The Letters of Elizabeth of Bohemia
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THE HISTORY of GERMANY T H E U N Co Mm E N Do N E Pope , Thro Gh His Talented Uncio , , Made Several Extremely Touch I Ng Representations to the Assembly
T HE HIST O R Y O F GE R MA N Y PA R T X v l l WAR O F: L IBE R AT IO N IN T HE N E T HE R L A N D S Pre o n der an ce o the S an ia rds an d CXCVIII . p f p — Jes uits Co ur tly Vic es HE false peace co ncluded at A ugsb urg was imm e di ’ T ately followed by Charles V . s abdication of his nu r o m e ro us c o wns . He w uld willingly have resigned m r h that of the e pi e to his son Philip , had not the Spanis o r o o m o educati n of that p ince , his gl y and big ted character, inspired the Germans with an aversi o n as un c o nque rable as h . m o r o t at with which he beheld them Ferdinand had , e ver, o r n . r n e e rt he gained the fav of the Germa princes Cha les , v f o so n o o less , influenced by a fection t ward his , best wed up n h im m o N one of the finest of the Ger an pr vinces , the ether W lands , besides Spain , Milan , Naples , and the est Indies r m (Am erica) . Fe dinand received the rest of the Ger an o o m hereditary possessi ns of his h use , besides Bohe ia and r r Hungary . -
The Catholic Challenge During the Thirty Years'
4 ‘When will the burning start here?’: the Catholic challenge during the Thirty Years’ War The authorities in Rothenburg were spared another problematic encounter with a self-confessed child-witch until 1627, when thirteen-year-old Margaretha Hörber from the hinterland village of Gebsattel began claiming that she had been seduced into witchcraft and taken to witches’ dances by older women. As befitted a teenager, her story was more detailed than that told by six-year-old Hans Gackstatt in 1587, particularly in terms of her descrip- tions of the witches’ dance and her encounters with the devil. However, the questions of whether the experiences of a self-confessed child-witch had been real or illusory and of whether his or her testimony against others was to be trusted, which had perplexed the councillors and their advisers in 1587, also helped shape their dealings with Margaretha in 1627. What was different about the case in 1627 was the political context within which it took place. The Thirty Years’ War had started in 1618, and the late 1620s were years of ascen- dancy for the Catholic Habsburg Emperor, Ferdinand, and the Catholic League, the coalition of Catholic allies under the leadership of Duke Maximil- ian of Bavaria. This ascendancy culminated in the promulgation by Ferdinand of the Edict of Restitution in March 1629 which, among other provisions, ordered the return to the Catholic church of all ecclesiastical properties seized by Protestants since 1552 and constituted ‘a staggering blow to German Protestantism, before which all earlier setbacks paled in comparison’.1 Mar- garetha Hörber’s narrative of witchcraft and the manner in which the Rothen- burg council handled it proved to be firmly embedded in, and expressive of, this wider context of religious conflict, in which a beleaguered Lutheranism appeared to be fighting for its survival against the resurgent forces of counter- reformation Catholicism. -
Politics, Feasts, Festivals SZEGEDI VALLÁSI NÉPRAJZI KÖNYVTÁR BIBLIOTHECA RELIGIONIS POPULARIS SZEGEDIENSIS 36
