of the Political, or Designer Visions of Exclusion? The Case for Mathieu Kassovitz?s ? Fracture Sociale? Trilogy.’ Studies in French Cinema 5 (2): 123–36. https://doi.org/10.1386/sfci.5.2.123/1.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    11 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us