POLITICS, FEASTS, FESTIVALS SZEGEDI VALLÁSI NÉPRAJZI KÖNYVTÁR BIBLIOTHECA RELIGIONIS POPULARIS SZEGEDIENSIS 36. SZERKESZTI/REDIGIT: BARNA, GÁBOR MTA-SZTE RESEARCH GROUP FOR THE STUDY OF RELIGIOUS CULTURE A VALLÁSI KULTÚRAKUTATÁS KÖNYVEI 4. YEARBOOK OF THE SIEF WORKING GROUP ON THE RITUAL YEAR 9. MTA-SZTEMTA-SZTE VALLÁSIRESEARCH GROUP KULTÚRAKUTATÓ FOR THE STUDY OF RELIGIOUS CSOPORT CULTURE POLITICS, FEASTS, FESTIVALS YEARBOOK OF THE SIEF WORKING GROUP ON THE RITUAL YEAR Edited by Gábor BARNA and István POVEDÁK Department of Ethnology and Cultural Anthropology Szeged, 2014 Published with the support of the Hungarian National Research Fund (OTKA) Grant Nk 81502 in co-operation with the MTA-SZTE Research Group for the Study of Religious Culture. Cover: Painting by István Demeter All the language proofreading were made by Cozette Griffin-Kremer, Nancy Cassel McEntire and David Stanley ISBN 978-963-306-254-8 ISSN 1419-1288 (Szegedi Vallási Néprajzi Könyvtár) ISSN 2064-4825 (A Vallási Kultúrakutatás Könyvei ) ISSN 2228-1347 (Yearbook of the SIEF Working Group on the Ritual Year) © The Authors © The Editors All rights reserved Printed in Hungary Innovariant Nyomdaipari Kft., Algyő General manager: György Drágán www.innovariant.hu https://www.facebook.com/Innovariant CONTENTS Foreword .......................................................................................................................... 7 POLITICS AND THE REMEMBraNCE OF THE Past Emily Lyle Modifications to the Festival Calendar in 1600 and 1605 during the Reign of James VI and -
Archivio Gonzaga
Archivio Gonzaga buste A-Z e 1-3720 (762, in copia del sec. XI-1866) cfr.: Pietro Torelli, L’Archivio Gonzaga di Mantova, Arnaldo Forni Editore, Ostiglia (MN) 1920, ristampa anastatica Mantova 1988, vol. I; Alessandro Luzio, La corrispondenza familiare, amministrativa e diplomatica dei Gonzaga, Verona 1922, ristampa anastatica Mantova 1993, vol. II. Archivio Gonzaga Nota introduttiva L’Archivio Gonzaga si può definire in sostanza come l’antico archivio «segreto» marchionale poi ducale, abbondantemente integrato con altra documentazione di data molto posteriore alla caduta della dinastia; esso è stato inserito, durante i lavori di ordinamento iniziati nel 1760, entro le ventidue classi A-Z fissate col piano di sistemazione variato il 13 agosto 1775. Come tale è poi rimasto, intatto nella sua struttura, a costituire il nucleo più prestigioso e il centro d’attrazione di sempre nuove carte di particolare importanza, sia dell’archivio governativo istituito nel 1786, sia soprattutto dell’archivio storico patrio pervenuto, come si è detto, all’Archivio di Stato di Mantova nel 1899. Un tipico archivio di corte e di cancelleria, insomma, con richiami di atti dalle più svariate magistrature sia comunali che principesche, ma ordinato per materia a posteriori, e quindi in modo tale da non rispecchiare né l’organizzazione della cancelleria, né tanto meno quella degli organi di governo nel loro complesso. Naturalmente esso comprende anche carte di data anteriore all’avvento dei Gonzaga al potere: in particolare quelle che i Gonzaga stessi avevano concentrato nella magna domus dopo la battaglia di piazza San Pietro del 16 agosto 1328, data comunemente accolta come termine della signoria bonacolsiana, e che l’incendio dell’archivio del comune nel 1413 ha reso poi particolarmente preziose. -
What's a Palatine Anyway?
~~. ---,. ~-~,.,,}.',, ,, ,., ,. ~........... ~ ... --. ·-~ ~\.,---~- - . ~.- -~ ;-~~ - -- ---~~- -----~......-- . .--------. Ethnic Research · What's a Palatine, Anyvvay? James M. Beidler examines the Palatinate, Germany's emigrant hotbed for centuries. THE PALATINATE, which is now 'Comis Pala tinus ' to 'Pfalzgraf' today as the Palatinate. Less than part of the German state The original title of these courtiers 300 years later, a member of the Rhineland-Palatinate, began sup in Latin was comis palatinus (liter Wittlesbach family became plying a steady stream of immi ally, "companion of the palace"). Pfalzgraf as well as Herzog (duke) grants to America in the late 1n English, this title was count of Bavaria. From this date in the 1600s and contributed to the for palatine while in German the 1200s until the early 1800s, there mation of the was a relationship Pennsylvania between the rulers of German culture and Bavaria and of the dialect among Palatinate - culmi German ethnics in nating with the ruler the New World. of the Palatinak So many of the inheriting Bavaria Germans who left for in 1777. America in the 18th In the l 300s, the century were from Pfalzgraf became one the Palatinate that of the members of the the word "Palatine" Electoral College that became synonymous was responsible for with "German". This choosing the Holy is especially borne Roman Emperor. As a out in the case of the result, the area ship captains who became known as the transported these Electora I Pa la tinate, immigrants (primari or Kurpfalz in ly from Rotterdam to German. Philadelphia) and The Reformed were required to file religion of John lists with the Calvin and Ulrich Pennsylvania author Zwingli swept 11,e Palatitrate as depicted in William Blaeu's 1645 atlas Theatrum ities beginning in Orbis Terrarum. -
The Sophies of Hanover and Royal Prussian Music Abstract
Kulturgeschichte Preuûens - Colloquien 6 (2018) Ellen Exner The Sophies of Hanover and Royal Prussian Music Abstract: The history of royal Prussian music was shaped not only by its kings, but also by its queens. Although there were famously patterns of crisis and prosperity in the kingdom©s eighteenth-century history, strands of continuity provided by Prussia©s early Hanoverian queens often go unobserved and therefore undescribed. The first Prussian queen, Sophie Charlotte of Hanover, set a precedent for sophisticated music cultivation, which is apparent in Corelli©s dedication to her of the Op. 5 violin sonatasÐa collection of chamber pieces. Her legacyÐand that of her homeland, HanoverÐlived on through the private efforts of her daughter-in-law and successor, Sophie Dorothea, whose own legacy is evident in the musical activities of her children. <1> Kings are unquestionably important in the histories of kingdoms but queens also had roles to play in creating a reign©s culture. Early in Prussia©s royal history, two of its queens were the real forces behind music cultivation within the ruling family. Queens Sophie Charlotte (r. 1701 to 1705) and Sophie Dorothea (r. 1713 to 1740) both came originally to Prussia from Hanover and shared more than just their bloodline with the Prussian royal family: they also infused it with a discerning passion for music. Prussia©s first queen, Sophie Charlotte, achieved a very high standard of elite music making, setting an impressive precedent for the royal family. Memory of her musicianship remained alive in her descendants, female as well as male. When Sophie Charlotte©s own son, King Friedrich Wilhelm I (r. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
Dissertation Title Page
“Singing by Course” and the Politics of Worship in the Church of England, c1560–1640 By James Campbell Nelson Apgar A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor James Davies Professor Diego Pirillo Spring 2018 Abstract “Singing by Course” and the Politics of Worship in the Church of England, c1560–1640 by James Campbell Nelson Apgar Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair “Singing by course” was both a product of and a rhetorical tool within the religious discourses of post-Reformation England. Attached to a variety of ostensibly distinct practices, from choirs singing alternatim to congregations praying responsively, it was used to advance a variety of partisan agendas regarding performance and sound within the services of the English Church. This dissertation examines discourses of public worship that were conducted around and through “singing by course,” treating it as a linguistic and conceptual node within broader networks of contemporary religious debate. I thus attend less to the history of the vocal practices to which “by course” and similar descriptions were applied than to the polemical dynamics of these applications. Discussions of these terms and practices slipped both horizontally, to other matters of ritual practice, and vertically, to larger topics or frameworks such as the nature of the Christian Church, the production of piety, and the roles of sound and performance in corporate prayer. Through consideration of these issues, “singing by course” emerges as a rhetorical, political, and theological construction, one that circulated according to changing historical conditions and to the interests of various ecclesiastical constituencies. -
GAP Analysis Report
CITY OF AMBERG GAP ANALYSIS GAP Analysis for Cultural-led Development of Version 3 Small and Medium Sized Cities 03 2020 Page 1 Contents 1. Urban Identity/Town’s profile ................................................................................. 3 1.1. General Information ................................................................................. 3 1.2. What constitutes Amberg’s urban identity? ..................................................... 5 2. Cultural and Creative Industries and the creativity of the economic sector ........................ 10 2.1. Activity level of the producers of cultural and creative products ........................ 10 2.2. Activity level of the producers of traditional trades and crafts ........................... 16 2.3. Level of creativity in the traditional economic sectors ..................................... 17 3. Consumption of cultural and creative products ........................................................... 18 3.1. Level of consumption of locally produced cultural and creative products .............. 18 3.2. Presence of patrons, collectors, or wealthy persons and families ........................ 19 3.3. Level of consumption of locally produced traditional craft products .................... 20 4. Enabling environment ......................................................................................... 20 4.1. Awareness of political decision makers for CCI ............................................... 21 4.2. Awareness of CCI actors for CCI ................................................................ -
Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral
UNIVERSITY OF CALIFORNIA RIVERSIDE International Projects with a Local Emphasis: Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Daniel A. Powazek June 2020 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Randolph Head Dr. Jeanette Kohl Copyright by Daniel A. Powazek 2020 The Thesis of Daniel A. Powazek is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE THESIS International Projects with a Local Emphasis: The Collecting and Representation of Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral by Daniel A. Powazek Master of Arts, Graduate Program in Art History University of California, Riverside, June 2020 Dr. Kristoffer Neville, Chairperson When the Albertine Dukes of Saxony gained the Electoral privilege in the second half of the sixteenth century, they ascended to a higher echelon of European princes. Elector August (r. 1553-1586) marked this new status by commissioning a monumental tomb in Freiberg Cathedral in Saxony for his deceased brother, Moritz, who had first won the Electoral privilege for the Albertine line of rulers. The tomb’s magnificence and scale, completed in 1563, immediately set it into relation to the grandest funerary memorials of Europe, the tombs of popes and monarchs, and thus establishing the new Saxon Electors as worthy peers in rank and status to the most powerful rulers of the period. By the end of his reign, Elector August sought to enshrine the succeeding rulers of his line in an even grander project, a dynastic chapel built into Freiberg Cathedral directly in front of the tomb of Moritz. -
PERSPECTIVES on Science and Christian Faith
PERSPECTIVES on Science and Christian Faith JOURNAL OF THE AMERICAN SCIENTIFIC AFFILIATION In This Issue … Pharaoh’s Gift: Was Ancient Nubia the Land of Milk and Camels? The Role of Psychology in Advancing Dialogue between Science and Christianity Newton Deified and Defied: The Many “Newtons” of the Enlightenment Reformed Theology and Evolutionary Theory: A Critical Review “The fear of the Lord is the beginning of Wisdom.” Psalm 111:10 VOLUME 72, NUMBER 4 DECEMBER 2020 (US ISSN 0892-2675) (CPM #40927506) Perspectives on Science and Christian Faith Manuscript Guidelines © 2020 by the American Scientific Affiliation The pages of Perspectives on Science and Christian Faith (PSCF) are open Editor-in-Chief to original, unpublished contributions that interact with science and Christian James C. Peterson (Roanoke College and faith in a manner consistent with scientific and theological integrity. A brief Virginia Tech) description of standards for publication in PSCF can be found in the lead 221 College Lane editorial of the December 2013 issue. This is available at www.asa3.org Salem, VA 24153 PUBLICATIONS PSCF Academic Journal. Published papers do not reflect [email protected] any official position of the American Scientific Affiliation. 1. Submit all manuscripts to: James C. Peterson, Editor, Roanoke College, Book Reviews 221 College Lane, Salem, VA 24153. E-mail: [email protected]. Stephen Contakes (Westmont College) Submissions are typically acknowledged within 10 days of their receipt. Book Review Editor 2. Authors must submit an electronic copy of the manuscript formatted 912 Westmont Road in Word as an email attachment. Typically 2–3 anonymous reviewers Santa Barbara, CA 93108-1035 critique each manuscript considered for publication. -
Before Orientalism London’S Theatre of the East, 1576–1626
Before Orientalism London’s Theatre of the East, 1576–1626 Richmond Barbour Department of English Oregon State University published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge, cb2 2ru, UK 40 West 20th Street, New York, ny 10011–4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org c Richmond Barbour 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Times 10/12 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library Library of Congress Cataloguing in Publication data Barbour, Richmond (Richmond Tyler) Before orientalism : London’s theatre of the East, 1576–1626 / Richmond Barbour. p. cm. – (Cambridge studies in Renaissance literature and culture; 45) Includes bibliographical references and index. isbn 0 521 65047 x 1. English drama – Oriental influences. 2. English drama – Early modern and Elizabethan, 1500–1600 – History and criticism. 3. English drama – 17th century – History and criticism. 4. Theatre – England – History – 16th century. 5. Theatre – England